Bibliography for SO234: Visual Sociology BETA

Alfonso, Ana Isabel. Working Images : Visual Research and Representation in Ethnography. 1st edition, Routledge, 2004.

———. Working Images : Visual Research and Representation in Ethnography. 1st edition, Routledge, 2004.

———. Working Images : Visual Research and Representation in Ethnography. 1st edition, Routledge, 2004.

Allen, Louisa. ‘The Camera Never Lies?: Analysing Photographs in Research on Sexualities and Schooling’. Discourse: Studies in the Cultural Politics of Education [United Kingdom], vol. 32, no. 5, Dec. 2011, pp. 761–77, https://doi.org/10.1080/01596306.2011.620757.

———. ‘Young People’s “Agency” in Sexuality Research Using Visual Methods’. Journal of Youth Studies [United Kingdom], vol. 11, no. 6, Dec. 2008, pp. 565–77, https://doi.org/10.1080/13676260802225744.

———. ‘Young People’s “Agency” in Sexuality Research Using Visual Methods’. Journal of Youth Studies [United Kingdom], vol. 11, no. 6, Dec. 2008, pp. 565–77, https://doi.org/10.1080/13676260802225744.

Analia Inés Meo. ‘Picturing Students’ Habitus: The Advantages and Limitations of Photo-Elicitation Interviewing in a Qualitative Study in the City of Buenos Aires’. International Journal of Qualitative Methods [Canada], vol. 9, no. 2, 2010, pp. 149–71, http://ejournals.library.ualberta.ca/index.php/IJQM/article/view/6682.

Annette Kuhn. ‘Ch.1 Family Secrets: An Introduction’. Family Secrets: Acts of Memory and Imagination, Verso, 1995, pp. 1–10, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/kuhn_a_1995.pdf.

Apel, Dora. Imagery of Lynching: Black Men, White Women, and the Mob. Rutgers University Press, 2004.

ASA. American Sociological Association: Ethics and the Code of Ethics. http://www.asanet.org/about/ethics.cfm.

Back, Les. ‘Portrayal and Betrayal: Bourdieu, Photography and Sociological Life’. The Sociological Review [United Kingdom], vol. 57, no. 3, Aug. 2009, pp. 471–90, https://doi.org/10.1111/j.1467-954X.2009.01850.x.

Banks, Marcus. Using Visual Data in Qualitative Research. Sage Publications, 2007.

———. Using Visual Data in Qualitative Research. Sage Publications, 2007.

———. Using Visual Data in Qualitative Research. Sage Publications, 2007.

———. Using Visual Data in Qualitative Research. Sage Publications, 2007, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446205211. Electronic resource.

———. Using Visual Data in Qualitative Research. Sage Publications, 2007, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446205211. Electronic resource.

———. Using Visual Data in Qualitative Research. Sage Publications, 2007, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446205211. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

———. Visual Methods in Social Research. SAGE, 2001, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373. Electronic resource.

Barbie Zelizer. Remembering to Forget. University of Chicago Press, 1998.

Barr, Mary. ‘The Alchemy of the Photograph’. Visual Studies [United Kingdom], vol. 24, no. 1, Mar. 2009, pp. 66–70, https://doi.org/10.1080/14725860902732728.

———. ‘The Alchemy of the Photograph’. Visual Studies [United Kingdom], vol. 24, no. 1, Mar. 2009, pp. 66–70, https://doi.org/10.1080/14725860902732728.

———. ‘The Alchemy of the Photograph’. Visual Studies, vol. 24, no. 1, Mar. 2009, pp. 66–70, https://doi.org/10.1080/14725860902732728.

Barrett, Deborah. ‘Photo‐documenting the Needle Exchange: Methods and Ethics’. Visual Studies [United Kingdom], vol. 19, no. 2, Oct. 2004, pp. 145–49, https://doi.org/10.1080/1472586042000301647.

Barrett, Terry. Criticizing Photographs: An Introduction to Understanding Images. 2nd ed, Mayfield Publishing Company, 1996.

———. Criticizing Photographs: An Introduction to Understanding Images. 2nd ed, Mayfield Publishing Company, 1996.

———. Criticizing Photographs: An Introduction to Understanding Images. 2nd ed, Mayfield Publishing Company, 1996.

Batchen, Geoffrey, et al. Picturing Atrocity: Photography in Crisis. Reaktion Books, 2012.

Bateson, Gregory, and Margaret Mead. Balinese Character: A Photographic Analysis. The New York Academy of Sciences], 1942.

Baym, Nancy K. Personal Connections in the Digital Age. Polity, 2010.

Becker, Howard S. ‘Visual Evidence: A                              , the Specified Generalization, and the Work of the Reader’. Visual Studies [United Kingdom], vol. 17, no. 1, Jan. 2002, pp. 3–11, https://doi.org/10.1080/14725860220137327.

———. ‘Visual Evidence: A Seventh Man, the Specified Generalisation, and the Work of the Reader’. Visual Studies [United Kingdom], vol. 17, no. 1, Jan. 2002, pp. 3–11, https://doi.org/10.1080/14725860220137327.

———. ‘Visual Sociology, Documentary Photography, and Photojournalism: It’s (Almost) All a Matter of Context’. Visual Sociology [United States], vol. 10, nos 1–2, 1995, pp. 5–14, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1080/14725869508583745.

Behdad, Ali. ‘The Power-Ful Art of Qajar Photography: Orientalism and (Self)-Orientalizing in Nineteenth-Century Iran’. Iranian Studies [United Kingdom], vol. 34, no. 1, 2001, pp. 141–51, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4311426.

———. ‘The Power-Ful Art of Qajar Photography: Orientalism and (Self)-Orientalizing in Nineteenth-Century Iran’. Iranian Studies [United Kingdom], vol. 34, no. 1, 2001, pp. 141–51, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4311426.

Benjamin, Walter, and J. A. Underwood. The Work of Art in the Age of Mechanical Reproduction. Penguin, 2008.

Berger, John. About Looking. Bloomsbury, 2009.

Berger, John, and Jean Mohr. Another Way of Telling. Writers and Readers Publishing, 1982.

Biro, Matthew. ‘From Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky’. History of Photography [United Kingdom], vol. 36, no. 3, Aug. 2012, pp. 353–66, https://doi.org/10.1080/03087298.2012.686242.

Boeck, Filip de, et al. Kinshasa: Tales of the Invisible City. Ludion, 2004.

Bolton, Angela, et al. ‘Picture This: Researching Child Workers’. Sociology [United Kingdom], vol. 35, no. 2, May 2001, pp. 501–18, https://doi.org/10.1017/S0038038501000244.

