@article{Alan E. Shapiro_1994, title={Artists’ Colors and Newton’s Colors}, volume={85}, url={http://www.jstor.org/stable/235280?seq=1#page_scan_tab_contents}, number={4}, journal={Isis}, author={Alan E. Shapiro}, year={1994}, pages={600–630} }
@book{Backhaus_Kliegl_Werner_1998a, address={Berlin}, title={Color vision: perspectives from different disciplines}, publisher={Walter de Gruyter}, author={Backhaus, Werner and Kliegl, Reinhold and Werner, John Simon}, year={1998} }
@book{Backhaus_Kliegl_Werner_1998b, address={Berlin}, title={Color vision: perspectives from different disciplines}, publisher={Walter de Gruyter}, author={Backhaus, Werner and Kliegl, Reinhold and Werner, John Simon}, year={1998} }
@book{Batchelor_2000, address={London}, title={Chromophobia}, volume={Focus on contemporary issues}, publisher={Reaktion}, author={Batchelor, David}, year={2000} }
@book{Baxandall_1995, address={New Haven}, title={Shadows and enlightenment}, publisher={Yale University Press}, author={Baxandall, Michael}, year={1995} }
@book{Berlin_Kay_1999, address={Stanford, Calif}, title={Basic color terms: their universality and evolution}, volume={David Hume series}, publisher={CSLI}, author={Berlin, Brent and Kay, Paul}, year={1999} }
@book{Biggam_2012, address={Cambridge}, title={The semantics of colour: a historical approach}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781139341493}, publisher={Cambridge University Press}, author={Biggam, C. P.}, year={2012} }
@book{Blonsky_1985, address={Baltimore, Md}, title={On signs}, publisher={Johns Hopkins University Press}, author={Blonsky, Marshall}, year={1985} }
@book{Cézanne_Cézanne_Smith_Athanassoglou-Kallmyer_Art Gallery of Hamilton_2014, address={[Hamilton, Ontario]}, title={The world is an apple: the still lifes of Paul Cézanne}, publisher={Art Gallery of Hamilton in association with D Giles Limited}, author={Cézanne, Philippe and Cézanne, Paul and Smith, Paul and Athanassoglou-Kallmyer, Nina M. and Art Gallery of Hamilton}, editor={Leca, Benedict}, year={2014} }
@article{Claire J. Farago_1991, title={Leonardo’s Color and Chiaroscuro Reconsidered: The Visual Force of Painted Images}, volume={73}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3045779?seq=1#page_scan_tab_contents}, number={1}, journal={The Art Bulletin}, author={Claire J. Farago}, year={1991}, pages={63–88} }
@book{Deutscher_2011, address={London}, title={Through the language glass: why the world looks different in other languages}, publisher={Arrow}, author={Deutscher, Guy}, year={2011} }
@article{Gage_1978, title={COLOUR IN HISTORY: Relative and Absolute}, volume={1}, url={http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/doi/10.1111/j.1467-8365.1978.tb00008.x/abstract}, DOI={10.1111/j.1467-8365.1978.tb00008.x}, number={1}, journal={Art History}, author={Gage, John}, year={1978}, month={Mar}, pages={104–130} }
@book{Gage_1995a, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995b, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995c, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995d, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995e, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995f, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995g, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995h, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995i, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1995j, address={London}, title={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames and Hudson}, author={Gage, John}, year={1995} }
@book{Gage_1999a, address={[London, England]}, title={Colour and meaning: art, science and symbolism}, publisher={Thames and Hudson}, author={Gage, John}, year={1999} }
@book{Gage_1999b, address={[London, England]}, title={Colour and meaning: art, science and symbolism}, publisher={Thames and Hudson}, author={Gage, John}, year={1999} }
