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Billington, Michael. State of the Nation: British Theatre since 1945. Faber, 2007.
Blandford, Steven. Film, Drama and the Break-up of Britain. Intellect, 2007, http://lib.myilibrary.com/browse/open.asp?id=74769&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
---. Theatre and Performance in Small Nations. Intellect, 2013, https://go.exlibris.link/jQcNK0Gg.
Blythe, Alecky. Little Revolution. Nick Hern Books, 2014, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872229.
Brown, Ian, editor. From Tartan to Tartanry: Scottish Culture, History and Myth. Edinburgh University Press, 2012, https://go.exlibris.link/XqMz5BhV.
---. Scottish Theatre: Diversity, Language, Continuity. Rodopi, 2013, http://warw.eblib.com/patron/FullRecord.aspx?p=1769083.
Brown, Ian, and Alan Riach. Edinburgh Companion to Twentieth-Century Scottish Literature. Edinburgh University Press, 2009, http://lib.myilibrary.com/browse/open.asp?id=270307&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
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Burke, Gregory. Gagarin Way. Faber and Faber, 2001, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2697628.
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Coulter, Colin. Contemporary Northern Irish Society: An Introduction. Pluto, 1999, http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=3386087.
Coulter, Colin, and Michael Murray. Northern Ireland after the Troubles: A Society in Transition. Manchester University Press, 2008, http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=4705533.
Crouch, Tim. Plays One. Oberon, 2012, http://warw.eblib.com/patron/FullRecord.aspx?p=1623737.
Curtis, Tony. Wales, the Imagined Nation: Studies in Cultural and National Identity. Poetry Wales Press, 1986.
Darwin, J. ‘Ch.2: Domestic Politics and Britain’s Imperial Retreat’. The End of the British Empire: The Historical Debate, vol. Making contemporary Britain, Basil Blackwell, 1991, pp. 10–39, https://contentstore.cla.co.uk/secure/link?id=97b007a7-1f50-e611-80c6-005056af4099.
Davies, Hazel Walford. Now You’re Talking: Contemporary Welsh Dramatists in Conversation with Hazel Walford Davies. Parthian, 2005.
---. State of Play: Four Playwrights of Wales. Gomer, 1998.
Davies, John. A History of Wales. Penguin, 1994.
Devine, T. M., and Richard J. Finlay. Scotland in the Twentieth Century. Edinburgh University Press, 1996.
Dunbar, Andrea, and Robin Soans. Rita, Sue and Bob Too. Methuen, 2000.
Dunkerley, David, and Andrew Thompson. Wales Today. electronic resource, University of Wales Press, 1999, http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=27320.
Evans, D. Gareth. A History of Wales, 1906-2000. University of Wales Press, 2000, http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=27320.
Fall, Nadia. Home. Nick Hern Books, 2013, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872185.
Ferguson, William. The Identity of the Scottish Nation: An Historic Quest. Edinburgh University Press, 1998.
Fevre, Ralph, and Andrew Thompson. Nation, Identity and Social Theory: Perspectives from Wales. University of Wales Press, 1999.
Gardiner, Michael. Modern Scottish Culture. Edinburgh University Press, 2005, https://go.exlibris.link/5DVvL6YZ.
Gellner, Ernest, and John Breuilly. Nations and Nationalism. 2nd ed, vol. New perspectives on the past, Cornell University Press, 2008.
Gilroy, P. ‘Ch.3: Has It Come To This?’ After Empire: Melancholia or Convivial Culture?, Routledge, 2004, pp. 95–132, https://contentstore.cla.co.uk/secure/link?id=f3ab94a5-9543-e611-80bd-0cc47a6bddeb.
Gounaridou, Kiki. Staging Nationalism: Essays on Theatre and National Identity. McFarland & Co, 2005.
Green, Debbie Tucker. Stoning Mary. Nick Hern, 2005, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872338.
