Bibliography for FI336: Science Fiction: Theory as Film BETA

Balsamo, Anne Marie. 1996a. Technologies of the Gendered Body: Reading Cyborg Women. Durham, Ga: Duke University Press.

———. 1996b. Technologies of the Gendered Body: Reading Cyborg Women. Durham, Ga: Duke University Press.

———. 1996c. Technologies of the Gendered Body: Reading Cyborg Women. Durham, Ga: Duke University Press.

Battersby, Christine. 2007. The Sublime, Terror and Human Difference. London: Routledge. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3683082__Sa%3A%28Battersby%2C%20Christine%29%20t%3A%28The%20sublime%2C%20terror%20and%20human%20difference%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Baudrillard, J. 1994. ‘Precession of Simulacra’. In Simulacra and Simulation. Vol. The Body, in theory. Ann Arbor: University of Michigan Press. https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099.

Baudrillard, Jean. 1988. America. London: Verso.

———. 1994. Simulacra and Simulation. Vol. The Body, in theory. Ann Arbor: University of Michigan Press. https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099.

Bould, Mark. 2012a. Science Fiction. London: Routledge. https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.

———. 2012b. Science Fiction. London: Routledge. https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.

———. 2012c. Science Fiction. London: Routledge. https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.

———. 2014. Solaris. Vol. BFI film classics. London: Palgrave Macmillan on behalf of the British Film Institute. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3466038__Sa%3A%28Bould%2C%20Mark%29%20t%3A%28Solaris%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Braidotti, Rosi. 2013a. ‘Chapter 2: Post-Anthropocentrism: Life Beyond the Species’. In The Posthuman, 55–67. Cambridge: Polity.

———. 2013b. The Posthuman. Cambridge: Polity. https://pugwash.lib.warwick.ac.uk/record=b3442687.

Brooker, Peter, and Will Brooker. 1997. Postmodern After-Images: A Reader in Film, Television and Video. London: Arnold.

Buckland, Warren, ed. 2014a. Hollywood Puzzle Films. Vol. AFI film readers. New York: Routledge.

———, ed. 2014b. Hollywood Puzzle Films. Vol. AFI film readers. New York: Routledge.

Bukatman, Scott. 1993a. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

———. 1993b. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

———. 1993c. ‘Terminal Penetration’. In Terminal Identity: The Virtual Subject in Postmodern Science Fiction, 183–240. Durham: Duke University Press.

———. 1997. Blade Runner. Vol. BFI modern classics. London: BFI Publishing. https://go.exlibris.link/QpvXnvxp.

———. 2003a. Matters of Gravity: Special Effects and Supermen in the 20th Century. Durham, N.C.: Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

———. 2003b. Matters of Gravity: Special Effects and Supermen in the 20th Century. Durham, N.C.: Duke University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Burke, Edmund, and Adam Phillips. 1998. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime  and Beautiful. Vol. Oxford world’s classics. Oxford: Oxford University Press. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790__Sa%3A%28Burke%2C%20Edmund%29%20t%3A%28A%20philosophical%20enquiry%20into%20the%20origin%20of%20our%20ideas%20of%20the%20sublime%20%20and%20beautiful%29__Orightresult__U__X4?lang=eng&suite=cobalt.

Burke, Edmund, and David Womersley. 1998. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful: And Other Pre-Revolutionary Writings. Vol. Penguin classics. London: Penguin Books. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790.

Butler, Judith. 1990. ‘Bodily Inscriptions, Performative Subversions’. In Gender Trouble: Feminism and the Subversion of Identity. Vol. Thinking gender. New York: Routledge. https://contentstore.cla.co.uk/secure/link?id=f3b298df-168f-e711-80cb-005056af4099.

Chion, Michel and British Film Institute. 2001. Kubrick’s Cinema Odyssey. London: British Film Institute.

Constable, Catherine. 2009. Adapting Philosophy: Jean Baudrillard and The Matrix Trilogy. Manchester, UK: Manchester University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2978502.

———. 2015. Postmodernism and Film: Rethinking Hollywood’s Aesthetics. Vol. Short cuts: introductions to film studies. London: Wallflower Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3013083.

Cuarón, Alfonso, Jonás Cuarón, David Heyman, Sandra Bullock, George Clooney, Ed Harris, Steven Price, et al. 2014. ‘Gravity’. London: Warner Home Video, a division of Warner Bros. Entertainment UK Ltd.

‘Ex Machina (2015)’. n.d. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0A1F0DC8?bcast=125602766.

Florence, Penny, and Nicola Foster. 2000. Differential Aesthetics: Art Practices, Philosophy and Feminist  Understandings. Aldershot: Ashgate.

Fuery, Patrick. 2013. Terror and the Cinematic Sublime: Essays on Violence and the Unpresentable in Post-9/11 Films. Edited by Todd A. Comer and Lloyd Isaac Vayo. Jefferson, North Carolina: McFarland & Company, Incorporated, Publishers. https://pugwash.lib.warwick.ac.uk/record=b3718494.

Fuss, Diana. 1991. Inside/out: Lesbian Theories, Gay Theories. New York: Routledge. https://go.exlibris.link/kzj0zsH4.

Glazer, Jonathan, Walter Campbell, Michael Faber, Scarlett Johansson, Micachu, British Film Institute, FilmFour (Firm), and Studio Canal. 2014. ‘Under the Skin’. England: StudioCanal.

Gray, Chris Hables. 1995. The Cyborg Handbook. New York: Routledge.

Haraway, Donna Jeanne. 1991. ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’. In Simians, Cyborgs and Women: The Reinvention of Nature. London: Free Association. https://contentstore.cla.co.uk/secure/link?id=edfdafd7-488e-e711-80cb-005056af4099.