@book{Gage_1999c, address={[London, England]}, title={Colour and meaning: art, science and symbolism}, publisher={Thames and Hudson}, author={Gage, John}, year={1999} }
@book{Gage_1999d, address={[London, England]}, title={Colour and meaning: art, science and symbolism}, publisher={Thames and Hudson}, author={Gage, John}, year={1999} }
@book{Gage_1999e, address={[London, England]}, title={Colour and meaning: art, science and symbolism}, publisher={Thames and Hudson}, author={Gage, John}, year={1999} }
@book{Gage_1999f, address={[London, England]}, title={Colour and meaning: art, science and symbolism}, publisher={Thames and Hudson}, author={Gage, John}, year={1999} }
@book{Gage_2006, address={London}, title={Colour in art}, volume={Thames&Hudson world of art}, publisher={Thames & Hudson}, author={Gage, John}, year={2006} }
@book{Gage_Fitzwilliam Museum_1989, address={[London]}, title={George Field and his circle: from Romanticism to the Pre-Raphaelite Brotherhood}, publisher={Christies}, author={Gage, John and Fitzwilliam Museum}, year={1989} }
@article{Gloria Saltz Merker_1967, title={The Rainbow Mosaic at Pergamon and Aristotelian Color Theory}, volume={71}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/501591?seq=1#page_scan_tab_contents}, number={1}, journal={American Journal of Archaeology}, author={Gloria Saltz Merker}, year={1967}, pages={81–82} }
@article{H. B. Gottschalk_1964, title={The de Coloribus and Its Author}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4475288?seq=1#page_scan_tab_contents}, journal={Hermes}, author={H. B. Gottschalk}, year={1964}, pages={59–85} }
@article{Hardin, C.L., title={Red and yellow, green and blue, warm and cool: explaining colour appearance}, volume={7}, url={http://0-www.ingentaconnect.com.pugwash.lib.warwick.ac.uk/content/imp/jcs/2000/00000007/F0020008/1046}, number={8–9}, journal={Journal of Consciousness Studies}, publisher={Imprint Academic}, author={Hardin, C.L.}, pages={113–122} }
@article{Henry Guerlac_1986, title={Can there Be Colors in the Dark? Physical Color Theory before Newton}, volume={47}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2709592?seq=1#page_scan_tab_contents}, number={1}, journal={Journal of the History of Ideas}, author={Henry Guerlac}, year={1986}, pages={3–20} }
@book{Hills_1999, address={New Haven, Conn}, title={Venetian colour: marble, mosaic, painting and glass 1250-1550}, publisher={Yale University Press}, author={Hills, Paul}, year={1999} }
@book{Hoeppe_2007, address={Princeton, N.J.}, title={Why the sky is blue: discovering the color of life}, publisher={Princeton University Press}, author={Hoeppe, Götz}, year={2007} }
@article{Hurvich_Jameson_1957, title={An opponent-process theory of color vision.}, volume={64}, DOI={10.1037/h0041403}, number={6, Pt.1}, journal={Psychological Review}, author={Hurvich, Leo M. and Jameson, Dorothea}, year={1957}, pages={384–404} }
@article{J. Carson Webster_1944, title={The Technique of Impressionism: A Reappraisal}, volume={4}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/773614}, number={1}, journal={College Art Journal}, author={J. Carson Webster}, year={1944}, pages={3–22} }
@article{James S. Ackerman_1980, title={On Early Renaissance Color Theory and Practice}, volume={35}, url={http://www.jstor.org/stable/4238679?seq=1#page_scan_tab_contents}, journal={Memoirs of the American Academy in Rome}, author={James S. Ackerman}, year={1980}, pages={11–44} }
@article{Janis Bell_1993, title={Aristotle as a Source for Leonardo’s Theory of Colour Perspective after 1500}, volume={56}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/751367?seq=1#page_scan_tab_contents}, journal={Journal of the Warburg and Courtauld Institutes}, author={Janis Bell}, year={1993}, pages={100–118} }
@article{Janis C. Bell_1993, title={Zaccolini’s Theory of Color Perspective}, volume={75}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3045933?seq=1#page_scan_tab_contents}, number={1}, journal={The Art Bulletin}, author={Janis C. Bell}, year={1993}, pages={91–112} }
