Bibliography for HA2B8: Art in the Age of Revolution BETA

Adams, Hazard. 1954. ‘The Blakean Aesthetic’. The Journal of Aesthetics and Art Criticism 13 (2). https://doi.org/10.2307/425916.

Adhémar, Jean. 1964a. Graphic Art of the 18th Century. Vol. World of art library. London: Thames & Hudson.

———. 1964b. Graphic Art of the 18th Century. Vol. World of art library. London: Thames & Hudson. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

———. 1964c. Graphic Art of the 18th Century. Vol. World of art library. London: Thames & Hudson.

‘Art in an Age of Revolution, 1750-1800 / Albert Boime’. n.d. http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20an%20Age%20of%20Revolution%201750-1800__Orightresult?lang=eng&suite=cobalt.

‘Art in Bourgeois Society, 1790-1850 / Edited by Andrew Hemingway &  William Vaughan’. n.d. http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20Bourgeois%20Society%201790-1850.__Orightresult__U?lang=eng&suite=cobalt.

Athanassoglou-Kallmyer, Nina. 1992. ‘Gericault’s Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold’. The Art Bulletin 74 (4). https://doi.org/10.2307/3045912.

Athanassoglou-Kallmyer, Nina M. 1989. French Images from the Greek War of Independence 1821-1830: Art and  Politics under the Restoration. New Haven, Conn: Yale University Press. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Baecque, Antoine de. 1988. La Caricature Révolutionnaire. Vol. Librairie du bicentenaire de la Révolution française. Paris: Presses du CNRS.

Baetjer, Katharine, Michael Rosenthal, and Denver Art Museum. 1993a. Glorious Nature: British Landscape Painting, 1750-1850. London: Zwemmer.

———. 1993b. Glorious Nature: British Landscape Painting, 1750-1850. London: Zwemmer. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Barrell, John. 1980. The Dark Side of the Landscape: The Rural Poor in English Painting, 1730-1840. Vol. Cambridge paperbacks. Cambridge: CUP.

Bermingham, Ann. 1987. Landscape and Ideology: The English Rustic Tradition, 1740-1860. London: Thames and Hudson.

Bicknell, Peter and Fitzwilliam Museum. 1981. Beauty, Horror and Immensity: Picturesque Landscape in Britain, 1750-1850. Cambridge: Cambridge University Press. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Bindman, David, Aileen Dawson, Mark Jones, and British Museum. 1989. The Shadow of the Guillotine: Britain and the French Revolution. London: British Museum Publications. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Boime, Albert. 1987. Art in an Age of Revolution, 1750-1800. Vol. A Social history of modern art. Chicago: University of Chicago Press.

———. 1990a. Art in an Age of Bonapartism, 1800-1815. Vol. A social history of modern art. Chicago: University of Chicago Press.

———. 1990b. Art in an Age of Bonapartism, 1800-1815. Vol. A social history of modern art. Chicago: University of Chicago Press.

———. 1990c. Art in an Age of Bonapartism, 1800-1815. Vol. A social history of modern art. Chicago: University of Chicago Press.

———. 1990d. Art in an Age of Bonapartism, 1800-1815. Vol. A social history of modern art. Chicago: University of Chicago Press.

Bordes, Philippe, Régis Michel, and Pierre Arizzoli-Clémentel. 1988. Aux Armes & Aux Arts!: Les Arts de La Révolution, 1789-1799. Vol. Librairie du bicentenaire de la Révolution française. Paris: Adam Biro.

Brookner, Anita. 2000a. Romanticism and Its Discontents. London: Viking.

———. 2000b. Romanticism and Its Discontents. London: Viking.

Brown, David Blayney. 2001a. Romanticism. Vol. Art&ideas. London: Phaidon.

———. 2001b. Romanticism. Vol. Art&ideas. London: Phaidon.

Bryson, Norman. 1984a. Tradition and Desire: From David to Delacroix. Vol. Cambridge studies in French. Cambridge: Cambridge University Press.

———. 1984b. Tradition and Desire: From David to Delacroix. Vol. Cambridge studies in French. Cambridge: Cambridge University Press.

Butlin, Martin, William Blake, and Paul Mellon Centre for Studies in British Art. 1981. The Paintings and Drawings of William Blake: Text. Vol. Studies in British art. New Haven: Published for the Paul Mellon Centre for Studies  in British Art by Yale University Press.

‘Caspar David Friedrich, 1774-1840 : Romantic Landscape Painting in  Dresden / [by] William Vaughan, Helmut Börsch-Supan, Hans Joachim  Neidhardt’. n.d. http://encore.lib.warwick.ac.uk/iii/encore/search/C__SCaspar%20David%20Friedrich%2C%201774-1840%3A%20Romantic%20Landscape%20Painting%20in%20Dresden.__Orightresult__U?lang=eng&suite=cobalt.

‘Cataloguing the Tableaux de La Révolution’. n.d. http://www.waddesdon.org.uk/collection/special-projects/tableaux-project.

Christopher Hodson. 2001. ‘“In Praise of the Third Estate”: Religious and Social Imagery in the Early French Revolution’. Eighteenth-Century Studies 34 (3): 337–62. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30053983?seq=1#page_scan_tab_contents.