Jameson, Frederic. 1991. ‘The Nostalgia Mode and Nostalgia for the Present’. In Postmodernism: Or, The Cultural Logic of Late Capitalism, 276–96. London: Verso. https://contentstore.cla.co.uk/secure/link?id=c2cb9e52-488e-e711-80cb-005056af4099.

Jameson, Fredric. 1991. Postmodernism: Or, The Cultural Logic of Late Capitalism. London: Verso.

Jones, Duncan, Nathan Parker, Stuart Fenegan, Trudie Styler, Sam Rockwell, Dominique McElligott, Kaya Scodelario, et al. 2009. ‘Moon’. [London, England]: Sony Pictures Home Entertainment.

Kant, Immanuel, and Werner S. Pluhar. 1987a. Critique of Judgment: Including the First Introduction. Indianapolis: Hackett. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032.

———. 1987b. Critique of Judgment: Including the First Introduction. Indianapolis: Hackett. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032.

Kenny, Anthony. 1998. A Brief History of Western Philosophy. Oxford: Blackwell.

King, Geoff, and Tanya Krzywinska. 2000a. Science Fiction Cinema: From Outerspace to Cyberspace. Vol. Short cuts. London: Wallflower.

———. 2000b. Science Fiction Cinema: From Outerspace to Cyberspace. Vol. Short cuts. London: Wallflower.

Kubrick, Stanley, and Arthur C. Clarke. 2008. ‘Stanley Kubrick’s 2001: A Space Odyssey’. [England]: Warner Home Video.

Kuhn, Annette. 1990a. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso.

———. 1990b. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso.

———. 1999. Alien Zone II: The Spaces of Science-Fiction Cinema. London: Verso.

Lisberger, Steven. n.d. ‘Tron (1982)’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/001E6AAE?bcast=121143880.

Lloyd, Genevieve. 1984. The Man of Reason: ‘male’ and ‘Female’ in Western Philosophy. Vol. Ideas. London: Methuen. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3718227__Sa%3A%28Lloyd%2C%20Genevieve%29%20t%3A%28The%20man%20of%20reason%3A%20%27male%27%20and%20%27female%27%20in%20Western%20philosophy%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Lucy, Niall. 1997. Postmodern Literary Theory: An Introduction. Oxford: Blackwell.

Lykke, Nina, and Rosi Braidotti. 1996. Between Monsters, Goddesses and Cyborgs: Feminist Confrontations  with Science, Medicine and Cyberspace. New Jersey: Zed Books.

Nye, David E. 1996a. American Technological Sublime. Cambridge, Mass: MIT Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578.

———. 1996b. American Technological Sublime. Cambridge, Mass: MIT Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578.

Osborne, P., and L. Segal. 1994. ‘Gender as Performance, An Interview with Judith Butler’. Radical Philosophy, no. 67: 32–39. https://0-www-radicalphilosophy-com.pugwash.lib.warwick.ac.uk/interview/judith-butler.

Osterweil, Ara. 2014. ‘Under the Skin: The Perils of Becoming Female’’. Film Quarterly 67 (4): 44–51. https://doi.org/10.1525/fq.2014.67.4.44.

Sanders, Rupert. 2017. ‘Ghost in the Shell’.

Sanders, Steven. 2008. The Philosophy of Science Fiction Film. Vol. The philosophy of popular culture. Lexington, Ky: University Press of Kentucky.

Scott, Ridley, Philip K. Dick, Andrew Davies, and Andrew Davies. 1986. ‘Blade Runner’. [U.K.]: [s.n.].

Seed, David. 2008. A Companion to Science Fiction. Vol. Blackwell companions to literature and culture. Malden, MA: Blackwell Pub. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2830454.

Shaw, Philip. 2006. The Sublime. Vol. The new critical idiom. London: Routledge. https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3191466__Sa%3A%28Shaw%2C%20Philip%29%20t%3A%28The%20sublime%29__Orightresult__U__X4?lang=eng&suite=cobalt.

Sobchack, Vivian Carol. 1997a. Screening Space: The American Science Fiction Film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press.

———. 1997b. Screening Space: The American Science Fiction Film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press.

Sobchack, Vivian Carol, and Vivian Carol Sobchack. 1997. Screening Space: The American Science Fiction Film. 2nd, enl. ed ed. New Brunswick, N.J.: Rutgers University Press.

Stacey, Jackie. 2010. The Cinematic Life of the Gene. Durham, NC: Duke University Press. https://pugwash.lib.warwick.ac.uk/record=b3738610.

Tarkovskiĭ, Andreĭ Arsenʹevich, Fridrikh Gorenshteĭn, Natalʹi︠a︡ Bondarchuk, Donatas Banionis, Jüri Järvet, Vladislav Dvorzhet︠s︡kiĭ, Nikolaĭ Grinʹko, et al. 2016. ‘Solaris’. [London, England]: Curzon Artificial Eye.

Weetch, Owen. 2016a. Expressive Spaces in Digital 3D Cinema. London: Palgrave Macmillan. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066.

———. 2016b. Expressive Spaces in Digital 3D Cinema. London: Palgrave Macmillan. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066.

Winkler, Irwin, Robert Chartoff, Philip Kaufman, Scott Glenn, Ed Harris, Barbara Hershey, Dennis Quaid, et al. 2003. ‘The Right Stuff’. Burbank, Calif: Warner Home Video.

Wood, A. 2002. ‘Chapter 4: It’s Alive’. In Technoscience in Contemporary Film: Beyond Science Fiction. Vol. Inside popular film. Manchester: Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=42355a79-7498-e711-80cb-005056af4099.

Wood, Aylish. 2002. Technoscience in Contemporary Film: Beyond Science Fiction. Vol. Inside popular film. Manchester: Manchester University Press.