@article{Jonathan Winawer, Nathan Witthoft, Michael C. Frank, Lisa Wu, Alex R. Wade and Lera Boroditsky_2007, title={Russian Blues Reveal Effects of Language on Color Discrimination}, volume={104}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25427570?seq=1#page_scan_tab_contents}, number={19}, journal={Proceedings of the National Academy of Sciences of the United States of America}, author={Jonathan Winawer, Nathan Witthoft, Michael C. Frank, Lisa Wu, Alex R. Wade and Lera Boroditsky}, year={2007}, pages={7780–7785} }
@article{Joost Ulrich_2000, title={"Da ich … Den bunten Schatten nachlaufe, wie ehmals als Knabe den Schmetterlingen” — Lichtenberg, Goethe, and the coloured shadows}, volume={26}, url={http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/doi/10.1002/1520-6378(2001)26:1%2B%3C::AID-COL7%3E3.0.CO;2-Y/abstract}, DOI={10.1002/1520-6378(2001)26:1}, number={S1}, journal={Color Research & Application}, publisher={John Wiley & Sons, Inc.}, author={Joost Ulrich}, year={2000}, pages={S28–S31} }
@article{Joost_Lee_Zaidi_2002, title={Ulrich Joost et al., ‘Lichtenberg’s Letter to Goethe on "Färbige Schatten”’, Color Research and Application, vol. 27, no. 4 (August 2002), 300–303.}, volume={27}, DOI={10.1002/col.10069}, number={4}, journal={Color Research & Application}, author={Joost, Ulrich and Lee, Barry B. and Zaidi, Qasim}, year={2002}, month={Aug}, pages={300–303} }
@article{KAY_REGIER_2006, title={Language, thought and color: recent developments}, volume={10}, DOI={10.1016/j.tics.2005.12.007}, number={2}, journal={Trends in Cognitive Sciences}, author={KAY, P and REGIER, T}, year={2006}, month={Feb}, pages={51–54} }
@book{Kemp_1990a, address={New Haven}, title={The science of art: optical themes in western art from Brunelleschi to Seurat}, publisher={Yale University Press}, author={Kemp, Martin}, year={1990} }
@book{Kemp_1990b, address={New Haven}, title={The science of art: optical themes in western art from Brunelleschi to Seurat}, publisher={Yale University Press}, author={Kemp, Martin}, year={1990} }
@book{Kemp_1990c, address={New Haven}, title={The science of art: optical themes in western art from Brunelleschi to Seurat}, publisher={Yale University Press}, author={Kemp, Martin}, year={1990} }
@book{Kemp_1990d, address={New Haven}, title={The science of art: optical themes in western art from Brunelleschi to Seurat}, publisher={Yale University Press}, author={Kemp, Martin}, year={1990} }
@article{Koenderink_2008, title={Book reviews: Review of Rolf G. Kuehni: Philipp Otto Runge’s Color Sphere; A Translation, with Related Materials and an Essay, 2008}, volume={33}, DOI={10.1002/col.20453}, number={6}, journal={Color Research & Application}, author={Koenderink, Jan}, year={2008}, month={Dec}, pages={512–513} }
@article{Kuehni_2008, title={Forgotten pioneers of color order. Part II: Matthias Klotz (1748-1821)}, volume={33}, DOI={10.1002/col.20430}, number={5}, journal={Color Research & Application}, author={Kuehni, Rolf G.}, year={2008}, month={Oct}, pages={341–345} }
@book{Kuehni, address={Hoboken, N.J.}, edition={3rd ed}, title={Color: an introduction to practice and principles}, url={http://0-onlinelibrary.Wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118533567}, publisher={Wiley}, author={Kuehni, Rolf G.} }
@book{Kuehni_Schwarz_2008a, address={Oxford}, title={Color ordered: a survey of color order systems from antiquity to the present}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880}, publisher={Oxford University Press}, author={Kuehni, Rolf G. and Schwarz, Andreas}, year={2008} }
@book{Kuehni_Schwarz_2008b, address={Oxford}, title={Color ordered: a survey of color order systems from antiquity to the present}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880}, publisher={Oxford University Press}, author={Kuehni, Rolf G. and Schwarz, Andreas}, year={2008} }