Brassaï. The Secret Paris of the 30’s. Thames & Hudson, 2001.

Brian Wallis. Inconvenient Evidence: Iraqi Prison Photographs from Abu Ghraib. 2004, http://museum.icp.org/museum/exhibitions/abu_ghraib/.

Briski, Zana. Born into Brothels: Photographs by the Children of Calcutta. 2nd ed, Umbrage, 2004.

———. Born into Brothels: Photographs by the Children of Calcutta. 2nd ed, Umbrage, 2004.

British Educational Research Association. Revised Ethical Guidelines for Educational Research. 11 AD, http://content.yudu.com/Library/A2xnp5/Bera/resources/index.htm?referrerUrl=http://free.yudu.com/item/details/2023387/Bera.

———. Revised Ethical Guidelines for Educational Research. 11 AD, http://content.yudu.com/Library/A2xnp5/Bera/resources/index.htm?referrerUrl=http://free.yudu.com/item/details/2023387/Bera.

Brothers, Caroline. War and Photography: A Cultural History. Routledge, 1997.

Brower, Kenneth. ‘Photography in the Age of Falsification’. The Atlantic Monthly [United States], vol. 281, no. 5, pp. 92–97, http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/223100023/F63641A7DBA64484PQ/23?accountid=14888.

Bryman, Alan. Social Research Methods. 2nd ed, Oxford University Press, 2004.

———. Social Research Methods. 2nd ed, Oxford University Press, 2004.

Burke, Catherine. ‘Hands-on History: Towards a Critique of the “Everyday”’. History of Education [United Kingdom], vol. 30, no. 2, Mar. 2001, pp. 191–201, https://doi.org/10.1080/00467600010012463.

Burke, Catherine, and Ian Grosvenor. ‘The Progressive Image in the History of Education: Stories of Two Schools’. Visual Studies [United Kingdom], vol. 22, no. 2, Sept. 2007, pp. 155–68, https://doi.org/10.1080/14725860701507107.

Burke, Catherine, and Helena Ribeiro de Castro. ‘The School Photograph: Portraiture and the Art of Assembling the Body of the Schoolchild’. History of Education [United Kingdom], vol. 36, no. 2, Mar. 2007, pp. 213–26, https://doi.org/10.1080/00467600601171450.

Burtynsky, Edward, et al. Burtynsky: Oil. 1st ed, Steidl, 2009.

Carol Wolkowitz. ‘Carol Wolkowitz: Flesh and Stone Revisited’. Sociological Research Online [United Kingdom], vol. 17, no. 2, 31 AD, http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/17/2/26.html.

Catherine Lutz and Jane Collins. ‘Ch.33 The Photograph as an Intersection of Gazes’. The Photography Reader, Routledge, 2003, pp. 354–74, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/lutz_c_1993.pdf.

Chalfen, Richard. ‘“It’s Only a Picture”: Sexting, “Smutty” Snapshots and Felony Charges’. Visual Studies [United Kingdom], vol. 24, no. 3, Nov. 2009, pp. 258–68, https://doi.org/10.1080/14725860903309203.

Chambers, Deborah. Representing the Family. SAGE, 2001.

Chaplin, Elizabeth. Sociology and Visual Representation. Routledge, 1994.

———. ‘The Convention of Captioning: W. G. Sebald and the Release of the Captive Image’. Visual Studies [United Kingdom], vol. 21, no. 1, Apr. 2006, pp. 42–53, https://doi.org/10.1080/14725860600613212.

Charles Petersen. ‘In the World of Facebook’. The New York Review of Books [United States], LVII, no. 325, pp. 8–11, http://www.nybooks.com/articles/archives/2010/feb/25/in-the-world-of-facebook/.

Clark, Cindy Dell. ‘The Autodriven Interview: A Photographic Viewfinder into Children’s Experience’. Visual Sociology [United States], vol. 14, no. 1, Jan. 1999, pp. 39–50, https://doi.org/10.1080/14725869908583801.

———. ‘The Autodriven Interview: A Photographic Viewfinder into Children’s Experience’. Visual Sociology [United States], vol. 14, no. 1, Jan. 1999, pp. 39–50, https://doi.org/10.1080/14725869908583801.

Clark-Ibáñez, Marisol. ‘Framing the Social World With Photo-Elicitation Interviews’. The American Behavioral Scientist [United States], vol. 47, no. 12, pp. 1507–27, http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/214761767/132B6A212A68414BPQ/5?accountid=14888.

Collier, John, and Malcolm Collier. Visual Anthropology: Photography as a Research Method. Rev. and Expanded ed, University of New Mexico Press, 1986.

———. Visual Anthropology: Photography as a Research Method. Rev. and Expanded ed, University of New Mexico Press, 1986.

———. Visual Anthropology: Photography as a Research Method. Rev. and Expanded ed, University of New Mexico Press, 1986.

Connor Graham and Mark Rouncefield. ‘Photo Practices and Family Values in Chinese Households’. 2008 Workshop on Social Interaction and Mundane Technologies (SIMTech ’08), http://mundanetechnologies.com/goings-on/workshop/cambridge/papers/GrahamRouncefield.pdf.

Cornelia Brink. ‘Secular Icons: Looking at Photographs from Nazi Concentration Camps’. History & Memory [United States], vol. 12, no. 1, 2000, pp. 135–50, http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/journals/history_and_memory/v012/12.1brink.pdf.

David Morris, editor. McCullin [DVD]. http://www.amazon.co.uk/McCullin-DVD-Don/dp/B00AIUSG4Y/ref=sr_1_1?ie=UTF8&qid=1406123265&sr=8-1&keywords=McCullin.

Davidov, Veronica Miriam. ‘Representing Representations: The Ethics of Filming at Ground Zero’. Visual Studies [United Kingdom], vol. 19, no. 2, Oct. 2004, pp. 162–69, https://doi.org/10.1080/1472586042000301665.

Del Tredici, Robert. At Work in the Fields of the Bomb. Harrap, 1987.

Divya P. Tolia-Kelly. ‘Materializing Post-Colonial Geographies: Examining the Textural Landscapes of Migration in the South Asian Home’. Geoforum [United Kingdom], vol. 35, no. 6, pp. 675–88, http://0-www.sciencedirect.com.pugwash.lib.warwick.ac.uk/science/article/pii/S0016718504000478.

Drazin, Adam, and David Frohlich. ‘Good Intentions: Remembering through Framing Photographs in English Homes’. Ethnos [United Kingdom], vol. 72, no. 1, Mar. 2007, pp. 51–76, https://doi.org/10.1080/00141840701219536.

