Alan E. Shapiro. ‘Artists’ Colors and Newton’s Colors’. Isis, vol. 85, no. 4, 1994, pp. 600–30, http://www.jstor.org/stable/235280?seq=1#page_scan_tab_contents.
Alexandra Loske , ‘Mary Gartside: A Female Colour Theorist in Georgian England’, St Andrews Journal of Art History and Museum Studies, Vol. 14 (2010), 17-30. http://sro.sussex.ac.uk/2510/.
Anna Franklin Explains How We Are Born with Colour Categories from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_diswys_language_franklin.mp4.
Anya Hurlbert on How Artists Suspend Colour Constancy from BBC TV Horizon: Do You See What I See (8 August 2011). http://www.bbc.co.uk/programmes/p00jp964.
Anya Hurlbert Shows How Colour Constancy Involves Knowledge of Object Colour from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_diswys_constancy_hurlbert.mp4.
Aristotle, On Colours, in The Works of Aristotle VI: Opuscula, Trans. William David Ross (Carendon Press, 1913). https://archive.org/details/worksaristotle00arisuoft.
Backhaus, Werner, et al. Color Vision: Perspectives from Different Disciplines. Walter de Gruyter, 1998.
---. Color Vision: Perspectives from Different Disciplines. Walter de Gruyter, 1998.
Batchelor, David. Chromophobia. Reaktion, 2000.
---, editor. Colour. Whitechapel, 2008.
Baxandall, Michael. Shadows and Enlightenment. Yale University Press, 1995.
Berlin, Brent, and Paul Kay. Basic Color Terms: Their Universality and Evolution. CSLI, 1999.
Biggam, C. P. The Semantics of Colour: A Historical Approach. electronic resource, Cambridge University Press, 2012, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781139341493.
Blonsky, Marshall. On Signs. Johns Hopkins University Press, 1985.
Cézanne, Philippe, et al. The World Is an Apple: The Still Lifes of Paul Cézanne. Edited by Benedict Leca, Art Gallery of Hamilton in association with D Giles Limited, 2014.
Claire J. Farago. ‘Leonardo’s Color and Chiaroscuro Reconsidered: The Visual Force of Painted Images’. The Art Bulletin, vol. 73, no. 1, 1991, pp. 63–88, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3045779?seq=1#page_scan_tab_contents.
Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press. http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
---. http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
---. http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
---. http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
Demonstration of Successive Contrast from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_successive_contrast_cn.mp4.
Deutscher, Guy. Through the Language Glass: Why the World Looks Different in Other Languages. Arrow, 2011.
Edwin Land Explains His ‘retinex’ Experiment from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/05_land_retinex.mp4.
Edwin Land Explains How ‘designator’ Values Ensure Colour Constancy from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/09_constancy_4_land_ratios.mp4.
Edwin Land, ‘The Retinex Theory of Color Vision’, Scientific American, Vol. 237, No. 6 (December 1977), 108-28. http://xa.yimg.com/kq/groups/18365325/470399326/name/E.Land_-_Retinex_Theory%25255B1%25255D.pdf.
Edwin Land Uses a ‘Mondrain’ to Explain How the Colour of an Object Is Not a Function of the (Absolute) Amount of Light of Each Wavelength It Reflects from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_constancy_1_land_cn.mp4.
Extracts from Aristotle’s Writings on Colour. http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/aristotle_on_colour.pdf.
Gage, John. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson, 1995.
---. Colour and Meaning: Art, Science and Symbolism. Thames and Hudson, 1999.
---. Colour and Meaning: Art, Science and Symbolism. Thames and Hudson, 1999.
---. Colour and Meaning: Art, Science and Symbolism. Thames and Hudson, 1999.
---. Colour and Meaning: Art, Science and Symbolism. Thames and Hudson, 1999.
---. Colour and Meaning: Art, Science and Symbolism. Thames and Hudson, 1999.
---. Colour and Meaning: Art, Science and Symbolism. Thames and Hudson, 1999.
---. Colour in Art. Thames & Hudson, 2006.
---. ‘COLOUR IN HISTORY: Relative and Absolute’. Art History, vol. 1, no. 1, Mar. 1978, pp. 104–30, https://doi.org/10.1111/j.1467-8365.1978.tb00008.x.
Gage, John and Fitzwilliam Museum. George Field and His Circle: From Romanticism to the Pre-Raphaelite Brotherhood. Christies, 1989.
Gloria Saltz Merker. ‘The Rainbow Mosaic at Pergamon and Aristotelian Color Theory’. American Journal of Archaeology, vol. 71, no. 1, 1967, pp. 81–82, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/501591?seq=1#page_scan_tab_contents.