@book{Kuehni_Schwarz_2008c, address={Oxford}, title={Color ordered: a survey of color order systems from antiquity to the present}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880}, publisher={Oxford University Press}, author={Kuehni, Rolf G. and Schwarz, Andreas}, year={2008} }
@book{Kuehni_Schwarz_2008d, address={Oxford}, title={Color ordered: a survey of color order systems from antiquity to the present}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880}, publisher={Oxford University Press}, author={Kuehni, Rolf G. and Schwarz, Andreas}, year={2008} }
@book{Kuehni_Schwarz_2008e, address={Oxford}, title={Color ordered: a survey of color order systems from antiquity to the present}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880}, publisher={Oxford University Press}, author={Kuehni, Rolf G. and Schwarz, Andreas}, year={2008} }
@book{Kuehni_Schwarz_2008f, address={Oxford}, title={Color ordered: a survey of color order systems from antiquity to the present}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780198040880}, publisher={Oxford University Press}, author={Kuehni, Rolf G. and Schwarz, Andreas}, year={2008} }
@article{Leo M. Hurvich and Dorothea Jameson_1949, title={Helmholtz and the Three-Color Theory: An Historical Note}, volume={62}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1418711?seq=1#page_scan_tab_contents}, number={1}, journal={The American Journal of Psychology}, author={Leo M. Hurvich and Dorothea Jameson}, year={1949}, pages={111–114} }
@article{Max Black_1959, title={Linguistic Relativity: The Views of Benjamin Lee Whorf}, volume={68}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2182168?seq=1#page_scan_tab_contents}, number={2}, journal={The Philosophical Review}, author={Max Black}, year={1959}, pages={228–238} }
@article{Paul D. Schweizer_1982, title={John Constable, Rainbow Science, and English Color Theory}, volume={64}, url={http://www.jstor.org/stable/3050245?seq=1#page_scan_tab_contents}, number={3}, journal={The Art Bulletin}, author={Paul D. Schweizer}, year={1982}, pages={424–445} }
@article{Ribe_Steinle_2002, title={Exploratory experimentation: Goethe, Land, and color theory}, volume={55}, DOI={10.1063/1.1506750}, number={7}, journal={Physics Today}, author={Ribe, Neil and Steinle, Friedrich}, year={2002}, month={Jul}, pages={43–49} }
@book{Riley_1995a, address={Hanover, NH}, title={Color codes: modern theories of color in philosophy, painting and architecture, literature, music and psychology}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438}, publisher={University Press of New England}, author={Riley, Charles A.}, year={1995} }
@book{Riley_1995b, address={Hanover, NH}, title={Color codes: modern theories of color in philosophy, painting and architecture, literature, music and psychology}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438}, publisher={University Press of New England}, author={Riley, Charles A.}, year={1995} }
@book{Riley_1995c, address={Hanover, NH}, title={Color codes: modern theories of color in philosophy, painting and architecture, literature, music and psychology}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=34438}, publisher={University Press of New England}, author={Riley, Charles A.}, year={1995} }
@article{Roberson_Davidoff_Davies_Shapiro_2005, title={Color categories: Evidence for the cultural relativity hypothesis}, volume={50}, DOI={10.1016/j.cogpsych.2004.10.001}, number={4}, journal={Cognitive Psychology}, author={Roberson, Debi and Davidoff, Jules and Davies, Ian R.L. and Shapiro, Laura R.}, year={2005}, month={Jun}, pages={378–411} }
@article{Roberson_Pak_Hanley_2008, title={Categorical perception of colour in the left and right visual field is verbally mediated: Evidence from Korean}, volume={107}, DOI={10.1016/j.cognition.2007.09.001}, number={2}, journal={Cognition}, author={Roberson, Debi and Pak, Hyensou and Hanley, J. Richard}, year={2008}, month={May}, pages={752–762} }
