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Anna Franklin explains how we are born with colour categories from BBC TV Horizon: Do You See What I See (8 August 2011). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_diswys_language_franklin.mp4.
Anya Hurlbert on how artists suspend colour constancy from BBC TV Horizon: Do You See What I See (8 August 2011). (no date). Available at: http://www.bbc.co.uk/programmes/p00jp964.
Anya Hurlbert shows how colour constancy involves knowledge of object colour from BBC TV Horizon: Do You See What I See (8 August 2011). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_diswys_constancy_hurlbert.mp4.
Aristotle, On Colours, in The Works of Aristotle VI: Opuscula, trans. William David Ross (Carendon Press, 1913). (no date). Available at: https://archive.org/details/worksaristotle00arisuoft.
Backhaus, W., Kliegl, R. and Werner, J.S. (1998a) Color vision: perspectives from different disciplines. Berlin: Walter de Gruyter.
Backhaus, W., Kliegl, R. and Werner, J.S. (1998b) Color vision: perspectives from different disciplines. Berlin: Walter de Gruyter.
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Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press (no date a). Available at: http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press (no date b). Available at: http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press (no date c). Available at: http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press (no date d). Available at: http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819.
Demonstration of successive contrast from BBC TV Horizon: Colourful Notions (7 January 1985). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_successive_contrast_cn.mp4.
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Edwin Land explains his ‘retinex’ experiment from BBC TV Horizon: Colourful Notions (7 January 1985). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/05_land_retinex.mp4.
Edwin Land explains how ‘designator’ values ensure colour constancy from BBC TV Horizon: Colourful Notions (7 January 1985). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/09_constancy_4_land_ratios.mp4.
Edwin Land, ‘The Retinex Theory of Color Vision’, Scientific American, vol. 237, no. 6 (December 1977), 108-28. (no date). Available at: http://xa.yimg.com/kq/groups/18365325/470399326/name/E.Land_-_Retinex_Theory%25255B1%25255D.pdf.
Edwin Land uses a ‘Mondrain’ to explain how the colour of an object is not a function of the (absolute) amount of light of each wavelength it reflects from BBC TV Horizon: Colourful Notions (7 January 1985). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_constancy_1_land_cn.mp4.
‘Extracts from Aristotle’s writings on colour.’ (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/aristotle_on_colour.pdf.
Gage, J. (1978) ‘COLOUR IN HISTORY: Relative and Absolute’, Art History, 1(1), pp. 104–130. Available at: https://doi.org/10.1111/j.1467-8365.1978.tb00008.x.
Gage, J. (1995a) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995b) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995c) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995d) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995e) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995f) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995g) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995h) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995i) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1995j) Colour and culture: practice and meaning from antiquity to abstraction. London: Thames and Hudson.
Gage, J. (1999a) Colour and meaning: art, science and symbolism. [London, England]: Thames and Hudson.
Gage, J. (1999b) Colour and meaning: art, science and symbolism. [London, England]: Thames and Hudson.
Gage, J. (1999c) Colour and meaning: art, science and symbolism. [London, England]: Thames and Hudson.
Gage, J. (1999d) Colour and meaning: art, science and symbolism. [London, England]: Thames and Hudson.
Gage, J. (1999e) Colour and meaning: art, science and symbolism. [London, England]: Thames and Hudson.
Gage, J. (1999f) Colour and meaning: art, science and symbolism. [London, England]: Thames and Hudson.
Gage, J. (2006) Colour in art. London: Thames & Hudson.
Gage, J. and Fitzwilliam Museum (1989) George Field and his circle: from Romanticism to the Pre-Raphaelite Brotherhood. [London]: Christies.
Gloria Saltz Merker (1967) ‘The Rainbow Mosaic at Pergamon and Aristotelian Color Theory’, American Journal of Archaeology, 71(1), pp. 81–82. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/501591?seq=1#page_scan_tab_contents.
Goethe’s shadows from BBC TV Horizon: Colourful Notions (7 January 1985). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/02_goethes_shadows_cn.mp4.
Goethe’s theory of colours : Johann Wolfgang von Goethe (no date). Available at: https://archive.org/details/goethestheoryco01goetgoog.
H. B. Gottschalk (1964) ‘The de Coloribus and Its Author’, Hermes, pp. 59–85. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4475288?seq=1#page_scan_tab_contents.
Hardin, C.L. (no date) ‘Red and yellow, green and blue, warm and cool: explaining colour appearance’, Journal of Consciousness Studies, 7(8–9), pp. 113–122. Available at: http://0-www.ingentaconnect.com.pugwash.lib.warwick.ac.uk/content/imp/jcs/2000/00000007/F0020008/1046.
Hardin, C.L. and Maffi, L. (eds) (1997) Color Categories in Thought and Language. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511519819.
Henry Guerlac (1986) ‘Can there Be Colors in the Dark? Physical Color Theory before Newton’, Journal of the History of Ideas, 47(1), pp. 3–20. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2709592?seq=1#page_scan_tab_contents.
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Interaction of Color (Yale, 1975) (no date). Available at: http://yupnet.org/interactionofcolor/.
Isaac Newton, Opticks: or a Treatise of the Reflections, Refractions, Inflections and Colours of light (Smith and Walford, 1704). (no date). Available at: https://archive.org/details/opticksortreatis00newt.
J. Carson Webster (1944) ‘The Technique of Impressionism: A Reappraisal’, College Art Journal, 4(1), pp. 3–22. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/773614.
