Anon. n.d. ‘Ex Machina (2015)’.
Balsamo, Anne Marie. 1996a. Technologies of the Gendered Body: Reading Cyborg Women. Durham, Ga: Duke University Press.
Balsamo, Anne Marie. 1996b. Technologies of the Gendered Body: Reading Cyborg Women. Durham, Ga: Duke University Press.
Balsamo, Anne Marie. 1996c. Technologies of the Gendered Body: Reading Cyborg Women. Durham, Ga: Duke University Press.
Battersby, Christine. 2007. The Sublime, Terror and Human Difference. London: Routledge.
Baudrillard, J. 1994. ‘Precession of Simulacra’. in Simulacra and simulation. Vol. The Body, in theory. Ann Arbor: University of Michigan Press.
Baudrillard, Jean. 1988. America. London: Verso.
Baudrillard, Jean. 1994. Simulacra and Simulation. Vol. The Body, in theory. Ann Arbor: University of Michigan Press.
Bould, Mark. 2012a. Science Fiction. London: Routledge.
Bould, Mark. 2012b. Science Fiction. London: Routledge.
Bould, Mark. 2012c. Science Fiction. London: Routledge.
Bould, Mark. 2014. Solaris. Vol. BFI film classics. London: Palgrave Macmillan on behalf of the British Film Institute.
Braidotti, Rosi. 2013a. ‘Chapter 2: Post-Anthropocentrism: Life Beyond the Species’. Pp. 55–67 in The posthuman. Cambridge: Polity.
Braidotti, Rosi. 2013b. The Posthuman. Cambridge: Polity.
Brooker, Peter, and Will Brooker. 1997. Postmodern After-Images: A Reader in Film, Television and Video. London: Arnold.
Buckland, Warren, ed. 2014a. Hollywood Puzzle Films. Vol. AFI film readers. New York: Routledge.
Buckland, Warren, ed. 2014b. Hollywood Puzzle Films. Vol. AFI film readers. New York: Routledge.
Bukatman, Scott. 1993a. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke University Press.
Bukatman, Scott. 1993b. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke University Press.
Bukatman, Scott. 1993c. ‘Terminal Penetration’. Pp. 183–240 in Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press.
Bukatman, Scott. 1997. Blade Runner. Vol. BFI modern classics. London: BFI Publishing.
Bukatman, Scott. 2003a. Matters of Gravity: Special Effects and Supermen in the 20th Century. Durham, N.C.: Duke University Press.
Bukatman, Scott. 2003b. Matters of Gravity: Special Effects and Supermen in the 20th Century. Durham, N.C.: Duke University Press.
Burke, Edmund, and Adam Phillips. 1998. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime  and Beautiful. Vol. Oxford world’s classics. Oxford: Oxford University Press.
Burke, Edmund, and David Womersley. 1998. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful: And Other Pre-Revolutionary Writings. Vol. Penguin classics. London: Penguin Books.
Butler, Judith. 1990. ‘Bodily Inscriptions, Performative Subversions’. in Gender trouble: feminism and the subversion of identity. Vol. Thinking gender. New York: Routledge.
Chion, Michel and British Film Institute. 2001. Kubrick’s Cinema Odyssey. London: British Film Institute.
Constable, Catherine. 2009. Adapting Philosophy: Jean Baudrillard and The Matrix Trilogy. Manchester, UK: Manchester University Press.
Constable, Catherine. 2015. Postmodernism and Film: Rethinking Hollywood’s Aesthetics. Vol. Short cuts: introductions to film studies. London: Wallflower Press.
Cuarón, Alfonso, Jonás Cuarón, David Heyman, Sandra Bullock, George Clooney, Ed Harris, Steven Price, Warner Bros. Pictures (1969- ), Esperanto Films (Firm), Heyday Films, and Warner Home Video (Firm). 2014. ‘Gravity’.
Florence, Penny, and Nicola Foster. 2000. Differential Aesthetics: Art Practices, Philosophy and Feminist  Understandings. Aldershot: Ashgate.
Fuery, Patrick. 2013. Terror and the Cinematic Sublime: Essays on Violence and the Unpresentable in Post-9/11 Films. edited by T. A. Comer and L. I. Vayo. Jefferson, North Carolina: McFarland & Company, Incorporated, Publishers.
Fuss, Diana. 1991. Inside/out: Lesbian Theories, Gay Theories. New York: Routledge.
Glazer, Jonathan, Walter Campbell, Michael Faber, Scarlett Johansson, Micachu, British Film Institute, FilmFour (Firm), and Studio Canal. 2014. ‘Under the Skin’.
Gray, Chris Hables. 1995. The Cyborg Handbook. New York: Routledge.
Haraway, Donna Jeanne. 1991. ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’. in Simians, cyborgs and women: the reinvention of nature. London: Free Association.
Jameson, Frederic. 1991. ‘The Nostalgia Mode and Nostalgia for the Present’. Pp. 276–96 in Postmodernism: or, The cultural logic of late capitalism. London: Verso.
Jameson, Fredric. 1991. Postmodernism: Or, The Cultural Logic of Late Capitalism. London: Verso.
