Bibliography for SO234: Visual Sociology BETA

Alfonso, A.I. (no date a) Working images : visual research and representation in ethnography. 1st edition. Routledge, 2004.

Alfonso, A.I. (no date b) Working images : visual research and representation in ethnography. 1st edition. Routledge, 2004.

Alfonso, A.I. (no date c) Working images : visual research and representation in ethnography. 1st edition. Routledge, 2004.

Allen, L. (2008a) ‘Young people’s “agency” in sexuality research using visual methods’, Journal of Youth Studies, 11(6), pp. 565–577. Available at: https://doi.org/10.1080/13676260802225744.

Allen, L. (2008b) ‘Young people’s “agency” in sexuality research using visual methods’, Journal of Youth Studies, 11(6), pp. 565–577. Available at: https://doi.org/10.1080/13676260802225744.

Allen, L. (2011) ‘The camera never lies?: analysing photographs in research on sexualities and schooling’, Discourse: Studies in the Cultural Politics of Education, 32(5), pp. 761–777. Available at: https://doi.org/10.1080/01596306.2011.620757.

Analia Inés Meo (2010) ‘Picturing Students’ Habitus: The Advantages and Limitations of Photo-Elicitation Interviewing in a Qualitative Study in the City of Buenos Aires’, International Journal of Qualitative Methods, 9(2), pp. 149–171. Available at: http://ejournals.library.ualberta.ca/index.php/IJQM/article/view/6682.

Annette Kuhn (1995) ‘Ch.1 Family Secrets: an Introduction’, in Family secrets: acts of memory and imagination. London: Verso, pp. 1–10. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/kuhn_a_1995.pdf.

Apel, D. (2004) Imagery of lynching: black men, white women, and the mob. New Brunswick, N.J.: Rutgers University Press.

ASA (no date) American Sociological Association: Ethics and the Code of Ethics. Available at: http://www.asanet.org/about/ethics.cfm.

Back, L. (2009) ‘Portrayal and betrayal: Bourdieu, photography and sociological life’, The Sociological Review, 57(3), pp. 471–490. Available at: https://doi.org/10.1111/j.1467-954X.2009.01850.x.

Banks, M. (2001a) Visual methods in social research. London: SAGE.

Banks, M. (2001b) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2001c) Visual methods in social research. London: SAGE.

Banks, M. (2001d) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2001e) Visual methods in social research. London: SAGE.

Banks, M. (2001f) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2001g) Visual methods in social research. London: SAGE.

Banks, M. (2001h) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2001i) Visual methods in social research. London: SAGE.

Banks, M. (2001j) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2001k) Visual methods in social research. London: SAGE.

Banks, M. (2001l) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2001m) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2001n) Visual methods in social research. London: SAGE.

Banks, M. (2001o) Visual methods in social research. London: SAGE.

Banks, M. (2001p) Visual methods in social research [electronic resource]. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781412931373.

Banks, M. (2007a) Using visual data in qualitative research. Los Angeles: Sage Publications.

Banks, M. (2007b) Using visual data in qualitative research [electronic resource]. London: Sage Publications. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446205211.

Banks, M. (2007c) Using visual data in qualitative research. Los Angeles: Sage Publications.

Banks, M. (2007d) Using visual data in qualitative research [electronic resource]. London: Sage Publications. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446205211.

Banks, M. (2007e) Using visual data in qualitative research. Los Angeles: Sage Publications.

Banks, M. (2007f) Using visual data in qualitative research [electronic resource]. London: Sage Publications. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781446205211.

Barbie Zelizer (1998) Remembering to forget. Chicago: University of Chicago Press.

Barr, M. (2009a) ‘The alchemy of the photograph’, Visual Studies, 24(1), pp. 66–70. Available at: https://doi.org/10.1080/14725860902732728.

Barr, M. (2009b) ‘The alchemy of the photograph’, Visual Studies, 24(1), pp. 66–70. Available at: https://doi.org/10.1080/14725860902732728.

Barr, M. (2009c) ‘The alchemy of the photograph’, Visual Studies, 24(1), pp. 66–70. Available at: https://doi.org/10.1080/14725860902732728.

Barrett, D. (2004) ‘Photo‐documenting the needle exchange: methods and ethics’, Visual Studies, 19(2), pp. 145–149. Available at: https://doi.org/10.1080/1472586042000301647.

Barrett, T. (1996a) Criticizing photographs: an introduction to understanding images. 2nd ed. Mountain View, Calif: Mayfield Publishing Company.