Duneier, Mitchell, and Ovie Carter. Sidewalk. 1st paperback ed, Farrar, Straus and Giroux, 2001.

———. Sidewalk. 1st paperback ed, Farrar, Straus and Giroux, 2001.

Edwards, Elizabeth, and Janice Hart. Photographs Objects Histories: On the Materiality of Images. Routledge, 2004.

———. Photographs Objects Histories: On the Materiality of Images. Routledge, 2004.

Edwards, Steve. ‘Commons and Crowds: Figuring Photography from Above and Below’. Third Text [United Kingdom], vol. 23, no. 4, July 2009, pp. 447–64, https://doi.org/10.1080/09528820903007735.

———. Photography: A Very Short Introduction. Oxford University Press, 2006.

———. Photography: A Very Short Introduction. Oxford University Press, 2006.

———. Photography: A Very Short Introduction. Oxford University Press, 2006.

———. Photography: A Very Short Introduction. Oxford University Press, 2006.

———. Photography: A Very Short Introduction. Oxford University Press, 2006.

———. Photography: A Very Short Introduction. Oxford University Press, 2006, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535. Electronic resource.

———. Photography: A Very Short Introduction. Oxford University Press, 2006, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535. Electronic resource.

———. Photography: A Very Short Introduction. Oxford University Press, 2006, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535. Electronic resource.

———. Photography: A Very Short Introduction. Oxford University Press, 2006, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535. Electronic resource.

———. Photography: A Very Short Introduction. Oxford University Press, 2006, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535. Electronic resource.

Elizabeth Chaplin. ‘Elizabeth Chaplin: The Photograph in Theory’. Sociological Research Online [United Kingdom], vol. 10, no. 1, 2005, http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/10/1/chaplin.html.

———. ‘The Photograph in Theory’. Sociological Research Online [United Kingdom], vol. 10, no. 1, 2002, http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/10/1/chaplin.html.

———. ‘The Photograph in Theory’. Sociological Research Online [United Kingdom], vol. 10, no. 1, 2002, http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/10/1/chaplin.html.

Feldstein, Peter, and Stephen G. Bloom. The Oxford Project. Welcome Books, 2008.

Fermi, Rachel, et al. Picturing the Bomb: Photographs from the Secret World of the Manhattan Project. H.N. Abrams, 1995.

Fineman, Mia, et al. Faking It: Manipulated Photography before Photoshop. Metropolitan Museum of Art, 2012.

Fischman, G. E. ‘Reflections About Images,Visual Culture, and Educational Research’. Educational Researcher [United States], vol. 30, no. 8, Nov. 2001, pp. 28–33, https://doi.org/10.3102/0013189X030008028.

Flick, Uwe, et al. A Companion to Qualitative Research. SAGE, 2004.

Furman, Frida Kerner. Facing the Mirror: Older Women and Beauty Shop Culture. Routledge, 1997.

Gallagher, Carole. American Ground Zero: The Secret Nuclear War. [MIT Press].

Ganzel, Bill. Dust Bowl Descent. University of Nebraska Press, 1984.

George, and James Njuguna. ‘The Mathare Youth Sports Association (MYSA) ShootBack Project’. Children, Youth and Environments [United States], vol. 17, no. 3, 2007, pp. 227–35, https://arlir.iii.com/nonret~S0&atitle=The+Mathare+Youth+Sports+Association+(MYSA)+ShootBack+Project&title=Children,+Youth+and+Environments&aufirst=George&auinit=&aulast=&issn=&eissn=15462250&coden=&volume=17&issue=3&spage=227&epage=235&quarter=&ssn=&date=2007&sid=&reqtype3.

Gianotti, Edoardo. ‘Through the Lens of the Camera in Remote Mining Sites in the Peruvian Highlands’. Visual Studies [United Kingdom], vol. 19, no. 2, Oct. 2004, pp. 126–34, https://doi.org/10.1080/1472586042000301629.

Gillian Rose. ‘Family Photographs and Domestic Spacings: A Case Study’. Transactions of the Institute of British Geographers [United Kingdom], vol. 28, no. 1, 2003, pp. 5–18, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3804564.

———. ‘Practising Photography: An Archive, a Study, Some Photographs and a Researcher’. Journal of Historical Geography [United Kingdom], vol. 26, no. 4, pp. 555–71, http://0-www.sciencedirect.com.pugwash.lib.warwick.ac.uk/science/article/pii/S0305748800902470.

Gourevitch, Philip, and Errol Morris. Standard Operating Procedure: A War Story. Picador, 2008.

Graham-Brown, Sarah. Images of Women: The Portrayal of Women in Photography of the Middle East, 1860-1950. Columbia University Press, 1988.

Greenfield, Lauren and University of Arizona. Girl Culture. Chronicle Books, 2002.

Halberstam, Judith. Female Masculinity. Duke University Press, 1998.

———. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York University Press, 2005.

Haldrup, Michael, and Jonas Larsen. ‘The Family Gaze’. Tourist Studies [United Kingdom], vol. 3, no. 1, Apr. 2003, pp. 23–46, https://doi.org/10.1177/1468797603040529.

Hallman, Bonnie C., and S. Mary P. Benbow. ‘Family Leisure, Family Photography and Zoos: Exploring the Emotional Geographies of Families’. Social & Cultural Geography [United Kingdom], vol. 8, no. 6, Dec. 2007, pp. 871–88, https://doi.org/10.1080/14649360701712636.

Hammond, Joyce D. ‘Photography and Ambivalence’. Visual Studies [United Kingdom], vol. 19, no. 2, Oct. 2004, pp. 135–45, https://doi.org/10.1080/1472586042000301638.

Harper, Douglas. ‘Talking about Pictures: A Case for Photo Elicitation’. Visual Studies [United Kingdom], vol. 17, no. 1, Jan. 2002, pp. 13–26, https://doi.org/10.1080/14725860220137345.

Harper, Douglas A. Visual Sociology. Routledge, 2012.

———. Visual Sociology. Routledge, 2012.

———. Visual Sociology. Routledge, 2012.

———. Visual Sociology. Routledge, 2012.

———. Visual Sociology. Routledge, 2012, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673. Electronic resource.

———. Visual Sociology. Routledge, 2012, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673. Electronic resource.

———. Visual Sociology. Routledge, 2012, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673. Electronic resource.

———. Visual Sociology. Routledge, 2012, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673. Electronic resource.

