Bibliography for HA2D7: Modern Art and Modernism (Term 1) BETA

Alan Bowness (1978) ‘Courbet’s Proudhon’, The Burlington Magazine, 120(900), pp. 123–130. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/879130?seq=1#page_scan_tab_contents.

André Dombrowski (2011) ‘History, Memory, and Instantaneity in Edgar Degas’s “Place de la Concorde”’, The Art Bulletin, 93(2), pp. 195–219. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/23046593?seq=1#page_scan_tab_contents.

Antliff, R.M. (1988) ‘Bergson and Cubism: A Reassessment’, Art Journal, 47(4). Available at: https://doi.org/10.2307/776983.

Arbiter, P. (1918) ‘A Degenerate Work of Art: “The Bathers” by Cézanne’, The Art World, 3(4). Available at: https://doi.org/10.2307/25588292.

Armstrong, C.M. (1991) Odd man out: readings of the work and reputation of Edgar Degas. Chicago: University of Chicago Press.

Armstrong, C.M. (2002) Manet Manette. New Haven: Yale University Press.

Athanassoglou-Kallmyer, N.M. and Cézanne, P. (2003) Cézanne and Provence: the painter in his culture. Chicago: The University of Chicago Press.

Bengt Danielsson (1967) ‘Gauguin’s Tahitian Titles’, The Burlington Magazine, 109(769), pp. 228–233. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/875243?seq=1#page_scan_tab_contents.

Benjamin, A.E. (1989a) The problems of modernity: Adorno and Benjamin. London: Routledge.

Benjamin, A.E. (1989b) The problems of modernity: Adorno and Benjamin. London: Routledge.

Benjamin, R. (2003) Orientalist aesthetics: art, colonialism, and French North Africa,  1880-1930. Berkeley, Calif: University of California Press.

Berson, R. and Fine Arts Museums of San Francisco (1989) The New painting: impressionism, 1874-1886 : documentation. San Francisco, CA: Fine Arts Museums of San Francisco.

Bock, C.C. (1990) ‘Henri Matisse’s “Bathers by a River”’, Art Institute of Chicago Museum Studies, 16(1). Available at: https://doi.org/10.2307/4101568.

Bock-Weiss, C. and Matisse, H. (2009a) Henri Matisse: modernist against the grain. University Park, Pa: Pennsylvania State University Press.

Bock-Weiss, C. and Matisse, H. (2009b) Henri Matisse: modernist against the grain. University Park, Pa: Pennsylvania State University Press.

Boime, A. (1993) ‘Manet’s “Un bar aux Folies-Bergere” as an Allegory of Nostalgia’, Zeitschrift für Kunstgeschichte, 56(2). Available at: https://doi.org/10.2307/1482637.

Bois, Y.-A. and Krauss, R. (1998) ‘Cezanne: Words and Deeds’, October, 84. Available at: https://doi.org/10.2307/779207.

Bois, Y.-A. and Sims, G. (1994) ‘On Matisse: The Blinding: For Leo Steinberg’, October, 68. Available at: https://doi.org/10.2307/778697.

Bois, Y.-A. and Streip, K. (1987) ‘Kahnweiler’s Lesson’, Representations, (18), pp. 33–68. Available at: https://doi.org/10.2307/3043750.

Bowness, A. and Courbet, G. (1972) Courbet’s L’Atelier du peintre. Newcastle upon Tyne: University of Newcastle upon Tyne.

Braque, G. et al. (1990) Braque: still lifes and interiors : a South Bank Centre touring  exhibition. London: South Bank Centre.

Brettell, R.R. (1984) ‘Monet’s Haystacks Reconsidered’, Art Institute of Chicago Museum Studies, 11(1). Available at: https://doi.org/10.2307/4115885.

Brettell, R.R. and Gogh, V. (1986) ‘Van Gogh’s “Bedrooms at Arles”: The Problem of Priority’, Art Institute of Chicago Museum Studies, 12(2). Available at: https://doi.org/10.2307/4115938.

Broude, N. (1977) ‘Degas’s “Misogyny”’, The Art Bulletin, 59(1). Available at: https://doi.org/10.2307/3049600.

Broude, N. (1978) Seurat in perspective. Englewood Cliffs: Prentice-Hall.