Barrett, T. (1996b) Criticizing photographs: an introduction to understanding images. 2nd ed. Mountain View, Calif: Mayfield Publishing Company.

Barrett, T. (1996c) Criticizing photographs: an introduction to understanding images. 2nd ed. Mountain View, Calif: Mayfield Publishing Company.

Batchen, G. et al. (2012) Picturing atrocity: photography in crisis. London: Reaktion Books.

Bateson, G. and Mead, M. (1942) Balinese character: a photographic analysis. [New York: The New York Academy of Sciences].

Baym, N.K. (2010) Personal connections in the digital age. Cambridge: Polity.

Becker, H.S. (1995) ‘Visual sociology, documentary photography, and photojournalism: It’s (almost) all a matter of context’, Visual Sociology, 10(1–2), pp. 5–14. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1080/14725869508583745.

Becker, H.S. (2002a) ‘Visual evidence: A                              , the specified generalization, and the work of the reader’, Visual Studies, 17(1), pp. 3–11. Available at: https://doi.org/10.1080/14725860220137327.

Becker, H.S. (2002b) ‘Visual Evidence: A Seventh Man, the specified generalisation, and the work of the reader’, Visual Studies, 17(1), pp. 3–11. Available at: https://doi.org/10.1080/14725860220137327.

Behdad, A. (2001a) ‘The Power-Ful Art of Qajar Photography: Orientalism and (Self)-Orientalizing in Nineteenth-Century Iran’, Iranian Studies, 34(1), pp. 141–151. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4311426.

Behdad, A. (2001b) ‘The Power-Ful Art of Qajar Photography: Orientalism and (Self)-Orientalizing in Nineteenth-Century Iran’, Iranian Studies, 34(1), pp. 141–151. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4311426.

Benjamin, W. and Underwood, J.A. (2008) The work of art in the age of mechanical reproduction. London: Penguin.

Berger, J. (2009) About looking. London: Bloomsbury.

Berger, J. and Mohr, J. (1982) Another way of telling. London: Writers and Readers Publishing.

Biro, M. (2012) ‘From Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky’, History of Photography, 36(3), pp. 353–366. Available at: https://doi.org/10.1080/03087298.2012.686242.

Boeck, F. de et al. (2004) Kinshasa: tales of the invisible city. [Ghent]: Ludion.

Bolton, A., Pole, C. and Mizen, P. (2001) ‘Picture This: Researching Child Workers’, Sociology, 35(2), pp. 501–518. Available at: https://doi.org/10.1017/S0038038501000244.

Brassaï (2001) The secret Paris of the 30’s. [London]: Thames & Hudson.

Brian Wallis (2004) Inconvenient Evidence: Iraqi Prison Photographs from Abu Ghraib. Available at: http://museum.icp.org/museum/exhibitions/abu_ghraib/.

Briski, Z. (2004a) Born into brothels: photographs by the children of Calcutta. 2nd ed. New York: Umbrage.

Briski, Z. (2004b) Born into brothels: photographs by the children of Calcutta. 2nd ed. New York: Umbrage.

British Educational Research Association (11ADa) ‘Revised Ethical Guidelines for Educational Research’. Available at: http://content.yudu.com/Library/A2xnp5/Bera/resources/index.htm?referrerUrl=http://free.yudu.com/item/details/2023387/Bera.

British Educational Research Association (11ADb) ‘Revised Ethical Guidelines for Educational Research’. Available at: http://content.yudu.com/Library/A2xnp5/Bera/resources/index.htm?referrerUrl=http://free.yudu.com/item/details/2023387/Bera.

Brothers, C. (1997) War and photography: a cultural history. London: Routledge.

Brower, Kenneth (no date) ‘Photography in the Age of Falsification’, The Atlantic Monthly, 281(5), pp. 92–97. Available at: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/223100023/F63641A7DBA64484PQ/23?accountid=14888.

Bryman, A. (2004a) Social research methods. 2nd ed. Oxford: Oxford University Press.

Bryman, A. (2004b) Social research methods. 2nd ed. Oxford: Oxford University Press.

Burke, C. (2001) ‘Hands-on history: towards a critique of the “everyday”’, History of Education, 30(2), pp. 191–201. Available at: https://doi.org/10.1080/00467600010012463.

Burke, C. and Grosvenor, I. (2007) ‘The progressive image in the history of education: stories of two schools’, Visual Studies, 22(2), pp. 155–168. Available at: https://doi.org/10.1080/14725860701507107.