Herbert Gallery, editor. Coming to Coventry, Stories from the South Asian Pioneers. Herbert Gallery -Coventry Teaching PCT (2006), http://www.amazon.co.uk/Coming-Coventry-Stories-South-Pioneers/dp/0954118545/ref=sr_1_1?s=books&ie=UTF8&qid=1406110965&sr=1-1&keywords=Coming+to+Coventry%2C+Stories+from+the+South+Asian+Pioneers.

Hirsch, Marianne. The Familial Gaze. Dartmouth College, 1999.

Holgate, Jane, et al. ‘Visualizing “Community”: An Experiment in Participatory Photography among Kurdish Diasporic Workers in London’. The Sociological Review [United Kingdom], vol. 60, no. 2, May 2012, pp. 312–32, https://doi.org/10.1111/j.1467-954X.2012.02075.x.

Hutnyk, John. The Rumour of Calcutta: Tourism, Charity and the Poverty of  Representation. Zed, 1996.

Jagose, Annamarie. Queer Theory: An Introduction. New York University Press, 1996.

Joanna Bourke. Torture as Pornography. The Guardian, 2004, http://www.theguardian.com/world/2004/may/07/gender.uk.

Joanou, Jamie Patrice. ‘The Bad and the Ugly: Ethical Concerns in Participatory Photographic Methods with Children Living and Working on the Streets of Lima, Peru’. Visual Studies [United Kingdom], vol. 24, no. 3, Nov. 2009, pp. 214–23, https://doi.org/10.1080/14725860903309120.

John Grady. ‘Visual Research at the Crossroads’. Forum: Qualitative Social Research [Germany], vol. 9, no. 3, http://www.qualitative-research.net/index.php/fqs/article/view/1173/2618.

Johnsrud, Brian. ‘Putting the Pieces Together Again: Digital Photography and the Compulsion to Order Violence at Abu Ghraib’. Visual Studies [United Kingdom], vol. 26, no. 2, June 2011, pp. 154–68, https://doi.org/10.1080/1472586X.2011.571894.

———. ‘Putting the Pieces Together Again: Digital Photography and the Compulsion to Order Violence at Abu Ghraib’. Visual Studies [United Kingdom], vol. 26, no. 2, June 2011, pp. 154–68, https://doi.org/10.1080/1472586X.2011.571894.

Jon Prosser. ‘Personal Reflections on the Use of Photography in an Ethnographic Case Study’. British Educational Research Journal [United Kingdom], vol. 18, no. 4, 1992, pp. 397–411, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1501299.

———. ‘Visual Research Ethics at the Crossroads’. NCRM Working Paper Realities, NCRM EPrints Repository, 2008, http://eprints.ncrm.ac.uk/535/.

Jon Wagner. ‘Ch.2 Observing Culture and Social Life: Documentary Photography, Fieldwork and Social Research’. Visual Research Methods: Image, Society, and Representation, Sage Publications, 2007, pp. 23–59, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/wagner_j_2007.pdf.

Jonathan Jones. Battlefield Earth. The Guardian, http://www.theguardian.com/artanddesign/2004/may/06/photography.

———. The Fake Photographs That Predate Photoshop. http://www.theguardian.com/artanddesign/2012/aug/29/fake-photography-before-photoshop.

Jonathan Weinberg. Things Are Queer. 1996, http://www.theory.org.uk/ctr-que7.htm.

Judith Butler. ‘Torture and the Ethics of Photography’. Environment and Planning D: Society and Space [United Kingdom], vol. 25, 2007, pp. 951–66, http://0-www.envplan.com.pugwash.lib.warwick.ac.uk/epd/editorials/d2506jb.pdf.

Julia Day. ‘We Had 50 Images within an Hour’. http://www.theguardian.com/technology/2005/jul/11/mondaymediasection.attackonlondon.

Kirby, Tim. The Genius of Photography. BBC4, 2007. Videorecording.

Klett, Mark, et al. After the Ruins, 1906 and 2006: Rephotographing the San Francisco Earthquake and Fire. University of California Press, 2006.

Knowles, Caroline. ‘Seeing Race through the Lens’. Ethnic and Racial Studies [United Kingdom], vol. 29, no. 3, May 2006, pp. 512–29, https://doi.org/10.1080/01419870600597917.

Knowles, Caroline, and Paul Sweetman. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

———. Picturing the Social Landscape: Visual Methods in the Sociological Imagination. Routledge, 2004, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=116399. Electronic resource.

Kuhn, Annette. ‘Photography and Cultural Memory: A Methodological Exploration’. Visual Studies [United Kingdom], vol. 22, no. 3, Dec. 2007, pp. 283–92, https://doi.org/10.1080/14725860701657175.

Kuhn, Annette, and Kirsten Emiko McAllister. Locating Memory: Photographic Acts. Berghahn Books, 2006.

———. Locating Memory: Photographic Acts. Berghahn Books, 2006.

———. Locating Memory: Photographic Acts. Berghahn Books, 2006.

———. Locating Memory: Photographic Acts. Berghahn Books, 2006.

Kunard, Andrea. ‘Traditions of Collecting and Remembering’. Early Popular Visual Culture [United Kingdom], vol. 4, no. 3, Nov. 2006, pp. 227–43, https://doi.org/10.1080/17460650601002214.

Lalvani, Suren. Photography, Vision, and the Production of Modern Bodies. State University of New York Press, 1996.

Langford, Martha and Musée McCord d’histoire canadienne. Suspended Conversations: The Afterlife of Memory in Photographic Albums. 1st paperback ed, McGill-Queen’s University Press, 2001.

Leathwood, Carole. ‘Re/Presenting Intellectual Subjectivity: Gender and Visual Imagery in the Field of Higher Education’. Gender and Education [United Kingdom], vol. 25, no. 2, Mar. 2013, pp. 133–54, https://doi.org/10.1080/09540253.2011.590467.

Lenman, Robin. The Oxford Companion to the Photograph. Oxford University Press, 2005.

Lesy, Michael and United States. Long Time Coming: A Photographic Portrait of America, 1935-1943. Norton, 2002.

Liebenberg, L. ‘The Visual Image as Discussion Point: Increasing Validity in Boundary Crossing Research’. Qualitative Research [United Kingdom], vol. 9, no. 4, Sept. 2009, pp. 441–67, https://doi.org/10.1177/1468794109337877.

Linfield, Susie. The Cruel Radiance: Photography and Political Violence. The University of Chicago Press, 2010, http://lib.myilibrary.com/browse/open.asp?id=290196&entityid=https://idp.warwick.ac.uk/idp/shibboleth. Electronic resource.

———. The Cruel Radiance: Photography and Political Violence. University of Chicago Press, 2010.