Craske, Matthew. 1997. Art in Europe, 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth. Vol. Oxford history of art. Oxford: Oxford University Press.

Crow, Thomas E. 1995a. Emulation: Making Artists for Revolutionary France. New Haven: Yale University Press.

———. 1995b. Emulation: Making Artists for Revolutionary France. New Haven: Yale University Press.

———. 1995c. Emulation: Making Artists for Revolutionary France. New Haven: Yale University Press.

Daniels, Stephen. 1993. Fields of Vision: Landscape Imagery and National Identity in England and the United States. Vol. Human geography. Cambridge: Polity Press.

Detroit Institute of Arts and Galeries nationales du Grand Palais (France). n.d. French Painting 1774-1830: The Age of Revolution. Grand Palais,  Paris, 16 November 1974-3 February 1975. The Detroit Institute of  Arts, 5 March-4 May 1975. The Metropolitan Museum of Art, New York, 12 June-7 September 1975. English Language ed. Detroit: Distributed by Wayne State University Press.

Domenici, Karen. 1983. ‘James Gillray: An English Source for David’s Les Sabines’. The Art Bulletin 65 (3). https://doi.org/10.2307/3050351.

Donald, Diana and Paul Mellon Centre for Studies in British Art. 1996. The Age of Caricature: Satirical Prints in the Reign of George III. New Haven: Published for the Paul Mellon Centre for Studies in  British Art by Yale University Press.

Doyle, William. 2001a. The French Revolution: A Very Short Introduction. Vol. Very short introductions. Oxford: New York.

———. 2001b. The French Revolution: A Very Short Introduction. Electronic resource. Vol. Very short introductions. Oxford: New York. http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=100296.

Eisenman, Stephen, and Thomas E. Crow. 2011a. Nineteenth Century Art: A Critical History. 4th ed. New York: Thames & Hudson.

———. 2011b. Nineteenth Century Art: A Critical History. 4th ed. New York: Thames & Hudson.

Eitner, Lorenz. 1972. Géricault’s Raft of the Medusa. [London: Phaidon distributed in the U.S. by Praeger, New York.

‘Francisco Goya y Lucientes, 1746-1828                        Francisco Goya y Lucientes 1746-1828 : Rétrospective                        Goya : Francisco de Goya y Lucientes / Text by José Gudiol                        Los Caprichos / by Francisco Goya y Lucientes. With a New Introd. by Philip Hofer’. n.d. http://encore.lib.warwick.ac.uk/iii/encore/search/C__SFrancisco%20Goya%20y%20Lucientes%2C%201746-1828.__Orightresult__U?lang=eng&suite=cobalt.

Godfrey, Richard T., Mark Hallett, and Tate Britain (Gallery). 2001. James Gillray: The Art of Caricature. London: Tate Publishing.

Grigsby, Darcy Grimaldo. 2002. Extremities: Painting Empire in Post-Revolutionary France. New Haven: Yale University Press.

Guilbaut, Serge, Maureen Ryan, Scott Watson, and Morris and Helen Belkin Art Gallery. 1997. Théodore Géricault: The Alien Body : Tradition in Chaos. Vancouver: Morris and Helen Belkin Art Gallery, University of  British Columbia.

Herbert, Robert L. 1973. David, Voltaire, Brutus and the French Revolution: An Essay in Art  and Politics. Vol. Art in context. (New York: Viking Press.

Honour, Hugh. 1981. Romanticism. Vol. Pelican books. Harmondsworth: Penguin.

———. 1991a. Neo-Classicism. Vol. Style and civilization. Harmondsworth: Penguin.

———. 1991b. Neo-Classicism. Vol. Style and civilization. Harmondsworth: Penguin. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Huet, Marie-Hélène. 1982. Rehearsing the Revolution: The Staging of Marat’s Death, 1793-1797. Vol. Quantum books. Berkeley: University of California Press.

Hunt, Lynn. 1980. ‘“Engraving the Republic: Prints and Propaganda in the French Revolution”’. History Today, 11–17. https://arlir.iii.com/nonret~S0&atitle=Engraving+the+Republic:+Prints+and+Propaganda+in+the+French+Revolution%99&title=History+Today&aufirst=Lynn&auinit=&aulast=Hunt&issn=&eissn=&coden=&volume=&issue=&spage=11&epage=17&quarter=&ssn=&date=1980&sid=&reqtype3.

‘Imaging the French Revolution’. n.d. http://chnm.gmu.edu/revolution/imaging/.

Irwin, David G. 1997. Neoclassicism. Vol. Art&ideas. London: Phaidon.

James Henry Rubin. 1979. ‘Gros and Girodet’. The Burlington Magazine 121 (920). http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/879806?seq=1#page_scan_tab_contents.

Kriz, Kay Dian and Paul Mellon Centre for Studies in British Art. 1997a. The Idea of the English Landscape Painter: Genius as Alibi in the  Early Nineteenth Century. New Haven: Yale University Press for The Paul Mellon Centre  for Studies in British Art.