Burke, C. and Ribeiro de Castro, H. (2007) ‘The School Photograph: Portraiture and the Art of Assembling the Body of the Schoolchild’, History of Education, 36(2), pp. 213–226. Available at: https://doi.org/10.1080/00467600601171450.

Burtynsky, E. et al. (2009) Burtynsky: oil. 1st ed. G©œttingen: Steidl.

Carol Wolkowitz (31AD) ‘Carol Wolkowitz: Flesh and Stone Revisited’, Sociological Research Online, 17(2). Available at: http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/17/2/26.html.

Catherine Lutz and Jane Collins (2003) ‘Ch.33 The Photograph as an Intersection of Gazes’, in The photography reader. London: Routledge, pp. 354–374. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/so/so234/lutz_c_1993.pdf.

Chalfen, R. (2009) ‘“It’s only a picture”: sexting, “smutty” snapshots and felony charges’, Visual Studies, 24(3), pp. 258–268. Available at: https://doi.org/10.1080/14725860903309203.

Chambers, D. (2001) Representing the family. London: SAGE.

Chaplin, E. (1994) Sociology and visual representation. London: Routledge.

Chaplin, E. (2006) ‘The convention of captioning: W. G. Sebald and the release of the captive image’, Visual Studies, 21(1), pp. 42–53. Available at: https://doi.org/10.1080/14725860600613212.

Charles Petersen (no date) ‘In the World of Facebook’, The New York Review of Books, LVII(325), pp. 8–11. Available at: http://www.nybooks.com/articles/archives/2010/feb/25/in-the-world-of-facebook/.

Clark, C.D. (1999a) ‘The Autodriven interview: A photographic viewfinder into children’s experience’, Visual Sociology, 14(1), pp. 39–50. Available at: https://doi.org/10.1080/14725869908583801.

Clark, C.D. (1999b) ‘The Autodriven interview: A photographic viewfinder into children’s experience’, Visual Sociology, 14(1), pp. 39–50. Available at: https://doi.org/10.1080/14725869908583801.

Clark-Ibáñez, Marisol (no date) ‘Framing the Social World With Photo-Elicitation Interviews’, The American Behavioral Scientist, 47(12), pp. 1507–1527. Available at: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/214761767/132B6A212A68414BPQ/5?accountid=14888.

Collier, J. and Collier, M. (1986a) Visual anthropology: photography as a research method. Rev. and expanded ed. Albuquerque: University of New Mexico Press.

Collier, J. and Collier, M. (1986b) Visual anthropology: photography as a research method. Rev. and expanded ed. Albuquerque: University of New Mexico Press.

Collier, J. and Collier, M. (1986c) Visual anthropology: photography as a research method. Rev. and expanded ed. Albuquerque: University of New Mexico Press.

Connor Graham and Mark Rouncefield (no date) ‘Photo Practices and Family Values in Chinese Households’, 2008 Workshop on Social Interaction and Mundane Technologies (SIMTech ’08). Available at: http://mundanetechnologies.com/goings-on/workshop/cambridge/papers/GrahamRouncefield.pdf.

Cornelia Brink (2000) ‘Secular Icons: Looking at Photographs from Nazi Concentration Camps’, History & Memory, 12(1), pp. 135–150. Available at: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/journals/history_and_memory/v012/12.1brink.pdf.

David Morris (ed.) (no date) ‘McCullin [DVD]’. Available at: http://www.amazon.co.uk/McCullin-DVD-Don/dp/B00AIUSG4Y/ref=sr_1_1?ie=UTF8&qid=1406123265&sr=8-1&keywords=McCullin.

Davidov, V.M. (2004) ‘Representing representations: the ethics of filming at Ground Zero’, Visual Studies, 19(2), pp. 162–169. Available at: https://doi.org/10.1080/1472586042000301665.

Del Tredici, R. (1987) At work in the fields of the bomb. London: Harrap.

Divya P. Tolia-Kelly (no date) ‘Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home’, Geoforum, 35(6), pp. 675–688. Available at: http://0-www.sciencedirect.com.pugwash.lib.warwick.ac.uk/science/article/pii/S0016718504000478.

Drazin, A. and Frohlich, D. (2007) ‘Good Intentions: Remembering through Framing Photographs in English Homes’, Ethnos, 72(1), pp. 51–76. Available at: https://doi.org/10.1080/00141840701219536.