Lister, Martin, editor. The Photographic Image in Digital Culture. Second edition, Comedia, Routledge Taylor & Francis Group, 2013, http://lib.myilibrary.com/ProductDetail.aspx?id=522346&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

Lister, Martin. The Photographic Image in Digital Culture. Routledge, 1995.

Luttrell, Wendy, and Richard Chalfen. ‘Lifting up Voices of Participatory Visual Research’. Visual Studies [United Kingdom], vol. 25, no. 3, Dec. 2010, pp. 197–200, https://doi.org/10.1080/1472586X.2010.523270.

Lutz, Catherine, and Jane Lou Collins. Reading National Geographic. University of Chicago Press, 1993.

Mannay, D. ‘Making the Familiar Strange: Can Visual Research Methods Render the Familiar Setting More Perceptible?’ Qualitative Research [United Kingdom], vol. 10, no. 1, Feb. 2010, pp. 91–111, https://doi.org/10.1177/1468794109348684.

Manoff, Marlene. ‘Theories of the Archive from Across the Disciplines’. Portal: Libraries and the Academy [United States], vol. 4, no. 1, 2004, pp. 9–25, https://doi.org/10.1353/pla.2004.0015.

Marcus Banks. ‘Ch.1 Reading Narratives’. Visual Methods in Social Research, SAGE, 2001, pp. 9–12, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/banks_m_2001_2.pdf. Electronic resource.

———. ‘Ch.1 Reading Narratives’. Visual Methods in Social Research, SAGE, 2001, pp. 9–12, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/banks_m_2001_2.pdf.

Margolis, E. ‘Mining Photographs: Unearthing the Meanings of Historical Photos’. Radical History Review [United States], vol. 1988, no. 40, Jan. 1988, pp. 33–49, https://doi.org/10.1215/01636545-1988-40-33.

Margolis, Eric. ‘Class Pictures: Representations of Race, Gender and Ability in a Century of School Photography’. Visual Sociology [United States], vol. 14, no. 1, Jan. 1999, pp. 7–38, https://doi.org/10.1080/14725869908583800.

———. ‘Class Pictures: Representations of Race, Gender and Ability in a Century of School Photography’. Visual Sociology [United States], vol. 14, no. 1, Jan. 1999, pp. 7–38, https://doi.org/10.1080/14725869908583800.

Margolis, Eric. ‘Images of Assimilation: Photographs of Indian Schools in Arizona’. History of Education [United Kingdom], vol. 33, no. 2, 2004, https://doi.org/10.1080/0046760042000151456.

Margolis, Eric, and L. Pauwels. The SAGE Handbook of Visual Research Methods. SAGE, 2011.

———. The SAGE Handbook of Visual Research Methods. SAGE, 2011.

———. The SAGE Handbook of Visual Research Methods. SAGE, 2011, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446250129. Electronic resource.

———. The SAGE Handbook of Visual Research Methods. SAGE, 2011, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446250129. Electronic resource.

Marianne Hirsch. ‘Ch.5 A Terrible Picture’. Family Frames: Photography, Narrative, and Postmemory, Harvard University Press, 1997, pp. 184–87, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/hirsch_m_1997.pdf.

Marien, Mary Warner. Photography: A Cultural History. Laurence King, 2002.

———. Photography: A Cultural History. Laurence King, 2002.

Marquis, Marie, and Marilyn Manceau. ‘Individual Factors Determining the Food Behaviours of Single Men Living in Apartments in Montreal as Revealed by Photographs and Interviews’. Journal of Youth Studies [United Kingdom], vol. 10, no. 3, July 2007, pp. 305–16, https://doi.org/10.1080/13676260701216158.

Martha Langford. ‘Ch.10 Speaking the Album’. Locating Memory: Photographic Acts, Remapping cultural history, Berghahn Books, 2006, pp. 223–46, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/langford_m_2006.pdf.

Menzel, Peter, and Charles C. Mann. Material World: A Global Family Portrait. Sierra Club Books, 1995.

Mike Davis. ‘The Dead West; Ecocide in Marlboro Country’. New Left Review [United Kingdom], vol. 200, 1993, pp. 49–73, http://0-newleftreview.org.pugwash.lib.warwick.ac.uk/I/200/mike-davis-the-dead-west-ecocide-in-marlboro-country.

Mirzoeff, Nicholas. The Visual Culture Reader. Routledge, 1998.

Mitchell, Claudia. Doing Visual Research. SAGE, 2011.

Mitchell, William J. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. MIT Press, 1992.

Mizen, Phil. ‘A Little “Light Work”? Children’s Images of Their Labour’. Visual Studies [United Kingdom], vol. 20, no. 2, Oct. 2005, pp. 124–39, https://doi.org/10.1080/14725860500244001.

Mizen, Phil, and Yaw Ofosu-Kusi. ‘Unofficial Truths and Everyday Insights: Understanding Voice in Visual Research with the Children of Accra’s Urban Poor’. Visual Studies [United Kingdom], vol. 25, no. 3, Dec. 2010, pp. 255–67, https://doi.org/10.1080/1472586X.2010.523278.

Moore, Gemma, et al. ‘The Photo‐survey Research Method: Capturing Life in the City’. Visual Studies [United Kingdom], vol. 23, no. 1, Apr. 2008, pp. 50–62, https://doi.org/10.1080/14725860801908536.

Morris, Errol, et al. Standard Operating Procedure. Sony Pictures Home Entertainment, 2009. Videorecording.

Newman, Jon, et al. Twin Lens Reflex: The Portrait Photographs of Bandele ‘Tex’ Ajetunmobi and Harry Jacobs. Black Cultural Archives, 2004.

———. Twin Lens Reflex: The Portrait Photographs of Bandele ‘Tex’ Ajetunmobi and Harry Jacobs. Black Cultural Archives, 2004.

Orellana, Marjorie Faulstich. ‘Space and Place in an Urban Landscape: Learning from Children’s Views of Their Social Worlds’. Visual Sociology [United States], vol. 14, no. 1, Jan. 1999, pp. 73–89, https://doi.org/10.1080/14725869908583803.

———. ‘Space and Place in an Urban Landscape: Learning from Children’s Views of Their Social Worlds’. Visual Sociology [United States], vol. 14, no. 1, Jan. 1999, pp. 73–89, https://doi.org/10.1080/14725869908583803.

Packard, Josh. ‘“I’m Gonna Show You What It’s Really like out Here”: The Power and Limitation of Participatory Visual Methods’. Visual Studies [United Kingdom], vol. 23, no. 1, Apr. 2008, pp. 63–77, https://doi.org/10.1080/14725860801908544.

