1.
Almeida JM. Romanticism and the Anglo-Hispanic imaginary [Internet]. Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Amsterdam: Rodopi; 2010. Available from: http://lib.myilibrary.com/browse/open.asp?id=272709&entityid=https://idp.warwick.ac.uk/idp/shibboleth
2.
Linhard TA. ‘In that Precarious Exilic Realm: Edward Said’s Andalusian Journeys.’ Karavanta M, Morgan N, editors. Edward Said and Jacques Derrida: Reconstellating Humanism and the Global Hybrid [Internet]. 2008; Available from: http://www.iemed.org/observatori/arees-danalisi/arxius-adjunts/qm-16-originals/linhard_in%20that%20precarious%20exilic%20realm_qm16.pdf
3.
Saglia D. Poetic castles in Spain: British romanticism and figurations of Iberia. Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Amsterdam: Rodopi; 2000.
4.
Diego Saglia. The Moor’s Last Sight : Spanish-Moorish exoticism and the gender of history in British Romantic poetry. Journal of English Studies [Internet]. 2002;3:193–215. Available from: https://publicaciones.unirioja.es/ojs/index.php/jes/article/view/77/57
5.
Said EW. Orientalism. [New pref. ed.]. Vol. Penguin classics. London: Penguin; 2003.
6.
Irving W. Tales of the Alhambra [Internet]. London: Richard Bentley; 1835. Available from: http://archive.org/stream/talesofalhambra00irviuoft#page/n7/mode/2up
7.
Almeida JM. Romanticism and the Anglo-Hispanic imaginary [Internet]. Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Amsterdam: Rodopi; 2010. Available from: http://lib.myilibrary.com/browse/open.asp?id=272709&entityid=https://idp.warwick.ac.uk/idp/shibboleth
8.
Eggleton L. "A Living Ruin”: Palace, City, and Landscape in Nineteenth-Century Travel Descriptions of Granada. Architectural Theory Review [Internet]. 2013;18(3):372–87. Available from: http://0-doi.org.pugwash.lib.warwick.ac.uk/10.1080/13264826.2013.875612
9.
Colomba, and, Carmen [Internet]. Available from: http://www.archive.org/stream/colombaandcarmen00mr#page/n11/mode/2up
10.
Luke Bouvier. Bouvier, Luke: Where Spain Lies: Narrative Dispossession and the Seductions of Speech in Mérimée’s Carmen. Romanic Review [Internet]. 1999;90(3). Available from: http://0-literature.proquest.com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R03404807&divLevel=0&queryId=2971029636111&trailId=1594516797D&area=mla&forward=critref_ft
11.
COLMEIRO JF. Exorcising Exoticism: Carmen and the Construction of Oriental Spain. Comparative Literature [Internet]. 2002;54(2):127–44. Available from: http://0-doi.org.pugwash.lib.warwick.ac.uk/10.1215/-54-2-127
12.
Mickelsen, David. Travel, transgression, and possession in Merimee’s Carmen. Romanic Review [Internet]. 87(3):329–44. Available from: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/196419942/8EFCB474B2F14B4FPQ/1?accountid=14888
13.
Charnon-Deutsch L. The Spanish Gypsy: the history of a European obsession. University Park: Pennsylvania State University Press; 2004.
14.
Borrow G. The Bible in Spain; or, The journeys, adventures, and imprisonments of an Englishman in an attempt to circulate the scriptures in the Peninsula. With notes and glossary of Ulick Ralph Burke : Borrow, George Henry, 1803-1881 : Free Download & Streaming : Internet Archive [Internet]. Available from: https://archive.org/details/bibleinspainorjo00borruoft
15.
Ford R. A Handbook for Travellers in Spain : John Murray, John Murray (Firm), Richard Ford : Free Download & Streaming : Internet Archive [Internet]. Available from: https://archive.org/details/ahandbookfortra03fordgoog
16.
George T. Northup. The Influence of George Borrow upon Prosper Mérimée Original text. Modern Philology [Internet]. 1915;13(3):143–56. Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/433058?seq=1#page_scan_tab_contents
17.
Robertson I. Richard Ford 1796-1858: hispanophile, connoisseur and critic. Norwich: Michael Russell; 2004.
18.
Pamela Phillips. Street Scenes: Foreign Travelers in Madrid (1825-1850) Original text. Hispanic Review [Internet]. 2004;72(3):423–36. Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3247126?seq=1#page_scan_tab_contents
19.