@article{Robert Finlay_2007, title={Weaving the Rainbow: Visions of Color in World History}, volume={18}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20079447?seq=1#page_scan_tab_contents}, number={4}, journal={Journal of World History}, publisher={University of Hawai’i PressUniversity of Hawai’i Press}, author={Robert Finlay}, year={2007}, pages={383–431} }
@article{Rolf Kuschel and Torben Monberg_1974, title={‘We Don’t Talk Much About Colour Here’: A Study of Colour Semantics on Bellona Island}, volume={9}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2800075?seq=1#page_scan_tab_contents}, number={2}, journal={Man}, author={Rolf Kuschel and Torben Monberg}, year={1974}, pages={213–242} }
@article{Samuel Y. Edgerton, Jr._1969, title={Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine}, volume={32}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/750609?seq=1#page_scan_tab_contents}, journal={Journal of the Warburg and Courtauld Institutes}, author={Samuel Y. Edgerton, Jr.}, year={1969}, pages={109–134} }
@book{Sepper_1988, address={Cambridge}, title={Goethe contra Newton: Polemics and the Project for a New Science of Color}, url={http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511624858}, publisher={Cambridge University Press}, author={Sepper, Dennis L.}, year={1988} }
@book{Sepper_2002, address={Cambridge}, title={Goethe contra Newton: polemics and the project for a new science of color}, publisher={Cambridge University Press}, author={Sepper, Dennis L.}, year={2002} }
@book{Smith_Seurat_1997, address={New Haven}, title={Seurat and the avant-garde}, publisher={Yale University Press}, author={Smith, Paul and Seurat, Georges}, year={1997} }
@book{Stokes_1937, address={London}, title={Colour and form}, publisher={Faber & Faber Ltd}, author={Stokes, Adrian}, year={1937} }
@book{Stokes_Piper_1965, address={London}, title={Venice}, publisher={Duckworth}, author={Stokes, Adrian Durham and Piper, John}, year={1965} }
@article{Terry Regier, Paul Kay and Naveen Khetarpal_2007, title={Color Naming Reflects Optimal Partitions of Color Space}, volume={104}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25426301?seq=1#page_scan_tab_contents}, number={4}, journal={Proceedings of the National Academy of Sciences of the United States of America}, author={Terry Regier, Paul Kay and Naveen Khetarpal}, year={2007}, pages={1436–1441} }
@article{Terry Regier, Paul Kay and Richard S. Cook_2005, title={Focal Colors Are Universal after All}, volume={102}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3375848?seq=1#page_scan_tab_contents}, number={23}, journal={Proceedings of the National Academy of Sciences of the United States of America}, author={Terry Regier, Paul Kay and Richard S. Cook}, year={2005}, pages={8386–8391} }
@article{Thomas Young_1802, title={The Bakerian Lecture: On the Theory of Light and Colours}, volume={92}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/107113?seq=1#page_scan_tab_contents}, journal={Philosophical Transactions of the Royal Society of London}, author={Thomas Young}, year={1802}, pages={12–48} }
@article{Wai Ting Siok, Paul Kay, William S. Y. Wang, Alice H. D. Chan, Lin Chen, Kang-Kwong Luke, Li Hai Tan and Paul Kay_2009, title={Language Regions of Brain Are Operative in Color Perception}, volume={106}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40483051?seq=1#page_scan_tab_contents}, number={20}, journal={Proceedings of the National Academy of Sciences of the United States of America}, author={Wai Ting Siok, Paul Kay, William S. Y. Wang, Alice H. D. Chan, Lin Chen, Kang-Kwong Luke, Li Hai Tan and Paul Kay}, year={2009}, pages={8140–8146} }
@book{Zeki_1999, address={Oxford}, title={Inner vision: an exploration of art and the brain}, publisher={Oxford University Press}, author={Zeki, Semir}, year={1999} }