Broude, N. (1988) ‘Edgar Degas and French Feminism, ca. 1880: “The Young Spartans,” the Brothel Monotypes, and the Bathers Revisited’, The Art Bulletin, 70(4). Available at: https://doi.org/10.2307/3051106.

Broude, N. (1991) Impressionism: a feminist reading ; the gendering of art, science, and nature in the nineteenth century. New York: Rizzoli.

Broude, N. (2000) ‘Mary Cassatt: Modern Woman or the Cult of True Womanhood?’, Woman’s Art Journal, 21(2). Available at: https://doi.org/10.2307/1358749.

Burton, R. (1988) ‘“The Unseen Seer, or Proteus in the City: Aspects of a Nineteenth-Century Parisian Myth”’, French studies, XLll, pp. 50–68.

Callen, A. (1995) The spectacular body: science, method and meaning in the work of  Degas. New Haven: Yale University Press.

Carrier, D. (1990) ‘Art History in the Mirror Stage: Interpreting un Bar aux Folies Bergeres’, History and Theory, 29(3). Available at: https://doi.org/10.2307/2505053.

Carrier, D. (2004) ‘The Beauty of Henri Matisse’, Journal of Aesthetic Education, 38(2). Available at: https://doi.org/10.2307/3527318.

Cézanne, P. et al. (1978) Cézanne: the late work. London: Thames and Hudson.

Cézanne, P. and Doran, P.M. (2001) Conversations with Cézanne. Berkeley: University of California Press.

Cézanne, Philippe et al. (2014) The world is an apple: the still lifes of Paul Cézanne. Edited by B. Leca. [Hamilton, Ontario]: Art Gallery of Hamilton in association with D Giles Limited.

Chave, A.C. (1994) ‘New Encounters with Les Demoiselles d’Avignon: Gender, Race, and the Origins of Cubism’, The Art Bulletin, 76(4). Available at: https://doi.org/10.2307/3046058.

Cheetham, M.A. (1987) ‘Mystical Memories: Gauguin’s Neoplatonism and “Abstraction” in Late-Nineteenth-Century French Painting’, Art Journal, 46(1). Available at: https://doi.org/10.2307/776838.

Chu, P. ten-Doesschate (1977) Courbet in perspective. Englewood Cliffs: Prentice-Hall.

Clark, T.J. (1973a) Image of the people: Gustave Courbet and the 1848 revolution. London: Thames and Hudson.

Clark, T.J. (1973b) The absolute bourgeois: artists and politics in France, 1848-1851. London: Thames and Hudson.

Clark, T.J. (1980) ‘Preliminaries to a Possible Treatment of “Olympia” in 1865’, Screen, 21(1), pp. 18–42. Available at: https://doi.org/10.1093/screen/21.1.18.

Clark, T.J. (1985a) The painting of modern life: Paris in the art of Manet and his  followers. London: Thames and Hudson.

Clark, T.J. (1985b) The painting of modern life: Paris in the art of Manet and his  followers. London: Thames and Hudson.

Clark, T.J. (1995) ‘Freud’s Cézanne’, Representations, (52), pp. 94–122. Available at: https://doi.org/10.2307/2928701.

Clark, T.J. and Picasso, P. (2013) Picasso and truth: from cubism to Guernica. Princeton, N.J.: Princeton University Press.

Clayson, S.H. (1989) ‘The Family and the Father: The “Grande Jatte” and Its Absences’, Art Institute of Chicago Museum Studies, 14(2). Available at: https://doi.org/10.2307/4108748.

Clement Greenberg, (no date) ‘“Avant-Garde and Kitsch”’, Partisan review, VI(5), pp. 34–49.

Collins, B.R. (1978) ‘Manet’s Luncheon in the Studio: An Homage to Baudelaire’, Art Journal, 38(2). Available at: https://doi.org/10.2307/776419.

Collins, B.R. (1996) 12 Views of Manet’s Bar. Chichester: Princeton University Press.

Cox, N. (2000) Cubism. London: Phaidon Press Limited.

Crapo, P.B. (1995) ‘The Problematics of Artistic Patronage under the Second Empire: Gustave Courbet’s Involved Relations with the Regime of Napoleon III’, Zeitschrift für Kunstgeschichte, 58(2). Available at: https://doi.org/10.2307/1482704.

Czestochowski, J.S. and Pingeot, A. (2002) Degas sculptures: catalogue raisonné of the bronzes. New York: Torch Press.

