1.
Cahn SM. Aesthetics : A Comprehensive Anthology.
2.
Lamarque P, Olsen SH. Aesthetics and the Philosophy of Art : The Analytic Tradition: An Anthology. Vol Blackwell philosophy anthologies. Blackwell; 2004.
3.
Neill A, Ridley A. Arguing about Art: Contemporary Philosophical Debates. 3rd ed. Routledge; 2008.
4.
Kieran M. Contemporary Debates in Aesthetics and the Philosophy of Art. Vol Contemporary debates in philosophy. Blackwell Pub; 2006.
5.
Gaut BN, Lopes D, eds. The Routledge Companion to Aesthetics. Vol Routledge philosophy companions. Third edition. Routledge; 2013.
6.
Levinson J. The Oxford Handbook of Aesthetics. Oxford University Press; 2005. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/oxfordhb/9780199279456.001.0001
7.
Levinson J. The Oxford Handbook of Aesthetics. Oxford University Press; 2005.
8.
Kivy P. The Blackwell Guide to Aesthetics. Vol Blackwell philosophy guides. Blackwell Pub; 2004. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470756645
9.
Kivy P. The Blackwell Guide to Aesthetics. Vol Blackwell philosophy guides. Blackwell Publishing; 2004.
10.
Stecker R. Aesthetics and the Philosophy of Art : An Introduction. 2nd ed.
11.
Davies S. The Philosophy of Art. Vol Foundations of the philosophy of the arts. Blackwell Pub; 2006.
12.
Carroll N. Philosophy of Art: A Contemporary Introduction. Vol Routledge contemporary introductions to philosophy. Routledge; 1999. http://site.ebrary.com/lib/warwick/Doc?id=10054555
13.
Carroll N. Philosophy of Art: A Contemporary Introduction. Vol Routledge contemporary introductions to philosophy. Routledge; 1999.
14.
Danto A. Works of Art and Mere Real Things. In: The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press; 1981:1-32. https://contentstore.cla.co.uk/secure/link?id=f1a77ea0-5520-e711-80c9-005056af4099
15.
Danto AC. Extract. In: After the End of Art: Contemporary Art and the Pale of History. Vol The A.W. Mellon lectures in the fine arts. Princeton University Press; 1997. https://contentstore.cla.co.uk/secure/link?id=dc68b7ef-5620-e711-80c9-005056af4099
16.
Curtler HM, ed. What Is Art? Vol Art and philosophy. Haven Publications; 1983.
17.
Weitz M. The Role of Theory in Aesthetics. The Journal of Aesthetics and Art Criticism. 1956;15(1). doi:10.2307/427491
18.
Urmson JO. What Makes a Situation Aesthetic? Proceedings of the Aristotelian Society, Supplementary Volumes. 1957;31:75-92. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4106645
19.
Lind R. The Aesthetic Essence of Art. The Journal of Aesthetics and Art Criticism. 1992;50(2). doi:10.2307/430951
20.
Mandelbaum M. Family Resemblances and Generalization concerning the Arts. American Philosophical Quarterly. 1965;2(3):219-228. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20009169
21.
Davies S. Definitions of Art. Cornell University Press; 1991. http://www2.warwick.ac.uk/services/library/search/extracts/ph/ph346
22.
Adajian T. The Definition of Art. The Stanford Encyclopedia of Philosophy. Published online 2007. http://plato.stanford.edu/archives/win2012/entries/art-definition/
23.
Carroll N. Theories of Art Today. University of Wisconsin Press; 2000.
24.
Gaut B. The Cluster Account of Art Defended. The British Journal of Aesthetics. 2005;45(3):273-288. doi:10.1093/aesthj/ayi032
25.
Stecker R. Aesthetics and the Philosophy of Art : An Introduction. 2nd ed.
26.
Danto A. The Artworld. The Journal of Philosophy. 1964;61(19). doi:10.2307/2022937
27.
Dickie G. Art and the Aesthetic: An Institutional Analysis. Cornell University Press; 1974.
28.
Wollheim R. Art and Its Objects. Vol Cambridge Philosophy Classics. Second edition. Cambridge University Press; 2015. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781316286777
29.
Wollheim R. Art and Its Objects. 2nd ed. Cambridge University Press; 1980.
30.
