Balsamo, Anne Marie. Technologies of the Gendered Body: Reading Cyborg Women. Duke University Press, 1996.
———. Technologies of the Gendered Body: Reading Cyborg Women. Duke University Press, 1996.
———. Technologies of the Gendered Body: Reading Cyborg Women. Duke University Press, 1996.
Battersby, Christine. The Sublime, Terror and Human Difference. Routledge, 2007, https://go.exlibris.link/wKV4cThS.
Baudrillard, J. ‘Precession of Simulacra’. Simulacra and Simulation, The Body, in theory, University of Michigan Press, 1994, https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099.
Baudrillard, Jean. America. Verso, 1988.
———. Simulacra and Simulation. University of Michigan Press, 1994, https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099.
Bould, Mark. Science Fiction. Routledge, 2012, https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.
———. Science Fiction. Routledge, 2012, https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.
———. Science Fiction. Routledge, 2012, https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.
———. Solaris. Palgrave Macmillan on behalf of the British Film Institute, 2014, https://go.exlibris.link/QpvXnvxp.
Braidotti, Rosi. ‘Chapter 2: Post-Anthropocentrism: Life Beyond the Species’. The Posthuman, Polity, 2013, pp. 55–67.
———. The Posthuman. Polity, 2013, https://pugwash.lib.warwick.ac.uk/record=b3442687.
Brooker, Peter, and Will Brooker. Postmodern After-Images: A Reader in Film, Television and Video. Arnold, 1997.
Buckland, Warren, editor. Hollywood Puzzle Films. Routledge, 2014.
Buckland, Warren, editor. Hollywood Puzzle Films. Routledge, 2014.
Bukatman, Scott. Blade Runner. BFI Publishing, 1997, https://go.exlibris.link/QpvXnvxp.
———. Matters of Gravity: Special Effects and Supermen in the 20th Century. Duke University Press, 2003, https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.
———. Matters of Gravity: Special Effects and Supermen in the 20th Century. Duke University Press, 2003, https://go.exlibris.link/CHRyGdRr.
———. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Duke University Press, 1993, https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.
———. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Duke University Press, 1993, https://go.exlibris.link/XNbmDT3p.
———. ‘Terminal Penetration’. Terminal Identity: The Virtual Subject in Postmodern Science Fiction, Duke University Press, 1993, pp. 183–240.
Burke, Edmund, and Adam Phillips. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Oxford University Press, 1998, https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790__Sa%3A%28Burke%2C%20Edmund%29%20t%3A%28A%20philosophical%20enquiry%20into%20the%20origin%20of%20our%20ideas%20of%20the%20sublime%20%20and%20beautiful%29__Orightresult__U__X4?lang=eng&suite=cobalt.
Burke, Edmund, and David Womersley. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful: And Other Pre-Revolutionary Writings. Penguin Books, 1998, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790.
Butler, Judith. ‘Bodily Inscriptions, Performative Subversions’. Gender Trouble: Feminism and the Subversion of Identity, Thinking gender, Routledge, 1990, https://contentstore.cla.co.uk/secure/link?id=f3b298df-168f-e711-80cb-005056af4099.
Chion, Michel and British Film Institute. Kubrick’s Cinema Odyssey. British Film Institute, 2001.
Constable, Catherine. Adapting Philosophy: Jean Baudrillard and The Matrix Trilogy. Manchester University Press, 2009, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2978502.
———. Postmodernism and Film: Rethinking Hollywood’s Aesthetics. Wallflower Press, 2015, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3013083.
Cuarón, Alfonso, et al. Gravity. Warner Home Video, a division of Warner Bros. Entertainment UK Ltd, 2014.
Ex Machina (2015). Channel 4, https://learningonscreen.ac.uk/ondemand/index.php/prog/0A1F0DC8?bcast=125602766.
Florence, Penny, and Nicola Foster. Differential Aesthetics: Art Practices, Philosophy and Feminist Understandings. Ashgate, 2000.
Fuery, Patrick. Terror and the Cinematic Sublime: Essays on Violence and the Unpresentable in Post-9/11 Films. Edited by Todd A. Comer and Lloyd Isaac Vayo, McFarland & Company, Incorporated, Publishers, 2013, https://pugwash.lib.warwick.ac.uk/record=b3718494.
Fuss, Diana. Inside/out: Lesbian Theories, Gay Theories. Routledge, 1991, https://go.exlibris.link/kzj0zsH4.
Glazer, Jonathan, et al. Under the Skin. StudioCanal, 2014.
Gray, Chris Hables. The Cyborg Handbook. Routledge, 1995.
Haraway, Donna Jeanne. ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’. Simians, Cyborgs and Women: The Reinvention of Nature, Free Association, 1991, https://contentstore.cla.co.uk/secure/link?id=edfdafd7-488e-e711-80cb-005056af4099.
