Bibliography for PH346: Issues in Contemporary Aesthetics BETA

Abell, C. (2012) ‘Art: What it Is and Why it Matters’, Philosophy and Phenomenological Research, 85(3), pp. 671–691. Available at: https://doi.org/10.1111/j.1933-1592.2011.00498.x.

Adajian, T. (2007) ‘The Definition of Art’, The Stanford Encyclopedia of Philosophy [Preprint]. Available at: http://plato.stanford.edu/archives/win2012/entries/art-definition/.

Anderson, J.C. and Dean, J.T. (1998) ‘Moderate Autonomism’, The British Journal of Aesthetics, 38(2), pp. 150–166. Available at: https://doi.org/10.1093/bjaesthetics/38.2.150.

Beardsley, M.C. (1982) ‘Intentions and Interpretations: A Fallacy Revived’, in The aesthetic point of view: selected essays. Ithaca, (N.Y.): Cornell University Press, pp. 188–207. Available at: https://contentstore.cla.co.uk/secure/link?id=f449d609-5620-e711-80c9-005056af4099.

Bermúdez, J.L. and Gardner, S. (2003a) Art and morality. London: Routledge.

Bermúdez, J.L. and Gardner, S. (2003b) Art and morality. London: Routledge.

Cahn, S.M. (no date) Aesthetics : a comprehensive anthology. Blackwell Publishers 2008.

Carlson, A. (1981) ‘Nature, Aesthetic Judgment, and Objectivity’, The Journal of Aesthetics and Art Criticism, 40(1). Available at: https://doi.org/10.2307/430349.

Carroll, N. (1996) ‘Moderate Moralism’, The British Journal of Aesthetics, 36(3), pp. 223–238. Available at: https://doi.org/10.1093/bjaesthetics/36.3.223.

Carroll, N. (1999a) Philosophy of art: a contemporary introduction [electronic resource]. London: Routledge. Available at: http://site.ebrary.com/lib/warwick/Doc?id=10054555.

Carroll, N. (1999b) Philosophy of art: a contemporary introduction. London: Routledge.

Carroll, N. (1999c) Philosophy of art: a contemporary introduction [electronic resource]. London: Routledge. Available at: http://site.ebrary.com/lib/warwick/Doc?id=10054555.

Carroll, N. (1999d) Philosophy of art: a contemporary introduction. London: Routledge.

Carroll, N. (2000a) ‘Art and Ethical Criticism: An Overview of Recent Directions of Research’, Ethics, 110(2), pp. 350–387. Available at: https://doi.org/10.1086/233273.

Carroll, N. (2000b) Theories of art today. Madison, Wis: University of Wisconsin Press.

Carroll, N. (2001a) Beyond aesthetics: philosophical essays. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511605970.

Carroll, N. (2001b) Beyond aesthetics: philosophical essays. Cambridge: Cambridge University Press.

Carroll, N. (2009) On criticism. New York: Routledge.

Costello, D. (14AD) ‘Whatever happened to "embodiment”? the eclipse of materiality in danto’s ontology of art’, Angelaki: Journal of Theoretical Humanities, 12(2), pp. 83–94. Available at: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/09697250701755027.

Costello, D. (2013) ‘Kant and the Problem of Strong Non-Perceptual Art’, The British Journal of Aesthetics, 53(3), pp. 277–298. Available at: https://doi.org/10.1093/aesthj/ayt015.

Currie, G. (no date) Ontology of Art. Palgrave Macmillan 1989.

Curtler, H.M. (ed.) (1983) What is art? New York: Haven Publications.

Danto, A. (1964) ‘The Artworld’, The Journal of Philosophy, 61(19). Available at: https://doi.org/10.2307/2022937.

Danto, A. (1981a) ‘Aesthetics and the Work of Art’, in The transfiguration of the commonplace: a philosophy of art. Cambridge, Mass: Harvard University Press, pp. 90–114. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/Ph/Ph346.

Danto, A. (1981b) ‘Interpretation and Identification’, in The transfiguration of the commonplace: a philosophy of art. Cambridge, Mass: Harvard University Press, pp. 115–135. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/Ph/Ph346.

Danto, A (1981) ‘Works of Art and Mere Real Things’, in The transfiguration of the commonplace: a philosophy of art. Cambridge, Mass: Harvard University Press, pp. 1–32. Available at: https://contentstore.cla.co.uk/secure/link?id=f1a77ea0-5520-e711-80c9-005056af4099.

