1.
Cahn, S. M. Aesthetics : a comprehensive anthology.
2.
Lamarque, P. & Olsen, S. H. Aesthetics and the philosophy of art : the analytic tradition: an anthology. vol. Blackwell philosophy anthologies (Blackwell, 2004).
3.
Neill, A. & Ridley, A. Arguing about art: contemporary philosophical debates. (Routledge, 2008).
4.
Kieran, M. Contemporary debates in aesthetics and the philosophy of art. vol. Contemporary debates in philosophy (Blackwell Pub, 2006).
5.
The Routledge companion to aesthetics. vol. Routledge philosophy companions (Routledge, 2013).
6.
Levinson, J. The Oxford handbook of aesthetics. (Oxford University Press, 2005).
7.
Levinson, J. The Oxford handbook of aesthetics. (Oxford University Press, 2005).
8.
Kivy, P. The Blackwell guide to aesthetics. vol. Blackwell philosophy guides (Blackwell Pub, 2004).
9.
Kivy, P. The Blackwell guide to aesthetics. vol. Blackwell philosophy guides (Blackwell Publishing, 2004).
10.
Stecker, R. Aesthetics and the philosophy of art : an introduction.
11.
Davies, S. The philosophy of art. vol. Foundations of the philosophy of the arts (Blackwell Pub, 2006).
12.
Carroll, N. Philosophy of art: a contemporary introduction. vol. Routledge contemporary introductions to philosophy (Routledge, 1999).
13.
Carroll, N. Philosophy of art: a contemporary introduction. vol. Routledge contemporary introductions to philosophy (Routledge, 1999).
14.
Danto, A. Works of Art and Mere Real Things. in The transfiguration of the commonplace: a philosophy of art 1–32 (Harvard University Press, 1981).
15.
Danto, A. C. Extract. in After the end of art: contemporary art and the pale of history vol. The A.W. Mellon lectures in the fine arts (Princeton University Press, 1997).
16.
What is art? vol. Art and philosophy (Haven Publications, 1983).
17.
Weitz, M. The Role of Theory in Aesthetics. The Journal of Aesthetics and Art Criticism 15, (1956).
18.
Urmson, J. O. What Makes a Situation Aesthetic? Proceedings of the Aristotelian Society, Supplementary Volumes 31, 75–92 (1957).
19.
Lind, R. The Aesthetic Essence of Art. The Journal of Aesthetics and Art Criticism 50, (1992).
20.
Mandelbaum, M. Family Resemblances and Generalization concerning the Arts. American Philosophical Quarterly 2, 219–228 (1965).
21.
Davies, S. Definitions of art. (Cornell University Press, 1991).
22.
Adajian, T. The Definition of Art. The Stanford Encyclopedia of Philosophy (2007).
23.
Carroll, N. Theories of art today. (University of Wisconsin Press, 2000).
24.
Gaut, B. The Cluster Account of Art Defended. The British Journal of Aesthetics 45, 273–288 (2005).
25.
Stecker, R. Aesthetics and the philosophy of art : an introduction.
26.
Danto, A. The Artworld. The Journal of Philosophy 61, (1964).
27.
Dickie, G. Art and the aesthetic: an institutional analysis. (Cornell University Press, 1974).
28.
Wollheim, R. Art and its Objects. vol. Cambridge Philosophy Classics (Cambridge University Press, 2015).
29.
Wollheim, R. Art and its objects. (Cambridge University Press, 1980).
30.
Danto, A. C. Beyond the brillo box: the visual arts in post-historical perspective. (University of California Press, 1998).
31.
International Wittgenstein Symposium. Aesthetics: proceedings of the 8th International Wittgenstein Symposium, Part 1, 15th to 21st August 1983, Kirchberg am Wechsel (Austria). vol. Schriftenreihe der Wittgenstein-Gesellschaft (Hölder-Pichler-Tempsky, 1984).
32.
Kivy, P. The Blackwell guide to aesthetics. vol. Blackwell philosophy guides (Blackwell Pub, 2004).
33.
Kivy, P. The Blackwell guide to aesthetics. vol. Blackwell philosophy guides (Blackwell Publishing, 2004).
34.
Stecker, R. The End of an Institutional Definition of Art. The British Journal of Aesthetics 26, 124–132 (1986).
35.
Davies, S. The philosophy of art. vol. Foundations of the philosophy of the arts (Blackwell Pub, 2006).
36.