Danto AC. Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. University of California Press; 1998.
31.
International Wittgenstein Symposium. Aesthetics: Proceedings of the 8th International Wittgenstein Symposium, Part 1, 15th to 21st August 1983, Kirchberg Am Wechsel (Austria). Vol Schriftenreihe der Wittgenstein-Gesellschaft. (Haller R, ed.). Hölder-Pichler-Tempsky; 1984.
32.
Kivy P. The Blackwell Guide to Aesthetics. Vol Blackwell philosophy guides. Blackwell Pub; 2004. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470756645
33.
Kivy P. The Blackwell Guide to Aesthetics. Vol Blackwell philosophy guides. Blackwell Publishing; 2004.
34.
Stecker R. The End of an Institutional Definition of Art. The British Journal of Aesthetics. 1986;26(2):124-132. https://0-journalarchives.jisc.ac.uk.pugwash.lib.warwick.ac.uk/oupjournalsaesthjaesthj_26_2pdf124pdf
35.
Davies S. The Philosophy of Art. Vol Foundations of the philosophy of the arts. Blackwell Pub; 2006.
36.
Abell C. Art: What it Is and Why it Matters. Philosophy and Phenomenological Research. 2012;85(3):671-691. doi:10.1111/j.1933-1592.2011.00498.x
37.
Danto A. Aesthetics and the Work of Art. In: The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press; 1981:90-114. http://www2.warwick.ac.uk/services/library/search/extracts/Ph/Ph346
38.
Danto A. Interpretation and Identification. In: The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press; 1981:115-135. http://www2.warwick.ac.uk/services/library/search/extracts/Ph/Ph346
39.
Danto AC. The Philosophical Disenfranchisement of Art. Vol Columbia classics in philosophy. Columbia University Press; 2005.
40.
Rollins M. Danto and His Critics. Vol Philosophers and their critics. 2nd ed. Wiley-Blackwell; 2012. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118253045
41.
Rollins M. Danto and His Critics. 2nd ed.
42.
Zangwill N. Are There Counterexamples to Aesthetic Theories of Art? Journal of Aesthetics and Art Criticism. 2002;60(2):111-118. doi:10.1111/1540-6245.00059
43.
Lopes DM. The Myth of (Non‐Aesthetic) Artistic Value. The Philosophical Quarterly. 2011;61(244):518-536. doi:10.1111/j.1467-9213.2011.700.x
44.
Huddleston A. In Defense of Artistic Value. The Philosophical Quarterly. 2012;62(249):705-714. doi:10.1111/j.1467-9213.2012.00089.x
45.
Shelley J. Against Value Empiricism in Aesthetics. Australasian Journal of Philosophy. 2010;88(4):707-720. doi:10.1080/00048400903207104
46.
Shelley J. The Problem of Non-Perceptual Art. The British Journal of Aesthetics. 2003;43(4):363-378. doi:10.1093/bjaesthetics/43.4.363
47.
Rollins M. Danto and His Critics. Vol Philosophers and their critics. 2nd ed. Wiley-Blackwell; 2012. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118253045
48.
Rollins M. Danto and His Critics. 2nd ed.
49.
Costello D. Kant and the Problem of Strong Non-Perceptual Art. The British Journal of Aesthetics. 2013;53(3):277-298. doi:10.1093/aesthj/ayt015
50.
Costello D. Whatever happened to "embodiment”? the eclipse of materiality in danto’s ontology of art. Angelaki: Journal of Theoretical Humanities. 14AD;12(2):83-94. http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/09697250701755027
51.
Danto AC. Three Decades After the End of Art. In: After the End of Art: Contemporary Art and the Pale of History. Vol Bollingen series. Princeton University Press; 1997:25-48. http://www2.warwick.ac.uk/services/library/search/extracts/Ph/Ph346
52.
Danto AC. After the End of Art: Contemporary Art and the Pale of History. Vol Bollingen series. Princeton University Press; 1997.
53.
Danto A. The End of Art. In: The Philosophical Disenfranchisement of Art. Vol Columbia classics in philosophy. Columbia University Press; 1986:81-115. https://contentstore.cla.co.uk/secure/link?id=377eced5-5520-e711-80c9-005056af4099
54.
Danto AC. Encounters & Reflections: Art in the Historical Present. University of California Press
55.
