Bibliography for HA2B8: Art in the Age of Revolution BETA

@article{Adams_1954, title={The Blakean Aesthetic}, volume={13}, DOI={10.2307/425916}, number={2}, journal={The Journal of Aesthetics and Art Criticism}, author={Adams, Hazard}, year={1954}, month={Dec} }

@book{Adhémar_1964a, address={London}, title={Graphic art of the 18th century}, volume={World of art library}, publisher={Thames & Hudson}, author={Adhémar, Jean}, year={1964} }

@book{Adhémar_1964b, address={London}, title={Graphic art of the 18th century}, volume={World of art library}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Thames & Hudson}, author={Adhémar, Jean}, year={1964} }

@book{Adhémar_1964c, address={London}, title={Graphic art of the 18th century}, volume={World of art library}, publisher={Thames & Hudson}, author={Adhémar, Jean}, year={1964} }

@article{Athanassoglou-Kallmyer_1992, title={Gericault’s Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold}, volume={74}, DOI={10.2307/3045912}, number={4}, journal={The Art Bulletin}, author={Athanassoglou-Kallmyer, Nina}, year={1992}, month={Dec} }

@book{Athanassoglou-Kallmyer_1989, address={New Haven, Conn}, title={French images from the Greek War of Independence 1821-1830: art and  politics under the Restoration}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Yale University Press}, author={Athanassoglou-Kallmyer, Nina M.}, year={1989} }

@book{Baecque_1988, address={Paris}, title={La caricature révolutionnaire}, volume={Librairie du bicentenaire de la Révolution française}, publisher={Presses du CNRS}, author={Baecque, Antoine de}, year={1988} }

@book{Baetjer_Rosenthal_Denver Art Museum_1993a, address={London}, title={Glorious nature: British landscape painting, 1750-1850}, publisher={Zwemmer}, author={Baetjer, Katharine and Rosenthal, Michael and Denver Art Museum}, year={1993} }

@book{Baetjer_Rosenthal_Denver Art Museum_1993b, address={London}, title={Glorious nature: British landscape painting, 1750-1850}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Zwemmer}, author={Baetjer, Katharine and Rosenthal, Michael and Denver Art Museum}, year={1993} }

@book{Barrell_1980, address={Cambridge}, title={The dark side of the landscape: the rural poor in English painting, 1730-1840}, volume={Cambridge paperbacks}, publisher={CUP}, author={Barrell, John}, year={1980} }

@book{Bermingham_1987, address={London}, title={Landscape and ideology: the English rustic tradition, 1740-1860}, publisher={Thames and Hudson}, author={Bermingham, Ann}, year={1987} }

@book{Bicknell_Fitzwilliam Museum_1981, address={Cambridge}, title={Beauty, horror and immensity: picturesque landscape in Britain, 1750-1850}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Cambridge University Press}, author={Bicknell, Peter and Fitzwilliam Museum}, year={1981} }

@book{Bindman_Dawson_Jones_British Museum_1989, address={London}, title={The shadow of the guillotine: Britain and the French Revolution}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={British Museum Publications}, author={Bindman, David and Dawson, Aileen and Jones, Mark and British Museum}, year={1989} }

@book{Boime_1987, address={Chicago}, title={Art in an age of revolution, 1750-1800}, volume={A Social history of modern art}, publisher={University of Chicago Press}, author={Boime, Albert}, year={1987} }

@book{Boime_1990a, address={Chicago}, title={Art in an age of Bonapartism, 1800-1815}, volume={A social history of modern art}, publisher={University of Chicago Press}, author={Boime, Albert}, year={1990} }

@book{Boime_1990b, address={Chicago}, title={Art in an age of Bonapartism, 1800-1815}, volume={A social history of modern art}, publisher={University of Chicago Press}, author={Boime, Albert}, year={1990} }

@book{Boime_1990c, address={Chicago}, title={Art in an age of Bonapartism, 1800-1815}, volume={A social history of modern art}, publisher={University of Chicago Press}, author={Boime, Albert}, year={1990} }

@book{Boime_1990d, address={Chicago}, title={Art in an age of Bonapartism, 1800-1815}, volume={A social history of modern art}, publisher={University of Chicago Press}, author={Boime, Albert}, year={1990} }

@book{Bordes_Michel_Arizzoli-Clémentel_1988, address={Paris}, title={Aux armes & aux arts!: les arts de la Révolution, 1789-1799}, volume={Librairie du bicentenaire de la Révolution française}, publisher={Adam Biro}, author={Bordes, Philippe and Michel, Régis and Arizzoli-Clémentel, Pierre}, year={1988} }