Abell, C. Art: What it Is and Why it Matters. Philosophy and Phenomenological Research 85, 671–691 (2012).
37.
Danto, A. Aesthetics and the Work of Art. in The transfiguration of the commonplace: a philosophy of art 90–114 (Harvard University Press, 1981).
38.
Danto, A. Interpretation and Identification. in The transfiguration of the commonplace: a philosophy of art 115–135 (Harvard University Press, 1981).
39.
Danto, A. C. The philosophical disenfranchisement of art. vol. Columbia classics in philosophy (Columbia University Press, 2005).
40.
Rollins, M. Danto and his critics. vol. Philosophers and their critics (Wiley-Blackwell, 2012).
41.
Rollins, M. Danto and His Critics.
42.
Zangwill, N. Are There Counterexamples to Aesthetic Theories of Art? Journal of Aesthetics and Art Criticism 60, 111–118 (2002).
43.
Lopes, D. M. The Myth of (Non‐Aesthetic) Artistic Value. The Philosophical Quarterly 61, 518–536 (2011).
44.
Huddleston, A. In Defense of Artistic Value. The Philosophical Quarterly 62, 705–714 (2012).
45.
Shelley, J. Against Value Empiricism in Aesthetics. Australasian Journal of Philosophy 88, 707–720 (2010).
46.
Shelley, J. The Problem of Non-Perceptual Art. The British Journal of Aesthetics 43, 363–378 (2003).
47.
Rollins, M. Danto and his critics. vol. Philosophers and their critics (Wiley-Blackwell, 2012).
48.
Rollins, M. Danto and His Critics.
49.
Costello, D. Kant and the Problem of Strong Non-Perceptual Art. The British Journal of Aesthetics 53, 277–298 (2013).
50.
Costello, D. Whatever happened to "embodiment”? the eclipse of materiality in danto’s ontology of art. Angelaki: Journal of Theoretical Humanities 12, 83–94 (14AD).
51.
Danto, A. C. Three Decades After the End of Art. in After the end of art: contemporary art and the pale of history vol. Bollingen series 25–48 (Princeton University Press, 1997).
52.
Danto, A. C. After the end of art: contemporary art and the pale of history. vol. Bollingen series (Princeton University Press, 1997).
53.
Danto, A. The End of Art. in The philosophical disenfranchisement of art vol. Columbia classics in philosophy 81–115 (Columbia University Press, 1986).
54.
Danto, A. C. Encounters & reflections: art in the historical present. (University of California Press).
55.
Haapala, A., Levinson, J. & Rantala, V. The end of art and beyond: essays after Danto. (Humanity Books, 1999).
56.
Margolis, J. What, after all, is a work of art?: lectures in the philosophy of art. (Pennsylvania State University Press, 1999).
57.
Gaiger, J. Danto’s Philosophy. Art History 22, 451–454 (1999).
58.
Hegel, G. W. F., Bosanquet, B. & Inwood, M. J. Introductory lectures on aesthetics. (Penguin, 1993).
59.
Levinson, J. Defining art historically. The British Journal of Aesthetics 19, 232–250 (1979).
60.
Levinson, J. Refining Art Historically. The Journal of Aesthetics and Art Criticism 47, (1989).
61.
Carroll, N. Philosophy of art: a contemporary introduction. vol. Routledge contemporary introductions to philosophy (Routledge, 1999).
62.
Carroll, N. Philosophy of art: a contemporary introduction. vol. Routledge contemporary introductions to philosophy (Routledge, 1999).
63.
Sibley, F. Aesthetic Concepts. The Philosophical Review 68, (1959).
64.
Walton, K. L. Categories of Art. The Philosophical Review 79, (1970).
65.
Laetz, B. Kendall Walton’s ‘Categories of Art’: A Critical Commentary. The British Journal of Aesthetics 50, 287–306 (2010).
66.
Lopes, D. Beyond art. (Oxford University Press, 2014).
68.
Nathan, D. O. Categories and Intentions. The Journal of Aesthetics and Art Criticism 31, (1973).
69.
Levinson, J. What a Musical Work Is. The Journal of Philosophy 77, (1980).
70.
Currie, G. Ontology of Art.
71.
Carroll, N. On criticism. vol. Thinking in action (Routledge, 2009).
72.
Davies, S. Definitions of art. (Cornell University Press, 1991).
73.
Hopkins, R. Aesthetics, Experience, and Discrimination. Journal of Aesthetics and Art Criticism 63, 119–133 (2005).
74.
