@inbook{Attali_2016a, address={London}, title={Noise and politics}, url={https://contentstore.cla.co.uk/secure/link?id=d91462b1-36a8-e711-80cb-005056af4099}, booktitle={Audio Culture: Readings in Modern Music}, publisher={Continuum}, author={Attali, Jacques}, year={2016}, pages={7–9} }
@inbook{Attali_2016b, title={The Art of Noises: Futurist Manifesto}, url={https://contentstore.cla.co.uk/secure/link?id=a772defd-39a8-e711-80cb-005056af4099}, booktitle={Audio Culture: Readings in Modern Music}, publisher={Bloomsbury Publishing}, author={Attali, Jacques}, year={2016}, pages={10–14} }
@book{Balsom_2013, address={Amsterdam}, title={Exhibiting cinema in contemporary art}, publisher={Amsterdam University Press}, author={Balsom, Erika}, year={2013} }
@book{Basilico_Lessig_Yeo_Museum of Contemporary Art (North Miami, Fla.)_Milwaukee Art Museum_Philbrook Museum of Art_2004, address={Milwaukee, WI}, title={Cut: film as found object in contemporary video}, publisher={Milwaukee Art Museum}, author={Basilico, Stefano and Lessig, Lawrence and Yeo, Rob and Museum of Contemporary Art (North Miami, Fla.) and Milwaukee Art Museum and Philbrook Museum of Art}, year={2004} }
@misc{Betancourt, title={Glitched Media as Found/Transformed Footage: Post-Digitality in Takeshi Murata’s Monster Movie}, url={http://foundfootagemagazine.com/eshop/}, author={Betancourt, Michael} }
@book{Bürger_1984, address={Manchester}, title={Theory of the Avant-Garde}, volume={Theory and history of literature}, publisher={Manchester University Press}, author={Bürger, Peter}, year={1984} }
@book{Carlyle_2013, address={Axminster, Devon}, title={On listening}, publisher={Uniformbooks}, author={Carlyle, Angus}, year={2013} }
@book{Elwes_2005, address={London}, title={Video Art: a Guided Tour}, publisher={I. B. Tauris}, author={Elwes, Catherine}, year={2005} }
@book{Elwes_2015, address={London}, title={Installation and the moving image}, url={http://ebookcentral.proquest.com/lib/warw/detail.action?docID=1922326}, publisher={Wallflower Press}, author={Elwes, Catherine}, year={2015} }
@book{Harrison_Wood_2003, address={Malden, Mass}, edition={New ed}, title={Art in Theory, 1900-2000: an Anthology of Changing Ideas}, publisher={Blackwell}, author={Harrison, Charles and Wood, Paul}, year={2003} }
@book{Hendy_2014, address={London}, title={Noise: a human history of sound and listening}, publisher={Profile Books}, author={Hendy, David}, year={2014} }
@book{Hopkins_2000, address={Oxford}, title={After Modern Art: 1945-2000}, volume={Oxford history of art}, publisher={Oxford University Press}, author={Hopkins, David}, year={2000} }
@article{Janet Kraynak_2003, title={Dependent Participation: Bruce Nauman’s Environments}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1262635?seq=1#page_scan_tab_contents}, number={10}, journal={Grey Room}, publisher={The MIT Press}, author={Janet Kraynak}, year={2003}, pages={22–45} }
@article{Krauss_1976, title={Video: The Aesthetics of Narcissism}, volume={1}, DOI={10.2307/778507}, journal={October}, author={Krauss, Rosalind}, year={1976}, month={Spring} }
@book{Meigh-Andrews_2006, address={Oxford}, title={A History of Video Art: the Development of Form and Function}, publisher={Berg}, author={Meigh-Andrews, Chris}, year={2006} }
@misc{Navas_2010, address={New York}, title={’Regressive and Reflexive Mashups in Sampling Culture}, url={http://remixtheory.net/?p=444}, journal={Mashup Cultures}, publisher={Springer-Verlag}, author={Navas, Eduardo}, year={2010} }
@book{Navas_2012, address={Wien}, title={Remix theory: the aesthetics of sampling}, publisher={Springer}, author={Navas, Eduardo}, year={2012} }
@book{O’Pray_2003, address={London}, title={Avant-garde Film: Forms, Themes and Passions}, volume={Short cuts series}, publisher={Wallflower}, author={O’Pray, Michael}, year={2003} }