@book{Lamb_Bourriau_1995a, address={Cambridge}, title={Colour: art & science}, volume={The Darwin College lectures}, publisher={Cambridge University Press}, year={1995} }
@book{Lamb_Bourriau_1995b, address={Cambridge}, title={Colour: art & science}, volume={The Darwin College lectures}, publisher={Cambridge University Press}, year={1995} }
@book{Lamb_Bourriau_1995c, address={Cambridge}, title={Colour: art & science}, volume={The Darwin College lectures}, publisher={Cambridge University Press}, year={1995} }
@book{Lamb_Bourriau_1995d, address={Cambridge}, title={Colour: art & science}, volume={The Darwin College lectures}, publisher={Cambridge University Press}, year={1995} }
@book{Hardin_Maffi_1997, address={Cambridge}, title={Color Categories in Thought and Language}, url={http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511519819}, publisher={Cambridge University Press}, year={1997} }
@book{Batchelor_2008, address={London}, title={Colour}, volume={Documents of contemporary art}, publisher={Whitechapel}, year={2008} }
@misc{Aristotle, On Colours, in The Works of Aristotle VI: Opuscula, trans. William David Ross (Carendon Press, 1913)., url={https://archive.org/details/worksaristotle00arisuoft} }
@misc{Extracts from Aristotle’s writings on colour., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/aristotle_on_colour.pdf} }
@misc{Goethe’s shadows from BBC TV Horizon: Colourful Notions (7 January 1985)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/02_goethes_shadows_cn.mp4} }
@misc{Goethe’s theory of colours : Johann Wolfgang von Goethe, url={https://archive.org/details/goethestheoryco01goetgoog} }
@misc{Philipp Otto Runge, Farben-Kugel (Perthes, 1810)., url={https://archive.org/details/farbenkugeloderc00rung} }
@misc{Marcus du Sautoy on Newton’s colour circle from BBC Four: The Beauty of Diagrams: Newton’s Prism., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/3_np_mdsautoy_colour_circle.mp4} }
@misc{Marcus du Sautoy explains Newton’s ‘experimentum crucis’ from BBC Four: The Beauty of Diagrams: Newton’s Prism., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/1_np_mdsautoy_experimentum_crucis.mp4} }
@misc{Kate Lancaster reconstructs Newton’s experiment from BBC Four: The Beauty of Diagrams: Newton’s Prism., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/2_np_klancaster_demo_experimentum_crucis.mp4} }
@misc{John Mollon, ‘The Origins of Modern Color Science’, in S. Shevell ed., The Science of Color (Oxford: Elsevir, 2003), 1-39., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/mollon_origins_of_modern_colour_science.pdf} }
@misc{Isaac Newton, Opticks: or a Treatise of the Reflections, Refractions, Inflections and Colours of light (Smith and Walford, 1704)., url={https://archive.org/details/opticksortreatis00newt} }
@article{Alexandra Loske , ‘Mary Gartside: A Female Colour Theorist in Georgian England’, St Andrews Journal of Art History and Museum Studies, vol. 14 (2010), 17-30., url={http://sro.sussex.ac.uk/2510/} }
@misc{Demonstration of successive contrast from BBC TV Horizon: Colourful Notions (7 January 1985)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_successive_contrast_cn.mp4} }
@misc{John Mollon explains Additive mixture from BBC TV Horizon: Colourful Notions (7 January 1985)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/03_three_colour_mixing_cn.mp4} }
@misc{Anna Franklin explains how we are born with colour categories from BBC TV Horizon: Do You See What I See (8 August 2011)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/04_diswys_language_franklin.mp4} }
@misc{Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press, url={http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819} }
@misc{Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press, url={http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819} }