Haapala A, Levinson J, Rantala V. The End of Art and beyond: Essays after Danto. Humanity Books; 1999.
56.
Margolis J. What, after All, Is a Work of Art?: Lectures in the Philosophy of Art. Pennsylvania State University Press; 1999.
57.
Gaiger J. Danto’s Philosophy. Art History. 1999;22(3):451-454. doi:10.1111/1467-8365.00168
58.
Hegel GWF, Bosanquet B, Inwood MJ. Introductory Lectures on Aesthetics. Penguin; 1993.
59.
Levinson J. Defining art historically. The British Journal of Aesthetics. 1979;19(3):232-250. https://0-journalarchives.jisc.ac.uk.pugwash.lib.warwick.ac.uk/oupjournalsaesthjaesthj_19_3pdf232pdf
60.
Levinson J. Refining Art Historically. The Journal of Aesthetics and Art Criticism. 1989;47(1). doi:10.2307/431990
61.
Carroll N. Philosophy of Art: A Contemporary Introduction. Vol Routledge contemporary introductions to philosophy. Routledge; 1999. http://site.ebrary.com/lib/warwick/Doc?id=10054555
62.
Carroll N. Philosophy of Art: A Contemporary Introduction. Vol Routledge contemporary introductions to philosophy. Routledge; 1999.
63.
Sibley F. Aesthetic Concepts. The Philosophical Review. 1959;68(4). doi:10.2307/2182490
64.
Walton KL. Categories of Art. The Philosophical Review. 1970;79(3). doi:10.2307/2183933
65.
Laetz B. Kendall Walton’s ‘Categories of Art’: A Critical Commentary. The British Journal of Aesthetics. 2010;50(3):287-306. doi:10.1093/aesthj/ayq017
66.
Lopes D. Beyond Art. Oxford University Press; 2014. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199591558.001.0001
67.
Lopes D. Beyond Art.
68.
Nathan DO. Categories and Intentions. The Journal of Aesthetics and Art Criticism. 1973;31(4). doi:10.2307/429328
69.
Levinson J. What a Musical Work Is. The Journal of Philosophy. 1980;77(1). doi:10.2307/2025596
70.
Currie G. Ontology of Art.
71.
Carroll N. On Criticism. Vol Thinking in action. Routledge; 2009.
72.
Davies S. Definitions of Art. Cornell University Press; 1991.
73.
Hopkins R. Aesthetics, Experience, and Discrimination. Journal of Aesthetics and Art Criticism. 2005;63(2):119-133. doi:10.1111/j.0021-8529.2005.00189.x
74.
Carlson A. Nature, Aesthetic Judgment, and Objectivity. The Journal of Aesthetics and Art Criticism. 1981;40(1). doi:10.2307/430349
75.
Parsons G. Nature Appreciation, Science, and Positive Aesthetics. The British Journal of Aesthetics. 2002;42(3):279-295. doi:10.1093/bjaesthetics/42.3.279
76.
Zangwill N. In Defence of Moderate Aesthetic Formalism. The Philosophical Quarterly. 2000;50(201):476-493. doi:10.1111/1467-9213.00201
77.
Parsons G. Moderate Formalism As a Theory of the Aesthetic. Journal of Aesthetic Education. 2004;38(3). doi:10.2307/3527441
78.
Wimsatt WK. The Verbal Icon: Studies in the Meaning of Poetry. Methuen; 1970.
79.
Wimsatt WK, Beardsley MC. The Verbal Icon: Studies in the Meaning of Poetry. The University Press of Kentucky; 1954.
80.
Nehamas A. The Postulated Author: Critical Monism as a Regulative Ideal. Critical Inquiry. 1981;8(1):133-149. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1343210
81.
Beardsley MC. Intentions and Interpretations: A Fallacy Revived. In: The Aesthetic Point of View: Selected Essays. Cornell University Press; 1982:188-207. https://contentstore.cla.co.uk/secure/link?id=f449d609-5620-e711-80c9-005056af4099
82.
Carroll N. Beyond Aesthetics: Philosophical Essays. Cambridge University Press; 2001. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511605970
83.
Carroll N. Beyond Aesthetics: Philosophical Essays. Cambridge University Press; 2001.
84.