Daphne S. Barbour (1992) ‘Degas’s Wax Sculptures from the inside out’, The Burlington Magazine, 134(1077), pp. 798–805. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/885352?seq=1#page_scan_tab_contents.

Druick, D.W. et al. (2001) Van Gogh and Gauguin: the studio of the south. London: Thames & Hudson.

D’Souza, A. (2008) Cézanne’s bathers: biography and the erotics of paint. University Park, Pa: Pennsylvania State University Press.

Edward D. Powers (2002) ‘From Eternity to Here: Paul Gauguin and the Word Made Flesh’, Oxford Art Journal, 25(2), pp. 89–106. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3600479?seq=1#page_scan_tab_contents.

Eisenman, S. (1997) Gauguin’s skirt. London: Thames and Hudson.

Elizabeth Easton and Jared Bark (2008) ‘“Pictures Properly Framed”: Degas and Innovation in Impressionist Frames’, The Burlington Magazine, 150(1266), pp. 603–611. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40479868?seq=1#page_scan_tab_contents.

Faunce, S. et al. (1988) Courbet reconsidered. [New York]: Brooklyn Museum.

Flam, J.D. and Matisse, H. (1986) Matisse: the man and his art, 1869-1918. London: Thames and Hudson.

Francis Frascina (2003) ‘Institutions, Culture, and America’s “Cold War Years”: The Making of Greenberg’s “Modernist Painting”’, Oxford Art Journal, 26(1), pp. 71–97. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3600447?seq=1#page_scan_tab_contents.

Frascina, F. et al. (1988) Modern art and modernism: a critical anthology. London: Paul Chapman in association with the Open University.

Frascina, F. (1993) Modernity and modernism: French painting in the nineteenth century. New Haven: Yale University Press, in association with the Open University.

Frédérique Desbuissons (2008) ‘Courbet’s Materialism’, Oxford Art Journal, 31(2), pp. 253–260. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20108023?seq=1#page_scan_tab_contents.

Fried, M. (1996) Manet’s modernism, or, The face of painting in the 1860s. Chicago: University of Chicago Press.

Fried, M. and Courbet, G. (1990) Courbet’s realism. Chicago: University of Chicago Press.

Friedrich, O. (1992) Olympia: Paris in the age of Manet. London: Aurum Press.

Garb, T. (1989) ‘“L’ART FÉMININ”: THE FORMATION OF A CRITICAL CATEGORY IN LATE NINETEENTH-CENTURY FRANCE’, Art History, 12(1), pp. 39–65. Available at: https://doi.org/10.1111/j.1467-8365.1989.tb00336.x.

Garb, T. (1998) Bodies of modernity: figure and flesh in fin-de-siècle France. London: Thames & Hudson.

Gaskell, I. and Kemal, S. (1991) The Language of art history. Cambridge: Cambridge University Press.

Geist, S. (1988) Interpreting Cézanne. Cambridge, Mass: Harvard University Press.

Gogh, V. van, Pickvance, R., and Metropolitan Museum of Art (New York, N.Y.) (1984) Van Gogh in Arles. New York: Metropolitan Museum of Art.

Golding, J. (1959) Cubism: a history and an analysis, 1907-1914. London: Faber.

Halperin, J.U. (1988) Félix Fénéon: aesthete & anarchist in fin-de-siècle Paris. New Haven, (Conn.): Yale University Press.

Hanson, A.C. (1977) Manet and the modern tradition. New Haven: Yale University Press.

Harrison, C. (2005) Painting the difference: sex and spectator in modern art. Chicago: University of Chicago Press.

Harrison, C. and Wood, P. (1992a) Art in theory, 1900-1990: an anthology of changing ideas. Oxford: Blackwell.

Harrison, C. and Wood, P. (1992b) Art in theory, 1900-1990: an anthology of changing ideas. Oxford: Blackwell.

Heelan, P.A. (1972) ‘Toward a New Analysis of the Pictorial Space of Vincent Van Gogh’, The Art Bulletin, 54(4). Available at: https://doi.org/10.2307/3049037.

Herbert, J.D. (1992) Fauve painting: the making of cultural politics. New Haven: Yale University Press.

Herbert, R.L. (1988) Impressionism: art, leisure and Parisian society. New Haven, Conn: Yale University Press.

Herbert, R.L. et al. (2004) Seurat: and the making of La Grande Jatte. Chicago, Ill: The Art Institute of Chicago in association with University of California Press.