@misc{Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press, url={http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819} }
@misc{Serge Caparos on the Himba people’s colour perception from BBC TV Horizon: Do You See What I See (8 August 2011)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_diswys_language_himba.mp4} }
@misc{Jules Davidoff on the effect of langauge on colour perception from BBC TV Horizon: Do You See What I See (8 August 2011)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/08_diswys_language_davidoff.mp4} }
@misc{Panos Athanasopoulos, ‘Cognitive Representation of Colour in Bilinguals: the Case of Greek Blues’, Bilingualism: Language and Cognition, vol. 12, no. 1 ( 2009), 83–95, url={http://werkgroepovertaal.be/athanasopoulos.pdf} }
@misc{Color Categories in Thought and Language - Cambridge Books Online - Cambridge University Press, url={http://0-ebooks.cambridge.org.pugwash.lib.warwick.ac.uk/ebook.jsf?bid=CBO9780511519819} }
@misc{Anya Hurlbert on how artists suspend colour constancy from BBC TV Horizon: Do You See What I See (8 August 2011)., url={http://www.bbc.co.uk/programmes/p00jp964} }
@misc{Anya Hurlbert shows how colour constancy involves knowledge of object colour from BBC TV Horizon: Do You See What I See (8 August 2011)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_diswys_constancy_hurlbert.mp4} }
@misc{Semir Zeki explains how colour is represented in V4 from BBC TV Horizon: Colourful Notions (7 January 1985)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/07_constancy_2_zeki_cn.mp4} }
@misc{Edwin Land explains his ‘retinex’ experiment from BBC TV Horizon: Colourful Notions (7 January 1985)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/05_land_retinex.mp4} }
@misc{Edwin Land uses a ‘Mondrain’ to explain how the colour of an object is not a function of the (absolute) amount of light of each wavelength it reflects from BBC TV Horizon: Colourful Notions (7 January 1985)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/06_constancy_1_land_cn.mp4} }
@misc{Edwin Land explains how ‘designator’ values ensure colour constancy from BBC TV Horizon: Colourful Notions (7 January 1985)., url={http://www2.warwick.ac.uk/fac/arts/arthistory/studentpages/ug/modules15-16/colour/classlist/09_constancy_4_land_ratios.mp4} }
@misc{Edwin Land, ‘The Retinex Theory of Color Vision’, Scientific American, vol. 237, no. 6 (December 1977), 108-28., url={http://xa.yimg.com/kq/groups/18365325/470399326/name/E.Land_-_Retinex_Theory%25255B1%25255D.pdf} }
@misc{Interaction of Color (Yale, 1975), url={http://yupnet.org/interactionofcolor/} }
@misc{Oliver Sachs, ‘The Case of the Colourblind Painter’, New York Review of Books, 19 November, 1987, 32., url={https://people.rit.edu/wlrgsh/Sacks.pdf} }
@misc{Maurice Mereau-Ponty, ‘Eye and Mind’, in Galen A. Johnson ed., The Merleau-Ponty Aesthetics Reader (Northwestern University Press, 1993), 121-60;, url={https://pg2009.files.wordpress.com/2009/05/eye-and-mind-merleu-pontymmp-text1.pdf} }
@misc{Véronique Foti, ‘The Dimension of Colour’, in Galen A. Johnson ed., The Merleau-Ponty Aesthetics Reader (Northwestern University Press, 1993), 293-308., url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha3c2/fti_v_1993.pdf} }
@misc{Wollheim, R., ‘Adrian Stokes’ in On Art and the Mind, 315-35., url={http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha2a1/wollheim_r_1973.pdf} }
@misc{Richard Wollheim, ‘Adrian Stokes, Critic, Painter, Poet’, 4th William Townsend lecture, Slade School of Art, 1978., url={http://www.pstokes.demon.co.uk/ads5/intro1.htm} }
@article{Paul Smith, ‘Wittgenstein, Description, and Adrian Stokes (on Cézanne)’, in Paul Smith and Carolyn Wilde eds., A Companion to Art Theory (Blackwell, 2002), 196-214., url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=nlebk&AN=90369&site=ehost-live}, journal={A Companion to Art Theory} }