Danto, A. (1986) ‘The End of Art’, in The philosophical disenfranchisement of art. New York: Columbia University Press, pp. 81–115. Available at: https://contentstore.cla.co.uk/secure/link?id=377eced5-5520-e711-80c9-005056af4099.

Danto, Arthur C. (1997a) After the end of art: contemporary art and the pale of history. Princeton, N.J.: Princeton University Press.

Danto, A C (1997) ‘Extract’, in After the end of art: contemporary art and the pale of history. Princeton, N.J.: Princeton University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=dc68b7ef-5620-e711-80c9-005056af4099.

Danto, Arthur C. (1997b) ‘Three Decades After the End of Art’, in After the end of art: contemporary art and the pale of history. Princeton, N.J.: Princeton University Press, pp. 25–48. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/Ph/Ph346.

Danto, A.C. (1998) Beyond the brillo box: the visual arts in post-historical perspective. Berkeley: University of California Press.

Danto, A.C. (2005) The philosophical disenfranchisement of art. New York: Columbia University Press.

Danto, A.C. (no date) Encounters & reflections: art in the historical present. Berkley: University of California Press.

Davies, D. (2009) ‘On the Very Idea of “Outsider Art”’, The British Journal of Aesthetics, 49(1), pp. 25–41. Available at: https://doi.org/10.1093/aesthj/ayn056.

Davies, S. (1991a) Definitions of art. Ithaca, N.Y.: Cornell University Press. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ph/ph346.

Davies, S. (1991b) Definitions of art. Ithaca, N.Y.: Cornell University Press.

Davies, S. (2006) ‘Authors’ Intentions, Literary Interpretation, and Literary Value’, The British Journal of Aesthetics, 46(3), pp. 223–247. Available at: https://doi.org/10.1093/aesthj/ayl001.

Davies, Stephen (2006a) The philosophy of art. Malden, MA: Blackwell Pub.

Davies, Stephen (2006b) The philosophy of art. Malden, MA: Blackwell Pub.

Dewey, J. (2005) Art as experience. Trade pbk. ed. New York: Perigee Books.

Dickie, G. (1974) Art and the aesthetic: an institutional analysis. Ithaca: Cornell University Press.

Dissanayake, E. (1988) What is art for? Seattle: University of Washington Press.

Dutton, D. (2009) The art instinct: beauty, pleasure, & human evolution. Oxford: Oxford University Press.

Eaton, A.W. (2012) ‘Robust Immoralism’, The Journal of Aesthetics and Art Criticism, 70(3), pp. 281–292. Available at: https://doi.org/10.1111/j.1540-6245.2012.01520.x.

Gaiger, J. (1999) ‘Danto’s Philosophy’, Art History, 22(3), pp. 451–454. Available at: https://doi.org/10.1111/1467-8365.00168.

Gaut, B. (2005) ‘The Cluster Account of Art Defended’, The British Journal of Aesthetics, 45(3), pp. 273–288. Available at: https://doi.org/10.1093/aesthj/ayi032.

Gaut, B.N. (2007) Art, emotion and ethics [electronic resource]. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199263219.001.0001.

Gaut, B.N. (2009) Art, emotion and ethics. Oxford: Oxford University Press.

Gaut, B.N. and Lopes, D. (eds) (2013a) The Routledge companion to aesthetics. Third edition. London: Routledge.

Gaut, B.N. and Lopes, D. (eds) (2013b) The Routledge companion to aesthetics. Third edition. London: Routledge.

Gilmore, J. (no date) The life of a style: beginnings and endings in the narrative history of art. Ithaca: Cornell University Press.

Goldie, P. (2010a) The Oxford handbook of philosophy of emotion [electronic resource]. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/oxfordhb/9780199235018.001.0001.

Goldie, P. (2010b) The Oxford handbook of philosophy of emotion. Oxford: Oxford University Press.

Haapala, A., Levinson, J. and Rantala, V. (1999) The end of art and beyond: essays after Danto. Amherst, N.Y: Humanity Books.

Hagberg, G. and Jost, W. (2010a) A companion to the philosophy of literature [electronic resource]. Chichester, U.K.: Wiley-Blackwell. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781444315608.

Hagberg, G. and Jost, W. (2010b) A companion to the philosophy of literature. Chichester, U.K.: Wiley-Blackwell.

Hagberg, G. and Jost, W. (2010c) A companion to the philosophy of literature. Chichester, U.K.: Wiley-Blackwell. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781444315592.

Hagberg, G. and Jost, W. (2010d) A companion to the philosophy of literature. Chichester, U.K.: Wiley-Blackwell.