Davies S. Authors’ Intentions, Literary Interpretation, and Literary Value. The British Journal of Aesthetics. 2006;46(3):223-247. doi:10.1093/aesthj/ayl001
85.
Levinson J. The Pleasures of Aesthetics: Philosophical Essays. Cornell University Press; 1996.
86.
Stecker R, Davies S. The Hypothetical Intentionalist’s Dilemma: A Reply to Levinson. The British Journal of Aesthetics. 2010;50(3):307-312. doi:10.1093/aesthj/ayq022
87.
Livingston P. Art and Intention: A Philosophical Study. Clarendon; 2005. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/0199278067.001.0001
88.
Livingston P. Art and Intention: A Philosophical Study. Clarendon Press; 2005.
89.
Maes H. Intention, Interpretation, and Contemporary Visual Art. The British Journal of Aesthetics. 2010;50(2):121-138. doi:10.1093/aesthj/ayp051
90.
Hagberg G, Jost W. A Companion to the Philosophy of Literature. Vol Blackwell companions to philosophy. Wiley-Blackwell; 2010. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781444315608
91.
Hagberg G, Jost W. A Companion to the Philosophy of Literature. Vol Blackwell companions to philosophy. Wiley-Blackwell; 2010.
92.
Iseminger G. Actual Intentionalism vs. Hypothetical Intentionalism. The Journal of Aesthetics and Art Criticism. 1996;54(4). doi:10.2307/431914
93.
Stecker R. Moderate Actual Intentionalism Defended. Journal of Aesthetics and Art Criticism. 2006;64(4):429-438. doi:10.1111/j.1540-594X.2006.00221.x
94.
Stecker R. Aesthetics and the Philosophy of Art : An Introduction. 2nd ed.
95.
Iseminger G. Intention and Interpretation. Vol The Arts and their philosophies. Temple University Press; 1992.
96.
Robinson JM. Style and Personality in the Literary Work. The Philosophical Review. 1985;94(2). doi:10.2307/2185429
97.
Riggle N. Personal Style and Artistic Style. The Philosophical Quarterly. 2015;65(261):711-731. doi:10.1093/pq/pqv026
98.
Riggle N. On the Aesthetic Ideal. The British Journal of Aesthetics. 2015;55(4):433-447. doi:10.1093/aesthj/ayv026
99.
Riggle N, Hopkins R. Artistic Style as the Expression of Ideals.
100.
Robinson J. Deeper than Reason: Emotion and Its Role in Literature, Music, and Art. Clarendon; 2005. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/0199263655.001.0001
101.
Robinson J. Deeper than Reason: Emotion and Its Role in Literature, Music, and Art. Clarendon/Oxford University Press; 2005.
102.
Bermúdez JL, Gardner S. Art and Morality. Vol International library of philosophy. Routledge; 2003.
103.
Lang B. The Concept of Style. Rev. and expanded ed. Cornell University Press; 1987.
104.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge Studies in Philosophy and the Arts. Cambridge University Press; 1998. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888
105.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge studies in philosophy and the arts. 1st paperback edition. Cambridge University Press; 2001.
106.
Levinson J. The Oxford Handbook of Aesthetics. Oxford University Press; 2005. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/oxfordhb/9780199279456.001.0001
107.
Levinson J. The Oxford Handbook of Aesthetics. Oxford University Press; 2005.
108.
Gilmore J. The Life of a Style: Beginnings and Endings in the Narrative History of Art. Cornell University Press
109.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge studies in philosophy and the arts. 1st paperback edition. Cambridge University Press; 1998.
110.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge Studies in Philosophy and the Arts. Cambridge University Press; 1998. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888
111.
Bermúdez JL, Gardner S. Art and Morality. Vol International library of philosophy. Routledge; 2003.
112.
Eaton AW. Robust Immoralism. The Journal of Aesthetics and Art Criticism. 2012;70(3):281-292. doi:10.1111/j.1540-6245.2012.01520.x
113.
Gaut BN. Art, Emotion and Ethics. Oxford University Press; 2007. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199263219.001.0001
114.
Gaut BN. Art, Emotion and Ethics. Oxford University Press; 2009.
115.
Jacobson D. In Praise of Immoral Art. Philosophical Topics. 1997;25(1):155-199. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/43154253
116.