Duneier, M. and Carter, O. (2001a) Sidewalk. 1st paperback ed. New York: Farrar, Straus and Giroux.

Duneier, M. and Carter, O. (2001b) Sidewalk. 1st paperback ed. New York: Farrar, Straus and Giroux.

Edwards, E. and Hart, J. (2004a) Photographs objects histories: on the materiality of images. London: Routledge.

Edwards, E. and Hart, J. (2004b) Photographs objects histories: on the materiality of images. London: Routledge.

Edwards, S. (2006a) Photography: a very short introduction. Oxford: Oxford University Press.

Edwards, S. (2006b) Photography: a very short introduction [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535.

Edwards, S. (2006c) Photography: a very short introduction. Oxford: Oxford University Press.

Edwards, S. (2006d) Photography: a very short introduction [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535.

Edwards, S. (2006e) Photography: a very short introduction. Oxford: Oxford University Press.

Edwards, S. (2006f) Photography: a very short introduction [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535.

Edwards, S. (2006g) Photography: a very short introduction. Oxford: Oxford University Press.

Edwards, S. (2006h) Photography: a very short introduction [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535.

Edwards, S. (2006i) Photography: a very short introduction. Oxford: Oxford University Press.

Edwards, S. (2006j) Photography: a very short introduction [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191516535.

Edwards, S. (2009) ‘Commons and Crowds: Figuring Photography from Above and Below’, Third Text, 23(4), pp. 447–464. Available at: https://doi.org/10.1080/09528820903007735.

Elizabeth Chaplin (2002a) ‘The Photograph in Theory’, Sociological Research Online, 10(1). Available at: http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/10/1/chaplin.html.

Elizabeth Chaplin (2002b) ‘The Photograph in Theory’, Sociological Research Online, 10(1). Available at: http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/10/1/chaplin.html.

Elizabeth Chaplin (2005) ‘Elizabeth Chaplin: The Photograph in Theory’, Sociological Research Online, 10(1). Available at: http://0-www.socresonline.org.uk.pugwash.lib.warwick.ac.uk/10/1/chaplin.html.

Feldstein, P. and Bloom, S.G. (2008) The Oxford project. New York: Welcome Books.

Fermi, R., Rhodes, R. and Samra, E. (1995) Picturing the bomb: photographs from the secret world of the Manhattan Project. New York: H.N. Abrams.

Fineman, M. et al. (2012) Faking it: manipulated photography before Photoshop. New York: Metropolitan Museum of Art.

Fischman, G.E. (2001) ‘Reflections About Images,Visual Culture, and Educational Research’, Educational Researcher, 30(8), pp. 28–33. Available at: https://doi.org/10.3102/0013189X030008028.

Flick, U. et al. (2004) A companion to qualitative research. London: SAGE.

Furman, F.K. (1997) Facing the mirror: older women and beauty shop culture. New York: Routledge.

Gallagher, C. (no date) American ground zero: the secret nuclear war. [Cambridge, Mass.]: [MIT Press].

Ganzel, B. (1984) Dust bowl descent. Lincoln: University of Nebraska Press.

George and Njuguna, J. (2007) ‘The Mathare Youth Sports Association (MYSA) ShootBack Project’, Children, Youth and Environments, 17(3), pp. 227–235. Available at: https://arlir.iii.com/nonret~S0&atitle=The+Mathare+Youth+Sports+Association+(MYSA)+ShootBack+Project&title=Children,+Youth+and+Environments&aufirst=George&auinit=&aulast=&issn=&eissn=15462250&coden=&volume=17&issue=3&spage=227&epage=235&quarter=&ssn=&date=2007&sid=&reqtype3.

Gianotti, E. (2004) ‘Through the lens of the camera in remote mining sites in the Peruvian highlands’, Visual Studies, 19(2), pp. 126–134. Available at: https://doi.org/10.1080/1472586042000301629.

Gillian Rose (2003) ‘Family Photographs and Domestic Spacings: A Case Study’, Transactions of the Institute of British Geographers, 28(1), pp. 5–18. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3804564.

Gillian Rose (no date) ‘Practising photography: an archive, a study, some photographs and a researcher’, Journal of Historical Geography, 26(4), pp. 555–571. Available at: http://0-www.sciencedirect.com.pugwash.lib.warwick.ac.uk/science/article/pii/S0305748800902470.

Gourevitch, P. and Morris, E. (2008) Standard operating procedure: a war story. London: Picador.