Goethe’s Shadows from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/02_goethes_shadows_cn.mp4.
Goethe’s Theory of Colours : Johann Wolfgang von Goethe. https://archive.org/details/goethestheoryco01goetgoog.
H. B. Gottschalk. ‘The de Coloribus and Its Author’. Hermes, 1964, pp. 59–85, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4475288?seq=1#page_scan_tab_contents.
Hardin, C. L., and Luisa Maffi, editors. Color Categories in Thought and Language. Cambridge University Press, 1997, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511519819.
Hardin, C.L. ‘Red and Yellow, Green and Blue, Warm and Cool: Explaining Colour Appearance’. Journal of Consciousness Studies, vol. 7, no. 8–9, pp. 113–22, http://0-www.ingentaconnect.com.pugwash.lib.warwick.ac.uk/content/imp/jcs/2000/00000007/F0020008/1046.
Henry Guerlac. ‘Can There Be Colors in the Dark? Physical Color Theory before Newton’. Journal of the History of Ideas, vol. 47, no. 1, 1986, pp. 3–20, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2709592?seq=1#page_scan_tab_contents.
Hills, Paul. Venetian Colour: Marble, Mosaic, Painting and Glass 1250-1550. Yale University Press, 1999.
Hoeppe, Götz. Why the Sky Is Blue: Discovering the Color of Life. Princeton University Press, 2007.
Hurvich, Leo M., and Dorothea Jameson. ‘An Opponent-Process Theory of Color Vision.’ Psychological Review, vol. 64, no. 6, Pt.1, 1957, pp. 384–404, https://doi.org/10.1037/h0041403.
Interaction of Color (Yale, 1975). http://yupnet.org/interactionofcolor/.
Isaac Newton, Opticks: Or a Treatise of the Reflections, Refractions, Inflections and Colours of Light (Smith and Walford, 1704). https://archive.org/details/opticksortreatis00newt.
J. Carson Webster. ‘The Technique of Impressionism: A Reappraisal’. College Art Journal, vol. 4, no. 1, 1944, pp. 3–22, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/773614.
James S. Ackerman. ‘On Early Renaissance Color Theory and Practice’. Memoirs of the American Academy in Rome, vol. 35, 1980, pp. 11–44, http://www.jstor.org/stable/4238679?seq=1#page_scan_tab_contents.
Janis Bell. ‘Aristotle as a Source for Leonardo’s Theory of Colour Perspective after 1500’. Journal of the Warburg and Courtauld Institutes, vol. 56, 1993, pp. 100–18, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/751367?seq=1#page_scan_tab_contents.
Janis C. Bell. ‘Zaccolini’s Theory of Color Perspective’. The Art Bulletin, vol. 75, no. 1, 1993, pp. 91–112, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3045933?seq=1#page_scan_tab_contents.
John Mollon Explains Additive Mixture from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/03_three_colour_mixing_cn.mp4.
John Mollon, ‘The Origins of Modern Color Science’, in S. Shevell Ed., The Science of Color (Oxford: Elsevir, 2003), 1-39. http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/mollon_origins_of_modern_colour_science.pdf.
Jonathan Winawer, Nathan Witthoft, Michael C. Frank, Lisa Wu, Alex R. Wade and Lera Boroditsky. ‘Russian Blues Reveal Effects of Language on Color Discrimination’. Proceedings of the National Academy of Sciences of the United States of America, vol. 104, no. 19, 2007, pp. 7780–85, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25427570?seq=1#page_scan_tab_contents.
Joost Ulrich. ‘"Da Ich … Den Bunten Schatten Nachlaufe, Wie Ehmals Als Knabe Den Schmetterlingen” — Lichtenberg, Goethe, and the Coloured Shadows’. Color Research & Application, vol. 26, no. S1, 2000, pp. S28–31, https://doi.org/10.1002/1520-6378(2001)26:1.
Joost, Ulrich, et al. ‘Ulrich Joost et al., ‘Lichtenberg’s Letter to Goethe on "Färbige Schatten”’, Color Research and Application, Vol. 27, No. 4 (August 2002), 300–303.’ Color Research & Application, vol. 27, no. 4, Aug. 2002, pp. 300–03, https://doi.org/10.1002/col.10069.
Jules Davidoff on the Effect of Langauge on Colour Perception from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/08_diswys_language_davidoff.mp4.
Kate Lancaster Reconstructs Newton’s Experiment from BBC Four: The Beauty of Diagrams: Newton’s Prism. http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/2_np_klancaster_demo_experimentum_crucis.mp4.