Hegel, G.W.F., Bosanquet, B. and Inwood, M.J. (1993) Introductory lectures on aesthetics. London: Penguin.

Higgins, K.M. (2007) ‘An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs’, Journal of Aesthetics and Art Criticism, 65(1), pp. 43–54. Available at: https://doi.org/10.1111/j.1540-594X.2007.00236.x.

Hopkins, R. (2005) ‘Aesthetics, Experience, and Discrimination’, Journal of Aesthetics and Art Criticism, 63(2), pp. 119–133. Available at: https://doi.org/10.1111/j.0021-8529.2005.00189.x.

Huddleston, A. (2012) ‘In Defense of Artistic Value’, The Philosophical Quarterly, 62(249), pp. 705–714. Available at: https://doi.org/10.1111/j.1467-9213.2012.00089.x.

International Wittgenstein Symposium (1984) Aesthetics: proceedings of the 8th International Wittgenstein Symposium, Part 1, 15th to 21st August 1983, Kirchberg am Wechsel (Austria). Edited by R. Haller. Wien: Hölder-Pichler-Tempsky.

Iseminger, G. (1992) Intention and interpretation. Philadelphia: Temple University Press.

Iseminger, G. (1996) ‘Actual Intentionalism vs. Hypothetical Intentionalism’, The Journal of Aesthetics and Art Criticism, 54(4). Available at: https://doi.org/10.2307/431914.

Jacobson, D. (1997) ‘In Praise of Immoral Art’, Philosophical Topics, 25(1), pp. 155–199. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/43154253.

Kieran, M. (1996) ‘Art, Imagination, and the Cultivation of Morals’, The Journal of Aesthetics and Art Criticism, 54(4). Available at: https://doi.org/10.2307/431916.

Kieran, M. (2005) Revealing art. London: Routledge.

Kieran, M. (2006a) ‘Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value’, Philosophy Compass, 1(2), pp. 129–143. Available at: https://doi.org/10.1111/j.1747-9991.2006.00019.x.

Kieran, M. (2006b) Contemporary debates in aesthetics and the philosophy of art. Malden, MA: Blackwell Pub.

Kieran, M. (2006c) Contemporary debates in aesthetics and the philosophy of art. Malden, MA: Blackwell Pub.

Kieran, M. (2006d) Contemporary debates in aesthetics and the philosophy of art. Malden, MA: Blackwell Pub.

Kivy, P. (2004a) The Blackwell guide to aesthetics. Malden, MA: Blackwell Pub. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470756645.

Kivy, P. (2004b) The Blackwell guide to aesthetics. Malden, MA: Blackwell Publishing.

Kivy, P. (2004c) The Blackwell guide to aesthetics. Malden, MA: Blackwell Pub. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470756645.

Kivy, P. (2004d) The Blackwell guide to aesthetics. Malden, MA: Blackwell Publishing.

Laetz, B. (2010) ‘Kendall Walton’s “Categories of Art”: A Critical Commentary’, The British Journal of Aesthetics, 50(3), pp. 287–306. Available at: https://doi.org/10.1093/aesthj/ayq017.

Lamarque, P. and Olsen, S.H. (2004) Aesthetics and the philosophy of art : the analytic tradition: an anthology. Oxford: Blackwell.

Lang, B. (1987) The concept of style. Rev. and expanded ed. Ithaca, N.Y.: Cornell University Press.

Levinson, J. (1979) ‘Defining art historically’, The British Journal of Aesthetics, 19(3), pp. 232–250. Available at: https://0-journalarchives.jisc.ac.uk.pugwash.lib.warwick.ac.uk/oupjournalsaesthjaesthj_19_3pdf232pdf.

Levinson, J. (1980) ‘What a Musical Work Is’, The Journal of Philosophy, 77(1). Available at: https://doi.org/10.2307/2025596.

Levinson, J. (1989) ‘Refining Art Historically’, The Journal of Aesthetics and Art Criticism, 47(1). Available at: https://doi.org/10.2307/431990.

Levinson, J. (1996) The pleasures of aesthetics: philosophical essays. Ithaca, NY: Cornell University Press.

Levinson, J. (ed.) (1998a) Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888.

Levinson, J. (ed.) (1998b) Aesthetics and ethics: essays at the intersection. 1st paperback edition. Cambridge, England: Cambridge University Press.

Levinson, J. (ed.) (1998c) Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888.

Levinson, J. (ed.) (1998d) Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888.

Levinson, J. (ed.) (1998e) Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888.

