Bibliography for FI336: Science Fiction: Theory as Film BETA

1.

Tarkovskiĭ AA, Gorenshteĭn F, Bondarchuk N, Banionis D, Järvet J, Dvorzhet︠s︡kiĭ V, Grinʹko N, Solonit︠s︡yn AA, I︠U︡sov V, Feĭgova L, Artemʹev Ė, Lem S, Artificial Eye (Firm), Sovėksportfilʹm (Firm). Solaris. [London, England]: Curzon Artificial Eye; 2016.

2.

Winkler I, Chartoff R, Kaufman P, Glenn S, Harris E, Hershey B, Quaid D, Reed P, Shepard S, Stanley K, Ward F, Cartwright V, Clennon D, Wilson S, Moffat D, Helm L, Goldblum J, Shearer H, Frank C, Dano R, Wolfe T, Ladd Company, Warner Bros, Warner Home Video (Firm). The right stuff. Special ed. Burbank, Calif: Warner Home Video; 2003.

3.

Bould M. Science fiction [Internet]. London: Routledge; 2012. Available from: https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322

4.

King G, Krzywinska T. Science fiction cinema: from outerspace to cyberspace. London: Wallflower; 2000.

5.

Sobchack VC. Screening space: the American science fiction film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press; 1997.

6.

Burke E, Womersley D. A philosophical enquiry into the origin of our ideas of the sublime and beautiful: and other pre-revolutionary writings [Internet]. London: Penguin Books; 1998. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790

7.

Kant I, Pluhar WS. Critique of judgment: including the first introduction [Internet]. Indianapolis: Hackett; 1987. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032

8.

Kubrick S, Clarke AC. Stanley Kubrick’s 2001: a space odyssey. 2 disc special ed. [England]: Warner Home Video; 2008.

9.

Bukatman S. Matters of gravity: special effects and supermen in the 20th century [Internet]. Durham, N.C.: Duke University Press; 2003. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

10.

Shaw P. The sublime [Internet]. London: Routledge; 2006. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3191466__Sa%3A%28Shaw%2C%20Philip%29%20t%3A%28The%20sublime%29__Orightresult__U__X4?lang=eng&suite=cobalt

11.

Nye DE. American technological sublime [Internet]. Cambridge, Mass: MIT Press; 1996. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578

12.

Cuarón A, Cuarón J, Heyman D, Bullock S, Clooney G, Harris E, Price S, Warner Bros. Pictures (1969- ), Esperanto Films (Firm), Heyday Films, Warner Home Video (Firm). Gravity. London: Warner Home Video, a division of Warner Bros. Entertainment UK Ltd; 2014.

13.

Bould M. Science fiction [Internet]. London: Routledge; 2012. Available from: https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322

14.

Weetch O. Expressive spaces in digital 3D cinema [Internet]. London: Palgrave Macmillan; 2016. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066

15.

Baudrillard J. Simulacra and simulation [Internet]. Ann Arbor: University of Michigan Press; 1994. Available from: https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099

16.

Baudrillard J. Precession of Simulacra. Simulacra and simulation [Internet]. Ann Arbor: University of Michigan Press; 1994. Available from: https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099

17.

Jones D, Parker N, Fenegan S, Styler T, Rockwell S, McElligott D, Scodelario K, Wong B, Berry M, Stewart M, Spacey K, Shaw G, Gaster N, Mansell C, Sony Pictures Classics (Firm), Stage 6 Films, Sony Pictures Entertainment, Inc. Moon. [London, England]: Sony Pictures Home Entertainment; 2009.

18.

Baudrillard J. America. London: Verso; 1988.

19.

Constable C. Adapting philosophy: Jean Baudrillard and The matrix trilogy [Internet]. Manchester, UK: Manchester University Press; 2009. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2978502

20.

Bukatman S. Terminal identity: the virtual subject in postmodern science fiction [Internet]. Durham: Duke University Press; 1993. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

21.