Papademas, Diana. ‘IVSA Code of Research Ethics and Guidelines’. Visual Studies [United Kingdom], vol. 24, no. 3, Nov. 2009, pp. 250–57, https://doi.org/10.1080/14725860903309187.

Pauli, Lori, et al. Manufactured Landscapes: The Photographs of Edward Burtynsky. National Gallery of Canada in association with Yale University Press, 2003.

Pauwels, Luc. ‘A Private Visual Practice Going Public? Social Functions and Sociological Research Opportunities of Web‐based Family Photography’. Visual Studies [United Kingdom], vol. 23, no. 1, Apr. 2008, pp. 34–49, https://doi.org/10.1080/14725860801908528.

———. ‘A Private Visual Practice Going Public? Social Functions and Sociological Research Opportunities of Web‐based Family Photography’. Visual Studies [United Kingdom], vol. 23, no. 1, Apr. 2008, pp. 34–49, https://doi.org/10.1080/14725860801908528.

———. ‘Ethical Issues of Online (Visual) Research’. Visual Anthropology [United States], vol. 19, nos 3–4, 2006, pp. 365–69, http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/08949460600656691.

Payne, Carol. ‘Lessons with Leah: Re‐reading the Photographic Archive of Nation in the National Film Board of Canada’s Still Photography Division’. Visual Studies [United Kingdom], vol. 21, no. 1, Apr. 2006, pp. 4–22, https://doi.org/10.1080/14725860600613147.

Peter Osborne. Traveling Light : Photography, Travel, and Visual Culture. Manchester University Press, 2000.

Phillip Mizen and Yaw Ofosu-Kusi. ‘Engaging with a World Outside of Ourselves’. Sociological Research Online [United Kingdom], vol. 17, no. 2, 31 AD, http://www.socresonline.org.uk/17/2/17.html.

Pink, Sarah. ‘A Woman, a Camera and the World of Bullfighting: Visual Culture as the Production of Anthropological Knowledge’. Visual Anthropology [United States], vol. 13, no. 1, 1999, pp. 71–86, http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/08949468.1999.9966789.

———. Doing Visual Ethnography: Images, Media and Representation in  Research. SAGE, 2001.

———. Doing Visual Ethnography: Images, Media and Representation in  Research. SAGE, 2001.

———. Doing Visual Ethnography: Images, Media and Representation in  Research. SAGE, 2001.

———. Doing Visual Ethnography: Images, Media and Representation in  Research. SAGE, 2001.

———. Doing Visual Ethnography: Images, Media and Representation in  Research. SAGE, 2001.

———. Doing Visual Ethnography: Images, Media and Representation in  Research. SAGE, 2001.

———. Doing Visual Ethnography: Images, Media, and Representation in Research. 2nd ed, Sage Publications, 2007.

———. The Future of Visual Anthropology: Engaging the Senses. Routledge, 2006.

———. The Future of Visual Anthropology: Engaging the Senses. Routledge, 2006.

Pinney, Christopher. Camera Indica: The Social Life of Indian Photographs. Reaktion Books, 1997.

Piper, Heather, and Jo Frankham. ‘Seeing Voices and Hearing Pictures: Image as Discourse and the Framing of Image-Based Research’. Discourse: Studies in the Cultural Politics of Education [United Kingdom], vol. 28, no. 3, Sept. 2007, pp. 373–87, https://doi.org/10.1080/01596300701458954.

Pole, Christopher J. Seeing Is Believing?: Approaches to Visual Research. Elsevier JAI, 2004.

———. Seeing Is Believing?: Approaches to Visual Research. Elsevier JAI, 2004.

Poliakoff, Stephen. Shooting the Past. BBC Worldwide, 2004. Videorecording.

Professor Gillian Rose. Summary: Family Photography Going Digital. http://historiesofhomessn.files.wordpress.com/2011/05/gillian-rose-summary.pdf.

Prosser, Jon. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer, 1998.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. Image-Based Research: A Sourcebook for Qualitative Researchers. Falmer Press, 1998, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203980330. Electronic resource.

———. ‘Visual Methods and the Visual Culture of Schools’. Visual Studies [United Kingdom], vol. 22, no. 1, Apr. 2007, pp. 13–30, https://doi.org/10.1080/14725860601167143.

Rancière, Jacques. The Emancipated Spectator. Verso, 2009.

Rao, Shakuntala. ‘Imperial Imaginary: Photography and the Invention of the British Raj in India’. Visual Communication Quarterly [United States], vol. 7, no. 4, Sept. 2000, pp. 10–16, https://doi.org/10.1080/15551390009363443.

Raskin, Richard. A Child at Gunpoint: A Case Study in the Life of a Photo. Aarhus University Press, 2004.

Rich, Michael, and Richard Chalfen. ‘Showing and Telling Asthma: Children Teaching Physicians with Visual Narrative’. Visual Sociology [United States], vol. 14, no. 1, Jan. 1999, pp. 51–71, https://doi.org/10.1080/14725869908583802.

Richard Chalfen. To See What It’s Like To Live Like You: The Popularity of Making Kids Make Pictures, Seeing and Knowing Seminar. Harvard University, http://www2.warwick.ac.uk/fac/soc/sociology/undergrad/current/progsandmods/modules/vs0/vs/lectures/chalfen_paper_to_send.pdf.

Richter, Rudolf, and Cornelia Schadler. ‘See My Virtual Self: Dissemination as a Characteristic of Digital Photography – the Example of Flickr.Com’. Visual Studies [United Kingdom], vol. 24, no. 2, Sept. 2009, pp. 169–77, https://doi.org/10.1080/14725860903106179.

Ritchin, Fred. After Photography. W. W. Norton, 2010.

Roberts, John. The Art of Interruption: Realism, Photography, and the Everyday. Manchester Universtiy Press, 1998.

Rogers, Henry, and Aaron Williamson. Art Becomes You: Parody, Pastiche and the Politics of Art : Materiality in a Post-Material Paradigm. Article Press, 2006.

Rose, Gillian. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Ashgate, 2010.

———. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Ashgate, 2010.

———. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Ashgate, 2010.

———. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Ashgate, 2010.

———. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Ashgate, 2010.

———. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Ashgate, 2010.

———. ‘Engendering the Slum: Photography in East London in the 1930s’. Gender, Place & Culture [United Kingdom], vol. 4, no. 3, Nov. 1997, pp. 277–300, https://doi.org/10.1080/09663699725350.

