Attali, Jacques. 2016a. ‘Noise and Politics’. In Audio Culture: Readings in Modern Music. Continuum. https://contentstore.cla.co.uk/secure/link?id=d91462b1-36a8-e711-80cb-005056af4099.
Attali, Jacques. 2016b. ‘The Art of Noises: Futurist Manifesto’. In Audio Culture: Readings in Modern Music. Bloomsbury Publishing. https://contentstore.cla.co.uk/secure/link?id=a772defd-39a8-e711-80cb-005056af4099.
Balsom, Erika. 2013. Exhibiting Cinema in Contemporary Art. Amsterdam University Press.
Basilico, Stefano, Lawrence Lessig, Rob Yeo, Museum of Contemporary Art (North Miami, Fla.), Milwaukee Art Museum, and Philbrook Museum of Art. 2004. Cut: Film as Found Object in Contemporary Video. Milwaukee Art Museum.
Betancourt, Michael. n.d. ‘Glitched Media as Found/Transformed Footage: Post-Digitality in Takeshi Murata’s Monster Movie’. http://foundfootagemagazine.com/eshop/.
Bürger, Peter. 1984. Theory of the Avant-Garde. Theory and History of literature. Manchester University Press.
Carlyle, Angus. 2013. On Listening. Uniformbooks.
Elwes, Catherine. 2005. Video Art: A Guided Tour. I. B. Tauris.
Elwes, Catherine. 2015. Installation and the Moving Image. Wallflower Press. http://ebookcentral.proquest.com/lib/warw/detail.action?docID=1922326.
Harrison, Charles, and Paul Wood. 2003. Art in Theory, 1900-2000: An Anthology of Changing Ideas. New ed. Blackwell.
Hendy, David. 2014. Noise: A Human History of Sound and Listening. Profile Books.
Hopkins, David. 2000. After Modern Art: 1945-2000. Oxford history of art. Oxford University Press.
Janet Kraynak. 2003. ‘Dependent Participation: Bruce Nauman’s Environments’. Grey Room, no. 10: 22–45. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1262635?seq=1#page_scan_tab_contents.
Krauss, Rosalind. 1976. ‘Video: The Aesthetics of Narcissism’. October 1 (Spring). https://doi.org/10.2307/778507.
Laderman, David, and Laurel Westrup, eds. 3 AD. ‘Sampling Media’. Oxford University Press; 1 edition. https://www.amazon.co.uk/Sampling-Media-David-Laderman-ebook/dp/B00JE6T3AO/ref=sr_1_1?ie=UTF8&qid=1505126225&sr=8-1&keywords=Sampling+Media+laderman.
Meigh-Andrews, Chris. 2006. A History of Video Art: The Development of Form and Function. Berg.
Navas, Eduardo. 2010. ‘’Regressive and Reflexive Mashups in Sampling Culture’. Mashup Cultures, Springer-Verlag. http://remixtheory.net/?p=444.
Navas, Eduardo. 2012. Remix Theory: The Aesthetics of Sampling. Springer.
O’Pray, Michael. 2003. Avant-Garde Film: Forms, Themes and Passions. Short cuts series. Wallflower.
Perry, Ted. 2006. Masterpieces of Modernist Cinema. Indiana University Press.
Pinch, T. J., and Karin Bijsterveld, eds. 2013. The Oxford Handbook of Sound Studies. Oxford University Press.
Pruitt, J. 2006. ‘Ch.6: Meshes of the Afternoon: A Model of Visual Thinking’. In Masterpieces of Modernist Cinema. Indiana University Press. https://contentstore.cla.co.uk/secure/link?id=11d9d3e1-2050-e611-80c6-005056af4099.
Rees, A. L. 2011a. A History of Experimental Film and Video: From the Canonical Avant-Garde to Contemporary British Practice. 2nd ed. Palgrave Macmillan.
Rees, A. L. 2011b. Expanded Cinema: Art, Performance, Film. Tate Gallery Pub.
Roberts, J. 2004. ‘Ch.11: Warhol’s “Factory”: Painting and the Mass-Cultural Spectator’. In Varieties of Modernism, 1st ed, Art of the 20th century. Yale University Press in association with the Open University. https://contentstore.cla.co.uk/secure/link?id=2e71f863-c643-e611-80bd-0cc47a6bddeb.
Rogers, Holly. 2013. Sounding the Gallery: Video and the Rise of Art-Music. Oxford University Press.
Rogers, Holly, and Jeremy Barham, eds. 2017. The Music and Sound of Experimental Film. Oxford University Press.
Smith, Paul, and Carolyn Wilde. 2002a. A Companion to Art Theory. Blackwell companions in cultural studies. Blackwell. http://0-onlinelibrary.Wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470998434.
Smith, Paul, and Carolyn Wilde. 2002b. A Companion to Art Theory. Blackwell companions in cultural studies. Blackwell. https://go.exlibris.link/J9gcBHFg.
Smith, Paul, and Carolyn Wilde. 2002c. A Companion to Art Theory. Blackwell companions in cultural studies. Blackwell. https://go.exlibris.link/J9gcBHFg.
Sterne, Jonathan. 2012. The Sound Studies Reader. Routledge.
Suderburg, Erika. 2000. Space, Site, Intervention: Situating Installation Art. University of Minnesota Press.
Turvey, Malcolm. 2011. The Filming of Modern Life: European Avant-Garde Film of the 1920s. The MIT Press.
Vernallis, Carol. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. Oxford University Press.
Vernallis, Carol. n.d. ‘Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”’. Film Criticism 40 (3). https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/1832287776/97984FE6277948D6PQ/1?accountid=14888.