KAY, P., and T. REGIER. ‘Language, Thought and Color: Recent Developments’. Trends in Cognitive Sciences, vol. 10, no. 2, Feb. 2006, pp. 51–54, https://doi.org/10.1016/j.tics.2005.12.007.
Kemp, Martin. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. Yale University Press, 1990.
---. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. Yale University Press, 1990.
---. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. Yale University Press, 1990.
---. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. Yale University Press, 1990.
Koenderink, Jan. ‘Book Reviews: Review of Rolf G. Kuehni: Philipp Otto Runge’s Color Sphere; A Translation, with Related Materials and an Essay, 2008’. Color Research & Application, vol. 33, no. 6, Dec. 2008, pp. 512–13, https://doi.org/10.1002/col.20453.
Kuehni, Rolf G. Color: An Introduction to Practice and Principles. 3rd ed, Wiley, http://0-onlinelibrary.Wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118533567.
---. ‘Forgotten Pioneers of Color Order. Part II: Matthias Klotz (1748-1821)’. Color Research & Application, vol. 33, no. 5, Oct. 2008, pp. 341–45, https://doi.org/10.1002/col.20430.
Kuehni, Rolf G., and Andreas Schwarz. Color Ordered: A Survey of Color Order Systems from Antiquity to the Present. electronic resource, Oxford University Press, 2008, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
---. Color Ordered: A Survey of Color Order Systems from Antiquity to the Present. electronic resource, Oxford University Press, 2008, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
---. Color Ordered: A Survey of Color Order Systems from Antiquity to the Present. electronic resource, Oxford University Press, 2008, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
---. Color Ordered: A Survey of Color Order Systems from Antiquity to the Present. electronic resource, Oxford University Press, 2008, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
---. Color Ordered: A Survey of Color Order Systems from Antiquity to the Present. electronic resource, Oxford University Press, 2008, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
---. Color Ordered: A Survey of Color Order Systems from Antiquity to the Present. electronic resource, Oxford University Press, 2008, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
Lamb, Trevor, and Janine Bourriau, editors. Colour: Art & Science. Cambridge University Press, 1995.
---, editors. Colour: Art & Science. Cambridge University Press, 1995.
---, editors. Colour: Art & Science. Cambridge University Press, 1995.
---, editors. Colour: Art & Science. Cambridge University Press, 1995.
Leo M. Hurvich and Dorothea Jameson. ‘Helmholtz and the Three-Color Theory: An Historical Note’. The American Journal of Psychology, vol. 62, no. 1, 1949, pp. 111–14, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1418711?seq=1#page_scan_tab_contents.
Marcus Du Sautoy Explains Newton’s ‘experimentum Crucis’ from BBC Four: The Beauty of Diagrams: Newton’s Prism. http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/1_np_mdsautoy_experimentum_crucis.mp4.
Marcus Du Sautoy on Newton’s Colour Circle from BBC Four: The Beauty of Diagrams: Newton’s Prism. http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/3_np_mdsautoy_colour_circle.mp4.
Maurice Mereau-Ponty, ‘Eye and Mind’, in Galen A. Johnson Ed., The Merleau-Ponty Aesthetics Reader (Northwestern University Press, 1993), 121-60; https://pg2009.files.wordpress.com/2009/05/eye-and-mind-merleu-pontymmp-text1.pdf.
Max Black. ‘Linguistic Relativity: The Views of Benjamin Lee Whorf’. The Philosophical Review, vol. 68, no. 2, 1959, pp. 228–38, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2182168?seq=1#page_scan_tab_contents.
Oliver Sachs, ‘The Case of the Colourblind Painter’, New York Review of Books, 19 November, 1987, 32. https://people.rit.edu/wlrgsh/Sacks.pdf.
Panos Athanasopoulos, ‘Cognitive Representation of Colour in Bilinguals: The Case of Greek Blues’, Bilingualism: Language and Cognition, Vol. 12, No. 1 ( 2009), 83–95. http://werkgroepovertaal.be/athanasopoulos.pdf.
Paul D. Schweizer. ‘John Constable, Rainbow Science, and English Color Theory’. The Art Bulletin, vol. 64, no. 3, 1982, pp. 424–45, http://www.jstor.org/stable/3050245?seq=1#page_scan_tab_contents.
‘Paul Smith, “Wittgenstein, Description, and Adrian Stokes (on Cézanne)”, in Paul Smith and Carolyn Wilde Eds., A Companion to Art Theory (Blackwell, 2002), 196-214.’ A Companion to Art Theory, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=nlebk&AN=90369&site=ehost-live.