Herding, K. (1991) Courbet: to venture independence. New Haven: Yale University Press.

Hiddleston, J.A. (1992) ‘Baudelaire, Manet, and Modernity’, The Modern Language Review, 87(3). Available at: https://doi.org/10.2307/3732920.

Hiddleston, J.A. (1999a) Baudelaire and the art of memory. Oxford: Clarendon Press.

Hiddleston, J.A. (1999b) Baudelaire and the art of memory. Oxford: Clarendon Press.

Hiddleston, J.A. (1999c) Baudelaire and the art of memory [electronic resource]. Oxford: Clarendon. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780198159322.001.0001.

Hobbs, R. (1998) Impressions of French modernity: art and literature in France,  1850-1900. Manchester: Manchester University Press.

Homer, W.I. (1964) Seurat and the science of painting. [S.l.]: M.I.T. Press.

House, J. (1980) ‘MEANING IN SEURAT’S FIGURE PAINTINGS’, Art History, 3(3), pp. 345–356. Available at: https://doi.org/10.1111/j.1467-8365.1980.tb00082.x.

House, J. (2004) Impressionism: paint and politics. New Haven: Yale University Press.

House, J. and Monet, C. (1986) Monet: nature into art. New Haven: Yale University Press.

Hulsker, J., Hulsker, J. and Miller, J.M. (1990) Vincent and Theo van Gogh: a dual biography. Ann Arbor: Fuller Publications.

III, M.H. (1977) ‘The Origin of Paul Gauguin’s Vision after the Sermon: Jacob Wrestling with the Angel (1888)’, The Art Bulletin, 59(3). Available at: https://doi.org/10.2307/3049673.

Impressionism: A Feminist Reading: The Gendering Of Art, Science, And Nature In The Nineteenth Century by Broude, Norma (1997) Paperback (no date). Available at: http://www.amazon.co.uk/Impressionism-Feminist-Gendering-Nineteenth-Paperback/dp/B01071FG2I/ref=sr_1_1?s=books&ie=UTF8&qid=1459857940&sr=1-1&keywords=%2C+Impressionism%3A+a+Feminist+Reading.

‘Impressionism : beneath the surface / Paul Smith’ (no date). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SImpressionism%3A%20Beneath%20the%20Surface%20__Orightresult?lang=eng&suite=cobalt.

Is Paris Still the Capital of the Nineteenth Century?: Essays on Art and Modernity, 1850-1900 (26AD). Routledge. Available at: http://www.amazon.co.uk/Paris-Still-Capital-Nineteenth-Century/dp/1472460146.

Isaacson, J. (1994) ‘Constable, Duranty, Mallarme, Impressionism, Plein Air, and Forgetting’, The Art Bulletin, 76(3). Available at: https://doi.org/10.2307/3046037.

Iskin, R.E. (1995) ‘Selling, Seduction, and Soliciting the Eye: Manet’s Bar at the Folies-Bergere’, The Art Bulletin, 77(1). Available at: https://doi.org/10.2307/3046078.

Jill DeVonyar and Richard Kendall (2003) ‘The Class of 1881: Degas, Drawing, and the “Little Dancer Aged Fourteen”’, Master Drawings, 41(2), pp. 151–162. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1554585?seq=1#page_scan_tab_contents.

Jirat-Wasiutynski, V. (1987) ‘Paul Gauguin’s “Self-Portrait with Halo and Snake”: The Artist as Initiate and Magus’, Art Journal, 46(1). Available at: https://doi.org/10.2307/776839.

Jirat-Wasiutyński, V., Gauguin, P. and Newton, H.T. (2000) Technique and meaning in the paintings of Paul Gauguin. Cambridge: Cambridge University Press.

John Golding (1958) ‘The “Demoiselles d’Avignon”’, The Burlington Magazine, 100(662), pp. 154–163. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/872425?seq=1#page_scan_tab_contents.

John Klein (1998) ‘The Dispersal of the Modernist Series’, Oxford Art Journal, 21(1), pp. 123–135. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1360700?seq=1#page_scan_tab_contents.

John Tchalenko (2009) ‘Henri Matisse Drawing: An Eye-Hand Interaction Study Based on Archival Film’, Leonardo, 42(5), pp. 433–438. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40540062?seq=1#page_scan_tab_contents.