———. ‘Engendering the Slum: Photography in East London in the 1930s’. Gender, Place & Culture [United Kingdom], vol. 4, no. 3, Nov. 1997, pp. 277–300, https://doi.org/10.1080/09663699725350.

———. Visual Methodologies: An Introduction to Researching with Visual Materials. 3rd ed, SAGE, 2012.

———. Visual Methodologies: An Introduction to the Interpretation of  Visual Materials. Sage, 2001.

———. Visual Methodologies: An Introduction to the Interpretation of  Visual Materials. Sage, 2001.

———. Visual Methodologies: An Introduction to the Interpretation of  Visual Materials. Sage, 2001.

———. Visual Methodologies: An Introduction to the Interpretation of  Visual Materials. Sage, 2001.

———. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. 2nd ed, SAGE Publications, 2007.

———. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. 2nd ed, SAGE Publications, 2007.

Rousmaniere, Kate. ‘Questioning the Visual in the History of Education’. History of Education [United Kingdom], vol. 30, no. 2, Mar. 2001, pp. 109–16, https://doi.org/10.1080/00467600010012391.

Rusted, Brian. ‘Editor’s Introduction: Visual Studies, Digital Imaging and New Media’. Visual Studies [United Kingdom], vol. 19, no. 1, Apr. 2004, pp. 2–6, https://doi.org/10.1080/1472586042000204807.

Ryan, James R. Picturing Empire: Photography and the Visualisation of the British  Empire. Reaktion, 1997.

Salgado, Sebastião. Sahel: The End of the Road. University of California Press, 2004.

———. Workers: An Archaeology of the Industrial Age. Phaidon, 1993.

Salgado, Sebastião and Aperture Foundation. The Children: Refugees and Migrants. Aperture Foundation, 2000.

Sander, August, and Alfred Döblin. August Sander: Face of Our Time ; Sixty Portraits of Twentieth-Century Germans. Schirmer Art Books, 2003.

Sarvas, Risto, and David M. Frohlich. From Snapshots to Social Media - the Changing Picture of Domestic Photography. Springer, 2011, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1007/978-0-85729-247-6. Electronic resource.

———. From Snapshots to Social Media - the Changing Picture of Domestic Photography. Springer, 2011, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1007/978-0-85729-247-6. Electronic resource.

Schwartz, Dona. ‘Visual Ethnography:  Using Photography in Qualitative Research.’ Qualitative Sociology [United States], vol. 12, no. 2, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=buh&AN=11645801&site=bsi-live.

———. ‘Visual Ethnography:  Using Photography in Qualitative Research.’ Qualitative Sociology [United States], vol. 12, no. 2, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=buh&AN=11645801&site=bsi-live.

Schwartzenberg, Susan. ‘The Personal Archive as Historical Record’. Visual Studies [United Kingdom], vol. 20, no. 1, Apr. 2005, pp. 70–82, https://doi.org/10.1080/14725860500064920.

———. ‘The Personal Archive as Historical Record 1’. Visual Studies [United Kingdom], vol. 20, no. 1, Apr. 2005, pp. 70–82, https://doi.org/10.1080/14725860500064920.

Shanyang Zhao, et al. ‘Identity Construction on Facebook: Digital Empowerment in Anchored Relationships’. Computers in Human Behavior, vol. 24, no. 5, pp. 1816–36, http://0-www.sciencedirect.com.pugwash.lib.warwick.ac.uk/science/article/pii/S0747563208000204.

Shore, Stephen. The Nature of Photographs. 2nd ed, Phaidon Press, 2007.

———. The Nature of Photographs. 2nd ed, Phaidon Press, 2007.

Shortt, Harriet. ‘Identityscapes of a Hair Salon: Work Identities and the Value of Visual Methods’. Sociological Research Online, vol. 17, no. 2, 2012, https://doi.org/10.5153/sro.2690.

Simon, Taryn, et al. The Innocents. Umbrage, 2003.

Simons, Helen, and Robin Usher. Situated Ethics in Educational Research. Routledge, 2000, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203354896. Electronic resource.

———. Situated Ethics in Educational Research. RoutledgeFalmer, 2000.

Sliwinski, Sharon. ‘A Painful Labour: Responsibility and Photography’. Visual Studies [United Kingdom], vol. 19, no. 2, Oct. 2004, pp. 150–62, https://doi.org/10.1080/1472586042000301656.

Smith, Matt. Negotiating Boundaries and Borders: Qualitative Methodology and Development Research. Elsevier, 2007.

Social Research Association. Ethical Guidelines. http://the-sra.org.uk/wp-content/uploads/ethics03.pdf.

Sontag, Susan. On Photography. Penguin, 1979.

———. On Photography. Penguin, 1979.

———. Regarding the Pain of Others. Penguin, 2004.

———. Regarding the Pain of Others. Penguin, 2004.

Spence, Jo, and Patricia Holland. Family Snaps: The Meanings of Domestic Photography. Virago, 1991.

Spencer, Stephen. Visual Research Methods in the Social Sciences: Awakening Visions. 1st ed, Routledge, 2011.

———. Visual Research Methods in the Social Sciences: Awakening Visions. Routledge, 2011, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203883860. Electronic resource.

Squiers, Carol. The Body at Risk: Photography of Disorder, Illness, and Healing. University of California, 2005, http://catdir.loc.gov/catdir/enhancements/fy0625/2005052926-b.html.

Stanczak, Gregory C. Visual Research Methods: Image, Society, and Representation. Sage Publications, 2007.

———. Visual Research Methods: Image, Society, and Representation. Sage Publications, 2007.

———. Visual Research Methods: Image, Society, and Representation. Sage Publications, 2007.

———. Visual Research Methods: Image, Society, and Representation. Sage Publications, 2007.

Steven J. Gold. ‘Visual Methods in Sociological Analysis - Introduction’. Qualitative Sociology [United States], vol. 20, no. 1, 1997, pp. 3–6, http://download.springer.com/static/pdf/460/art%253A10.1023%252FA%253A1024719029875.pdf?auth66=1406382598_38f8f6557c5217f927ea9f44f9563752&ext=.pdf.

Stuart Hall. ‘Ch.25 Reconstruction Work : Images of Postwar Black Settlement’. The Everyday Life Reader, Routledge, 1984, pp. 251–61, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/hall_s_2002.pdf.

Stuart Jeffries. The Power of the Holiday Photo. The Guardian, http://www.theguardian.com/lifeandstyle/2010/aug/24/power-of-the-holiday-photo.

Suchar, Charles S. ‘Grounding Visual Sociology Research in Shooting Scripts.’ Qualitative Sociology [United States], vol. 20, no. 1, 1997, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=buh&AN=11302583&site=bsi-live.

