Aaron, Jane, and Chris Williams. 2005. Postcolonial Wales. Cardiff: University of Wales Press. http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=144799.
Adams, David. 1996. Stage Welsh: Nation, Nationalism and Theatre : The Search for Cultural Identity. Vol. Changing Wales. Llandysul: Gomer.
Anderson, Benedict R. O’G. 2006. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London: Verso. http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.01609.0001.001.
Aughey, Arthur. 2007. The Politics of Englishness. Manchester: Manchester University Press. http://warw.eblib.com/patron/FullRecord.aspx?p=1069506.
Balakrishnan, Gopal. 1996. Mapping the Nation. London: Verso.
Bayley, Clare. 2009. The Container. Revised edition. London: Nick Hern Books.
Bean, Richard. 2009. England People Very Nice. Vol. Oberon modern plays. London: Oberon. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2875991.
Beddoe, D. 1986. ‘Images of Welsh Women’. In Wales, the Imagined Nation: Studies in Cultural and National Identity, 227–38. Bridgend, Mid Glamorgan: Poetry Wales Press. https://contentstore.cla.co.uk/secure/link?id=724b7767-8343-e611-80bd-0cc47a6bddeb.
Bew, Paul. 2007. Ireland: The Politics of Enmity, 1789-2006. Vol. Oxford history of modern Europe. Oxford: Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191518669.
Bhabha, Homi K. 1990. Nation and Narration. London: Routledge. https://pugwash.lib.warwick.ac.uk/record=b2680096.
Bhopal, K., and M. Myers. 2008. ‘Ch.7: The Outsider in Multicultural Society’. In Insiders, Outsiders and Others: Gypsies and Identity, 175–99. Hatfield: University of Hertfordshire Press. https://contentstore.cla.co.uk/secure/link?id=65a8ae22-8443-e611-80bd-0cc47a6bddeb.
Billington, Michael. 2007. State of the Nation: British Theatre since 1945. London: Faber.
Blandford, Steven. 2007. Film, Drama and the Break-up of Britain. Bristol, UK: Intellect. http://lib.myilibrary.com/browse/open.asp?id=74769&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
———. 2013. Theatre and Performance in Small Nations. Bristol, UK: Intellect. https://go.exlibris.link/jQcNK0Gg.
Blythe, Alecky. 2014. Little Revolution. Vol. NHB modern plays. London: Nick Hern Books. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872229.
Brown, Ian, ed. 2012. From Tartan to Tartanry: Scottish Culture, History and Myth. Edinburgh: Edinburgh University Press. https://go.exlibris.link/XqMz5BhV.
———. 2013. Scottish Theatre: Diversity, Language, Continuity. Vol. Scottish cultural review of language and literature. Amsterdam: Rodopi. http://warw.eblib.com/patron/FullRecord.aspx?p=1769083.
Brown, Ian, and Alan Riach. 2009. Edinburgh Companion to Twentieth-Century Scottish Literature. Vol. Edinburgh companions to Scottish literature. Edinburgh: Edinburgh University Press. http://lib.myilibrary.com/browse/open.asp?id=270307&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Bryant, Christopher G. A. 2006. The Nations of Britain. Oxford: Oxford University Press.
Burke, Gregory. 2001. Gagarin Way. London: Faber and Faber. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2697628.
Colls, Robert. 2002. Identity of England. Oxford: Oxford University Press. https://pugwash.lib.warwick.ac.uk/record=b2680097.
———. 2004. Identity of England. Electronic resource. Oxford: Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191554124.
Coulter, Colin. 1999. Contemporary Northern Irish Society: An Introduction. Vol. Contemporary Irish studies. London: Pluto. http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=3386087.
Coulter, Colin, and Michael Murray. 2008. Northern Ireland after the Troubles: A Society in Transition. Manchester: Manchester University Press. http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=4705533.
Crouch, Tim. 2012. Plays One. Vol. Oberon modern playwrights. London: Oberon. http://warw.eblib.com/patron/FullRecord.aspx?p=1623737.
Curtis, Tony. 1986. Wales, the Imagined Nation: Studies in Cultural and National Identity. Bridgend, Mid Glamorgan: Poetry Wales Press.
Darwin, J. 1991. ‘Ch.2: Domestic Politics and Britain’s Imperial Retreat’. In The End of the British Empire: The Historical Debate, Making contemporary Britain:10–39. Oxford: Basil Blackwell. https://contentstore.cla.co.uk/secure/link?id=97b007a7-1f50-e611-80c6-005056af4099.
Davies, Hazel Walford. 1998. State of Play: Four Playwrights of Wales. Llandysul: Gomer.