@book{Brookner_2000a, address={London}, title={Romanticism and its discontents}, publisher={Viking}, author={Brookner, Anita}, year={2000} }

@book{Brookner_2000b, address={London}, title={Romanticism and its discontents}, publisher={Viking}, author={Brookner, Anita}, year={2000} }

@book{Brown_2001a, address={London}, title={Romanticism}, volume={Art&ideas}, publisher={Phaidon}, author={Brown, David Blayney}, year={2001} }

@book{Brown_2001b, address={London}, title={Romanticism}, volume={Art&ideas}, publisher={Phaidon}, author={Brown, David Blayney}, year={2001} }

@book{Bryson_1984a, address={Cambridge}, title={Tradition and desire: from David to Delacroix}, volume={Cambridge studies in French}, publisher={Cambridge University Press}, author={Bryson, Norman}, year={1984} }

@book{Bryson_1984b, address={Cambridge}, title={Tradition and desire: from David to Delacroix}, volume={Cambridge studies in French}, publisher={Cambridge University Press}, author={Bryson, Norman}, year={1984} }

@book{Butlin_Blake_Paul Mellon Centre for Studies in British Art_1981, address={New Haven}, title={The paintings and drawings of William Blake: Text}, volume={Studies in British art}, publisher={Published for the Paul Mellon Centre for Studies  in British Art by Yale University Press}, author={Butlin, Martin and Blake, William and Paul Mellon Centre for Studies in British Art}, year={1981} }

@article{Christopher Hodson_2001, title={‘In Praise of the Third Estate’: Religious and Social Imagery in the Early French Revolution}, volume={34}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30053983?seq=1#page_scan_tab_contents}, number={3}, journal={Eighteenth-Century Studies}, publisher={The Johns Hopkins University PressAmerican Society for Eighteenth-Century Studies (ASECS)The Johns Hopkins University Press}, author={Christopher Hodson}, year={2001}, pages={337–362} }

@book{Craske_1997, address={Oxford}, title={Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth}, volume={Oxford history of art}, publisher={Oxford University Press}, author={Craske, Matthew}, year={1997} }

@book{Crow_1995a, address={New Haven}, title={Emulation: making artists for revolutionary France}, publisher={Yale University Press}, author={Crow, Thomas E.}, year={1995} }

@book{Crow_1995b, address={New Haven}, title={Emulation: making artists for revolutionary France}, publisher={Yale University Press}, author={Crow, Thomas E.}, year={1995} }

@book{Crow_1995c, address={New Haven}, title={Emulation: making artists for revolutionary France}, publisher={Yale University Press}, author={Crow, Thomas E.}, year={1995} }

@book{Daniels_1993, address={Cambridge}, title={Fields of vision: landscape imagery and national identity in England and the United States}, volume={Human geography}, publisher={Polity Press}, author={Daniels, Stephen}, year={1993} }

@book{Detroit Institute of Arts_Galeries nationales du Grand Palais (France), address={Detroit}, edition={English Language ed}, title={French painting 1774-1830: the age of revolution. Grand Palais,  Paris, 16 November 1974-3 February 1975. The Detroit Institute of  Arts, 5 March-4 May 1975. The Metropolitan Museum of Art, New York, 12 June-7 September 1975}, publisher={Distributed by Wayne State University Press}, author={Detroit Institute of Arts and Galeries nationales du Grand Palais (France)} }

@article{Domenici_1983, title={James Gillray: An English Source for David’s Les Sabines}, volume={65}, DOI={10.2307/3050351}, number={3}, journal={The Art Bulletin}, author={Domenici, Karen}, year={1983}, month={Sep} }

@book{Donald_Paul Mellon Centre for Studies in British Art_1996, address={New Haven}, title={The Age of caricature: satirical prints in the reign of George III}, publisher={Published for the Paul Mellon Centre for Studies in  British Art by Yale University Press}, author={Donald, Diana and Paul Mellon Centre for Studies in British Art}, year={1996} }

@book{Doyle_2001a, address={Oxford}, title={The French Revolution: a very short introduction}, volume={Very short introductions}, publisher={New York}, author={Doyle, William}, year={2001} }

@book{Doyle_2001b, address={Oxford}, title={The French Revolution: a very short introduction}, volume={Very short introductions}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=100296}, publisher={New York}, author={Doyle, William}, year={2001} }

