1
Doyle W. The French Revolution: a very short introduction. Oxford: : New York 2001.
2
Doyle W. The French Revolution: a very short introduction. Oxford: : New York 2001. http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=100296
3
Soboul A. Understanding the French Revolution. London: : Merlin 1988.
4
Brown DB. Romanticism. London: : Phaidon 2001.
5
Craske M. Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Oxford: : Oxford University Press 1997.
6
Levey M. Rococo to revolution: major trends in eighteenth-century painting. London: : Thames and Hudson 1977.
7
Vaughan W. Romantic art. London: : Thames and Hudson 1978.
8
Roberts W. Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: : University of North Carolina Press 1989.
9
Baetjer K, Rosenthal M, Denver Art Museum. Glorious nature: British landscape painting, 1750-1850. London: : Zwemmer 1993.
10
Kriz KD, Paul Mellon Centre for Studies in British Art. The idea of the English landscape painter: genius as alibi in the  early nineteenth century. New Haven: : Yale University Press for The Paul Mellon Centre  for Studies in British Art 1997.
11
SparkNotes: The French Revolution (1789 - 1799): Overview. http://www.sparknotes.com/history/european/frenchrev/context.html
12
Roberts W. ‘Images of Popular Violence in the French Revolution: Evidence for the Historian?’ Roberts: Images of Popular Violence in the French Revolution: Evidence for the Historian?;:1–4.http://chnm.gmu.edu/revolution/imaging/essays/roberts1.html
13
Adhémar J. Graphic art of the 18th century. London: : Thames & Hudson 1964.
14
Bordes P, Michel R, Arizzoli-Clémentel P. Aux armes & aux arts!: les arts de la Révolution, 1789-1799. Paris: : Adam Biro 1988.
15
Baecque A de. La caricature révolutionnaire. Paris: : Presses du CNRS 1988.
16
Crow TE. Emulation: making artists for revolutionary France. New Haven: : Yale University Press 1995.
17
Christopher Hodson. ‘In Praise of the Third Estate’: Religious and Social Imagery in the Early French Revolution. Eighteenth-Century Studies 2001;34:337–62.http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30053983?seq=1#page_scan_tab_contents
18
Hunt L. ‘Engraving the Republic: Prints and Propaganda in the French Revolution’. History Today 1980;:11–7.https://arlir.iii.com/nonret~S0&atitle=Engraving+the+Republic:+Prints+and+Propaganda+in+the+French+Revolution%99&title=History+Today&aufirst=Lynn&auinit=&aulast=Hunt&issn=&eissn=&coden=&volume=&issue=&spage=11&epage=17&quarter=&ssn=&date=1980&sid=&reqtype3
19
Roberts W. Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: : University of North Carolina Press 1989.
20
Imaging the French Revolution. http://chnm.gmu.edu/revolution/imaging/
21
Cataloguing the Tableaux de la révolution. http://www.waddesdon.org.uk/collection/special-projects/tableaux-project
22
"War, Terror and the Resistance to the Revolution”. In: Liberty, Equality, Fraternity: Exploring the French Revolution.http://chnm.gmu.edu/revolution/chap7a.html
23
Bryson N. Tradition and desire: from David to Delacroix. Cambridge: : Cambridge University Press 1984.
24
Crow TE. Emulation: making artists for revolutionary France. New Haven: : Yale University Press 1995.
25
Herbert RL. David, Voltaire, Brutus and the French Revolution: an essay in art  and politics. (New York: : Viking Press 1973.
26
Honour H. Neo-classicism. Harmondsworth: : Penguin 1991.
27
Huet M-H. Rehearsing the revolution: the staging of Marat’s death, 1793-1797. Berkeley: : University of California Press 1982.
28
Irwin DG. Neoclassicism. London: : Phaidon 1997.
29
Roberts W. Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: : University of North Carolina Press 1989.
30
Detroit Institute of Arts, Galeries nationales du Grand Palais (France). French painting 1774-1830: the age of revolution. Grand Palais,  Paris, 16 November 1974-3 February 1975. The Detroit Institute of  Arts, 5 March-4 May 1975. The Metropolitan Museum of Art, New York, 12 June-7 September 1975. English Language ed. Detroit: : Distributed by Wayne State University Press
31
Sloane J. ‘David, Robespierre and the Death of Bara’. Gazette des Beaux Arts;:143.-160.
32
Vaughan W, Weston H. Jacques-Louis David’s Marat. Cambridge: : Cambridge University Press 2000.
