1
Tarkovskiĭ AA, Gorenshteĭn F, Bondarchuk N, et al. Solaris. 2016.
2
Winkler I, Chartoff R, Kaufman P, et al. The right stuff. 2003.
3
Bould M. Science fiction. London: Routledge 2012.
4
King G, Krzywinska T. Science fiction cinema: from outerspace to cyberspace. London: Wallflower 2000.
5
Sobchack VC. Screening space: the American science fiction film. 2nd, enl. ed edn. New Brunswick, N.J.: Rutgers University Press 1997.
6
Burke E, Womersley D. A philosophical enquiry into the origin of our ideas of the sublime and beautiful: and other pre-revolutionary writings. London: Penguin Books 1998.
7
Kant I, Pluhar WS. Critique of judgment: including the first introduction. Indianapolis: Hackett 1987.
8
Kubrick S, Clarke AC. Stanley Kubrick’s 2001: a space odyssey. 2008.
9
Bukatman S. Matters of gravity: special effects and supermen in the 20th century. Durham, N.C.: Duke University Press 2003.
10
Shaw P. The sublime. London: Routledge 2006.
11
Nye DE. American technological sublime. Cambridge, Mass: MIT Press 1996.
12
Cuarón A, Cuarón J, Heyman D, et al. Gravity. 2014.
13
Bould M. Science fiction. London: Routledge 2012.
14
Weetch O. Expressive spaces in digital 3D cinema. London: Palgrave Macmillan 2016.
15
Baudrillard J. Simulacra and simulation. Ann Arbor: University of Michigan Press 1994.
16
Baudrillard J. Precession of Simulacra. Simulacra and simulation. Ann Arbor: University of Michigan Press 1994.
17
Jones D, Parker N, Fenegan S, et al. Moon. 2009.
18
Baudrillard J. America. London: Verso 1988.
19
Constable C. Adapting philosophy: Jean Baudrillard and The matrix trilogy. Manchester, UK: Manchester University Press 2009.
20
Bukatman S. Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press 1993.
21
Jameson F. The nostalgia mode and nostalgia for the present. Postmodernism: or, The cultural logic of late capitalism. London: Verso 1991:276–96.
22
Scott R, Dick PK, Davies A, et al. Blade runner. 1986.
23
Jameson F. Postmodernism: or, The cultural logic of late capitalism. London: Verso 1991.
24
Sobchack VC, Sobchack VC. Screening space: the American science fiction film. 2nd, enl. ed edn. New Brunswick, N.J.: Rutgers University Press 1997.
25
Sanders S. The philosophy of science fiction film. Lexington, Ky: University Press of Kentucky 2008.
26
Kuhn A. Alien zone: cultural theory and contemporary science fiction cinema. London: Verso 1990.
27
Constable C. Postmodernism and film: rethinking Hollywood’s aesthetics. London: Wallflower Press 2015.
28
Bukatman S. Terminal Penetration. Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press 1993:183–240.
29
Lisberger S. Tron (1982).
30
Balsamo AM. Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press 1996.
31
Butler J. Bodily Inscriptions, Performative Subversions. Gender trouble: feminism and the subversion of identity. New York: Routledge 1990.
32
Wood A. Chapter 4: It’s Alive. Technoscience in contemporary film: beyond science fiction. Manchester: Manchester University Press 2002.
33
Ex Machina (2015).
34
Fuss D. Inside/out: lesbian theories, gay theories. New York: Routledge 1991.
35
Osborne P, Segal L. Gender as Performance, An Interview with Judith Butler. Radical Philosophy. 1994;32–9.
36
Florence P, Foster N. Differential aesthetics: art practices, philosophy and feminist  understandings. Aldershot: Ashgate 2000.
37
Sanders R. Ghost in the Shell. 2017.
38
Haraway DJ. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. Simians, cyborgs and women: the reinvention of nature. London: Free Association 1991.
39
Gray CH. The Cyborg handbook. New York: Routledge 1995.
40
Balsamo AM. Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press 1996.
41
Braidotti R. Chapter 2: Post-Anthropocentrism: Life Beyond the Species. The posthuman. Cambridge: Polity 2013:55–67.
42
Glazer J, Campbell W, Faber M, et al. Under the skin. 2014.
43
Lykke N, Braidotti R. Between monsters, goddesses and cyborgs: feminist confrontations  with science, medicine and cyberspace. New Jersey: Zed Books 1996.
44
Lloyd G. The man of reason: ‘male’ and ‘female’ in Western philosophy. London: Methuen 1984.
45
Balsamo AM. Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press 1996.
46
Battersby C. The sublime, terror and human difference. London: Routledge 2007.
47
Fuery P. Terror and the cinematic sublime: essays on violence and the unpresentable in post-9/11 films. Jefferson, North Carolina: McFarland & Company, Incorporated, Publishers 2013.
48
Bould M. Science fiction. London: Routledge 2012.
49
Bould M. Solaris. London: Palgrave Macmillan on behalf of the British Film Institute 2014.
50
Braidotti R. The posthuman. Cambridge: Polity 2013.
51
Brooker P, Brooker W. Postmodern after-images: a reader in film, television and video. London: Arnold 1997.
52
Buckland W, editor. Hollywood puzzle films. New York: Routledge 2014.
53
Bukatman S. Blade runner. London: BFI Publishing 1997.
54
Bukatman S. Matters of gravity: special effects and supermen in the 20th century. Durham, N.C.: Duke University Press 2003.
55
Bukatman S. Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press 1993.
56
Burke E, Phillips A. A philosophical enquiry into the origin of our ideas of the sublime  and beautiful. Oxford: Oxford University Press 1998.
57
Buckland W, editor. Hollywood puzzle films. New York: Routledge 2014.
58
Chion M, British Film Institute. Kubrick’s cinema odyssey. London: British Film Institute 2001.
59
Kant I, Pluhar WS. Critique of judgment: including the first introduction. Indianapolis: Hackett 1987.
60
Kenny A. A brief history of western philosophy. Oxford: Blackwell 1998.
61
King G, Krzywinska T. Science fiction cinema: from outerspace to cyberspace. London: Wallflower 2000.
62
Kuhn A. Alien zone: cultural theory and contemporary science fiction cinema. London: Verso 1990.
63
Kuhn A. Alien zone II: the spaces of science-fiction cinema. London: Verso 1999.
64
Osterweil A. Under the Skin: the perils of becoming female’. Film Quarterly. 2014;67:44–51. doi: 10.1525/fq.2014.67.4.44
65
Lucy N. Postmodern literary theory: an introduction. Oxford: Blackwell 1997.
66
Nye DE. American technological sublime. Cambridge, Mass: MIT Press 1996.
67
Seed D. A companion to science fiction. Malden, MA: Blackwell Pub 2008.
68
Sobchack VC. Screening space: the American science fiction film. 2nd, enl. ed edn. New Brunswick, N.J.: Rutgers University Press 1997.
69
Stacey J. The cinematic life of the gene. Durham, NC: Duke University Press 2010.
70
Weetch O. Expressive spaces in digital 3D cinema. London: Palgrave Macmillan 2016.
71
Wood A. Technoscience in contemporary film: beyond science fiction. Manchester: Manchester University Press 2002.