Almeida, J.M. (2010a) Romanticism and the Anglo-Hispanic imaginary [electronic resource]. Amsterdam: Rodopi. Available at: http://lib.myilibrary.com/browse/open.asp?id=272709&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Almeida, J.M. (2010b) Romanticism and the Anglo-Hispanic imaginary [electronic resource]. Amsterdam: Rodopi. Available at: http://lib.myilibrary.com/browse/open.asp?id=272709&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Balibrea, M.P. (2001) ‘Urbanism, culture and the post-industrial city: Challenging the “Barcelona model”’, Journal of Spanish Cultural Studies, 2(2), pp. 187–210. Available at: https://doi.org/10.1080/14636200120085174.
Bordwell, D. and Thompson, K. (2001) Film art: an introduction. 6th ed. New York: McGraw Hill.
Borrow, G. (no date) The Bible in Spain; or, The journeys, adventures, and imprisonments of an Englishman in an attempt to circulate the scriptures in the Peninsula. With notes and glossary of Ulick Ralph Burke : Borrow, George Henry, 1803-1881 : Free Download & Streaming : Internet Archive. Available at: https://archive.org/details/bibleinspainorjo00borruoft.
Charnon-Deutsch, L. (2004) The Spanish Gypsy: the history of a European obsession. University Park: Pennsylvania State University Press.
COLMEIRO, J.F. (2002) ‘Exorcising Exoticism: Carmen and the Construction of Oriental Spain’, Comparative Literature, 54(2), pp. 127–144. Available at: https://doi.org/10.1215/-54-2-127.
Colomba, and, Carmen (no date). Available at: http://www.archive.org/stream/colombaandcarmen00mr#page/n11/mode/2up.
Corrigan, T. (2004) ‘Writing a film essay: observations arguments research and analysis’, in The film experience: an introduction. Basingstoke: Palgrave Macmillan, pp. 474–480. Available at: https://contentstore.cla.co.uk/secure/link?id=2f11fd85-8a43-e611-80bd-0cc47a6bddeb.
Corrigan, T. and White, P. (2004a) The film experience: an introduction. Basingstoke: Palgrave Macmillan.
Corrigan, T. and White, P. (2004b) The film experience: an introduction. Basingstoke: Palgrave Macmillan.
Cousins, R. (2006) ‘Jean de Florette’, in The cinema of France. London: Wallflower, pp. 185–194. Available at: https://contentstore.cla.co.uk/secure/link?id=415b59b3-8a43-e611-80bd-0cc47a6bddeb.
Deleyto, C. and López, G. (2014) ‘Catalan beauty and the transnational beast: Barcelona on the screen’, Transnational Cinemas, 3(2), pp. 157–175. Available at: http://hdl.handle.net/2445/34448.
Diego Saglia (2002) ‘The Moor’s Last Sight : Spanish-Moorish exoticism and the gender of history in British Romantic poetry’, Journal of English Studies, 3, pp. 193–215. Available at: https://publicaciones.unirioja.es/ojs/index.php/jes/article/view/77/57.
Ďurovičová, N. and Newman, K.E. (2010) World cinemas, transnational perspectives. New York: Routledge.
Eggleton, L. (2013) ‘"A Living Ruin”: Palace, City, and Landscape in Nineteenth-Century Travel Descriptions of Granada’, Architectural Theory Review, 18(3), pp. 372–387. Available at: https://doi.org/10.1080/13264826.2013.875612.
Esposito, M. (2001) ‘Jean de Florette: Patrimoine, the rural idyll and the 1980s’, in France on film: reflections on popular French cinema. London: Wallflower, pp. 11–26. Available at: https://contentstore.cla.co.uk/secure/link?id=a1669076-9043-e611-80bd-0cc47a6bddeb.
Ford, R. (no date) A Handbook for Travellers in Spain : John Murray, John Murray (Firm), Richard Ford : Free Download & Streaming : Internet Archive. Available at: https://archive.org/details/ahandbookfortra03fordgoog.
George T. Northup (1915) ‘The Influence of George Borrow upon Prosper Mérimée                  Original text’, Modern Philology, 13(3), pp. 143–156. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/433058?seq=1#page_scan_tab_contents.
Gittins, D. (1993) The family in question: changing households and familiar ideologies. 2nd ed. Basingstoke: Macmillan.