33
Weston H. ‘Jacques-Louis David’s La Mort de Joseph Bara: a tale of revolutionary myths and modern fantasies’. Paragraph;:234-250.https://arlir.iii.com/nonret~S0&atitle=Jacques-Louis+David%99s+La+Mort+de+Joseph+Bara:+a+tale+of+revolutionary+myths+and+modern+fantasies%99&title=Paragraph&aufirst=Helen&auinit=&aulast=Weston&issn=&eissn=&coden=&volume=&issue=no+3&spage=234&epage=250.&quarter=&ssn=&date=Nove&sid=&reqtype3
34
Honour H. Neo-classicism. Harmondsworth: : Penguin 1991. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
35
Boime A. Art in an age of Bonapartism, 1800-1815. Chicago: : University of Chicago Press 1990.
36
Brookner A. Romanticism and its discontents. London: : Viking 2000.
37
Eisenman S, Crow TE. Nineteenth century art: a critical history. 4th ed. New York: : Thames & Hudson 2011.
38
Crow TE. Emulation: making artists for revolutionary France. New Haven: : Yale University Press 1995.
39
Seznec J, Haskell F, Levi A, et al. The artist and the writer in France: essays in honour of Jean Seznec. Oxford: : Clarendon Press 1974.
40
Munhall E. Portraits of Napoleon. Yale French Studies Published Online First: 1960. doi:10.2307/2929218
41
Porterfield TB. The allure of empire: art in the service of French imperialism,  1798-1836. Princeton, N.J.: : Princeton University Press 1998.
42
Prendergast C. Napoleon and history painting: Antoine-Jean Gros’s La bataille  d’Eylau. Oxford: : Clarendon Press 1997.
43
Roberts W. Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: : University of North Carolina Press 1989.
44
James Henry Rubin. Gros and Girodet. The Burlington Magazine 1979;121.http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/879806?seq=1#page_scan_tab_contents
45
Vaughan W. Romantic art. London: : Thames and Hudson 1978. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
46
Athanassoglou-Kallmyer NM. French images from the Greek War of Independence 1821-1830: art and  politics under the Restoration. New Haven, Conn: : Yale University Press 1989. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
47
Athanassoglou-Kallmyer N. Gericault’s Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold. The Art Bulletin 1992;74. doi:10.2307/3045912
48
Brookner A. Romanticism and its discontents. London: : Viking 2000.
49
Bryson N. Tradition and desire: from David to Delacroix. Cambridge: : Cambridge University Press 1984.
50
Eisenman S, Crow TE. Nineteenth century art: a critical history. 4th ed. New York: : Thames & Hudson 2011.
51
Eitner L. Géricault’s Raft of the Medusa. [London: : Phaidon distributed in the U.S. by Praeger, New York 1972.
52
Grigsby DG. Extremities: painting empire in post-revolutionary France. New Haven: : Yale University Press 2002.
53
Guilbaut S, Ryan M, Watson S, et al. Théodore Géricault: the alien body : tradition in chaos. Vancouver: : Morris and Helen Belkin Art Gallery, University of  British Columbia 1997.
54
Paul Joannides. Colin, Delacroix, Byron and the Greek War of Independence. The Burlington Magazine 1983;125:495–500.http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/881314?seq=1#page_scan_tab_contents
55
Porterfield TB. The allure of empire: art in the service of French imperialism,  1798-1836. Princeton, N.J.: : Princeton University Press 1998.
56
Rosenblum R. Jean-Auguste-Dominique Ingres. London: : Thames and Hudson 1967.
57
Wright BS. Painting and history during the French Restoration: abandoned by the past. Cambridge: : Cambridge University Press 1997.
58
Adhémar J. Graphic art of the 18th century. London: : Thames & Hudson 1964. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
59
Baetjer K, Rosenthal M, Denver Art Museum. Glorious nature: British landscape painting, 1750-1850. London: : Zwemmer 1993. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
60
Barrell J. The dark side of the landscape: the rural poor in English painting, 1730-1840. Cambridge: : CUP 1980.
61
Bermingham A. Landscape and ideology: the English rustic tradition, 1740-1860. London: : Thames and Hudson 1987.
62
Bindman D, Dawson A, Jones M, et al. The shadow of the guillotine: Britain and the French Revolution. London: : British Museum Publications 1989. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
63
Boime A. Art in an age of revolution, 1750-1800. Chicago: : University of Chicago Press 1987.
