Almeida, J. M. (2010a). Romanticism and the Anglo-Hispanic imaginary: Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft [Electronic resource]. Rodopi. http://lib.myilibrary.com/browse/open.asp?id=272709&entityid=https://idp.warwick.ac.uk/idp/shibboleth
Almeida, J. M. (2010b). Romanticism and the Anglo-Hispanic imaginary: Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft [Electronic resource]. Rodopi. http://lib.myilibrary.com/browse/open.asp?id=272709&entityid=https://idp.warwick.ac.uk/idp/shibboleth
Balibrea, M. P. (2001). Urbanism, culture and the post-industrial city: Challenging the ‘Barcelona model’. Journal of Spanish Cultural Studies, 2(2), 187–210. https://doi.org/10.1080/14636200120085174
Bordwell, D., & Thompson, K. (2001). Film art: an introduction (6th ed). McGraw Hill.
Borrow, G. (n.d.). The Bible in Spain; or, The journeys, adventures, and imprisonments of an Englishman in an attempt to circulate the scriptures in the Peninsula. With notes and glossary of Ulick Ralph Burke : Borrow, George Henry, 1803-1881 : Free Download & Streaming : Internet Archive. https://archive.org/details/bibleinspainorjo00borruoft
Charnon-Deutsch, L. (2004). The Spanish Gypsy: the history of a European obsession. Pennsylvania State University Press.
COLMEIRO, J. F. (2002). Exorcising Exoticism: Carmen and the Construction of Oriental Spain. Comparative Literature, 54(2), 127–144. https://doi.org/10.1215/-54-2-127
Colomba, and, Carmen. (n.d.). http://www.archive.org/stream/colombaandcarmen00mr#page/n11/mode/2up
Corrigan, T. (2004). Writing a film essay: observations arguments research and analysis. In The film experience: an introduction (pp. 474–480). Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=2f11fd85-8a43-e611-80bd-0cc47a6bddeb
Corrigan, T., & White, P. (2004a). The film experience: an introduction. Palgrave Macmillan.
Corrigan, T., & White, P. (2004b). The film experience: an introduction. Palgrave Macmillan.
Cousins, R. (2006). Jean de Florette. In The cinema of France: Vol. 24 frames (pp. 185–194). Wallflower. https://contentstore.cla.co.uk/secure/link?id=415b59b3-8a43-e611-80bd-0cc47a6bddeb
Deleyto, C., & López, G. (2014). Catalan beauty and the transnational beast: Barcelona on the screen. Transnational Cinemas, 3(2), 157–175. http://hdl.handle.net/2445/34448
Diego Saglia. (2002). The Moor’s Last Sight : Spanish-Moorish exoticism and the gender of history in British Romantic poetry. Journal of English Studies, 3, 193–215. https://publicaciones.unirioja.es/ojs/index.php/jes/article/view/77/57
Ďurovičová, N., & Newman, K. E. (2010). World cinemas, transnational perspectives: Vol. AFI film readers. Routledge.
Eggleton, L. (2013). "A Living Ruin”: Palace, City, and Landscape in Nineteenth-Century Travel Descriptions of Granada. Architectural Theory Review, 18(3), 372–387. https://doi.org/10.1080/13264826.2013.875612
Esposito, M. (2001). Jean de Florette: Patrimoine, the rural idyll and the 1980s. In France on film: reflections on popular French cinema (pp. 11–26). Wallflower. https://contentstore.cla.co.uk/secure/link?id=a1669076-9043-e611-80bd-0cc47a6bddeb
Ford, R. (n.d.). A Handbook for Travellers in Spain : John Murray, John Murray (Firm), Richard Ford : Free Download & Streaming : Internet Archive. https://archive.org/details/ahandbookfortra03fordgoog
George T. Northup. (1915). The Influence of George Borrow upon Prosper Mérimée Original text. Modern Philology, 13(3), 143–156. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/433058?seq=1#page_scan_tab_contents
Gittins, D. (1993). The family in question: changing households and familiar ideologies: Vol. Women in society (2nd ed). Macmillan.