Corrigan T. Writing a film essay: observations arguments research and analysis. In: The film experience: an introduction [Internet]. Basingstoke: Palgrave Macmillan; 2004. p. 474–80. Available from: https://contentstore.cla.co.uk/secure/link?id=2f11fd85-8a43-e611-80bd-0cc47a6bddeb
20.
Corrigan T, White P. The film experience: an introduction. Basingstoke: Palgrave Macmillan; 2004.
21.
Esposito M. Jean de Florette: Patrimoine, the rural idyll and the 1980s. In: France on film: reflections on popular French cinema [Internet]. London: Wallflower; 2001. p. 11–26. Available from: https://contentstore.cla.co.uk/secure/link?id=a1669076-9043-e611-80bd-0cc47a6bddeb
22.
Cousins R. Jean de Florette. In: The cinema of France [Internet]. London: Wallflower; 2006. p. 185–94. Available from: https://contentstore.cla.co.uk/secure/link?id=415b59b3-8a43-e611-80bd-0cc47a6bddeb
23.
Powrie P, editor. The cinema of France. Vol. 24 frames. London: Wallflower; 2006.
24.
Powrie P. French cinema in the 1980s: nostalgia and the crisis of masculinity. Oxford: Clarendon; 1997.
25.
Powrie P. Jean de Florette and Manon des Sources: Nostalgia and Hysteria. In: French cinema in the 1980s: nostalgia and the crisis of masculinity [Internet]. Oxford: Clarendon; 1997. p. 50–61. Available from: https://contentstore.cla.co.uk/secure/link?id=3525e51d-c243-e611-80bd-0cc47a6bddeb
26.
Vincendeau G, British Film Institute. Film/literature/heritage: a sight and sound reader. London: British Film Institute; 2001.
27.
Vidal B. Heritage film: nation, genre and representation. Vol. Short cuts. London: Wallflower; 2012.
28.
Hjort M. On the Plurality of Cinematic Transnationalism. In: World cinemas, transnational perspectives [Internet]. New York: Routledge; 2010. p. 12–33. Available from: https://contentstore.cla.co.uk/secure/link?id=1f024309-9e43-e611-80bd-0cc47a6bddeb
29.
Ďurovičová N, Newman KE. World cinemas, transnational perspectives. Vol. AFI film readers. New York: Routledge; 2010.
30.
Liz M. From European Co-Productions to the Europudding. In: Timoshkina A, Harrod M, Liz M, editors. The Europeanness of European cinema: identity, meaning, globalisation [Internet]. London: I.B. Tauris; 2014. p. 73–85. Available from: https://contentstore.cla.co.uk/secure/link?id=d0669662-ab43-e611-80bd-0cc47a6bddeb
31.
Deleyto C, López G. Catalan beauty and the transnational beast: Barcelona on the screen. Transnational Cinemas [Internet]. 2014;3(2):157–75. Available from: http://hdl.handle.net/2445/34448
32.
Balibrea MP. Urbanism, culture and the post-industrial city: Challenging the ‘Barcelona model’. Journal of Spanish Cultural Studies [Internet]. 2001;2(2):187–210. Available from: http://0-doi.org.pugwash.lib.warwick.ac.uk/10.1080/14636200120085174
33.
Sanchez A. Barcelona’s Magic Mirror: Narcissism or the Rediscovery of Public Space and Collective Identity? In: Constructing identity in contemporary Spain: theoretical debates and cultural practice [Internet]. Oxford: Oxford University Press; 2002. p. 294–310. Available from: https://contentstore.cla.co.uk/secure/link?id=e80bcb16-cb43-e611-80bd-0cc47a6bddeb
34.
Reuben Rose-Redwood. Rethinking the Agenda of Political Toponymy Reuben Rose-Redwood. ACME: An International E-Journal for Critical Geographies [Internet]. 2011;10(1). Available from: http://acme-journal.org/index.php/acme/article/view/884/740
35.
Bordwell D, Thompson K. Film art: an introduction. 6th ed. New York: McGraw Hill; 2001.
36.
Corrigan T, White P. The film experience: an introduction. Basingstoke: Palgrave Macmillan; 2004.
37.
Gittins D. The family in question: changing households and familiar ideologies. 2nd ed. Vol. Women in society. Basingstoke: Macmillan; 1993.
38.
Newell J. Old Objects, New Media: Historical collections, digitization, and affect. Journal of Material Culture [Internet]. 2012;3(17):287–306. Available from: https://contentstore.cla.co.uk/secure/link?id=651d538a-b843-e611-80bd-0cc47a6bddeb