64
Daniels S. Fields of vision: landscape imagery and national identity in England and the United States. Cambridge: : Polity Press 1993.
65
Domenici K. James Gillray: An English Source for David’s Les Sabines. The Art Bulletin 1983;65. doi:10.2307/3050351
66
Donald D, Paul Mellon Centre for Studies in British Art. The Age of caricature: satirical prints in the reign of George III. New Haven: : Published for the Paul Mellon Centre for Studies in  British Art by Yale University Press 1996.
67
Godfrey RT, Hallett M, Tate Britain (Gallery). James Gillray: the art of caricature. London: : Tate Publishing 2001.
68
Kriz KD, Paul Mellon Centre for Studies in British Art. The idea of the English landscape painter: genius as alibi in the  early nineteenth century. New Haven: : Yale University Press for The Paul Mellon Centre  for Studies in British Art 1997.
69
Art in bourgeois society, 1790-1850 / edited by Andrew Hemingway &  William Vaughan. http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20Bourgeois%20Society%201790-1850.__Orightresult__U?lang=eng&suite=cobalt
70
Pressly WL, Zoffany J. The French Revolution as blasphemy: Johan Zoffany’s paintings of the massacre at Paris, August 10, 1792. Berkeley, Calif: : University of California Press 1999.
71
Bicknell P, Fitzwilliam Museum. Beauty, horror and immensity: picturesque landscape in Britain, 1750-1850. Cambridge: : Cambridge University Press 1981. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
72
Adams H. The Blakean Aesthetic. The Journal of Aesthetics and Art Criticism 1954;13. doi:10.2307/425916
73
Art in an age of revolution, 1750-1800 / Albert Boime. http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20an%20Age%20of%20Revolution%201750-1800__Orightresult?lang=eng&suite=cobalt
74
Brown DB. Romanticism. London: : Phaidon 2001.
75
Honour H. Romanticism. Harmondsworth: : Penguin 1981.
76
Butlin M, Blake W, Paul Mellon Centre for Studies in British Art. The paintings and drawings of William Blake: Text. New Haven: : Published for the Paul Mellon Centre for Studies  in British Art by Yale University Press 1981.
77
Myrone M, Frayling C, Warner M, et al. Gothic nightmares: Fuseli, Blake and the romantic imagination. London: : Tate 2006.
78
Schiff G, Hofmann W, Fuseli H, et al. Henry Fuseli, 1741-1825. London: : Tate Gallery Publications 1975.
79
Tömöry P, Fuseli H. The life and art of Henry Fuseli. London: : Thames and Hudson 1972.
80
Tomlinson JA. From El Greco to Goya: painting in Spain, 1561-1828. London: : Laurence King 2012. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
81
Adhémar J. Graphic art of the 18th century. London: : Thames & Hudson 1964.
82
Boime A. Art in an age of Bonapartism, 1800-1815. Chicago: : University of Chicago Press 1990.
83
Levey M. Rococo to revolution: major trends in eighteenth-century painting. London: : Thames and Hudson 1977. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/
84
Francisco Goya y Lucientes, 1746-1828                        Francisco Goya y Lucientes 1746-1828 : rétrospective                        Goya : Francisco de Goya y Lucientes / text by José Gudiol                        Los caprichos / by Francisco Goya y Lucientes. With a new introd. by Philip Hofer. http://encore.lib.warwick.ac.uk/iii/encore/search/C__SFrancisco%20Goya%20y%20Lucientes%2C%201746-1828.__Orightresult__U?lang=eng&suite=cobalt
85
Tomlinson JA. Goya in the twilight of enlightenment. New Haven: : Yale University Press 1992.
86
Boime A. Art in an age of Bonapartism, 1800-1815. Chicago: : University of Chicago Press 1990.
87
Boime A. Art in an age of Bonapartism, 1800-1815. Chicago: : University of Chicago Press 1990.
88
Rosen C, Zerner H. Romanticism and realism: the mythology of nineteenth century art. London: : Faber and Faber 1984.
89
Caspar David Friedrich, 1774-1840 : romantic landscape painting in  Dresden / [by] William Vaughan, Helmut Börsch-Supan, Hans Joachim  Neidhardt. http://encore.lib.warwick.ac.uk/iii/encore/search/C__SCaspar%20David%20Friedrich%2C%201774-1840%3A%20Romantic%20Landscape%20Painting%20in%20Dresden.__Orightresult__U?lang=eng&suite=cobalt
90
Vaughan W. German romantic painting. New Haven: : Yale University Press 1980.