Carlson, A. Nature, Aesthetic Judgment, and Objectivity. The Journal of Aesthetics and Art Criticism 40, (1981).
75.
Parsons, G. Nature Appreciation, Science, and Positive Aesthetics. The British Journal of Aesthetics 42, 279–295 (2002).
76.
Zangwill, N. In Defence of Moderate Aesthetic Formalism. The Philosophical Quarterly 50, 476–493 (2000).
77.
Parsons, G. Moderate Formalism As a Theory of the Aesthetic. Journal of Aesthetic Education 38, (2004).
78.
Wimsatt, W. K. The verbal icon: studies in the meaning of poetry. (Methuen, 1970).
79.
Wimsatt, W. K. & Beardsley, M. C. The verbal icon: studies in the meaning of poetry. (The University Press of Kentucky, 1954).
80.
Nehamas, A. The Postulated Author: Critical Monism as a Regulative Ideal. Critical Inquiry 8, 133–149 (1981).
81.
Beardsley, M. C. Intentions and Interpretations: A Fallacy Revived. in The aesthetic point of view: selected essays 188–207 (Cornell University Press, 1982).
82.
Carroll, N. Beyond aesthetics: philosophical essays. (Cambridge University Press, 2001).
83.
Carroll, N. Beyond aesthetics: philosophical essays. (Cambridge University Press, 2001).
84.
Davies, S. Authors’ Intentions, Literary Interpretation, and Literary Value. The British Journal of Aesthetics 46, 223–247 (2006).
85.
Levinson, J. The pleasures of aesthetics: philosophical essays. (Cornell University Press, 1996).
86.
Stecker, R. & Davies, S. The Hypothetical Intentionalist’s Dilemma: A Reply to Levinson. The British Journal of Aesthetics 50, 307–312 (2010).
87.
Livingston, P. Art and intention: a philosophical study. (Clarendon, 2005).
88.
Livingston, P. Art and intention: a philosophical study. (Clarendon Press, 2005).
89.
Maes, H. Intention, Interpretation, and Contemporary Visual Art. The British Journal of Aesthetics 50, 121–138 (2010).
90.
Hagberg, G. & Jost, W. A companion to the philosophy of literature. vol. Blackwell companions to philosophy (Wiley-Blackwell, 2010).
91.
Hagberg, G. & Jost, W. A companion to the philosophy of literature. vol. Blackwell companions to philosophy (Wiley-Blackwell, 2010).
92.
Iseminger, G. Actual Intentionalism vs. Hypothetical Intentionalism. The Journal of Aesthetics and Art Criticism 54, (1996).
93.
Stecker, R. Moderate Actual Intentionalism Defended. Journal of Aesthetics and Art Criticism 64, 429–438 (2006).
94.
Stecker, R. Aesthetics and the philosophy of art : an introduction.
95.
Iseminger, G. Intention and interpretation. vol. The Arts and their philosophies (Temple University Press, 1992).
96.
Robinson, J. M. Style and Personality in the Literary Work. The Philosophical Review 94, (1985).
97.
Riggle, N. Personal Style and Artistic Style. The Philosophical Quarterly 65, 711–731 (2015).
98.
Riggle, N. On the Aesthetic Ideal. The British Journal of Aesthetics 55, 433–447 (2015).
99.
Riggle, N. & Hopkins, R. Artistic Style as the Expression of Ideals.
100.
Robinson, J. Deeper than reason: emotion and its role in literature, music, and art. (Clarendon, 2005).
101.
Robinson, J. Deeper than reason: emotion and its role in literature, music, and art. (Clarendon/Oxford University Press, 2005).
102.
Bermúdez, J. L. & Gardner, S. Art and morality. vol. International library of philosophy (Routledge, 2003).
103.
Lang, B. The concept of style. (Cornell University Press, 1987).
104.
Aesthetics and Ethics: Essays at the Intersection. vol. Cambridge Studies in Philosophy and the Arts (Cambridge University Press, 1998).
105.
Aesthetics and ethics: essays at the intersection. vol. Cambridge studies in philosophy and the arts (Cambridge University Press, 2001).
106.
Levinson, J. The Oxford handbook of aesthetics. (Oxford University Press, 2005).
107.
Levinson, J. The Oxford handbook of aesthetics. (Oxford University Press, 2005).
108.
Gilmore, J. The life of a style: beginnings and endings in the narrative history of art. (Cornell University Press).
109.
Aesthetics and ethics: essays at the intersection. vol. Cambridge studies in philosophy and the arts (Cambridge University Press, 1998).
