Bibliography for HA2B8: Art in the Age of Revolution BETA

Adams, H. (1954) ‘The Blakean Aesthetic’, The Journal of Aesthetics and Art Criticism, 13(2). Available at: https://doi.org/10.2307/425916.

Adhémar, J. (1964a) Graphic art of the 18th century. London: Thames & Hudson.

Adhémar, J. (1964b) Graphic art of the 18th century. London: Thames & Hudson. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Adhémar, J. (1964c) Graphic art of the 18th century. London: Thames & Hudson.

‘Art in an age of revolution, 1750-1800 / Albert Boime’ (no date). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20an%20Age%20of%20Revolution%201750-1800__Orightresult?lang=eng&suite=cobalt.

‘Art in bourgeois society, 1790-1850 / edited by Andrew Hemingway &  William Vaughan’ (no date). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Art%20in%20Bourgeois%20Society%201790-1850.__Orightresult__U?lang=eng&suite=cobalt.

Athanassoglou-Kallmyer, N. (1992) ‘Gericault’s Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold’, The Art Bulletin, 74(4). Available at: https://doi.org/10.2307/3045912.

Athanassoglou-Kallmyer, N.M. (1989) French images from the Greek War of Independence 1821-1830: art and  politics under the Restoration. New Haven, Conn: Yale University Press. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Baecque, A. de (1988) La caricature révolutionnaire. Paris: Presses du CNRS.

Baetjer, K., Rosenthal, M., and Denver Art Museum (1993a) Glorious nature: British landscape painting, 1750-1850. London: Zwemmer.

Baetjer, K., Rosenthal, M., and Denver Art Museum (1993b) Glorious nature: British landscape painting, 1750-1850. London: Zwemmer. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Barrell, J. (1980) The dark side of the landscape: the rural poor in English painting, 1730-1840. Cambridge: CUP.

Bermingham, A. (1987) Landscape and ideology: the English rustic tradition, 1740-1860. London: Thames and Hudson.

Bicknell, P. and Fitzwilliam Museum (1981) Beauty, horror and immensity: picturesque landscape in Britain, 1750-1850. Cambridge: Cambridge University Press. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Bindman, D. et al. (1989) The shadow of the guillotine: Britain and the French Revolution. London: British Museum Publications. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Boime, A. (1987) Art in an age of revolution, 1750-1800. Chicago: University of Chicago Press.

Boime, A. (1990a) Art in an age of Bonapartism, 1800-1815. Chicago: University of Chicago Press.

Boime, A. (1990b) Art in an age of Bonapartism, 1800-1815. Chicago: University of Chicago Press.

Boime, A. (1990c) Art in an age of Bonapartism, 1800-1815. Chicago: University of Chicago Press.

Boime, A. (1990d) Art in an age of Bonapartism, 1800-1815. Chicago: University of Chicago Press.

Bordes, P., Michel, R. and Arizzoli-Clémentel, P. (1988) Aux armes & aux arts!: les arts de la Révolution, 1789-1799. Paris: Adam Biro.

Brookner, A. (2000a) Romanticism and its discontents. London: Viking.

Brookner, A. (2000b) Romanticism and its discontents. London: Viking.

Brown, D.B. (2001a) Romanticism. London: Phaidon.

Brown, D.B. (2001b) Romanticism. London: Phaidon.

Bryson, N. (1984a) Tradition and desire: from David to Delacroix. Cambridge: Cambridge University Press.

Bryson, N. (1984b) Tradition and desire: from David to Delacroix. Cambridge: Cambridge University Press.

Butlin, M., Blake, W., and Paul Mellon Centre for Studies in British Art (1981) The paintings and drawings of William Blake: Text. New Haven: Published for the Paul Mellon Centre for Studies  in British Art by Yale University Press.

‘Caspar David Friedrich, 1774-1840 : romantic landscape painting in  Dresden / [by] William Vaughan, Helmut Börsch-Supan, Hans Joachim  Neidhardt’ (no date). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SCaspar%20David%20Friedrich%2C%201774-1840%3A%20Romantic%20Landscape%20Painting%20in%20Dresden.__Orightresult__U?lang=eng&suite=cobalt.

Cataloguing the Tableaux de la révolution (no date). Available at: http://www.waddesdon.org.uk/collection/special-projects/tableaux-project.

Christopher Hodson (2001) ‘“In Praise of the Third Estate”: Religious and Social Imagery in the Early French Revolution’, Eighteenth-Century Studies, 34(3), pp. 337–362. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30053983?seq=1#page_scan_tab_contents.

Craske, M. (1997) Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Oxford: Oxford University Press.