———. ‘Grounding Visual Sociology Research in Shooting Scripts.’ Qualitative Sociology [United States], vol. 20, no. 1, 1997, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=buh&AN=11302583&site=bsi-live.

Susan Meiselas and Human Rights Watch. Costly Dream. 2007, http://www.hrw.org/features/costly-dream.

Susan Sontag. ‘Ch.1 Plato’s Cave’. On Photography, Penguin, 1979, pp. 3–24, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/sontag_s_2002.pdf.

———. What Have We Done? The Guardian, 2004, http://www.commondreams.org/views04/0524-09.htm.

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Macmillan, 1988.

Tan, Fiona, et al. Fiona Tan: Countenance. Modern Art Oxford, 2005.

Taylor, John. Body Horror: Photojournalism, Catastrophe and War. Manchester University Press, 1998.

Terence Wright. ‘Ch.2. Pre-Production’. The Photography Handbook, 2nd ed, Media practice, Routledge, 2004, pp. 36–76, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/wright_t_2004.pdf.

———. ‘Ch.2. Pre-Production’. The Photography Handbook, Second edition, Media practice, Routledge, 2004, pp. 36–76, http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/wright_t_2004.pdf.

The British Sociological Association. http://www.britsoc.co.uk/about/equality/statement-of-ethical-practice.aspx.

Tim De Lisle. Just One More ... The Guardian, http://www.theguardian.com/lifeandstyle/2006/aug/12/familyandrelationships.family.

Tinkler, Penny. ‘A Fragmented Picture: Reflections on the Photographic Practices of Young People’. Visual Studies [United Kingdom], vol. 23, no. 3, Dec. 2008, pp. 255–66, https://doi.org/10.1080/14725860802489916.

———. ‘A Fragmented Picture: Reflections on the Photographic Practices of Young People’. Visual Studies [United Kingdom], vol. 23, no. 3, Dec. 2008, pp. 255–66, https://doi.org/10.1080/14725860802489916.

Twomey, Christina. ‘Framing Atrocity: Photography and Humanitarianism’. History of Photography [United Kingdom], vol. 36, no. 3, Aug. 2012, pp. 255–64, https://doi.org/10.1080/03087298.2012.669933.

University of Warwick. Research Governance & Ethics. http://www2.warwick.ac.uk/services/rss/researchgovernance_ethics/.

Urry, John. The Tourist Gaze: Leisure and Travel in Contemporary Societies. Sage, 1990.

Van House, Nancy A. ‘Personal Photography, Digital Technologies and the Uses of the Visual’. Visual Studies [United Kingdom], vol. 26, no. 2, June 2011, pp. 125–34, https://doi.org/10.1080/1472586X.2011.571888.

———. ‘Personal Photography, Digital Technologies and the Uses of the Visual’. Visual Studies [United Kingdom], vol. 26, no. 2, June 2011, pp. 125–34, https://doi.org/10.1080/1472586X.2011.571888.

Vettel-Becker, P. ‘Destruction and Delight: World War II Combat Photography and the Aesthetic Inscription of Masculine Identity’. Men and Masculinities [United States], vol. 5, no. 1, July 2002, pp. 80–102, https://doi.org/10.1177/1097184X02005001004.

Volcano, Del LaGrace. Sublime Mutations. Konkursbuch 2000.

Volcano, Del Lagrace, and Judith Halberstam. The Drag King Book. Serpent’s Tail, 1999.

Wells, Liz. Photography: A Critical Introduction. 3rd ed, Routledge, 2004.

———. Photography: A Critical Introduction. 3rd ed, Routledge, 2004.

———. Photography: A Critical Introduction. Routledge, 1997.

———. Photography: A Critical Introduction. Routledge, 1997.

———. The Photography Reader. Routledge, 2003.

———. The Photography Reader. Routledge, 2003.

———. The Photography Reader. Routledge, 2003.

Wexler, Laura. Tender Violence: Domestic Visions in an Age of U.S. Imperialism. University of North Carolina Press, 2000.

———. Tender Violence: Domestic Visions in an Age of U.S. Imperialism. University of North Carolina Press, 2000.

Winddance Twine, France. ‘Visual Ethnography and Racial Theory: Family Photographs as Archives of Interracial Intimacies’. Ethnic and Racial Studies [United Kingdom], vol. 29, no. 3, May 2006, pp. 487–511, https://doi.org/10.1080/01419870600597909.

———. ‘Visual Ethnography and Racial Theory: Family Photographs as Archives of Interracial Intimacies’. Ethnic and Racial Studies [United Kingdom], vol. 29, no. 3, May 2006, pp. 487–511, https://doi.org/10.1080/01419870600597909.

Wombell, Paul. Photovideo. Rivers Oram Press, 1991.

Woodley-Baker, Rochelle. ‘Private and Public Experience Captured: Young Women Capture Their Everyday Lives and Dreams through Photo-Narratives’. Visual Studies [United Kingdom], vol. 24, no. 1, Mar. 2009, pp. 19–35, https://doi.org/10.1080/14725860902732694.

Woodward, S. ‘Digital Photography and Research Relationships: Capturing the Fashion Moment’. Sociology [United Kingdom], vol. 42, no. 5, Oct. 2008, pp. 857–72, https://doi.org/10.1177/0038038508094566.

———. ‘Digital Photography and Research Relationships: Capturing the Fashion Moment’. Sociology [United Kingdom], vol. 42, no. 5, Oct. 2008, pp. 857–72, https://doi.org/10.1177/0038038508094566.

Wright, C. Y., et al. ‘RETRACTED: Visual Research Methods: Using Cameras to Empower Socially Excluded Black Youth’. Sociology [United Kingdom], vol. 44, no. 3, June 2010, pp. 541–58, https://doi.org/10.1177/0038038510362483.

Wright, Terence. The Photography Handbook. 2nd ed, Media practice, Routledge, 2004.

———. The Photography Handbook. Second edition, Media practice, Routledge, 2004, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781315013046.

Young, Lorraine, and Hazel Barrett. ‘Adapting Visual Methods: Action Research with Kampala Street Children’. Area [United Kingdom], vol. 33, no. 2, June 2001, pp. 141–52, https://doi.org/10.1111/1475-4762.00017.

Zelizer, Barbie. About to Die: How News Images Move the Public. Oxford University Press, 2010.

———. About to Die: How News Images Move the Public. Oxford University Press, 2010, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780199780815. Electronic resource.

———. Remembering to Forget : Holocaust Memory through the Camera’s Eye. University of Chicago Press 1998.