@book{Eisenman_Crow_2011a, address={New York}, edition={4th ed}, title={Nineteenth century art: a critical history}, publisher={Thames & Hudson}, author={Eisenman, Stephen and Crow, Thomas E.}, year={2011} }

@book{Eisenman_Crow_2011b, address={New York}, edition={4th ed}, title={Nineteenth century art: a critical history}, publisher={Thames & Hudson}, author={Eisenman, Stephen and Crow, Thomas E.}, year={2011} }

@book{Eitner_1972, address={[London}, title={Géricault’s Raft of the Medusa}, publisher={Phaidon distributed in the U.S. by Praeger, New York}, author={Eitner, Lorenz}, year={1972} }

@book{Godfrey_Hallett_Tate Britain (Gallery)_2001, address={London}, title={James Gillray: the art of caricature}, publisher={Tate Publishing}, author={Godfrey, Richard T. and Hallett, Mark and Tate Britain (Gallery)}, year={2001} }

@book{Grigsby_2002, address={New Haven}, title={Extremities: painting empire in post-revolutionary France}, publisher={Yale University Press}, author={Grigsby, Darcy Grimaldo}, year={2002} }

@book{Guilbaut_Ryan_Watson_Morris and Helen Belkin Art Gallery_1997, address={Vancouver}, title={Théodore Géricault: the alien body : tradition in chaos}, publisher={Morris and Helen Belkin Art Gallery, University of  British Columbia}, author={Guilbaut, Serge and Ryan, Maureen and Watson, Scott and Morris and Helen Belkin Art Gallery}, year={1997} }

@book{Herbert_1973, address={(New York}, title={David, Voltaire, Brutus and the French Revolution: an essay in art  and politics}, volume={Art in context}, publisher={Viking Press}, author={Herbert, Robert L.}, year={1973} }

@book{Honour_1981, address={Harmondsworth}, title={Romanticism}, volume={Pelican books}, publisher={Penguin}, author={Honour, Hugh}, year={1981} }

@book{Honour_1991a, address={Harmondsworth}, title={Neo-classicism}, volume={Style and civilization}, publisher={Penguin}, author={Honour, Hugh}, year={1991} }

@book{Honour_1991b, address={Harmondsworth}, title={Neo-classicism}, volume={Style and civilization}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Penguin}, author={Honour, Hugh}, year={1991} }

@book{Huet_1982, address={Berkeley}, title={Rehearsing the revolution: the staging of Marat’s death, 1793-1797}, volume={Quantum books}, publisher={University of California Press}, author={Huet, Marie-Hélène}, year={1982} }

@article{Hunt_1980, edition={30}, title={‘Engraving the Republic: Prints and Propaganda in the French Revolution’}, url={https://arlir.iii.com/nonret~S0&atitle=Engraving+the+Republic:+Prints+and+Propaganda+in+the+French+Revolution%99&title=History+Today&aufirst=Lynn&auinit=&aulast=Hunt&issn=&eissn=&coden=&volume=&issue=&spage=11&epage=17&quarter=&ssn=&date=1980&sid=&reqtype3}, journal={History Today}, author={Hunt, Lynn}, year={1980}, pages={11–17} }

@book{Irwin_1997, address={London}, title={Neoclassicism}, volume={Art&ideas}, publisher={Phaidon}, author={Irwin, David G.}, year={1997} }

@article{James Henry Rubin_1979, title={Gros and Girodet}, volume={121}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/879806?seq=1#page_scan_tab_contents}, number={920}, journal={The Burlington Magazine}, publisher={Burlington Magazine Publications Ltd.Burlington Magazine Publications Ltd.}, author={James Henry Rubin}, year={1979} }

@book{Kriz_Paul Mellon Centre for Studies in British Art_1997a, address={New Haven}, title={The idea of the English landscape painter: genius as alibi in the  early nineteenth century}, publisher={Yale University Press for The Paul Mellon Centre  for Studies in British Art}, author={Kriz, Kay Dian and Paul Mellon Centre for Studies in British Art}, year={1997} }

@book{Kriz_Paul Mellon Centre for Studies in British Art_1997b, address={New Haven}, title={The idea of the English landscape painter: genius as alibi in the  early nineteenth century}, publisher={Yale University Press for The Paul Mellon Centre  for Studies in British Art}, author={Kriz, Kay Dian and Paul Mellon Centre for Studies in British Art}, year={1997} }