———. 2005. Now You’re Talking: Contemporary Welsh Dramatists in Conversation with Hazel Walford Davies. Cardigan: Parthian.
Davies, John. 1994. A History of Wales. London: Penguin.
Devine, T. M., and Richard J. Finlay. 1996. Scotland in the Twentieth Century. Edinburgh: Edinburgh University Press.
Dunbar, Andrea, and Robin Soans. 2000. Rita, Sue and Bob Too. London: Methuen.
Dunkerley, David, and Andrew Thompson. 1999. Wales Today. Electronic resource. Cardiff: University of Wales Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=27320.
Evans, D. Gareth. 2000. A History of Wales, 1906-2000. Vol. Welsh history text books. Cardiff: University of Wales Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=27320.
Fall, Nadia. 2013. Home. London: Nick Hern Books. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872185.
Ferguson, William. 1998. The Identity of the Scottish Nation: An Historic Quest. Edinburgh: Edinburgh University Press.
Fevre, Ralph, and Andrew Thompson. 1999. Nation, Identity and Social Theory: Perspectives from Wales. Cardiff: University of Wales Press.
Gardiner, Michael. 2005. Modern Scottish Culture. Edinburgh: Edinburgh University Press. https://go.exlibris.link/5DVvL6YZ.
Gellner, Ernest, and John Breuilly. 2008. Nations and Nationalism. 2nd ed. Vol. New perspectives on the past. Ithaca, N.Y.: Cornell University Press.
Gilroy, P. 2004. ‘Ch.3: Has It Come To This?’ In After Empire: Melancholia or Convivial Culture?, 95–132. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=f3ab94a5-9543-e611-80bd-0cc47a6bddeb.
Gounaridou, Kiki. 2005. Staging Nationalism: Essays on Theatre and National Identity. Jefferson, N.C.: McFarland & Co.
Green, Debbie Tucker. 2005. Stoning Mary. London: Nick Hern. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872338.
Grosby, Steven Elliott. 2005. Nationalism: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press. https://pugwash.lib.warwick.ac.uk/record=b2680107.
Guibernau, M. 1996. ‘Ch.7: Globalization, Modernity and National Identity’. In Nationalisms: The Nation-State and Nationalism in the Twentieth Century, 128–38. Cambridge: Polity. https://contentstore.cla.co.uk/secure/link?id=36f9f5f1-9843-e611-80bd-0cc47a6bddeb.
Hall, Lee, and William Feaver. 2008. The Pitmen Painters. Vol. FF plays. London: Faber and Faber.
Harvie, J. 2005. ‘Ch.3: Remembering the Nations: Site-Specific Performance, Memory, and Identities’. In Staging the UK, 41–53. Manchester: Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=3bc4f2c8-9b43-e611-80bd-0cc47a6bddeb.
Harvie, Jen. 2005. Staging the UK. Manchester: Manchester University Press.
Herbert, Trevor, and Gareth Elwyn Jones. 1995. Post-War Wales. Vol. Welsh history and its sources. Cardiff: University of Wales Press.
Hirst, P., and G. Thompson. 1999. ‘Introduction: Globalization - a Necessary Myth?’ In Globalization in Question: The International Economy and the Possibilities of Governance, 2nd ed, 1–18. Malden, Mass: Polity Press. https://contentstore.cla.co.uk/secure/link?id=eec96ce4-9d43-e611-80bd-0cc47a6bddeb.
Hobsbawm, E. J. 1992. Nations and Nationalism since 1780: Programme, Myth, Reality. 2nd ed. Cambridge [England]: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781107295582.
Holdsworth, Nadine. 2010. Theatre & Nation. Vol. Theatre&. Basingstoke: Palgrave Macmillan.
———. 2014a. Theatre and National Identity: Re-Imagining Conceptions of Nation. Electronic resource. Vol. Routledge advances in theatre&performance studies. New York: Routledge. http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203366219.
———, ed. 2014b. Theatre and National Identity: Re-Imagining Conceptions of Nation. Vol. Routledge Advances in Theatre&Performance Studies. New York: Routledge.
Holdsworth, Nadine, and Mary Luckhurst. 2007. A Concise Companion to Contemporary British and Irish Drama. Oxford: Blackwell. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470690987.
Hooker, Jeremy. 2001. Imagining Wales: A View of Modern Welsh Writing in English. Cardiff: University of Wales Press.
Howard, Philip, and Stephen Greenhorn. 1998. Scotland Plays: New Scottish Drama. London: Nick Hern.
Hughes, Eamonn. 1991. Culture and Politics in Northern Ireland, 1960-1990. Vol. Ideas and production. Milton Keynes: Open University Press in collaboration with Anglia Higher Education College.