James S. Ackerman (1980) ‘On Early Renaissance Color Theory and Practice’, Memoirs of the American Academy in Rome, 35, pp. 11–44. Available at: http://www.jstor.org/stable/4238679?seq=1#page_scan_tab_contents.
Janis Bell (1993) ‘Aristotle as a Source for Leonardo’s Theory of Colour Perspective after 1500’, Journal of the Warburg and Courtauld Institutes, 56, pp. 100–118. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/751367?seq=1#page_scan_tab_contents.
Janis C. Bell (1993) ‘Zaccolini’s Theory of Color Perspective’, The Art Bulletin, 75(1), pp. 91–112. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3045933?seq=1#page_scan_tab_contents.
John Mollon explains Additive mixture from BBC TV Horizon: Colourful Notions (7 January 1985). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/03_three_colour_mixing_cn.mp4.
‘John Mollon, “The Origins of Modern Color Science”, in S. Shevell ed., The Science of Color (Oxford: Elsevir, 2003), 1-39.’ (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/mollon_origins_of_modern_colour_science.pdf.
Jonathan Winawer, Nathan Witthoft, Michael C. Frank, Lisa Wu, Alex R. Wade and Lera Boroditsky (2007) ‘Russian Blues Reveal Effects of Language on Color Discrimination’, Proceedings of the National Academy of Sciences of the United States of America, 104(19), pp. 7780–7785. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25427570?seq=1#page_scan_tab_contents.
Joost, U., Lee, B.B. and Zaidi, Q. (2002) ‘Ulrich Joost et al., ‘Lichtenberg’s Letter to Goethe on "Färbige Schatten”’, Color Research and Application, vol. 27, no. 4 (August 2002), 300–303.’, Color Research & Application, 27(4), pp. 300–303. Available at: https://doi.org/10.1002/col.10069.
Joost Ulrich (2000) ‘"Da ich … Den bunten Schatten nachlaufe, wie ehmals als Knabe den Schmetterlingen” — Lichtenberg, Goethe, and the coloured shadows’, Color Research & Application, 26(S1), pp. S28–S31. Available at: https://doi.org/10.1002/1520-6378(2001)26:1.
Jules Davidoff on the effect of langauge on colour perception from BBC TV Horizon: Do You See What I See (8 August 2011). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/08_diswys_language_davidoff.mp4.
Kate Lancaster reconstructs Newton’s experiment from BBC Four: The Beauty of Diagrams: Newton’s Prism. (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/2_np_klancaster_demo_experimentum_crucis.mp4.
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Kuehni, R.G. and Schwarz, A. (2008b) Color ordered: a survey of color order systems from antiquity to the present [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
Kuehni, R.G. and Schwarz, A. (2008c) Color ordered: a survey of color order systems from antiquity to the present [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
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Kuehni, R.G. and Schwarz, A. (2008f) Color ordered: a survey of color order systems from antiquity to the present [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880.
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Marcus du Sautoy explains Newton’s ‘experimentum crucis’ from BBC Four: The Beauty of Diagrams: Newton’s Prism. (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/1_np_mdsautoy_experimentum_crucis.mp4.
Marcus du Sautoy on Newton’s colour circle from BBC Four: The Beauty of Diagrams: Newton’s Prism. (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/3_np_mdsautoy_colour_circle.mp4.
‘Maurice Mereau-Ponty, “Eye and Mind”, in Galen A. Johnson ed., The Merleau-Ponty Aesthetics Reader (Northwestern University Press, 1993), 121-60;’ (no date). Available at: https://pg2009.files.wordpress.com/2009/05/eye-and-mind-merleu-pontymmp-text1.pdf.
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‘Panos Athanasopoulos, “Cognitive Representation of Colour in Bilinguals: the Case of Greek Blues”, Bilingualism: Language and Cognition, vol. 12, no. 1 ( 2009), 83–95’ (no date). Available at: http://werkgroepovertaal.be/athanasopoulos.pdf.
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Riley, C.A. (1995b) Color codes: modern theories of color in philosophy, painting and architecture, literature, music and psychology [electronic resource]. Hanover, NH: University Press of New England. Available at: http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438.
Riley, C.A. (1995c) Color codes: modern theories of color in philosophy, painting and architecture, literature, music and psychology [electronic resource]. Hanover, NH: University Press of New England. Available at: http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438.
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Samuel Y. Edgerton, Jr. (1969) ‘Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine’, Journal of the Warburg and Courtauld Institutes, 32, pp. 109–134. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/750609?seq=1#page_scan_tab_contents.
Semir Zeki explains how colour is represented in V4 from BBC TV Horizon: Colourful Notions (7 January 1985). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_constancy_2_zeki_cn.mp4.
Sepper, D.L. (1988) Goethe contra Newton: Polemics and the Project for a New Science of Color. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511624858.
Sepper, D.L. (2002) Goethe contra Newton: polemics and the project for a new science of color. Cambridge: Cambridge University Press.
Serge Caparos on the Himba people’s colour perception from BBC TV Horizon: Do You See What I See (8 August 2011). (no date). Available at: http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_diswys_language_himba.mp4.
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Stokes, A. (1937) Colour and form. London: Faber & Faber Ltd.
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‘Véronique Foti, “The Dimension of Colour”, in Galen A. Johnson ed., The Merleau-Ponty Aesthetics Reader (Northwestern University Press, 1993), 293-308.’ (no date). Available at: http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha3c2/fti_v_1993.pdf.
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