Jameson, Frederic. ‘The Nostalgia Mode and Nostalgia for the Present’. Postmodernism: Or, The Cultural Logic of Late Capitalism, Verso, 1991, pp. 276–96, https://contentstore.cla.co.uk/secure/link?id=c2cb9e52-488e-e711-80cb-005056af4099.
Jameson, Fredric. Postmodernism: Or, The Cultural Logic of Late Capitalism. Verso, 1991.
Jones, Duncan, et al. Moon. Sony Pictures Home Entertainment, 2009.
Kant, Immanuel, and Werner S. Pluhar. Critique of Judgment: Including the First Introduction. Hackett, 1987, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032.
———. Critique of Judgment: Including the First Introduction. Hackett, 1987, https://go.exlibris.link/8GQlvqp7.
Kenny, Anthony. A Brief History of Western Philosophy. Blackwell, 1998.
King, Geoff, and Tanya Krzywinska. Science Fiction Cinema: From Outerspace to Cyberspace. Wallflower, 2000.
———. Science Fiction Cinema: From Outerspace to Cyberspace. Wallflower, 2000.
Kubrick, Stanley, and Arthur C. Clarke. Stanley Kubrick’s 2001: A Space Odyssey. 2 disc special ed, Warner Home Video, 2008.
Kuhn, Annette. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. Verso, 1990.
———. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. Verso, 1990.
———. Alien Zone II: The Spaces of Science-Fiction Cinema. Verso, 1999.
Lisberger, Steven. Tron (1982). BBC2 England, https://learningonscreen.ac.uk/ondemand/index.php/prog/001E6AAE?bcast=121143880.
Lloyd, Genevieve. The Man of Reason: ‘male’ and ‘Female’ in Western Philosophy. Methuen, 1984, https://go.exlibris.link/K1vQPWBS.
Lucy, Niall. Postmodern Literary Theory: An Introduction. Blackwell, 1997.
Lykke, Nina, and Rosi Braidotti. Between Monsters, Goddesses and Cyborgs: Feminist Confrontations with Science, Medicine and Cyberspace. Zed Books, 1996.
Nye, David E. American Technological Sublime. MIT Press, 1996, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578.
———. American Technological Sublime. MIT Press, 1996, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578.
Osborne, P., and L. Segal. ‘Gender as Performance, An Interview with Judith Butler’. Radical Philosophy, no. 67, 1994, pp. 32–39, https://0-www-radicalphilosophy-com.pugwash.lib.warwick.ac.uk/interview/judith-butler.
Osterweil, Ara. ‘Under the Skin: The Perils of Becoming Female’’. Film Quarterly, vol. 67, no. 4, June 2014, pp. 44–51, https://doi.org/10.1525/fq.2014.67.4.44.
Sanders, Rupert. Ghost in the Shell. 2017.
Sanders, Steven. The Philosophy of Science Fiction Film. University Press of Kentucky, 2008.
Scott, Ridley, et al. Blade Runner. [s.n.], 1986. Videorecording.
Seed, David. A Companion to Science Fiction. Blackwell Pub, 2008, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2830454.
Shaw, Philip. The Sublime. Routledge, 2006, https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3191466__Sa%3A%28Shaw%2C%20Philip%29%20t%3A%28The%20sublime%29__Orightresult__U__X4?lang=eng&suite=cobalt.
Sobchack, Vivian Carol. Screening Space: The American Science Fiction Film. 2nd, enl. ed edn, Rutgers University Press, 1997.
———. Screening Space: The American Science Fiction Film. 2nd, enl. ed edn, Rutgers University Press, 1997.
Sobchack, Vivian Carol, and Vivian Carol Sobchack. Screening Space: The American Science Fiction Film. 2nd, enl. ed edn, Rutgers University Press, 1997.
Stacey, Jackie. The Cinematic Life of the Gene. Duke University Press, 2010, https://pugwash.lib.warwick.ac.uk/record=b3738610.
Tarkovskiĭ, Andreĭ Arsenʹevich, et al. Solaris. Curzon Artificial Eye, 2016.
Weetch, Owen. Expressive Spaces in Digital 3D Cinema. Palgrave Macmillan, 2016, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066.
———. Expressive Spaces in Digital 3D Cinema. Palgrave Macmillan, 2016, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066.
Winkler, Irwin, et al. The Right Stuff. Special ed, Warner Home Video, 2003. Videorecording.
Wood, A. ‘Chapter 4: It’s Alive’. Technoscience in Contemporary Film: Beyond Science Fiction, Inside popular film, Manchester University Press, 2002, https://contentstore.cla.co.uk/secure/link?id=42355a79-7498-e711-80cb-005056af4099.
Wood, Aylish. Technoscience in Contemporary Film: Beyond Science Fiction. Manchester University Press, 2002.