Grosby, Steven Elliott. Nationalism: A Very Short Introduction. Oxford University Press, 2005, https://pugwash.lib.warwick.ac.uk/record=b2680107.
Guibernau, M. ‘Ch.7: Globalization, Modernity and National Identity’. Nationalisms: The Nation-State and Nationalism in the Twentieth Century, Polity, 1996, pp. 128–38, https://contentstore.cla.co.uk/secure/link?id=36f9f5f1-9843-e611-80bd-0cc47a6bddeb.
Hall, Lee, and William Feaver. The Pitmen Painters. Faber and Faber, 2008.
Harvie, J. ‘Ch.3: Remembering the Nations: Site-Specific Performance, Memory, and Identities’. Staging the UK, Manchester University Press, 2005, pp. 41–53, https://contentstore.cla.co.uk/secure/link?id=3bc4f2c8-9b43-e611-80bd-0cc47a6bddeb.
Harvie, Jen. Staging the UK. Manchester University Press, 2005.
Herbert, Trevor, and Gareth Elwyn Jones. Post-War Wales. University of Wales Press, 1995.
Hirst, P., and G. Thompson. ‘Introduction: Globalization - a Necessary Myth?’ Globalization in Question: The International Economy and the Possibilities of Governance, 2nd ed, Polity Press, 1999, pp. 1–18, https://contentstore.cla.co.uk/secure/link?id=eec96ce4-9d43-e611-80bd-0cc47a6bddeb.
Hobsbawm, E. J. Nations and Nationalism since 1780: Programme, Myth, Reality. 2nd ed, Cambridge University Press, 1992, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781107295582.
Holdsworth, Nadine. Theatre & Nation. Palgrave Macmillan, 2010.
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Holdsworth, Nadine, and Mary Luckhurst. A Concise Companion to Contemporary British and Irish Drama. Blackwell, 2007, http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470690987.
Hooker, Jeremy. Imagining Wales: A View of Modern Welsh Writing in English. University of Wales Press, 2001.
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Hurley, Erin. National Performance: Representing Quebec from Expo 67 to Céline Dion. University of Toronto Press, 2010, http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=4672461.
Hutchinson, John, and Anthony D. Smith. Nationalism. Oxford University Press, 1994.
Johnes, Martin. Wales since 1939. Manchester University Press, 2012.
Jones, A. ‘Ch.3: The English National Theatre: O Brave New World, That Has Such People in’t.’ National Theatres in Context: France, Germany, England and Wales, University of Wales Press, 2007, pp. 90–128, https://contentstore.cla.co.uk/secure/link?id=1a432228-a343-e611-80bd-0cc47a6bddeb.
Jones, Anwen. National Theatres in Context: France, Germany, England and Wales. University of Wales Press, 2007.
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Kershaw, B. ‘Ch.5: Consolidation in the 1970’s: The Popular Political Theatre of John McGrath and the 7:84 Theatre Company’. The Politics of Performance: Radical Theatre as Cultural Intervention, Routledge, 1992, pp. 132–67, https://contentstore.cla.co.uk/secure/link?id=3ed51c9f-a543-e611-80bd-0cc47a6bddeb.
---. ‘Section in Ch.5.: John McGrath Sets up 7:84 (Scotland)’. The Politics of Performance: Radical Theatre as Cultural Intervention, Routledge, 1992, pp. 148–67, https://contentstore.cla.co.uk/secure/link?id=9a6e52a9-a543-e611-80bd-0cc47a6bddeb.
Kershaw, Baz. The Politics of Performance: Radical Theatre as Cultural Intervention. Routledge, 1992, http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
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Stevenson, Randall, and Gavin Wallace. Scottish Theatre since the Seventies. Edinburgh University Press, 1996, https://pugwash.lib.warwick.ac.uk/record=b3741628.
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---. Writing & Rewriting National Theatre Histories. University of Iowa Press, 2004, http://0-www.palgraveconnect.com.pugwash.lib.warwick.ac.uk/doifinder/10.1057/9780230582910.