———. 1997b. The Idea of the English Landscape Painter: Genius as Alibi in the  Early Nineteenth Century. New Haven: Yale University Press for The Paul Mellon Centre  for Studies in British Art.

Levey, Michael. 1977a. Rococo to Revolution: Major Trends in Eighteenth-Century Painting. Vol. World of art. London: Thames and Hudson.

———. 1977b. Rococo to Revolution: Major Trends in Eighteenth-Century Painting. Vol. World of art. London: Thames and Hudson. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Munhall, Edgar. 1960. ‘Portraits of Napoleon’. Yale French Studies, no. 26. https://doi.org/10.2307/2929218.

Myrone, Martin, Christopher Frayling, Marina Warner, and Tate Gallery. 2006. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination. London: Tate.

Paul Joannides. 1983. ‘Colin, Delacroix, Byron and the Greek War of Independence’. The Burlington Magazine 125 (965): 495–500. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/881314?seq=1#page_scan_tab_contents.

Porterfield, Todd B. 1998a. The Allure of Empire: Art in the Service of French Imperialism,  1798-1836. Princeton, N.J.: Princeton University Press.

———. 1998b. The Allure of Empire: Art in the Service of French Imperialism,  1798-1836. Princeton, N.J.: Princeton University Press.

Prendergast, Christopher. 1997. Napoleon and History Painting: Antoine-Jean Gros’s La Bataille  d’Eylau. Oxford: Clarendon Press.

Pressly, William L., and Johann Zoffany. 1999. The French Revolution as Blasphemy: Johan Zoffany’s Paintings of the Massacre at Paris, August 10, 1792. Vol. California studies in the history of art. Discovery series. Berkeley, Calif: University of California Press.

Roberts, Warren. 1989a. Jacques-Louis David, Revolutionary Artist: Art, Politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

———. 1989b. Jacques-Louis David, Revolutionary Artist: Art, Politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

———. 1989c. Jacques-Louis David, Revolutionary Artist: Art, Politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

———. 1989d. Jacques-Louis David, Revolutionary Artist: Art, Politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

———. n.d. ‘“Images of Popular Violence in the French Revolution: Evidence for the Historian?”’ Roberts: Images of Popular Violence in the French Revolution: Evidence for the Historian?, 1–4. http://chnm.gmu.edu/revolution/imaging/essays/roberts1.html.

Rosen, Charles, and Henri Zerner. 1984. Romanticism and Realism: The Mythology of Nineteenth Century Art. London: Faber and Faber.

Rosenblum, Robert. 1967. Jean-Auguste-Dominique Ingres. Vol. The library of great painters. London: Thames and Hudson.

Schiff, Gert, Werner Hofmann, Henry Fuseli, Sarah Twohig, and Tate Gallery. 1975. Henry Fuseli, 1741-1825. London: Tate Gallery Publications.

Seznec, Jean, Francis Haskell, Anthony Levi, and Robert Shackleton. 1974. The Artist and the Writer in France: Essays in Honour of Jean Seznec. Oxford: Clarendon Press.

Sloane, J. n.d. ‘“David, Robespierre and the Death of Bara”’. Gazette Des Beaux Arts, 143.-160.

Soboul, Albert. 1988. Understanding the French Revolution. London: Merlin.

‘SparkNotes: The French Revolution (1789 - 1799): Overview’. n.d. http://www.sparknotes.com/history/european/frenchrev/context.html.

Tomlinson, Janis A. 1992. Goya in the Twilight of Enlightenment. New Haven: Yale University Press.

———. 2012. From El Greco to Goya: Painting in Spain, 1561-1828. London: Laurence King. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Tömöry, Péter, and Henry Fuseli. 1972. The Life and Art of Henry Fuseli. London: Thames and Hudson.

Vaughan, William. 1978a. Romantic Art. Vol. World of art. London: Thames and Hudson.

———. 1978b. Romantic Art. Vol. World of art. London: Thames and Hudson. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

———. 1980. German Romantic Painting. New Haven: Yale University Press.

Vaughan, William, and Helen Weston. 2000. Jacques-Louis David’s Marat. Vol. Masterpieces of Western painting. Cambridge: Cambridge University Press.

‘"War, Terror and the Resistance to the Revolution”’. n.d. In Liberty, Equality, Fraternity: Exploring the French Revolution. http://chnm.gmu.edu/revolution/chap7a.html.

Weston, Helen. n.d. ‘“Jacques-Louis David’s La Mort de Joseph Bara: A Tale of Revolutionary Myths and Modern Fantasies”’. Paragraph, no. no 3: 234-250. https://arlir.iii.com/nonret~S0&atitle=Jacques-Louis+David%99s+La+Mort+de+Joseph+Bara:+a+tale+of+revolutionary+myths+and+modern+fantasies%99&title=Paragraph&aufirst=Helen&auinit=&aulast=Weston&issn=&eissn=&coden=&volume=&issue=no+3&spage=234&epage=250.&quarter=&ssn=&date=Nove&sid=&reqtype3.

Wright, Beth Segal. 1997. Painting and History during the French Restoration: Abandoned by the Past. Cambridge: Cambridge University Press.