@book{Levey_1977a, address={London}, title={Rococo to revolution: major trends in eighteenth-century painting}, volume={World of art}, publisher={Thames and Hudson}, author={Levey, Michael}, year={1977} }

@book{Levey_1977b, address={London}, title={Rococo to revolution: major trends in eighteenth-century painting}, volume={World of art}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Thames and Hudson}, author={Levey, Michael}, year={1977} }

@article{Munhall_1960, title={Portraits of Napoleon}, DOI={10.2307/2929218}, number={26}, journal={Yale French Studies}, author={Munhall, Edgar}, year={1960} }

@book{Myrone_Frayling_Warner_Tate Gallery_2006, address={London}, title={Gothic nightmares: Fuseli, Blake and the romantic imagination}, publisher={Tate}, author={Myrone, Martin and Frayling, Christopher and Warner, Marina and Tate Gallery}, year={2006} }

@article{Paul Joannides_1983, title={Colin, Delacroix, Byron and the Greek War of Independence}, volume={125}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/881314?seq=1#page_scan_tab_contents}, number={965}, journal={The Burlington Magazine}, publisher={Burlington Magazine Publications Ltd.Burlington Magazine Publications Ltd.}, author={Paul Joannides}, year={1983}, pages={495–500} }

@book{Porterfield_1998a, address={Princeton, N.J.}, title={The allure of empire: art in the service of French imperialism,  1798-1836}, publisher={Princeton University Press}, author={Porterfield, Todd B.}, year={1998} }

@book{Porterfield_1998b, address={Princeton, N.J.}, title={The allure of empire: art in the service of French imperialism,  1798-1836}, publisher={Princeton University Press}, author={Porterfield, Todd B.}, year={1998} }

@book{Prendergast_1997, address={Oxford}, title={Napoleon and history painting: Antoine-Jean Gros’s La bataille  d’Eylau}, publisher={Clarendon Press}, author={Prendergast, Christopher}, year={1997} }

@book{Pressly_Zoffany_1999, address={Berkeley, Calif}, title={The French Revolution as blasphemy: Johan Zoffany’s paintings of the massacre at Paris, August 10, 1792}, volume={California studies in the history of art. Discovery series}, publisher={University of California Press}, author={Pressly, William L. and Zoffany, Johann}, year={1999} }

@book{Roberts_1989a, address={Chapel Hill}, title={Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution}, publisher={University of North Carolina Press}, author={Roberts, Warren}, year={1989} }

@book{Roberts_1989b, address={Chapel Hill}, title={Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution}, publisher={University of North Carolina Press}, author={Roberts, Warren}, year={1989} }

@book{Roberts_1989c, address={Chapel Hill}, title={Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution}, publisher={University of North Carolina Press}, author={Roberts, Warren}, year={1989} }

@book{Roberts_1989d, address={Chapel Hill}, title={Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution}, publisher={University of North Carolina Press}, author={Roberts, Warren}, year={1989} }

@article{Roberts, title={‘Images of Popular Violence in the French Revolution: Evidence for the Historian?’}, url={http://chnm.gmu.edu/revolution/imaging/essays/roberts1.html}, journal={Roberts: Images of Popular Violence in the French Revolution: Evidence for the Historian?}, author={Roberts, Warren}, pages={1–4} }

@book{Rosen_Zerner_1984, address={London}, title={Romanticism and realism: the mythology of nineteenth century art}, publisher={Faber and Faber}, author={Rosen, Charles and Zerner, Henri}, year={1984} }

@book{Rosenblum_1967, address={London}, title={Jean-Auguste-Dominique Ingres}, volume={The library of great painters}, publisher={Thames and Hudson}, author={Rosenblum, Robert}, year={1967} }

@book{Schiff_Hofmann_Fuseli_Twohig_Tate Gallery_1975, address={London}, title={Henry Fuseli, 1741-1825}, publisher={Tate Gallery Publications}, author={Schiff, Gert and Hofmann, Werner and Fuseli, Henry and Twohig, Sarah and Tate Gallery}, year={1975} }

@book{Seznec_Haskell_Levi_Shackleton_1974, address={Oxford}, title={The artist and the writer in France: essays in honour of Jean Seznec}, publisher={Clarendon Press}, author={Seznec, Jean and Haskell, Francis and Levi, Anthony and Shackleton, Robert}, year={1974} }

@article{Sloane, title={‘David, Robespierre and the Death of Bara’}, journal={Gazette des Beaux Arts}, author={Sloane, J}, pages={143.-160.} }