Levinson, J. (ed.) (2001a) Aesthetics and ethics: essays at the intersection. 1st paperback edition. Cambridge, England: Cambridge University Press.

Levinson, J. (ed.) (2001b) Aesthetics and ethics: essays at the intersection. 1st paperback edition. Cambridge, England: Cambridge University Press.

Levinson, J. (ed.) (2001c) Aesthetics and ethics: essays at the intersection. 1st paperback edition. Cambridge, England: Cambridge University Press.

Levinson, J. (2005a) The Oxford handbook of aesthetics [electronic resource]. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/oxfordhb/9780199279456.001.0001.

Levinson, J. (2005b) The Oxford handbook of aesthetics. Oxford: Oxford University Press.

Levinson, J. (2005c) The Oxford handbook of aesthetics [electronic resource]. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/oxfordhb/9780199279456.001.0001.

Levinson, J. (2005d) The Oxford handbook of aesthetics. Oxford: Oxford University Press.

Lind, R. (1992) ‘The Aesthetic Essence of Art’, The Journal of Aesthetics and Art Criticism, 50(2). Available at: https://doi.org/10.2307/430951.

Livingston, P. (2005a) Art and intention: a philosophical study [electronic resource]. Oxford: Clarendon. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/0199278067.001.0001.

Livingston, P. (2005b) Art and intention: a philosophical study. Oxford: Clarendon Press.

Lopes, D. (2014a) Beyond art. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199591558.001.0001.

Lopes, D. (2014b) Beyond art. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199591558.001.0001.

Lopes, D. (no date a) Beyond art. Oxford University Press 2016.

Lopes, D. (no date b) Beyond art. Oxford University Press 2016.

Lopes, D.M. (2011) ‘The Myth of (Non‐Aesthetic) Artistic Value’, The Philosophical Quarterly, 61(244), pp. 518–536. Available at: https://doi.org/10.1111/j.1467-9213.2011.700.x.

Maes, H. (2010) ‘Intention, Interpretation, and Contemporary Visual Art’, The British Journal of Aesthetics, 50(2), pp. 121–138. Available at: https://doi.org/10.1093/aesthj/ayp051.

Mandelbaum, M. (1965) ‘Family Resemblances and Generalization concerning the Arts’, American Philosophical Quarterly, 2(3), pp. 219–228. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20009169.

Margolis, J. (1999) What, after all, is a work of art?: lectures in the philosophy of art. University Park, Pa: Pennsylvania State University Press.

McEvilley, T. (no date) Art & otherness : crisis in cultural identity. McPherson & Company 1995.

Nathan, D.O. (1973) ‘Categories and Intentions’, The Journal of Aesthetics and Art Criticism, 31(4). Available at: https://doi.org/10.2307/429328.

Nehamas, A. (1981) ‘The Postulated Author: Critical Monism as a Regulative Ideal’, Critical Inquiry, 8(1), pp. 133–149. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1343210.

Neill, A. and Ridley, A. (2008a) Arguing about art: contemporary philosophical debates. 3rd ed. London: Routledge.

Neill, A. and Ridley, A. (2008b) Arguing about art: contemporary philosophical debates. 3rd ed. London: Routledge.

Neill, A. and Ridley, A. (2008c) Arguing about art: contemporary philosophical debates. 3rd ed. London: Routledge.

Parsons, G. (2002) ‘Nature Appreciation, Science, and Positive Aesthetics’, The British Journal of Aesthetics, 42(3), pp. 279–295. Available at: https://doi.org/10.1093/bjaesthetics/42.3.279.

Parsons, G. (2004) ‘Moderate Formalism As a Theory of the Aesthetic’, Journal of Aesthetic Education, 38(3). Available at: https://doi.org/10.2307/3527441.

Riggle, N. (2015a) ‘On the Aesthetic Ideal’, The British Journal of Aesthetics, 55(4), pp. 433–447. Available at: https://doi.org/10.1093/aesthj/ayv026.

Riggle, N. (2015b) ‘Personal Style and Artistic Style’, The Philosophical Quarterly, 65(261), pp. 711–731. Available at: https://doi.org/10.1093/pq/pqv026.

Riggle, N. and Hopkins, R. (no date) ‘Artistic Style as the Expression of Ideals’.

Robinson, J. (2005a) Deeper than reason: emotion and its role in literature, music, and art [electronic resource]. Oxford: Clarendon. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/0199263655.001.0001.

Robinson, J. (2005b) Deeper than reason: emotion and its role in literature, music, and art. Oxford: Clarendon/Oxford University Press.