Kieran M. Contemporary Debates in Aesthetics and the Philosophy of Art. Vol Contemporary debates in philosophy. Blackwell Pub; 2006.
117.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge Studies in Philosophy and the Arts. Cambridge University Press; 1998. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888
118.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge studies in philosophy and the arts. 1st paperback edition. Cambridge University Press; 2001.
119.
Carroll N. Moderate Moralism. The British Journal of Aesthetics. 1996;36(3):223-238. doi:10.1093/bjaesthetics/36.3.223
120.
Anderson JC, Dean JT. Moderate Autonomism. The British Journal of Aesthetics. 1998;38(2):150-166. doi:10.1093/bjaesthetics/38.2.150
121.
Goldie P. The Oxford Handbook of Philosophy of Emotion. Vol Oxford handbooks in philosophy. Oxford University Press; 2010. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/oxfordhb/9780199235018.001.0001
122.
Goldie P. The Oxford Handbook of Philosophy of Emotion. Vol Oxford handbooks in philosophy. Oxford University Press; 2010.
123.
Kieran M. Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass. 2006;1(2):129-143. doi:10.1111/j.1747-9991.2006.00019.x
124.
Gaut BN, Lopes D, eds. The Routledge Companion to Aesthetics. Vol Routledge philosophy companions. Third edition. Routledge; 2013.
125.
Carroll N. Art and Ethical Criticism: An Overview of Recent Directions of Research. Ethics. 2000;110(2):350-387. doi:10.1086/233273
126.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge Studies in Philosophy and the Arts. Cambridge University Press; 1998. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511663888
127.
Levinson J, ed. Aesthetics and Ethics: Essays at the Intersection. Vol Cambridge studies in philosophy and the arts. 1st paperback edition. Cambridge University Press; 2001.
128.
Hagberg G, Jost W. A Companion to the Philosophy of Literature. Vol Blackwell companions to philosophy. Wiley-Blackwell; 2010. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781444315592
129.
Hagberg G, Jost W. A Companion to the Philosophy of Literature. Vol Blackwell companions to philosophy. Wiley-Blackwell; 2010.
130.
Kieran M. Contemporary Debates in Aesthetics and the Philosophy of Art. Vol Contemporary debates in philosophy. Blackwell Pub; 2006.
131.
Kieran M. Art, Imagination, and the Cultivation of Morals. The Journal of Aesthetics and Art Criticism. 1996;54(4). doi:10.2307/431916
132.
Kieran M. Revealing Art. Routledge; 2005.
133.
Schellekens E. Aesthetics and Morality. Vol Continuum aesthetics. Continuum; 2007. http://site.ebrary.com/lib/warwick/Doc?id=10403750
134.
Schellekens E. Aesthetics and Morality. Vol Continuum aesthetics. Continuum; 2007.
135.
Neill A, Ridley A. Arguing about Art: Contemporary Philosophical Debates. 3rd ed. Routledge; 2008.
136.
Neill A, Ridley A. Arguing about Art: Contemporary Philosophical Debates. 3rd ed. Routledge; 2008.
137.
Dutton D. The Art Instinct: Beauty, Pleasure, & Human Evolution. Oxford University Press; 2009.
138.
The journal of aesthetics and art criticism. 2007;65(1). http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/journal/10.1111/(ISSN)1540-6245
139.
Lopes D. Beyond Art. Oxford University Press; 2014. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199591558.001.0001
140.
Lopes D. Beyond Art.
141.
Shusterman, Richard; Tomlin A. Aesthetic Experience. Vol 10. Routledge; 2007.
142.
McEvilley T. Art & Otherness : Crisis in Cultural Identity.
143.
Dissanayake E. What Is Art For? University of Washington Press; 1988.
144.
Dewey J. Art as Experience. Trade pbk. ed. Perigee Books; 2005.
145.
Saito Y. Everyday Aesthetics. Oxford University Press; 2007. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199278350.001.0001
146.
Higgins, KM. An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs. Journal of Aesthetics and Art Criticism. 2007;65(1):43-54. doi:10.1111/j.1540-594X.2007.00236.x
147.
Davies D. On the Very Idea of ‘Outsider Art’. The British Journal of Aesthetics. 2009;49(1):25-41. doi:10.1093/aesthj/ayn056