Jameson F. The nostalgia mode and nostalgia for the present. Postmodernism: or, The cultural logic of late capitalism [Internet]. London: Verso; 1991. p. 276–296. Available from: https://contentstore.cla.co.uk/secure/link?id=c2cb9e52-488e-e711-80cb-005056af4099

22.

Scott R, Dick PK, Davies A, Davies A. Blade runner. [U.K.]: [s.n.]; 1986.

23.

Jameson F. Postmodernism: or, The cultural logic of late capitalism. London: Verso; 1991.

24.

Sobchack VC, Sobchack VC. Screening space: the American science fiction film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press; 1997.

25.

Sanders S. The philosophy of science fiction film. Lexington, Ky: University Press of Kentucky; 2008.

26.

Kuhn A. Alien zone: cultural theory and contemporary science fiction cinema. London: Verso; 1990.

27.

Constable C. Postmodernism and film: rethinking Hollywood’s aesthetics [Internet]. London: Wallflower Press; 2015. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3013083

28.

Bukatman S. Terminal Penetration. Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press; 1993. p. 183–240.

29.

Lisberger S. Tron (1982) [Internet]. BBC2 England; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001E6AAE?bcast=121143880

30.

Balsamo AM. Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press; 1996.

31.

Butler J. Bodily Inscriptions, Performative Subversions. Gender trouble: feminism and the subversion of identity [Internet]. New York: Routledge; 1990. Available from: https://contentstore.cla.co.uk/secure/link?id=f3b298df-168f-e711-80cb-005056af4099

32.

Wood A. Chapter 4: It’s Alive. Technoscience in contemporary film: beyond science fiction [Internet]. Manchester: Manchester University Press; 2002. Available from: https://contentstore.cla.co.uk/secure/link?id=42355a79-7498-e711-80cb-005056af4099

33.

Ex Machina (2015) [Internet]. Channel 4; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0A1F0DC8?bcast=125602766

34.

Fuss D. Inside/out: lesbian theories, gay theories [Internet]. New York: Routledge; 1991. Available from: https://go.exlibris.link/kzj0zsH4

35.

Osborne P, Segal L. Gender as Performance, An Interview with Judith Butler. Radical Philosophy [Internet]. 1994;(67):32–39. Available from: https://0-www-radicalphilosophy-com.pugwash.lib.warwick.ac.uk/interview/judith-butler

36.

Florence P, Foster N. Differential aesthetics: art practices, philosophy and feminist  understandings. Aldershot: Ashgate; 2000.

37.

Sanders R. Ghost in the Shell. 2017.

38.

Haraway DJ. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. Simians, cyborgs and women: the reinvention of nature [Internet]. London: Free Association; 1991. Available from: https://contentstore.cla.co.uk/secure/link?id=edfdafd7-488e-e711-80cb-005056af4099

39.

Gray CH. The Cyborg handbook. New York: Routledge; 1995.

40.

Balsamo AM. Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press; 1996.

41.

Braidotti R. Chapter 2: Post-Anthropocentrism: Life Beyond the Species. The posthuman. Cambridge: Polity; 2013. p. 55–67.

42.

Glazer J, Campbell W, Faber M, Johansson S, Micachu, British Film Institute, FilmFour (Firm), Studio Canal. Under the skin. England: StudioCanal; 2014.

43.

Lykke N, Braidotti R. Between monsters, goddesses and cyborgs: feminist confrontations  with science, medicine and cyberspace. New Jersey: Zed Books; 1996.

44.

Lloyd G. The man of reason: ‘male’ and ‘female’ in Western philosophy [Internet]. London: Methuen; 1984. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3718227__Sa%3A%28Lloyd%2C%20Genevieve%29%20t%3A%28The%20man%20of%20reason%3A%20%27male%27%20and%20%27female%27%20in%20Western%20philosophy%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

45.

Balsamo AM. Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press; 1996.

46.