110.
Aesthetics and Ethics: Essays at the Intersection. vol. Cambridge Studies in Philosophy and the Arts (Cambridge University Press, 1998).
111.
Bermúdez, J. L. & Gardner, S. Art and morality. vol. International library of philosophy (Routledge, 2003).
112.
Eaton, A. W. Robust Immoralism. The Journal of Aesthetics and Art Criticism 70, 281–292 (2012).
113.
Gaut, B. N. Art, emotion and ethics. (Oxford University Press, 2007).
114.
Gaut, B. N. Art, emotion and ethics. (Oxford University Press, 2009).
115.
Jacobson, D. In Praise of Immoral Art. Philosophical Topics 25, 155–199 (1997).
116.
Kieran, M. Contemporary debates in aesthetics and the philosophy of art. vol. Contemporary debates in philosophy (Blackwell Pub, 2006).
117.
Aesthetics and Ethics: Essays at the Intersection. vol. Cambridge Studies in Philosophy and the Arts (Cambridge University Press, 1998).
118.
Aesthetics and ethics: essays at the intersection. vol. Cambridge studies in philosophy and the arts (Cambridge University Press, 2001).
119.
Carroll, N. Moderate Moralism. The British Journal of Aesthetics 36, 223–238 (1996).
120.
Anderson, J. C. & Dean, J. T. Moderate Autonomism. The British Journal of Aesthetics 38, 150–166 (1998).
121.
Goldie, P. The Oxford handbook of philosophy of emotion. vol. Oxford handbooks in philosophy (Oxford University Press, 2010).
122.
Goldie, P. The Oxford handbook of philosophy of emotion. vol. Oxford handbooks in philosophy (Oxford University Press, 2010).
123.
Kieran, M. Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass 1, 129–143 (2006).
124.
The Routledge companion to aesthetics. vol. Routledge philosophy companions (Routledge, 2013).
125.
Carroll, N. Art and Ethical Criticism: An Overview of Recent Directions of Research. Ethics 110, 350–387 (2000).
126.
Aesthetics and Ethics: Essays at the Intersection. vol. Cambridge Studies in Philosophy and the Arts (Cambridge University Press, 1998).
127.
Aesthetics and ethics: essays at the intersection. vol. Cambridge studies in philosophy and the arts (Cambridge University Press, 2001).
128.
Hagberg, G. & Jost, W. A companion to the philosophy of literature. vol. Blackwell companions to philosophy (Wiley-Blackwell, 2010).
129.
Hagberg, G. & Jost, W. A companion to the philosophy of literature. vol. Blackwell companions to philosophy (Wiley-Blackwell, 2010).
130.
Kieran, M. Contemporary debates in aesthetics and the philosophy of art. vol. Contemporary debates in philosophy (Blackwell Pub, 2006).
131.
Kieran, M. Art, Imagination, and the Cultivation of Morals. The Journal of Aesthetics and Art Criticism 54, (1996).
132.
Kieran, M. Revealing art. (Routledge, 2005).
133.
Schellekens, E. Aesthetics and morality. vol. Continuum aesthetics (Continuum, 2007).
134.
Schellekens, E. Aesthetics and morality. vol. Continuum aesthetics (Continuum, 2007).
135.
Neill, A. & Ridley, A. Arguing about art: contemporary philosophical debates. (Routledge, 2008).
136.
Neill, A. & Ridley, A. Arguing about art: contemporary philosophical debates. (Routledge, 2008).
137.
Dutton, D. The art instinct: beauty, pleasure, & human evolution. (Oxford University Press, 2009).
138.
The journal of aesthetics and art criticism. 65, (2007).
139.
Lopes, D. Beyond art. (Oxford University Press, 2014).
140.
Lopes, D. Beyond art.
141.
Shusterman, Richard; Tomlin, A. Aesthetic Experience. vol. 10 (Routledge, 2007).
142.
McEvilley, T. Art & otherness : crisis in cultural identity.
143.
Dissanayake, E. What is art for? (University of Washington Press, 1988).
144.
Dewey, J. Art as experience. (Perigee Books, 2005).
145.
Saito, Y. Everyday aesthetics. (Oxford University Press, 2007).
146.
Higgins, K. M. An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs. Journal of Aesthetics and Art Criticism 65, 43–54 (2007).
147.
Davies, D. On the Very Idea of ‘Outsider Art’. The British Journal of Aesthetics 49, 25–41 (2009).
