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Kuehni RG, Schwarz A. Color ordered: a survey of color order systems from antiquity to the present. Oxford: : Oxford University Press 2008. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880
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Kuehni RG, Schwarz A. Color ordered: a survey of color order systems from antiquity to the present. Oxford: : Oxford University Press 2008. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880
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Aristotle, On Colours, in The Works of Aristotle VI: Opuscula, trans. William David Ross (Carendon Press, 1913). https://archive.org/details/worksaristotle00arisuoft
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Gage J. Colour and meaning: art, science and symbolism. [London, England]: : Thames and Hudson 1999.
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Gage J. Colour and culture: practice and meaning from antiquity to abstraction. London: : Thames and Hudson 1995.
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Demonstration of successive contrast from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_successive_contrast_cn.mp4
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Anna Franklin explains how we are born with colour categories from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_diswys_language_franklin.mp4
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Terry Regier, Paul Kay and Richard S. Cook. Focal Colors Are Universal after All. Proceedings of the National Academy of Sciences of the United States of America 2005;102:8386–91.http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3375848?seq=1#page_scan_tab_contents
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Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press. http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819
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Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press. http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819
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Serge Caparos on the Himba people’s colour perception from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_diswys_language_himba.mp4
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Jules Davidoff on the effect of langauge on colour perception from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/08_diswys_language_davidoff.mp4
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Anya Hurlbert shows how colour constancy involves knowledge of object colour from BBC TV Horizon: Do You See What I See (8 August 2011). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_diswys_constancy_hurlbert.mp4
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Semir Zeki explains how colour is represented in V4 from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_constancy_2_zeki_cn.mp4
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Edwin Land explains his ‘retinex’ experiment from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/05_land_retinex.mp4
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Edwin Land uses a ‘Mondrain’ to explain how the colour of an object is not a function of the (absolute) amount of light of each wavelength it reflects from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_constancy_1_land_cn.mp4
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Edwin Land explains how ‘designator’ values ensure colour constancy from BBC TV Horizon: Colourful Notions (7 January 1985). http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/09_constancy_4_land_ratios.mp4
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