Battersby C. The sublime, terror and human difference [Internet]. London: Routledge; 2007. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3683082__Sa%3A%28Battersby%2C%20Christine%29%20t%3A%28The%20sublime%2C%20terror%20and%20human%20difference%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

47.

Fuery P. Terror and the cinematic sublime: essays on violence and the unpresentable in post-9/11 films [Internet]. Comer TA, Vayo LI, editors. Jefferson, North Carolina: McFarland & Company, Incorporated, Publishers; 2013. Available from: https://pugwash.lib.warwick.ac.uk/record=b3718494

48.

Bould M. Science fiction [Internet]. London: Routledge; 2012. Available from: https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322

49.

Bould M. Solaris [Internet]. London: Palgrave Macmillan on behalf of the British Film Institute; 2014. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3466038__Sa%3A%28Bould%2C%20Mark%29%20t%3A%28Solaris%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

50.

Braidotti R. The posthuman [Internet]. Cambridge: Polity; 2013. Available from: https://pugwash.lib.warwick.ac.uk/record=b3442687

51.

Brooker P, Brooker W. Postmodern after-images: a reader in film, television and video. London: Arnold; 1997.

52.

Buckland W, editor. Hollywood puzzle films. New York: Routledge; 2014.

53.

Bukatman S. Blade runner [Internet]. London: BFI Publishing; 1997. Available from: https://go.exlibris.link/QpvXnvxp

54.

Bukatman S. Matters of gravity: special effects and supermen in the 20th century [Internet]. Durham, N.C.: Duke University Press; 2003. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

55.

Bukatman S. Terminal identity: the virtual subject in postmodern science fiction [Internet]. Durham: Duke University Press; 1993. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

56.

Burke E, Phillips A. A philosophical enquiry into the origin of our ideas of the sublime  and beautiful [Internet]. Oxford: Oxford University Press; 1998. Available from: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790__Sa%3A%28Burke%2C%20Edmund%29%20t%3A%28A%20philosophical%20enquiry%20into%20the%20origin%20of%20our%20ideas%20of%20the%20sublime%20%20and%20beautiful%29__Orightresult__U__X4?lang=eng&suite=cobalt

57.

Buckland W, editor. Hollywood puzzle films. New York: Routledge; 2014.

58.

Chion M, British Film Institute. Kubrick’s cinema odyssey. London: British Film Institute; 2001.

59.

Kant I, Pluhar WS. Critique of judgment: including the first introduction [Internet]. Indianapolis: Hackett; 1987. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032

60.

Kenny A. A brief history of western philosophy. Oxford: Blackwell; 1998.

61.

King G, Krzywinska T. Science fiction cinema: from outerspace to cyberspace. London: Wallflower; 2000.

62.

Kuhn A. Alien zone: cultural theory and contemporary science fiction cinema. London: Verso; 1990.

63.

Kuhn A. Alien zone II: the spaces of science-fiction cinema. London: Verso; 1999.

64.

Osterweil A. Under the Skin: the perils of becoming female’. Film Quarterly [Internet]. 2014 Jun;67(4):44–51. Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2014.67.4.44?seq=1#page_scan_tab_contents

65.

Lucy N. Postmodern literary theory: an introduction. Oxford: Blackwell; 1997.

66.

Nye DE. American technological sublime [Internet]. Cambridge, Mass: MIT Press; 1996. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578

67.

Seed D. A companion to science fiction [Internet]. Malden, MA: Blackwell Pub; 2008. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2830454

68.

Sobchack VC. Screening space: the American science fiction film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press; 1997.

69.

Stacey J. The cinematic life of the gene [Internet]. Durham, NC: Duke University Press; 2010. Available from: https://pugwash.lib.warwick.ac.uk/record=b3738610

70.

Weetch O. Expressive spaces in digital 3D cinema [Internet]. London: Palgrave Macmillan; 2016. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066

71.

Wood A. Technoscience in contemporary film: beyond science fiction. Manchester: Manchester University Press; 2002.