Bibliography for HA2B8: Art in the Age of Revolution BETA

Adams, Hazard. ‘The Blakean Aesthetic’. The Journal of Aesthetics and Art Criticism, vol. 13, no. 2, Dec. 1954, https://doi.org/10.2307/425916.

Adhémar, Jean. Graphic Art of the 18th Century. Thames & Hudson, 1964.

---. Graphic Art of the 18th Century. Thames & Hudson, 1964, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

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Art in an Age of Revolution, 1750-1800 / Albert Boime. http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20an%20Age%20of%20Revolution%201750-1800__Orightresult?lang=eng&suite=cobalt.

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Athanassoglou-Kallmyer, Nina. ‘Gericault’s Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold’. The Art Bulletin, vol. 74, no. 4, Dec. 1992, https://doi.org/10.2307/3045912.

Athanassoglou-Kallmyer, Nina M. French Images from the Greek War of Independence 1821-1830: Art and  Politics under the Restoration. Yale University Press, 1989, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Baecque, Antoine de. La Caricature Révolutionnaire. Presses du CNRS, 1988.

Baetjer, Katharine, et al. Glorious Nature: British Landscape Painting, 1750-1850. Zwemmer, 1993.

---. Glorious Nature: British Landscape Painting, 1750-1850. Zwemmer, 1993, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Barrell, John. The Dark Side of the Landscape: The Rural Poor in English Painting, 1730-1840. CUP, 1980.

Bermingham, Ann. Landscape and Ideology: The English Rustic Tradition, 1740-1860. Thames and Hudson, 1987.

Bicknell, Peter and Fitzwilliam Museum. Beauty, Horror and Immensity: Picturesque Landscape in Britain, 1750-1850. Cambridge University Press, 1981, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Bindman, David, et al. The Shadow of the Guillotine: Britain and the French Revolution. British Museum Publications, 1989, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Boime, Albert. Art in an Age of Bonapartism, 1800-1815. University of Chicago Press, 1990.

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---. Art in an Age of Bonapartism, 1800-1815. University of Chicago Press, 1990.

---. Art in an Age of Revolution, 1750-1800. University of Chicago Press, 1987.

Bordes, Philippe, et al. Aux Armes & Aux Arts!: Les Arts de La Révolution, 1789-1799. Adam Biro, 1988.

Brookner, Anita. Romanticism and Its Discontents. Viking, 2000.

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Brown, David Blayney. Romanticism. Phaidon, 2001.

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Bryson, Norman. Tradition and Desire: From David to Delacroix. Cambridge University Press, 1984.

---. Tradition and Desire: From David to Delacroix. Cambridge University Press, 1984.

Butlin, Martin, et al. The Paintings and Drawings of William Blake: Text. Published for the Paul Mellon Centre for Studies  in British Art by Yale University Press, 1981.

Caspar David Friedrich, 1774-1840 : Romantic Landscape Painting in  Dresden / [by] William Vaughan, Helmut Börsch-Supan, Hans Joachim  Neidhardt. http://encore.lib.warwick.ac.uk/iii/encore/search/C__SCaspar%20David%20Friedrich%2C%201774-1840%3A%20Romantic%20Landscape%20Painting%20in%20Dresden.__Orightresult__U?lang=eng&suite=cobalt.

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Christopher Hodson. ‘“In Praise of the Third Estate”: Religious and Social Imagery in the Early French Revolution’. Eighteenth-Century Studies, vol. 34, no. 3, 2001, pp. 337–62, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30053983?seq=1#page_scan_tab_contents.

Craske, Matthew. Art in Europe, 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth. Oxford University Press, 1997.

Crow, Thomas E. Emulation: Making Artists for Revolutionary France. Yale University Press, 1995.

---. Emulation: Making Artists for Revolutionary France. Yale University Press, 1995.

---. Emulation: Making Artists for Revolutionary France. Yale University Press, 1995.

Daniels, Stephen. Fields of Vision: Landscape Imagery and National Identity in England and the United States. Polity Press, 1993.

Detroit Institute of Arts and Galeries nationales du Grand Palais (France). French Painting 1774-1830: The Age of Revolution. Grand Palais,  Paris, 16 November 1974-3 February 1975. The Detroit Institute of  Arts, 5 March-4 May 1975. The Metropolitan Museum of Art, New York, 12 June-7 September 1975. English Language ed, Distributed by Wayne State University Press.

Domenici, Karen. ‘James Gillray: An English Source for David’s Les Sabines’. The Art Bulletin, vol. 65, no. 3, Sept. 1983, https://doi.org/10.2307/3050351.