Jones, Duncan, Nathan Parker, Stuart Fenegan, Trudie Styler, Sam Rockwell, Dominique McElligott, Kaya Scodelario, Benedict Wong, Matt Berry, Malcolm Stewart, Kevin Spacey, Gary Shaw, Nicolas Gaster, Clint Mansell, Sony Pictures Classics (Firm), Stage 6 Films, and Sony Pictures Entertainment, Inc. 2009. ‘Moon’.
Kant, Immanuel, and Werner S. Pluhar. 1987a. Critique of Judgment: Including the First Introduction. Indianapolis: Hackett.
Kant, Immanuel, and Werner S. Pluhar. 1987b. Critique of Judgment: Including the First Introduction. Indianapolis: Hackett.
Kenny, Anthony. 1998. A Brief History of Western Philosophy. Oxford: Blackwell.
King, Geoff, and Tanya Krzywinska. 2000a. Science Fiction Cinema: From Outerspace to Cyberspace. Vol. Short cuts. London: Wallflower.
King, Geoff, and Tanya Krzywinska. 2000b. Science Fiction Cinema: From Outerspace to Cyberspace. Vol. Short cuts. London: Wallflower.
Kubrick, Stanley, and Arthur C. Clarke. 2008. ‘Stanley Kubrick’s 2001: A Space Odyssey’.
Kuhn, Annette. 1990a. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso.
Kuhn, Annette. 1990b. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso.
Kuhn, Annette. 1999. Alien Zone II: The Spaces of Science-Fiction Cinema. London: Verso.
Lisberger, Steven. n.d. ‘Tron (1982)’.
Lloyd, Genevieve. 1984. The Man of Reason: ‘male’ and ‘Female’ in Western Philosophy. Vol. Ideas. London: Methuen.
Lucy, Niall. 1997. Postmodern Literary Theory: An Introduction. Oxford: Blackwell.
Lykke, Nina, and Rosi Braidotti. 1996. Between Monsters, Goddesses and Cyborgs: Feminist Confrontations  with Science, Medicine and Cyberspace. New Jersey: Zed Books.
Nye, David E. 1996a. American Technological Sublime. Cambridge, Mass: MIT Press.
Nye, David E. 1996b. American Technological Sublime. Cambridge, Mass: MIT Press.
Osborne, P., and L. Segal. 1994. ‘Gender as Performance, An Interview with Judith Butler’. Radical Philosophy (67):32–39.
Osterweil, Ara. 2014. ‘Under the Skin: The Perils of Becoming Female’’. Film Quarterly 67(4):44–51. doi: 10.1525/fq.2014.67.4.44.
Sanders, Rupert. 2017. ‘Ghost in the Shell’.
Sanders, Steven. 2008. The Philosophy of Science Fiction Film. Vol. The philosophy of popular culture. Lexington, Ky: University Press of Kentucky.
Scott, Ridley, Philip K. Dick, Andrew Davies, and Andrew Davies. 1986. ‘Blade Runner’.
Seed, David. 2008. A Companion to Science Fiction. Vol. Blackwell companions to literature and culture. Malden, MA: Blackwell Pub.
Shaw, Philip. 2006. The Sublime. Vol. The new critical idiom. London: Routledge.
Sobchack, Vivian Carol. 1997a. Screening Space: The American Science Fiction Film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press.
Sobchack, Vivian Carol. 1997b. Screening Space: The American Science Fiction Film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press.
Sobchack, Vivian Carol, and Vivian Carol Sobchack. 1997. Screening Space: The American Science Fiction Film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press.
Stacey, Jackie. 2010. The Cinematic Life of the Gene. Durham, NC: Duke University Press.
Tarkovskiĭ, Andreĭ Arsenʹevich, Fridrikh Gorenshteĭn, Natalʹi︠a︡ Bondarchuk, Donatas Banionis, Jüri Järvet, Vladislav Dvorzhet︠s︡kiĭ, Nikolaĭ Grinʹko, Anatoliĭ Alekseevich Solonit︠s︡yn, Vadim I︠U︡sov, L. Feĭgova, Ėduard Artemʹev, Stanisław Lem, Artificial Eye (Firm), and Sovėksportfilʹm (Firm). 2016. ‘Solaris’.
Weetch, Owen. 2016a. Expressive Spaces in Digital 3D Cinema. London: Palgrave Macmillan.
Weetch, Owen. 2016b. Expressive Spaces in Digital 3D Cinema. London: Palgrave Macmillan.
Winkler, Irwin, Robert Chartoff, Philip Kaufman, Scott Glenn, Ed Harris, Barbara Hershey, Dennis Quaid, Pamela Reed, Sam Shepard, Kim Stanley, Fred Ward, Veronica Cartwright, David Clennon, Scott Wilson, Donald Moffat, Levon Helm, Jeff Goldblum, Harry Shearer, Charles Frank, Royal Dano, Tom Wolfe, Ladd Company, Warner Bros, and Warner Home Video (Firm). 2003. ‘The Right Stuff’.
Wood, A. 2002. ‘Chapter 4: It’s Alive’. in Technoscience in contemporary film: beyond science fiction. Vol. Inside popular film. Manchester: Manchester University Press.
Wood, Aylish. 2002. Technoscience in Contemporary Film: Beyond Science Fiction. Vol. Inside popular film. Manchester: Manchester University Press.