Philipp Otto Runge, Farben-Kugel (Perthes, 1810). https://archive.org/details/farbenkugeloderc00rung.
Ribe, Neil, and Friedrich Steinle. ‘Exploratory Experimentation: Goethe, Land, and Color Theory’. Physics Today, vol. 55, no. 7, July 2002, pp. 43–49, https://doi.org/10.1063/1.1506750.
Richard Wollheim, ‘Adrian Stokes, Critic, Painter, Poet’, 4th William Townsend Lecture, Slade School of Art, 1978. http://www.pstokes.demon.co.uk/ads5/intro1.htm.
Riley, Charles A. Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology. electronic resource, University Press of New England, 1995, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438.
---. Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology. electronic resource, University Press of New England, 1995, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438.
---. Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology. electronic resource, University Press of New England, 1995, http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438.
Roberson, Debi, Hyensou Pak, et al. ‘Categorical Perception of Colour in the Left and Right Visual Field Is Verbally Mediated: Evidence from Korean’. Cognition, vol. 107, no. 2, May 2008, pp. 752–62, https://doi.org/10.1016/j.cognition.2007.09.001.
Roberson, Debi, Jules Davidoff, et al. ‘Color Categories: Evidence for the Cultural Relativity Hypothesis’. Cognitive Psychology, vol. 50, no. 4, June 2005, pp. 378–411, https://doi.org/10.1016/j.cogpsych.2004.10.001.
Robert Finlay. ‘Weaving the Rainbow: Visions of Color in World History’. Journal of World History, vol. 18, no. 4, 2007, pp. 383–431, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20079447?seq=1#page_scan_tab_contents.
Rolf Kuschel and Torben Monberg. ‘“We Don’t Talk Much About Colour Here”: A Study of Colour Semantics on Bellona Island’. Man, vol. 9, no. 2, 1974, pp. 213–42, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2800075?seq=1#page_scan_tab_contents.
Samuel Y. Edgerton, Jr. ‘Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine’. Journal of the Warburg and Courtauld Institutes, vol. 32, 1969, pp. 109–34, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/750609?seq=1#page_scan_tab_contents.
Semir Zeki Explains How Colour Is Represented in V4 from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_constancy_2_zeki_cn.mp4.
Sepper, Dennis L. Goethe Contra Newton: Polemics and the Project for a New Science of Color. Cambridge University Press, 1988, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511624858.
---. Goethe Contra Newton: Polemics and the Project for a New Science of Color. Cambridge University Press, 2002.
Serge Caparos on the Himba People’s Colour Perception from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_diswys_language_himba.mp4.
Smith, Paul, and Georges Seurat. Seurat and the Avant-Garde. Yale University Press, 1997.
Stokes, Adrian. Colour and Form. Faber & Faber Ltd, 1937.
Stokes, Adrian Durham, and John Piper. Venice. Duckworth, 1965.
Terry Regier, Paul Kay and Naveen Khetarpal. ‘Color Naming Reflects Optimal Partitions of Color Space’. Proceedings of the National Academy of Sciences of the United States of America, vol. 104, no. 4, 2007, pp. 1436–41, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25426301?seq=1#page_scan_tab_contents.
Terry Regier, Paul Kay and Richard S. Cook. ‘Focal Colors Are Universal after All’. Proceedings of the National Academy of Sciences of the United States of America, vol. 102, no. 23, 2005, pp. 8386–91, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3375848?seq=1#page_scan_tab_contents.
Thomas Young. ‘The Bakerian Lecture: On the Theory of Light and Colours’. Philosophical Transactions of the Royal Society of London, vol. 92, 1802, pp. 12–48, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/107113?seq=1#page_scan_tab_contents.
Véronique Foti, ‘The Dimension of Colour’, in Galen A. Johnson Ed., The Merleau-Ponty Aesthetics Reader (Northwestern University Press, 1993), 293-308. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha3c2/fti_v_1993.pdf.
Wai Ting Siok, Paul Kay, William S. Y. Wang, Alice H. D. Chan, Lin Chen, Kang-Kwong Luke, Li Hai Tan and Paul Kay. ‘Language Regions of Brain Are Operative in Color Perception’. Proceedings of the National Academy of Sciences of the United States of America, vol. 106, no. 20, 2009, pp. 8140–46, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40483051?seq=1#page_scan_tab_contents.
Wollheim, R., ‘Adrian Stokes’ in On Art and the Mind, 315-35. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2a1/wollheim_r_1973.pdf.
Zeki, Semir. Inner Vision: An Exploration of Art and the Brain. Oxford University Press, 1999.