Crow, T.E. (1995a) Emulation: making artists for revolutionary France. New Haven: Yale University Press.

Crow, T.E. (1995b) Emulation: making artists for revolutionary France. New Haven: Yale University Press.

Crow, T.E. (1995c) Emulation: making artists for revolutionary France. New Haven: Yale University Press.

Daniels, S. (1993) Fields of vision: landscape imagery and national identity in England and the United States. Cambridge: Polity Press.

Detroit Institute of Arts and Galeries nationales du Grand Palais (France) (no date) French painting 1774-1830: the age of revolution. Grand Palais,  Paris, 16 November 1974-3 February 1975. The Detroit Institute of  Arts, 5 March-4 May 1975. The Metropolitan Museum of Art, New York, 12 June-7 September 1975. English Language ed. Detroit: Distributed by Wayne State University Press.

Domenici, K. (1983) ‘James Gillray: An English Source for David’s Les Sabines’, The Art Bulletin, 65(3). Available at: https://doi.org/10.2307/3050351.

Donald, D. and Paul Mellon Centre for Studies in British Art (1996) The Age of caricature: satirical prints in the reign of George III. New Haven: Published for the Paul Mellon Centre for Studies in  British Art by Yale University Press.

Doyle, W. (2001a) The French Revolution: a very short introduction. Oxford: New York.

Doyle, W. (2001b) The French Revolution: a very short introduction [electronic resource]. Oxford: New York. Available at: http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=100296.

Eisenman, S. and Crow, T.E. (2011a) Nineteenth century art: a critical history. 4th ed. New York: Thames & Hudson.

Eisenman, S. and Crow, T.E. (2011b) Nineteenth century art: a critical history. 4th ed. New York: Thames & Hudson.

Eitner, L. (1972) Géricault’s Raft of the Medusa. [London: Phaidon distributed in the U.S. by Praeger, New York.

‘Francisco Goya y Lucientes, 1746-1828                        Francisco Goya y Lucientes 1746-1828 : rétrospective                        Goya : Francisco de Goya y Lucientes / text by José Gudiol                        Los caprichos / by Francisco Goya y Lucientes. With a new introd. by Philip Hofer’ (no date). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SFrancisco%20Goya%20y%20Lucientes%2C%201746-1828.__Orightresult__U?lang=eng&suite=cobalt.

Godfrey, R.T., Hallett, M., and Tate Britain (Gallery) (2001) James Gillray: the art of caricature. London: Tate Publishing.

Grigsby, D.G. (2002) Extremities: painting empire in post-revolutionary France. New Haven: Yale University Press.

Guilbaut, S. et al. (1997) Théodore Géricault: the alien body : tradition in chaos. Vancouver: Morris and Helen Belkin Art Gallery, University of  British Columbia.

Herbert, R.L. (1973) David, Voltaire, Brutus and the French Revolution: an essay in art  and politics. (New York: Viking Press.

Honour, H. (1981) Romanticism. Harmondsworth: Penguin.

Honour, H. (1991a) Neo-classicism. Harmondsworth: Penguin.

Honour, H. (1991b) Neo-classicism. Harmondsworth: Penguin. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Huet, M.-H. (1982) Rehearsing the revolution: the staging of Marat’s death, 1793-1797. Berkeley: University of California Press.

Hunt, L. (1980) ‘“Engraving the Republic: Prints and Propaganda in the French Revolution”’, History Today. 30th edn, pp. 11–17. Available at: https://arlir.iii.com/nonret~S0&atitle=Engraving+the+Republic:+Prints+and+Propaganda+in+the+French+Revolution%99&title=History+Today&aufirst=Lynn&auinit=&aulast=Hunt&issn=&eissn=&coden=&volume=&issue=&spage=11&epage=17&quarter=&ssn=&date=1980&sid=&reqtype3.

Imaging the French Revolution (no date). Available at: http://chnm.gmu.edu/revolution/imaging/.

Irwin, D.G. (1997) Neoclassicism. London: Phaidon.

James Henry Rubin (1979) ‘Gros and Girodet’, The Burlington Magazine, 121(920). Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/879806?seq=1#page_scan_tab_contents.

Kriz, K.D. and Paul Mellon Centre for Studies in British Art (1997a) The idea of the English landscape painter: genius as alibi in the  early nineteenth century. New Haven: Yale University Press for The Paul Mellon Centre  for Studies in British Art.

Kriz, K.D. and Paul Mellon Centre for Studies in British Art (1997b) The idea of the English landscape painter: genius as alibi in the  early nineteenth century. New Haven: Yale University Press for The Paul Mellon Centre  for Studies in British Art.