Donald, Diana and Paul Mellon Centre for Studies in British Art. The Age of Caricature: Satirical Prints in the Reign of George III. Published for the Paul Mellon Centre for Studies in  British Art by Yale University Press, 1996.

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---. Nineteenth Century Art: A Critical History. 4th ed, Thames & Hudson, 2011.

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Francisco Goya y Lucientes, 1746-1828                        Francisco Goya y Lucientes 1746-1828 : Rétrospective                        Goya : Francisco de Goya y Lucientes / Text by José Gudiol                        Los Caprichos / by Francisco Goya y Lucientes. With a New Introd. by Philip Hofer. http://encore.lib.warwick.ac.uk/iii/encore/search/C__SFrancisco%20Goya%20y%20Lucientes%2C%201746-1828.__Orightresult__U?lang=eng&suite=cobalt.

Godfrey, Richard T., et al. James Gillray: The Art of Caricature. Tate Publishing, 2001.

Grigsby, Darcy Grimaldo. Extremities: Painting Empire in Post-Revolutionary France. Yale University Press, 2002.

Guilbaut, Serge, et al. Théodore Géricault: The Alien Body : Tradition in Chaos. Morris and Helen Belkin Art Gallery, University of  British Columbia, 1997.

Herbert, Robert L. David, Voltaire, Brutus and the French Revolution: An Essay in Art  and Politics. Viking Press, 1973.

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---. Romanticism. Penguin, 1981.

Huet, Marie-Hélène. Rehearsing the Revolution: The Staging of Marat’s Death, 1793-1797. University of California Press, 1982.

Hunt, Lynn. ‘“Engraving the Republic: Prints and Propaganda in the French Revolution”’. History Today, 30th ed., 1980, pp. 11–17, https://arlir.iii.com/nonret~S0&atitle=Engraving+the+Republic:+Prints+and+Propaganda+in+the+French+Revolution%99&title=History+Today&aufirst=Lynn&auinit=&aulast=Hunt&issn=&eissn=&coden=&volume=&issue=&spage=11&epage=17&quarter=&ssn=&date=1980&sid=&reqtype3.

Imaging the French Revolution. http://chnm.gmu.edu/revolution/imaging/.

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James Henry Rubin. ‘Gros and Girodet’. The Burlington Magazine, vol. 121, no. 920, 1979, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/879806?seq=1#page_scan_tab_contents.

Kriz, Kay Dian and Paul Mellon Centre for Studies in British Art. The Idea of the English Landscape Painter: Genius as Alibi in the  Early Nineteenth Century. Yale University Press for The Paul Mellon Centre  for Studies in British Art, 1997.

---. The Idea of the English Landscape Painter: Genius as Alibi in the  Early Nineteenth Century. Yale University Press for The Paul Mellon Centre  for Studies in British Art, 1997.

Levey, Michael. Rococo to Revolution: Major Trends in Eighteenth-Century Painting. Thames and Hudson, 1977.

---. Rococo to Revolution: Major Trends in Eighteenth-Century Painting. Thames and Hudson, 1977, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

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Myrone, Martin, et al. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination. Tate, 2006.

Paul Joannides. ‘Colin, Delacroix, Byron and the Greek War of Independence’. The Burlington Magazine, vol. 125, no. 965, 1983, pp. 495–500, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/881314?seq=1#page_scan_tab_contents.

Porterfield, Todd B. The Allure of Empire: Art in the Service of French Imperialism,  1798-1836. Princeton University Press, 1998.

---. The Allure of Empire: Art in the Service of French Imperialism,  1798-1836. Princeton University Press, 1998.

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Pressly, William L., and Johann Zoffany. The French Revolution as Blasphemy: Johan Zoffany’s Paintings of the Massacre at Paris, August 10, 1792. University of California Press, 1999.

Roberts, Warren. ‘“Images of Popular Violence in the French Revolution: Evidence for the Historian?”’ Roberts: Images of Popular Violence in the French Revolution: Evidence for the Historian?, pp. 1–4, http://chnm.gmu.edu/revolution/imaging/essays/roberts1.html.

---. Jacques-Louis David, Revolutionary Artist: Art, Politics and the  French Revolution. University of North Carolina Press, 1989.

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---. Jacques-Louis David, Revolutionary Artist: Art, Politics and the  French Revolution. University of North Carolina Press, 1989.

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Sloane, J. ‘“David, Robespierre and the Death of Bara”’. Gazette Des Beaux Arts, p. 143.-160.

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---. Romantic Art. Thames and Hudson, 1978, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

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Wright, Beth Segal. Painting and History during the French Restoration: Abandoned by the Past. Cambridge University Press, 1997.