Juliet Wilson Bareau (1986) ‘The Hidden Face of Manet. An Investigation of the Artist’s Working Processes [Exhibition Catalog]’, The Burlington Magazine, 128(997). Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/882487?Search=yes&resultItemClick=true&searchText=no:997&searchText=AND&searchText=sn:00076287&searchText=AND&searchText=sp:i&searchText=AND&searchText=vo:128&searchText=AND&searchText=year:1986&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A997%2BAND%2Bsn%253A00076287%2BAND%2Bsp%253Ai%2BAND%2Bvo%253A128%2BAND%2Byear%253A1986%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents.

June Hargrove (no date) ‘“Degas’s Little dancer in the world of pantomime”’, Apollo, 147(432), pp. 15–21.

Kahng, E., Kimbell Art Museum, and Santa Barbara Museum of Art (2011) Picasso and Braque: the Cubist experiment, 1910-1912. Santa Barbara, Calif: Santa Barbara Museum of Art.

Karmel, P. (2003) Picasso and the invention of Cubism. New Haven, [Conn.]: Yale University Press.

KATHRYN BROWN (2010) ‘The Aesthetics of Presence: Looking at Degas’s “Bathers”’, The Journal of Aesthetics and Art Criticism, 68(4), pp. 331–341. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40929541?seq=1#page_scan_tab_contents.

Kay Redfield Jamison and Richard Jed Wyatt (6826) ‘Vincent Van Gogh’s Illness’, BMJ: British Medical Journal, 304(6826). Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/29714734?Search=yes&resultItemClick=true&searchText=no:6826&searchText=AND&searchText=sn:09598138&searchText=AND&searchText=sp:577&searchText=AND&searchText=vo:304&searchText=AND&searchText=year:1992&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A6826%2BAND%2Bsn%253A09598138%2BAND%2Bsp%253A577%2BAND%2Bvo%253A304%2BAND%2Byear%253A1992%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents.

Kear, J. (1991) ‘MAKING HAY WITH MONET: MONETS OF THE ′90s’, Art History, 14(4), pp. 593–599. Available at: https://doi.org/10.1111/j.1467-8365.1991.tb00459.x.

Kendall, R. and Joslyn Art Museum (1998) Degas and the little dancer. New Haven: Yale University Press in association with Joslyn  Art Museum, Omaha.

Kessler, M.R. (1999) ‘Unmasking Manet’s Morisot’, The Art Bulletin, 81(3). Available at: https://doi.org/10.2307/3051353.

Kodera, T. (1984) ‘Japan as Primitivistic Utopia: Van Gogh’s Japonisme Portraits’, Simiolus: Netherlands Quarterly for the History of Art, 14(3/4). Available at: https://doi.org/10.2307/3780577.

Kōdera, T. and Rosenberg, Y. (1993) The Mythology of Vincent Van Gogh. Tokyo: TV Asahi.

Leighten, P. (1988) ‘Revising Cubism’, Art Journal, 47(4). Available at: https://doi.org/10.2307/776977.

Leighten, P.D. (1989) Re-ordering the universe: Picasso and anarchism, 1897-1914. Princeton, N.J.: Princeton University Press.

Lesko, D. (1979) ‘From Genre to Allegory in Gustave Courbet’s Les Demoiselles de Village’, Art Journal, 38(3). Available at: https://doi.org/10.2307/776270.

Levine, S.Z. (1986) ‘Monet’s Series: Repetition, Obsession’, October, 37. Available at: https://doi.org/10.2307/778519.

Lewis, M.T. (2007) Critical readings in Impressionism and post-Impressionism: an anthology. Berkeley: University of California Press.

Linda Goddard (2008) ‘“The Writings of a Savage?” Literary Strategies in Paul Gauguin’s “Noa Noa”’, Journal of the Warburg and Courtauld Institutes, 71, pp. 277–293. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20462786?seq=1#page_scan_tab_contents.

Lipton, E. (1993) Alias Olympia: a woman’s search for Manet’s notorious model & her  own desire. London: Thames and Hudson.

Lipton, E. and Degas, E. (1986) Looking into Degas: uneasy images of women and modern life. Berkeley: University of California Press.

Lloyd, C. (1986) Studies on Camille Pissarro. London: Routledge & Kegan Paul.