Levey, M. (1977a) Rococo to revolution: major trends in eighteenth-century painting. London: Thames and Hudson.

Levey, M. (1977b) Rococo to revolution: major trends in eighteenth-century painting. London: Thames and Hudson. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Munhall, E. (1960) ‘Portraits of Napoleon’, Yale French Studies [Preprint], (26). Available at: https://doi.org/10.2307/2929218.

Myrone, M. et al. (2006) Gothic nightmares: Fuseli, Blake and the romantic imagination. London: Tate.

Paul Joannides (1983) ‘Colin, Delacroix, Byron and the Greek War of Independence’, The Burlington Magazine, 125(965), pp. 495–500. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/881314?seq=1#page_scan_tab_contents.

Porterfield, T.B. (1998a) The allure of empire: art in the service of French imperialism,  1798-1836. Princeton, N.J.: Princeton University Press.

Porterfield, T.B. (1998b) The allure of empire: art in the service of French imperialism,  1798-1836. Princeton, N.J.: Princeton University Press.

Prendergast, C. (1997) Napoleon and history painting: Antoine-Jean Gros’s La bataille  d’Eylau. Oxford: Clarendon Press.

Pressly, W.L. and Zoffany, J. (1999) The French Revolution as blasphemy: Johan Zoffany’s paintings of the massacre at Paris, August 10, 1792. Berkeley, Calif: University of California Press.

Roberts, W. (1989a) Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

Roberts, W. (1989b) Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

Roberts, W. (1989c) Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

Roberts, W. (1989d) Jacques-Louis David, revolutionary artist: art, politics and the  French Revolution. Chapel Hill: University of North Carolina Press.

Roberts, W. (no date) ‘“Images of Popular Violence in the French Revolution: Evidence for the Historian?”’, Roberts: Images of Popular Violence in the French Revolution: Evidence for the Historian?, pp. 1–4. Available at: http://chnm.gmu.edu/revolution/imaging/essays/roberts1.html.

Rosen, C. and Zerner, H. (1984) Romanticism and realism: the mythology of nineteenth century art. London: Faber and Faber.

Rosenblum, R. (1967) Jean-Auguste-Dominique Ingres. London: Thames and Hudson.

Schiff, G. et al. (1975) Henry Fuseli, 1741-1825. London: Tate Gallery Publications.

Seznec, J. et al. (1974) The artist and the writer in France: essays in honour of Jean Seznec. Oxford: Clarendon Press.

Sloane, J. (no date) ‘“David, Robespierre and the Death of Bara”’, Gazette des Beaux Arts, p. 143.-160.

Soboul, A. (1988) Understanding the French Revolution. London: Merlin.

SparkNotes: The French Revolution (1789 - 1799): Overview (no date). Available at: http://www.sparknotes.com/history/european/frenchrev/context.html.

Tomlinson, J.A. (1992) Goya in the twilight of enlightenment. New Haven: Yale University Press.

Tomlinson, J.A. (2012) From El Greco to Goya: painting in Spain, 1561-1828. London: Laurence King. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Tömöry, P. and Fuseli, H. (1972) The life and art of Henry Fuseli. London: Thames and Hudson.

Vaughan, W. (1978a) Romantic art. London: Thames and Hudson.

Vaughan, W. (1978b) Romantic art. London: Thames and Hudson. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2b8/.

Vaughan, W. (1980) German romantic painting. New Haven: Yale University Press.

Vaughan, W. and Weston, H. (2000) Jacques-Louis David’s Marat. Cambridge: Cambridge University Press.

‘"War, Terror and the Resistance to the Revolution”’ (no date) in Liberty, Equality, Fraternity: Exploring the French Revolution. Available at: http://chnm.gmu.edu/revolution/chap7a.html.

Weston, H. (no date) ‘“Jacques-Louis David’s La Mort de Joseph Bara: a tale of revolutionary myths and modern fantasies”’, Paragraph. 19th edn, (no 3), pp. 234-250. Available at: https://arlir.iii.com/nonret~S0&atitle=Jacques-Louis+David%99s+La+Mort+de+Joseph+Bara:+a+tale+of+revolutionary+myths+and+modern+fantasies%99&title=Paragraph&aufirst=Helen&auinit=&aulast=Weston&issn=&eissn=&coden=&volume=&issue=no+3&spage=234&epage=250.&quarter=&ssn=&date=Nove&sid=&reqtype3.

Wright, B.S. (1997) Painting and history during the French Restoration: abandoned by the past. Cambridge: Cambridge University Press.