Robinson, J.M. (1985) ‘Style and Personality in the Literary Work’, The Philosophical Review, 94(2). Available at: https://doi.org/10.2307/2185429.

Rollins, M. (2012a) Danto and his critics [electronic resource]. 2nd ed. Chichester, West Sussex, UK: Wiley-Blackwell. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118253045.

Rollins, M. (2012b) Danto and his critics [electronic resource]. 2nd ed. Chichester, West Sussex, UK: Wiley-Blackwell. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118253045.

Rollins, M. (no date a) Danto and His Critics. 2nd ed. Wiley 2012.

Rollins, M. (no date b) Danto and His Critics. 2nd ed. Wiley 2012.

Saito, Y. (2007) Everyday aesthetics [electronic resource]. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199278350.001.0001.

Schellekens, E. (2007a) Aesthetics and morality [electronic resource]. London: Continuum. Available at: http://site.ebrary.com/lib/warwick/Doc?id=10403750.

Schellekens, E. (2007b) Aesthetics and morality. London: Continuum.

Shelley, J. (2003) ‘The Problem of Non-Perceptual Art’, The British Journal of Aesthetics, 43(4), pp. 363–378. Available at: https://doi.org/10.1093/bjaesthetics/43.4.363.

Shelley, J. (2010) ‘Against Value Empiricism in Aesthetics’, Australasian Journal of Philosophy, 88(4), pp. 707–720. Available at: https://doi.org/10.1080/00048400903207104.

Shusterman, Richard; Tomlin, A. (2007) Aesthetic Experience. New York, USA: Routledge.

Sibley, F. (1959) ‘Aesthetic Concepts’, The Philosophical Review, 68(4). Available at: https://doi.org/10.2307/2182490.

Stecker, R. (1986) ‘The End of an Institutional Definition of Art’, The British Journal of Aesthetics, 26(2), pp. 124–132. Available at: https://0-journalarchives.jisc.ac.uk.pugwash.lib.warwick.ac.uk/oupjournalsaesthjaesthj_26_2pdf124pdf.

Stecker, R. (2006) ‘Moderate Actual Intentionalism Defended’, Journal of Aesthetics and Art Criticism, 64(4), pp. 429–438. Available at: https://doi.org/10.1111/j.1540-594X.2006.00221.x.

Stecker, R. (no date a) Aesthetics and the philosophy of art : an introduction. 2nd ed. Rowman & Littlefield Inc. 2010.

Stecker, R. (no date b) Aesthetics and the philosophy of art : an introduction. 2nd ed. Rowman & Littlefield Inc. 2010.

Stecker, R. (no date c) Aesthetics and the philosophy of art : an introduction. 2nd ed. Rowman & Littlefield Inc. 2010.

Stecker, R. and Davies, S. (2010) ‘The Hypothetical Intentionalist’s Dilemma: A Reply to Levinson’, The British Journal of Aesthetics, 50(3), pp. 307–312. Available at: https://doi.org/10.1093/aesthj/ayq022.

‘The journal of aesthetics and art criticism’ (2007), 65(1). Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/journal/10.1111/(ISSN)1540-6245.

Urmson, J.O. (1957) ‘What Makes a Situation Aesthetic?’, Proceedings of the Aristotelian Society, Supplementary Volumes, 31, pp. 75–92. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4106645.

Walton, K.L. (1970) ‘Categories of Art’, The Philosophical Review, 79(3). Available at: https://doi.org/10.2307/2183933.

Weitz, M. (1956) ‘The Role of Theory in Aesthetics’, The Journal of Aesthetics and Art Criticism, 15(1). Available at: https://doi.org/10.2307/427491.

Wimsatt, W.K. (1970) The verbal icon: studies in the meaning of poetry. London: Methuen.

Wimsatt, W.K. and Beardsley, M.C. (1954) The verbal icon: studies in the meaning of poetry. Lexington: The University Press of Kentucky.

Wollheim, R. (1980) Art and its objects. 2nd ed. Cambridge: Cambridge University Press.

Wollheim, R. (2015) Art and its Objects. Second edition. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781316286777.

Zangwill, N. (2000) ‘In Defence of Moderate Aesthetic Formalism’, The Philosophical Quarterly, 50(201), pp. 476–493. Available at: https://doi.org/10.1111/1467-9213.00201.

Zangwill, N. (2002) ‘Are There Counterexamples to Aesthetic Theories of Art?’, Journal of Aesthetics and Art Criticism, 60(2), pp. 111–118. Available at: https://doi.org/10.1111/1540-6245.00059.