Hjort, M. (2010). On the Plurality of Cinematic Transnationalism. In World cinemas, transnational perspectives: Vol. AFI film readers (pp. 12–33). Routledge. https://contentstore.cla.co.uk/secure/link?id=1f024309-9e43-e611-80bd-0cc47a6bddeb
Irving, W. (1835). Tales of the Alhambra. Richard Bentley. http://archive.org/stream/talesofalhambra00irviuoft#page/n7/mode/2up
Linhard, T. A. (2008). ‘In that Precarious Exilic Realm: Edward Said’s Andalusian Journeys.’ Edward Said and Jacques Derrida: Reconstellating Humanism and the Global Hybrid. http://www.iemed.org/observatori/arees-danalisi/arxius-adjunts/qm-16-originals/linhard_in%20that%20precarious%20exilic%20realm_qm16.pdf
Liz, M. (2014). From European Co-Productions to the Europudding. In A. Timoshkina, M. Harrod, & M. Liz (Eds.), The Europeanness of European cinema: identity, meaning, globalisation (pp. 73–85). I.B. Tauris. https://contentstore.cla.co.uk/secure/link?id=d0669662-ab43-e611-80bd-0cc47a6bddeb
Luke Bouvier. (1999). Bouvier, Luke: Where Spain Lies: Narrative Dispossession and the Seductions of Speech in Mérimée’s Carmen. Romanic Review, 90(3). http://0-literature.proquest.com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R03404807&divLevel=0&queryId=2971029636111&trailId=1594516797D&area=mla&forward=critref_ft
Mickelsen, David. (n.d.). Travel, transgression, and possession in Merimee’s Carmen. Romanic Review, 87(3), 329–344. http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/196419942/8EFCB474B2F14B4FPQ/1?accountid=14888
Newell, J. (2012). Old Objects, New Media: Historical collections, digitization, and affect. Journal of Material Culture, 3(17), 287–306. https://contentstore.cla.co.uk/secure/link?id=651d538a-b843-e611-80bd-0cc47a6bddeb
Pamela Phillips. (2004). Street Scenes: Foreign Travelers in Madrid (1825-1850) Original text. Hispanic Review, 72(3), 423–436. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3247126?seq=1#page_scan_tab_contents
Powrie, P. (1997a). French cinema in the 1980s: nostalgia and the crisis of masculinity. Clarendon.
Powrie, P. (1997b). Jean de Florette and Manon des Sources: Nostalgia and Hysteria. In French cinema in the 1980s: nostalgia and the crisis of masculinity (pp. 50–61). Clarendon. https://contentstore.cla.co.uk/secure/link?id=3525e51d-c243-e611-80bd-0cc47a6bddeb
Powrie, P. (Ed.). (2006). The cinema of France: Vol. 24 frames. Wallflower.
Reuben Rose-Redwood. (2011). Rethinking the Agenda of Political Toponymy Reuben Rose-Redwood. ACME: An International E-Journal for Critical Geographies, 10(1). http://acme-journal.org/index.php/acme/article/view/884/740
Robertson, I. (2004). Richard Ford 1796-1858: hispanophile, connoisseur and critic. Michael Russell.
Saglia, D. (2000). Poetic castles in Spain: British romanticism and figurations of Iberia: Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Rodopi.
Said, E. W. (2003). Orientalism: Vol. Penguin classics ([New pref. ed.]). Penguin.
Sanchez, A. (2002). Barcelona’s Magic Mirror: Narcissism or the Rediscovery of Public Space and Collective Identity? In Constructing identity in contemporary Spain: theoretical debates and cultural practice (pp. 294–310). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=e80bcb16-cb43-e611-80bd-0cc47a6bddeb
Vidal, B. (2012). Heritage film: nation, genre and representation: Vol. Short cuts. Wallflower.
Vincendeau, G. & British Film Institute. (2001). Film/literature/heritage: a sight and sound reader. British Film Institute.