Hurley, Erin. 2010. National Performance: Representing Quebec from Expo 67 to Céline Dion. Vol. Cultural spaces. Toronto: University of Toronto Press. http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=4672461.
Hutchinson, John, and Anthony D. Smith. 1994. Nationalism. Vol. Oxford readers. Oxford: Oxford University Press.
Johnes, Martin. 2012. Wales since 1939. Manchester, UK: Manchester University Press.
Jones, A. 2007. ‘Ch.3: The English National Theatre: O Brave New World, That Has Such People in’t.’ In National Theatres in Context: France, Germany, England and Wales, 90–128. Cardiff: University of Wales Press. https://contentstore.cla.co.uk/secure/link?id=1a432228-a343-e611-80bd-0cc47a6bddeb.
Jones, Anwen. 2007. National Theatres in Context: France, Germany, England and Wales. Cardiff: University of Wales Press.
Jordan, Eamonn and Arts Council of Ireland. 2000. Theatre Stuff: Critical Essays on Contemporary Irish Theatre. Dublin: Carysfort Press.
Kershaw, B. 1992a. ‘Ch.5: Consolidation in the 1970’s: The Popular Political Theatre of John McGrath and the 7:84 Theatre Company’. In The Politics of Performance: Radical Theatre as Cultural Intervention, 132–67. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=3ed51c9f-a543-e611-80bd-0cc47a6bddeb.
———. 1992b. ‘Section in Ch.5.: John McGrath Sets up 7:84 (Scotland)’. In The Politics of Performance: Radical Theatre as Cultural Intervention, 148–67. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=9a6e52a9-a543-e611-80bd-0cc47a6bddeb.
Kershaw, Baz. 1992. The Politics of Performance: Radical Theatre as Cultural Intervention. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Kruger, Loren. 1992. The National Stage: Theatre and Cultural Legitimation in England, France, and America. Chicago: University of Chicago Press.
Kumar, Krishan. 2003. The Making of English National Identity. Vol. Cambridge cultural social studies. Cambridge: Cambridge University Press. https://pugwash.lib.warwick.ac.uk/record=b2781604.
Llewellyn-Jones, Margaret. 2002. Contemporary Irish Drama & Cultural Identity. Bristol: Intellect. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781841508245.
Lord, Peter. 2000. The Visual Culture of Wales: Imaging the Nation. Cardiff: University of Wales Press.
Lustgarten, Anders. 2015. Lampedusa. Vol. Modern plays. London, England: Bloomsbury.
Maguire, Tom. 2006. Making Theatre in Northern Ireland: Through and beyond the Troubles. Exeter: University of Exeter Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2868924__SMaking%20theatre%20in%20Northern%20Ireland%3A%20through%20and%20beyond%20the%20troubles__Orightresult__U__X4?lang=eng&suite=cobalt.
McCrone, David. 1992. Understanding Scotland: The Sociology of a Stateless Nation. Vol. International library of sociology. London: Routledge.
———. 1998. The Sociology of Nationalism: Tomorrow’s Ancestors. Vol. International library of sociology. London: Routledge. https://go.exlibris.link/j1lhDmCT.
———. 2001. Understanding Scotland: The Sociology of a Nation. 2nd ed. Vol. International library of sociology. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=32285&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
McKenna, Bernard. 2003. Rupture, Representation, and the Refashioning of Identity in Drama from the North of Ireland, 1969-1994. Vol. Contributions in drama and theatre studies. Westport, Conn: Praeger.
McKittrick, David, and David McVea. 2001. Making Sense of the Troubles. Rev ed. London: Penguin.
Milling, Jane, Peter Thomson, and Joseph W. Donohue. 2004. The Cambridge History of British Theatre. Cambridge: Cambridge University Press. http://0-universitypublishingonline.org.pugwash.lib.warwick.ac.uk/cambridge/histories.
Morash, Chris, and Shaun Richards. 2013. Mapping Irish Theatre: Theories of Space and Place. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781139600309.
Morgan, Kenneth O. 1981. Rebirth of a Nation: Wales 1880-1980. Vol. The History of Wales. Oxford: Clarendon Press.
Nellhaus, Tobin, Bruce A. McConachie, Carol Fisher Sorgenfrei, and Tamara L. Underiner, eds. 2016. Theatre Histories: An Introduction. Third edition. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876058.
O’Casey, Sean, and Christopher Murray. 1998. Three Dublin Plays: The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars. London: Faber and Faber.
Ogden, G. 1998. ‘America and the Theatre of Small Nations’. In State of Play: Four Playwrights of Wales, 416–27. Llandysul: Gomer. https://contentstore.cla.co.uk/secure/link?id=1f5c9963-ba43-e611-80bd-0cc47a6bddeb.