Locke, N. (2000) ‘Unfinished Homage: Manet’s “Burial” and Baudelaire’, The Art Bulletin, 82(1). Available at: https://doi.org/10.2307/3051365.

Locke, N. (2001) Manet and the family romance. Princeton, N.J.: Princeton University Press.

Loran, E. and Cézanne, P. (2006) Cézanne’s composition: analysis of his form with diagrams and photographs of his motifs. 3rd ed. Berkeley: University of California Press.

Loretta S. Loftus and Wilfred Niels Arnold (1991) ‘Vincent Van Gogh’s Illness: Acute Intermittent Porphyria?’, BMJ: British Medical Journal, 303(6817), pp. 1589–1591. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/29714050?seq=1#page_scan_tab_contents.

Marilyn R. Brown (2007) ‘“Miss La La’s” Teeth: Reflections on Degas and “Race”’, The Art Bulletin, 89(4), pp. 738–765. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25067359?seq=1#page_scan_tab_contents.

Martensen-Larsen, B. (1985) ‘When Did Picasso Complete “Les Demoiselles d’Avignon”?’, Zeitschrift für Kunstgeschichte, 48(2). Available at: https://doi.org/10.2307/1482281.

Mary Louise Krumrine (1990) Paul Cézanne. London: Thames and Hudson in association with Kunstmuseum Basel.

Mary Louise Krumrine (1992) ‘Cézanne’s “Restricted Power”: Further Reflections on the “Bathers”’, The Burlington Magazine, 134(1074), pp. 586–595. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/885313?seq=1#page_scan_tab_contents.

Matisse, H. and Flam, J.D. (1973) Matisse on art. New York: Phaidon.

Mauner, G.L. (1975) Manet, peintre-philosophe: a study of the painter’s themes. University Park: Pennsylvania State University Press.

McQuillan, M.A. and Gogh, V. van (2005) Van Gogh. New York, N.Y.: Thames and Hudson.

Meyer Shapiro (no date) ‘“The nature of Abstract Art”’, Marxist quarterly, 1(1), pp. 77–98. Available at: https://arlir.iii.com/nonret~S0&atitle=’The+nature+of+Abstract+Art’&title=Marxist+quarterly&aufirst=Meyer+Shapiro&auinit=&aulast=&issn=&eissn=&coden=&volume=1&issue=1&spage=77&epage=98&quarter=&ssn=&date=Jan+&sid=&reqtype3.

Michael Fried (1982) ‘Painter into Painting: On Courbet’s “After Dinner at Ornans” and “Stonebreakers”’, Critical Inquiry, 8(4), pp. 619–649. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1343190?seq=1#page_scan_tab_contents.

Michael Fried (1983) ‘The Structure of Beholding in Courbet’s “Burial at Ornans”’, Critical Inquiry, 9(4), pp. 635–683. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1343377?seq=1#page_scan_tab_contents.

Michael Fried (1984) ‘Painting Memories: On the Containment of the past in Baudelaire and Manet’, Critical Inquiry, 10(3), pp. 510–542. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1343305?seq=1#page_scan_tab_contents.

Michael Fried (1992) ‘Manet in His Generation: The Face of Painting in the 1860s’, Critical Inquiry, 19(1), pp. 22–69. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1343753?seq=1#page_scan_tab_contents.

Moffitt, J.F. (1987) ‘Art and Politics: An Underlying Pictorial - Political Topos in Courbet’s “Real Allegory”’, Artibus et Historiae, 8(15). Available at: https://doi.org/10.2307/1483277.

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Paul Smith, (no date) ‘’Joachim Gasquet, Virgil and Cézanne’s Landscape: “My Beloved Golden Age”’, Apollo, 147(147,), pp. 11–23.

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Shackelford, G.T.M., Gauguin, P., and Museum of Fine Arts, Boston (2013) Paul Gauguin: Where do we come from? What are we? Where are we going? Boston: MFA publications, Museum of Fine Arts.

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‘Special Issue: Pissarro’ (no date) Apollo, 136(369).

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The letters - Vincent van Gogh Letters (no date). Available at: http://vangoghletters.org/vg/letters.html.

Thierry de Duve and Brian Holmes (1998) ‘How Manet’s “A Bar at the Folies-Bergère” Is Constructed’, Critical Inquiry, 25(1), pp. 136–168. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1344137?seq=1#page_scan_tab_contents.

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Value, art, politics (2007). Liverpool: Liverpool University Press.

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