Bibliography for FI336: Science Fiction: Theory as Film BETA

Balsamo, A. M. (1996a). Technologies of the gendered body: reading cyborg women. Duke University Press.

Balsamo, A. M. (1996b). Technologies of the gendered body: reading cyborg women. Duke University Press.

Balsamo, A. M. (1996c). Technologies of the gendered body: reading cyborg women. Duke University Press.

Battersby, C. (2007). The sublime, terror and human difference. Routledge. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3683082__Sa%3A%28Battersby%2C%20Christine%29%20t%3A%28The%20sublime%2C%20terror%20and%20human%20difference%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

Baudrillard, J. (1988). America. Verso.

Baudrillard, J. (1994a). Precession of Simulacra. In Simulacra and simulation: Vol. The Body, in theory. University of Michigan Press. https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099

Baudrillard, J. (1994b). Simulacra and simulation: Vol. The Body, in theory. University of Michigan Press. https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099

Bould, M. (2012a). Science fiction. Routledge. https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322

Bould, M. (2012b). Science fiction. Routledge. https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322

Bould, M. (2012c). Science fiction. Routledge. https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322

Bould, M. (2014). Solaris: Vol. BFI film classics. Palgrave Macmillan on behalf of the British Film Institute. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3466038__Sa%3A%28Bould%2C%20Mark%29%20t%3A%28Solaris%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

Braidotti, R. (2013a). Chapter 2: Post-Anthropocentrism: Life Beyond the Species. In The posthuman (pp. 55–67). Polity.

Braidotti, R. (2013b). The posthuman. Polity. https://pugwash.lib.warwick.ac.uk/record=b3442687

Brooker, P., & Brooker, W. (1997). Postmodern after-images: a reader in film, television and video. Arnold.

Buckland, W. (Ed.). (2014a). Hollywood puzzle films: Vol. AFI film readers. Routledge.

Buckland, W. (Ed.). (2014b). Hollywood puzzle films: Vol. AFI film readers. Routledge.

Bukatman, S. (1993a). Terminal identity: the virtual subject in postmodern science fiction. Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

Bukatman, S. (1993b). Terminal identity: the virtual subject in postmodern science fiction. Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

Bukatman, S. (1993c). Terminal Penetration. In Terminal identity: the virtual subject in postmodern science fiction (pp. 183–240). Duke University Press.

Bukatman, S. (1997). Blade runner: Vol. BFI modern classics. BFI Publishing. https://go.exlibris.link/QpvXnvxp

Bukatman, S. (2003a). Matters of gravity: special effects and supermen in the 20th century. Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

Bukatman, S. (2003b). Matters of gravity: special effects and supermen in the 20th century. Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

Burke, E., & Phillips, A. (1998). A philosophical enquiry into the origin of our ideas of the sublime  and beautiful: Vol. Oxford world’s classics. Oxford University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790__Sa%3A%28Burke%2C%20Edmund%29%20t%3A%28A%20philosophical%20enquiry%20into%20the%20origin%20of%20our%20ideas%20of%20the%20sublime%20%20and%20beautiful%29__Orightresult__U__X4?lang=eng&suite=cobalt

Burke, E., & Womersley, D. (1998). A philosophical enquiry into the origin of our ideas of the sublime and beautiful: and other pre-revolutionary writings: Vol. Penguin classics. Penguin Books. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790

Butler, J. (1990). Bodily Inscriptions, Performative Subversions. In Gender trouble: feminism and the subversion of identity: Vol. Thinking gender. Routledge. https://contentstore.cla.co.uk/secure/link?id=f3b298df-168f-e711-80cb-005056af4099

Chion, M. & British Film Institute. (2001). Kubrick’s cinema odyssey. British Film Institute.

Constable, C. (2009). Adapting philosophy: Jean Baudrillard and The matrix trilogy. Manchester University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2978502

Constable, C. (2015). Postmodernism and film: rethinking Hollywood’s aesthetics: Vol. Short cuts: introductions to film studies. Wallflower Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3013083

Cuarón, A., Cuarón, J., Heyman, D., Bullock, S., Clooney, G., Harris, E., Price, S., Warner Bros. Pictures (1969- ), Esperanto Films (Firm), Heyday Films, & Warner Home Video (Firm). (2014). Gravity. Warner Home Video, a division of Warner Bros. Entertainment UK Ltd.

Ex Machina (2015). (n.d.). Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0A1F0DC8?bcast=125602766

Florence, P., & Foster, N. (2000). Differential aesthetics: art practices, philosophy and feminist  understandings. Ashgate.

Fuery, P. (2013). Terror and the cinematic sublime: essays on violence and the unpresentable in post-9/11 films (T. A. Comer & L. I. Vayo, Eds.). McFarland & Company, Incorporated, Publishers. https://pugwash.lib.warwick.ac.uk/record=b3718494

Fuss, D. (1991). Inside/out: lesbian theories, gay theories. Routledge. https://go.exlibris.link/kzj0zsH4

Glazer, J., Campbell, W., Faber, M., Johansson, S., Micachu, British Film Institute, FilmFour (Firm), & Studio Canal. (2014). Under the skin. StudioCanal.

Gray, C. H. (1995). The Cyborg handbook. Routledge.

Haraway, D. J. (1991). A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. In Simians, cyborgs and women: the reinvention of nature. Free Association. https://contentstore.cla.co.uk/secure/link?id=edfdafd7-488e-e711-80cb-005056af4099

Jameson, F. (1991a). Postmodernism: or, The cultural logic of late capitalism. Verso.