@book{Soboul_1988, address={London}, title={Understanding the French Revolution}, publisher={Merlin}, author={Soboul, Albert}, year={1988} }

@book{Tomlinson_1992, address={New Haven}, title={Goya in the twilight of enlightenment}, publisher={Yale University Press}, author={Tomlinson, Janis A.}, year={1992} }

@book{Tomlinson_2012, address={London}, title={From El Greco to Goya: painting in Spain, 1561-1828}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Laurence King}, author={Tomlinson, Janis A.}, year={2012} }

@book{Tömöry_Fuseli_1972, address={London}, title={The life and art of Henry Fuseli}, publisher={Thames and Hudson}, author={Tömöry, Péter and Fuseli, Henry}, year={1972} }

@book{Vaughan_1978a, address={London}, title={Romantic art}, volume={World of art}, publisher={Thames and Hudson}, author={Vaughan, William}, year={1978} }

@book{Vaughan_1978b, address={London}, title={Romantic art}, volume={World of art}, url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/}, publisher={Thames and Hudson}, author={Vaughan, William}, year={1978} }

@book{Vaughan_1980, address={New Haven}, title={German romantic painting}, publisher={Yale University Press}, author={Vaughan, William}, year={1980} }

@book{Vaughan_Weston_2000, address={Cambridge}, title={Jacques-Louis David’s Marat}, volume={Masterpieces of Western painting}, publisher={Cambridge University Press}, author={Vaughan, William and Weston, Helen}, year={2000} }

@article{Weston, edition={19}, title={‘Jacques-Louis David’s La Mort de Joseph Bara: a tale of revolutionary myths and modern fantasies’}, url={https://arlir.iii.com/nonret~S0&atitle=Jacques-Louis+David%99s+La+Mort+de+Joseph+Bara:+a+tale+of+revolutionary+myths+and+modern+fantasies%99&title=Paragraph&aufirst=Helen&auinit=&aulast=Weston&issn=&eissn=&coden=&volume=&issue=no+3&spage=234&epage=250.&quarter=&ssn=&date=Nove&sid=&reqtype3}, number={no 3}, journal={Paragraph}, author={Weston, Helen}, pages={234-250.} }

@book{Wright_1997, address={Cambridge}, title={Painting and history during the French Restoration: abandoned by the past}, publisher={Cambridge University Press}, author={Wright, Beth Segal}, year={1997} }

@misc{SparkNotes: The French Revolution (1789 - 1799): Overview, url={http://www.sparknotes.com/history/european/frenchrev/context.html} }

@misc{Imaging the French Revolution, url={http://chnm.gmu.edu/revolution/imaging/} }

@misc{Cataloguing the Tableaux de la révolution, url={http://www.waddesdon.org.uk/collection/special-projects/tableaux-project} }

@inbook{"War, Terror and the Resistance to the Revolution”, url={http://chnm.gmu.edu/revolution/chap7a.html}, booktitle={Liberty, Equality, Fraternity: Exploring the French Revolution} }

@article{Art in bourgeois society, 1790-1850 / edited by Andrew Hemingway &  William Vaughan, url={http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20Bourgeois%20Society%201790-1850.__Orightresult__U?lang=eng&suite=cobalt} }

@article{Art in an age of revolution, 1750-1800 / Albert Boime, url={http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20an%20Age%20of%20Revolution%201750-1800__Orightresult?lang=eng&suite=cobalt} }

@article{Francisco Goya y Lucientes, 1746-1828                        Francisco Goya y Lucientes 1746-1828 : rétrospective                        Goya : Francisco de Goya y Lucientes / text by José Gudiol                        Los caprichos / by Francisco Goya y Lucientes. With a new introd. by Philip Hofer, url={http://encore.lib.warwick.ac.uk/iii/encore/search/C__SFrancisco%20Goya%20y%20Lucientes%2C%201746-1828.__Orightresult__U?lang=eng&suite=cobalt} }

@article{Caspar David Friedrich, 1774-1840 : romantic landscape painting in  Dresden / [by] William Vaughan, Helmut Börsch-Supan, Hans Joachim  Neidhardt, url={http://encore.lib.warwick.ac.uk/iii/encore/search/C__SCaspar%20David%20Friedrich%2C%201774-1840%3A%20Romantic%20Landscape%20Painting%20in%20Dresden.__Orightresult__U?lang=eng&suite=cobalt} }