Hjort, M. (2010) ‘On the Plurality of Cinematic Transnationalism’, in World cinemas, transnational perspectives. New York: Routledge, pp. 12–33. Available at: https://contentstore.cla.co.uk/secure/link?id=1f024309-9e43-e611-80bd-0cc47a6bddeb.
Irving, W. (1835) Tales of the Alhambra. London: Richard Bentley. Available at: http://archive.org/stream/talesofalhambra00irviuoft#page/n7/mode/2up.
Linhard, T.A. (2008) ‘“In that Precarious Exilic Realm: Edward Said’s Andalusian Journeys.”’, Edward Said and Jacques Derrida: Reconstellating Humanism and the Global Hybrid [Preprint]. Edited by M. Karavanta and N. Morgan. Available at: http://www.iemed.org/observatori/arees-danalisi/arxius-adjunts/qm-16-originals/linhard_in%20that%20precarious%20exilic%20realm_qm16.pdf.
Liz, M. (2014) ‘From European Co-Productions to the Europudding’, in A. Timoshkina, M. Harrod, and Mariana Liz (eds) The Europeanness of European cinema: identity, meaning, globalisation. London: I.B. Tauris, pp. 73–85. Available at: https://contentstore.cla.co.uk/secure/link?id=d0669662-ab43-e611-80bd-0cc47a6bddeb.
Luke Bouvier (1999) ‘Bouvier, Luke:  Where Spain Lies: Narrative Dispossession and the Seductions of Speech in Mérimée’s Carmen’, Romanic Review, 90(3). Available at: http://0-literature.proquest.com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R03404807&divLevel=0&queryId=2971029636111&trailId=1594516797D&area=mla&forward=critref_ft.
Mickelsen, David (no date) ‘Travel, transgression, and possession in Merimee’s Carmen’, Romanic Review, 87(3), pp. 329–344. Available at: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/196419942/8EFCB474B2F14B4FPQ/1?accountid=14888.
Newell, J. (2012) ‘Old Objects, New Media: Historical collections, digitization, and affect’, Journal of Material Culture, 3(17), pp. 287–306. Available at: https://contentstore.cla.co.uk/secure/link?id=651d538a-b843-e611-80bd-0cc47a6bddeb.
Pamela Phillips (2004) ‘Street Scenes: Foreign Travelers in Madrid (1825-1850)                  Original text’, Hispanic Review, 72(3), pp. 423–436. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3247126?seq=1#page_scan_tab_contents.
Powrie, Phil (1997) French cinema in the 1980s: nostalgia and the crisis of masculinity. Oxford: Clarendon.
Powrie, P. (1997) ‘Jean de Florette and Manon des Sources: Nostalgia and Hysteria’, in French cinema in the 1980s: nostalgia and the crisis of masculinity. Oxford: Clarendon, pp. 50–61. Available at: https://contentstore.cla.co.uk/secure/link?id=3525e51d-c243-e611-80bd-0cc47a6bddeb.
Powrie, P. (ed.) (2006) The cinema of France. London: Wallflower.
Reuben Rose-Redwood (2011) ‘Rethinking the Agenda of Political Toponymy Reuben Rose-Redwood’, ACME: An International E-Journal for Critical Geographies, 10(1). Available at: http://acme-journal.org/index.php/acme/article/view/884/740.
Robertson, I. (2004) Richard Ford 1796-1858: hispanophile, connoisseur and critic. Norwich: Michael Russell.
Saglia, D. (2000) Poetic castles in Spain: British romanticism and figurations of Iberia. Amsterdam: Rodopi.
Said, E.W. (2003) Orientalism. [New pref. ed.]. London: Penguin.
Sanchez, A. (2002) ‘Barcelona’s Magic Mirror: Narcissism or the Rediscovery of Public Space and Collective Identity?’, in Constructing identity in contemporary Spain: theoretical debates and cultural practice. Oxford: Oxford University Press, pp. 294–310. Available at: https://contentstore.cla.co.uk/secure/link?id=e80bcb16-cb43-e611-80bd-0cc47a6bddeb.
Vidal, B. (2012) Heritage film: nation, genre and representation. London: Wallflower.
Vincendeau, G. and British Film Institute (2001) Film/literature/heritage: a sight and sound reader. London: British Film Institute.