Paxman, Jeremy. 2007. The English: A Portrait of a People. London: Viking.
Perryman, Mark. 2008. Imagined Nation: England after Britain. London: Lawrence & Wishart.
Pittin-Hédon, Marie-Odile. 2015. The Space of Fiction: Voices from Scotland in a Post-Devolution Age. Glasgow: Scottish Literature International.
Plater, Alan, Sid Chaplin, and Alex Glasgow. 2000. Close the Coalhouse Door: A Stage Play in Three Acts. Newcastle-upon-Tyne: Bloodaxe.
Poggi, Valentina, and Margaret Rose. 2000. A Theatre That Matters: Twentieth-Century Scottish Drama and Theatre. 1. ed. Vol. Biblioteca di anglistica. Milano: Unicopli.
Povey, Meic. 2003. Indian Country. Cardiff: Sgript Cymru.
Powell, Jonathan. 2008. Great Hatred, Little Room: Making Peace in Northern Ireland. London: Bodley Head.
Rebellato, Dan. 2009. Theatre & Globalization. Vol. Theatre&series. Basingstoke: Palgrave Macmillan.
Reid, Trish. 2013. Theatre & Scotland. Vol. Theatre&. Basingstoke, Hampshire: Palgrave Macmillan. https://pugwash.lib.warwick.ac.uk/record=b3053957.
Roms, H. 2007. ‘Ch.6: Staging an Urban Nation: Place and Identity in Contemporary Welsh Theatre’. In A Concise Companion to Contemporary British and Irish Drama, 107–24. Oxford: Blackwell. https://contentstore.cla.co.uk/secure/link?id=8d62f21e-c843-e611-80bd-0cc47a6bddeb.
Schoene-Harwood, Berthold, ed. 2007. The Edinburgh Companion to Contemporary Scottish Literature. Edinburgh: Edinburgh University Press. https://pugwash.lib.warwick.ac.uk/record=b3053957.
Seaton, Somalia, and Fraser Grace. 2016. Making Mischief. Vol. Oberon modern playwrights. London: Oberon Books.
Shirlow, P. 2008. ‘Ch.4: Belfast: A Segregated City’. In Northern Ireland after the Troubles: A Society in Transition, 73–87. Manchester: Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=c89e2925-2150-e611-80c6-005056af4099.
Sierz, Aleks. 2011. Rewriting the Nation: British Theatre Today. Vol. Plays and playwrights. London: Methuen Drama. http://0-www.dramaonlinelibrary.com.pugwash.lib.warwick.ac.uk/context-and-criticism/rewriting-the-nation-iid-11589.
Slovo, Gillian. 2011. The Riots: From Spoken Evidence. Vol. Oberon modern plays. London: Oberon Books.
Smith, Anthony D. 1991. National Identity. London: Penguin.
———. 2010. Nationalism: Theory, Ideology, History. 2nd ed. Vol. Key concepts. Cambridge, UK: Polity. http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=1184135.
Stevenson, Randall, and Gavin Wallace. 1996. Scottish Theatre since the Seventies. Edinburgh: Edinburgh University Press. https://pugwash.lib.warwick.ac.uk/record=b3741628.
Stewart, Ena Lamont. 1983. Men Should Weep: A Play. London: Samuel French Ltd.
Taylor, Anna-Marie. 1997. Staging Wales: Welsh Theatre 1979-1997. Cardiff: University of Wales Press.
Tombs, Robert. 2015. The English and Their History. London: Penguin Books.
Wallace, Clare. 2013. The Theatre of David Greig. Vol. Critical companions. London, UK: Bloomsbury.
Williams, C. 2005. ‘Ch.1: Problematizing Wales: An Exploration in Historiography and Postcoloniality’. In Postcolonial Wales, 3–22. Cardiff: University of Wales Press. https://contentstore.cla.co.uk/secure/link?id=23225ede-e343-e611-80bd-0cc47a6bddeb.
Williams, Gwyn A. 1985. When Was Wales?: A History of the Welsh. London: Black Raven.
Wilmer, S. E. 2004. Writing & Rewriting National Theatre Histories. Vol. Studies in theatre history and culture. Iowa City: University of Iowa Press. http://0-www.palgraveconnect.com.pugwash.lib.warwick.ac.uk/doifinder/10.1057/9780230582910.
———. 2008. National Theatres in a Changing Europe. Basingstoke: Palgrave Macmillan. http://0-www.palgraveconnect.com.pugwash.lib.warwick.ac.uk/doifinder/10.1057/9780230582910.