Graham-Brown, S. (1988) Images of women: the portrayal of women in photography of the Middle East, 1860-1950. New York: Columbia University Press.

Greenfield, L. and University of Arizona (2002) Girl culture. San Francisco, Calif: Chronicle Books.

Halberstam, J. (1998) Female masculinity. Durham: Duke University Press.

Halberstam, J. (2005) In a queer time and place: transgender bodies, subcultural lives. New York: New York University Press.

Haldrup, M. and Larsen, J. (2003) ‘The Family Gaze’, Tourist Studies, 3(1), pp. 23–46. Available at: https://doi.org/10.1177/1468797603040529.

Hallman, B.C. and Benbow, S.M.P. (2007) ‘Family leisure, family photography and zoos: exploring the emotional geographies of families’, Social & Cultural Geography, 8(6), pp. 871–888. Available at: https://doi.org/10.1080/14649360701712636.

Hammond, J.D. (2004) ‘Photography and ambivalence’, Visual Studies, 19(2), pp. 135–145. Available at: https://doi.org/10.1080/1472586042000301638.

Harper, D. (2002) ‘Talking about pictures: A case for photo elicitation’, Visual Studies, 17(1), pp. 13–26. Available at: https://doi.org/10.1080/14725860220137345.

Harper, D.A. (2012a) Visual sociology. Abingdon, Oxon: Routledge.

Harper, D.A. (2012b) Visual sociology [electronic resource]. Abingdon, Oxon: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673.

Harper, D.A. (2012c) Visual sociology. Abingdon, Oxon: Routledge.

Harper, D.A. (2012d) Visual sociology [electronic resource]. Abingdon, Oxon: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673.

Harper, D.A. (2012e) Visual sociology. Abingdon, Oxon: Routledge.

Harper, D.A. (2012f) Visual sociology [electronic resource]. Abingdon, Oxon: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673.

Harper, D.A. (2012g) Visual sociology. Abingdon, Oxon: Routledge.

Harper, D.A. (2012h) Visual sociology [electronic resource]. Abingdon, Oxon: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203872673.

Herbert Gallery (ed.) (no date) Coming to Coventry, Stories from the South Asian Pioneers. Herbert Gallery -Coventry Teaching PCT (2006). Available at: http://www.amazon.co.uk/Coming-Coventry-Stories-South-Pioneers/dp/0954118545/ref=sr_1_1?s=books&ie=UTF8&qid=1406110965&sr=1-1&keywords=Coming+to+Coventry%2C+Stories+from+the+South+Asian+Pioneers.

Hirsch, M. (1999) The familial gaze. Hanover, NH: Dartmouth College.

Holgate, J., Keles, J. and Kumarappan, L. (2012) ‘Visualizing “community”: an experiment in participatory photography among Kurdish diasporic workers in London’, The Sociological Review, 60(2), pp. 312–332. Available at: https://doi.org/10.1111/j.1467-954X.2012.02075.x.

Hutnyk, J. (1996) The rumour of Calcutta: tourism, charity and the poverty of  representation. London: Zed.

Jagose, A. (1996) Queer theory: an introduction. New York: New York University Press.

Joanna Bourke (2004) Torture as pornography. The Guardian. Available at: http://www.theguardian.com/world/2004/may/07/gender.uk.

Joanou, J.P. (2009) ‘The bad and the ugly: ethical concerns in participatory photographic methods with children living and working on the streets of Lima, Peru’, Visual Studies, 24(3), pp. 214–223. Available at: https://doi.org/10.1080/14725860903309120.

John Grady (no date) ‘Visual Research at the Crossroads’, Forum: Qualitative Social Research, 9(3). Available at: http://www.qualitative-research.net/index.php/fqs/article/view/1173/2618.

Johnsrud, B. (2011a) ‘Putting the pieces together again: digital photography and the compulsion to order violence at Abu Ghraib’, Visual Studies, 26(2), pp. 154–168. Available at: https://doi.org/10.1080/1472586X.2011.571894.

Johnsrud, B. (2011b) ‘Putting the pieces together again: digital photography and the compulsion to order violence at Abu Ghraib’, Visual Studies, 26(2), pp. 154–168. Available at: https://doi.org/10.1080/1472586X.2011.571894.

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Knowles, C. and Sweetman, P. (2004c) Picturing the social landscape: visual methods in the sociological imagination. London: Routledge.

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Knowles, C. and Sweetman, P. (2004r) Picturing the social landscape: visual methods in the sociological imagination. London: Routledge.

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