Jameson, F. (1991b). The nostalgia mode and nostalgia for the present. In Postmodernism: or, The cultural logic of late capitalism (pp. 276–296). Verso. https://contentstore.cla.co.uk/secure/link?id=c2cb9e52-488e-e711-80cb-005056af4099

Jones, D., Parker, N., Fenegan, S., Styler, T., Rockwell, S., McElligott, D., Scodelario, K., Wong, B., Berry, M., Stewart, M., Spacey, K., Shaw, G., Gaster, N., Mansell, C., Sony Pictures Classics (Firm), Stage 6 Films, & Sony Pictures Entertainment, Inc. (2009). Moon. Sony Pictures Home Entertainment.

Kant, I., & Pluhar, W. S. (1987a). Critique of judgment: including the first introduction. Hackett. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032

Kant, I., & Pluhar, W. S. (1987b). Critique of judgment: including the first introduction. Hackett. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032

Kenny, A. (1998). A brief history of western philosophy. Blackwell.

King, G., & Krzywinska, T. (2000a). Science fiction cinema: from outerspace to cyberspace: Vol. Short cuts. Wallflower.

King, G., & Krzywinska, T. (2000b). Science fiction cinema: from outerspace to cyberspace: Vol. Short cuts. Wallflower.

Kubrick, S., & Clarke, A. C. (2008). Stanley Kubrick’s 2001: a space odyssey (2 disc special ed). Warner Home Video.

Kuhn, A. (1990a). Alien zone: cultural theory and contemporary science fiction cinema. Verso.

Kuhn, A. (1990b). Alien zone: cultural theory and contemporary science fiction cinema. Verso.

Kuhn, A. (1999). Alien zone II: the spaces of science-fiction cinema. Verso.

Lisberger, S. (n.d.). Tron (1982). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/001E6AAE?bcast=121143880

Lloyd, G. (1984). The man of reason: ‘male’ and ‘female’ in Western philosophy: Vol. Ideas. Methuen. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3718227__Sa%3A%28Lloyd%2C%20Genevieve%29%20t%3A%28The%20man%20of%20reason%3A%20%27male%27%20and%20%27female%27%20in%20Western%20philosophy%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt

Lucy, N. (1997). Postmodern literary theory: an introduction. Blackwell.

Lykke, N., & Braidotti, R. (1996). Between monsters, goddesses and cyborgs: feminist confrontations  with science, medicine and cyberspace. Zed Books.

Nye, D. E. (1996a). American technological sublime. MIT Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578

Nye, D. E. (1996b). American technological sublime. MIT Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578

Osborne, P., & Segal, L. (1994). Gender as Performance, An Interview with Judith Butler. Radical Philosophy, 67, 32–39. https://0-www-radicalphilosophy-com.pugwash.lib.warwick.ac.uk/interview/judith-butler

Osterweil, A. (2014). Under the Skin: the perils of becoming female’. Film Quarterly, 67(4), 44–51. https://doi.org/10.1525/fq.2014.67.4.44

Sanders, R. (2017). Ghost in the Shell.

Sanders, S. (2008). The philosophy of science fiction film: Vol. The philosophy of popular culture. University Press of Kentucky.

Scott, R., Dick, P. K., Davies, A., & Davies, A. (1986). Blade runner. [s.n.].

Seed, D. (2008). A companion to science fiction: Vol. Blackwell companions to literature and culture. Blackwell Pub. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2830454

Shaw, P. (2006). The sublime: Vol. The new critical idiom. Routledge. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3191466__Sa%3A%28Shaw%2C%20Philip%29%20t%3A%28The%20sublime%29__Orightresult__U__X4?lang=eng&suite=cobalt

Sobchack, V. C. (1997a). Screening space: the American science fiction film (2nd, enl. ed ed.). Rutgers University Press.

Sobchack, V. C. (1997b). Screening space: the American science fiction film (2nd, enl. ed ed.). Rutgers University Press.

Sobchack, V. C., & Sobchack, V. C. (1997). Screening space: the American science fiction film (2nd, enl. ed ed.). Rutgers University Press.

Stacey, J. (2010). The cinematic life of the gene. Duke University Press. https://pugwash.lib.warwick.ac.uk/record=b3738610

Tarkovskiĭ, A. A., Gorenshteĭn, F., Bondarchuk, N., Banionis, D., Järvet, J., Dvorzhet︠s︡kiĭ, V., Grinʹko, N., Solonit︠s︡yn, A. A., I︠U︡sov, V., Feĭgova, L., Artemʹev, Ė., Lem, S., Artificial Eye (Firm), & Sovėksportfilʹm (Firm). (2016). Solaris. Curzon Artificial Eye.

Weetch, O. (2016a). Expressive spaces in digital 3D cinema. Palgrave Macmillan. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066

Weetch, O. (2016b). Expressive spaces in digital 3D cinema. Palgrave Macmillan. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066

Winkler, I., Chartoff, R., Kaufman, P., Glenn, S., Harris, E., Hershey, B., Quaid, D., Reed, P., Shepard, S., Stanley, K., Ward, F., Cartwright, V., Clennon, D., Wilson, S., Moffat, D., Helm, L., Goldblum, J., Shearer, H., Frank, C., … Warner Home Video (Firm). (2003). The right stuff (Special ed). Warner Home Video.

Wood, A. (2002a). Chapter 4: It’s Alive. In Technoscience in contemporary film: beyond science fiction: Vol. Inside popular film. Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=42355a79-7498-e711-80cb-005056af4099

Wood, A. (2002b). Technoscience in contemporary film: beyond science fiction: Vol. Inside popular film. Manchester University Press.