Attali, J. (2016a) ‘Noise and politics’, in Audio Culture: Readings in Modern Music. London: Continuum, pp. 7–9. Available at: https://contentstore.cla.co.uk/secure/link?id=d91462b1-36a8-e711-80cb-005056af4099.
Attali, J. (2016b) ‘The Art of Noises: Futurist Manifesto’, in Audio Culture: Readings in Modern Music. Bloomsbury Publishing, pp. 10–14. Available at: https://contentstore.cla.co.uk/secure/link?id=a772defd-39a8-e711-80cb-005056af4099.
Balsom, E. (2013) Exhibiting cinema in contemporary art. Amsterdam: Amsterdam University Press.
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Carlyle, A. (2013) On listening. Axminster, Devon: Uniformbooks.
Elwes, C. (2005) Video Art: a Guided Tour. London: I. B. Tauris.
Elwes, C. (2015) Installation and the moving image. London: Wallflower Press. Available at: http://ebookcentral.proquest.com/lib/warw/detail.action?docID=1922326.
Harrison, C. and Wood, P. (2003) Art in Theory, 1900-2000: an Anthology of Changing Ideas. New ed. Malden, Mass: Blackwell.
Hendy, D. (2014) Noise: a human history of sound and listening. London: Profile Books.
Hopkins, D. (2000) After Modern Art: 1945-2000. Oxford: Oxford University Press.
Janet Kraynak (2003) ‘Dependent Participation: Bruce Nauman’s Environments’, Grey Room, (10), pp. 22–45. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1262635?seq=1#page_scan_tab_contents.
Krauss, R. (1976) ‘Video: The Aesthetics of Narcissism’, October, 1. Available at: https://doi.org/10.2307/778507.
Laderman, D. and Westrup, L. (eds) (3 AD) Sampling Media. Oxford University Press; 1 edition. Available at: https://www.amazon.co.uk/Sampling-Media-David-Laderman-ebook/dp/B00JE6T3AO/ref=sr_1_1?ie=UTF8&qid=1505126225&sr=8-1&keywords=Sampling+Media+laderman.
Meigh-Andrews, C. (2006) A History of Video Art: the Development of Form and Function. Oxford: Berg.
Navas, E. (2010) ’Regressive and Reflexive Mashups in Sampling Culture, Mashup Cultures. New York: Springer-Verlag. Available at: http://remixtheory.net/?p=444.
Navas, E. (2012) Remix theory: the aesthetics of sampling. Wien: Springer.
O’Pray, M. (2003) Avant-garde Film: Forms, Themes and Passions. London: Wallflower.
Perry, T. (2006) Masterpieces of modernist cinema. Bloomington: Indiana University Press.
Pinch, T.J. and Bijsterveld, K. (eds) (2013) The Oxford handbook of sound studies. New York: Oxford University Press.
Pruitt, J. (2006) ‘Ch.6: Meshes of the Afternoon: A Model of Visual Thinking’, in Masterpieces of modernist cinema. Bloomington: Indiana University Press, pp. 138–158. Available at: https://contentstore.cla.co.uk/secure/link?id=11d9d3e1-2050-e611-80c6-005056af4099.
Rees, A.L. (2011a) A History of Experimental Film and Video: from the canonical avant-garde to contemporary British practice. 2nd ed. [Houndmills, Basingstoke, Hampshire]: Palgrave Macmillan.
Rees, A.L. (2011b) Expanded Cinema: Art, Performance, Film. London: Tate Gallery Pub.
Roberts, J. (2004) ‘Ch.11: Warhol’s “Factory”: painting and the mass-cultural spectator’, in Varieties of modernism. 1st ed. New Haven: Yale University Press in association with the Open University, pp. 338–361. Available at: https://contentstore.cla.co.uk/secure/link?id=2e71f863-c643-e611-80bd-0cc47a6bddeb.
Rogers, H. (2013) Sounding the gallery: video and the rise of art-music. New York: Oxford University Press.
Rogers, H. and Barham, J. (eds) (2017) The music and sound of experimental film. New York, NY: Oxford University Press.
Smith, P. and Wilde, C. (2002a) A companion to art theory. Oxford: Blackwell. Available at: http://0-onlinelibrary.Wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470998434.
Smith, P. and Wilde, C. (2002b) A companion to art theory. Oxford: Blackwell. Available at: https://go.exlibris.link/J9gcBHFg.
Smith, P. and Wilde, C. (2002c) A companion to art theory. Oxford: Blackwell. Available at: https://go.exlibris.link/J9gcBHFg.
Sterne, J. (2012) The sound studies reader. New York: Routledge.
Suderburg, E. (2000) Space, site, intervention: situating installation art. Minneapolis: University of Minnesota Press.
Turvey, M. (2011) The filming of modern life: European avant-garde film of the 1920s. Cambridge, Massachusetts: The MIT Press.
Vernallis, C. (2013) Unruly media: YouTube, music video, and the new digital cinema. New York: Oxford University Press.
Vernallis, Carol (no date) ‘Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”’, Film Criticism, 40(3). Available at: https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/1832287776/97984FE6277948D6PQ/1?accountid=14888.