@book{Perry_2006, address={Bloomington}, title={Masterpieces of modernist cinema}, publisher={Indiana University Press}, author={Perry, Ted}, year={2006} }
@inbook{Pruitt_2006, address={Bloomington}, title={Ch.6: Meshes of the Afternoon: A Model of Visual Thinking}, url={https://contentstore.cla.co.uk/secure/link?id=11d9d3e1-2050-e611-80c6-005056af4099}, booktitle={Masterpieces of modernist cinema}, publisher={Indiana University Press}, author={Pruitt, J.}, year={2006}, pages={138–158} }
@book{Rees_2011a, address={London}, title={Expanded Cinema: Art, Performance, Film}, publisher={Tate Gallery Pub}, author={Rees, A. L.}, year={2011} }
@book{Rees_2011b, address={[Houndmills, Basingstoke, Hampshire]}, edition={2nd ed}, title={A History of Experimental Film and Video: from the canonical avant-garde to contemporary British practice}, publisher={Palgrave Macmillan}, author={Rees, A. L.}, year={2011} }
@inbook{Roberts_2004, address={New Haven}, edition={1st ed}, title={Ch.11: Warhol’s ‘Factory’: painting and the mass-cultural spectator}, volume={Art of the 20th century}, url={https://contentstore.cla.co.uk/secure/link?id=2e71f863-c643-e611-80bd-0cc47a6bddeb}, booktitle={Varieties of modernism}, publisher={Yale University Press in association with the Open University}, author={Roberts, J.}, year={2004}, pages={338–361} }
@book{Rogers_2013, address={New York}, title={Sounding the gallery: video and the rise of art-music}, publisher={Oxford University Press}, author={Rogers, Holly}, year={2013} }
@book{Smith_Wilde_2002a, address={Oxford}, title={A companion to art theory}, volume={Blackwell companions in cultural studies}, url={http://0-onlinelibrary.Wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470998434}, publisher={Blackwell}, author={Smith, Paul and Wilde, Carolyn}, year={2002} }
@book{Smith_Wilde_2002b, address={Oxford}, title={A companion to art theory}, volume={Blackwell companions in cultural studies}, url={https://go.exlibris.link/J9gcBHFg}, publisher={Blackwell}, author={Smith, Paul and Wilde, Carolyn}, year={2002} }
@book{Smith_Wilde_2002c, address={Oxford}, title={A companion to art theory}, volume={Blackwell companions in cultural studies}, url={https://go.exlibris.link/J9gcBHFg}, publisher={Blackwell}, author={Smith, Paul and Wilde, Carolyn}, year={2002} }
@book{Sterne_2012, address={New York}, title={The sound studies reader}, publisher={Routledge}, author={Sterne, Jonathan}, year={2012} }
@book{Suderburg_2000, address={Minneapolis}, title={Space, site, intervention: situating installation art}, publisher={University of Minnesota Press}, author={Suderburg, Erika}, year={2000} }
@book{Turvey_2011, address={Cambridge, Massachusetts}, title={The filming of modern life: European avant-garde film of the 1920s}, publisher={The MIT Press}, author={Turvey, Malcolm}, year={2011} }
@book{Vernallis_2013, address={New York}, title={Unruly media: YouTube, music video, and the new digital cinema}, publisher={Oxford University Press}, author={Vernallis, Carol}, year={2013} }
@article{Vernallis, Carol, title={Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: ‘The Past and the Future Merge to Meet Us Here’}, volume={40}, url={https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/1832287776/97984FE6277948D6PQ/1?accountid=14888}, number={3}, journal={Film Criticism}, author={Vernallis, Carol} }
@misc{Laderman_Westrup_3AD, title={Sampling Media}, url={https://www.amazon.co.uk/Sampling-Media-David-Laderman-ebook/dp/B00JE6T3AO/ref=sr_1_1?ie=UTF8&qid=1505126225&sr=8-1&keywords=Sampling+Media+laderman}, publisher={Oxford University Press; 1 edition}, year={3AD} }
@book{Pinch_Bijsterveld_2013, address={New York}, title={The Oxford handbook of sound studies}, publisher={Oxford University Press}, year={2013} }
@book{Rogers_Barham_2017, address={New York, NY}, title={The music and sound of experimental film}, publisher={Oxford University Press}, year={2017} }
