Bibliography for TH316: Theatre and National Identities BETA

Aaron, J. and Williams, C. (2005) Postcolonial Wales. Cardiff: University of Wales Press. Available at: http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=144799.

Adams, D. (1996) Stage Welsh: nation, nationalism and theatre : the search for cultural identity. Llandysul: Gomer.

Anderson, B.R.O. (2006) Imagined communities: reflections on the origin and spread of nationalism. Rev. ed. London: Verso. Available at: http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.01609.0001.001.

Aughey, A. (2007) The politics of Englishness. Manchester: Manchester University Press. Available at: http://warw.eblib.com/patron/FullRecord.aspx?p=1069506.

Balakrishnan, G. (1996) Mapping the nation. London: Verso.

Bayley, C. (2009) The container. Revised edition. London: Nick Hern Books.

Bean, R. (2009) England people very nice. London: Oberon. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2875991.

Beddoe, D. (1986) ‘Images of Welsh Women’, in Wales, the imagined nation: studies in cultural and national identity. Bridgend, Mid Glamorgan: Poetry Wales Press, pp. 227–238. Available at: https://contentstore.cla.co.uk/secure/link?id=724b7767-8343-e611-80bd-0cc47a6bddeb.

Bew, P. (2007) Ireland: the politics of enmity, 1789-2006. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191518669.

Bhabha, H.K. (1990) Nation and narration. London: Routledge. Available at: https://pugwash.lib.warwick.ac.uk/record=b2680096.

Bhopal, K. and Myers, M. (2008) ‘Ch.7: The outsider in multicultural society’, in Insiders, outsiders and others: gypsies and identity. Hatfield: University of Hertfordshire Press, pp. 175–199. Available at: https://contentstore.cla.co.uk/secure/link?id=65a8ae22-8443-e611-80bd-0cc47a6bddeb.

Billington, M. (2007) State of the nation: British theatre since 1945. London: Faber.

Blandford, S. (2007) Film, drama and the break-up of Britain. Bristol, UK: Intellect. Available at: http://lib.myilibrary.com/browse/open.asp?id=74769&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

Blandford, S. (2013) Theatre and performance in small nations. Bristol, UK: Intellect. Available at: https://go.exlibris.link/jQcNK0Gg.

Blythe, A. (2014) Little revolution. London: Nick Hern Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872229.

Brown, I. (ed.) (2012) From tartan to tartanry: Scottish culture, history and myth. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/XqMz5BhV.

Brown, I. (2013) Scottish theatre: diversity, language, continuity. Amsterdam: Rodopi. Available at: http://warw.eblib.com/patron/FullRecord.aspx?p=1769083.

Brown, I. and Riach, A. (2009) Edinburgh companion to twentieth-century Scottish literature. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=270307&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

Bryant, C.G.A. (2006) The nations of Britain. Oxford: Oxford University Press.

Burke, G. (2001) Gagarin Way. London: Faber and Faber. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2697628.

Colls, R. (2002) Identity of England. Oxford: Oxford University Press. Available at: https://pugwash.lib.warwick.ac.uk/record=b2680097.

Colls, R. (2004) Identity of England [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780191554124.

Coulter, C. (1999) Contemporary Northern Irish society: an introduction. London: Pluto. Available at: http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=3386087.

Coulter, C. and Murray, M. (2008) Northern Ireland after the troubles: a society in transition. Manchester: Manchester University Press. Available at: http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=4705533.

Crouch, T. (2012) Plays one. London: Oberon. Available at: http://warw.eblib.com/patron/FullRecord.aspx?p=1623737.

Curtis, T. (1986) Wales, the imagined nation: studies in cultural and national identity. Bridgend, Mid Glamorgan: Poetry Wales Press.

Darwin, J. (1991) ‘Ch.2: Domestic Politics and Britain’s Imperial Retreat’, in The end of the British Empire: the historical debate. Oxford: Basil Blackwell, pp. 10–39. Available at: https://contentstore.cla.co.uk/secure/link?id=97b007a7-1f50-e611-80c6-005056af4099.

Davies, H.W. (1998) State of play: four playwrights of Wales. Llandysul: Gomer.

Davies, H.W. (2005) Now you’re talking: contemporary Welsh dramatists in conversation with Hazel Walford Davies. Cardigan: Parthian.

Davies, J. (1994) A history of Wales. London: Penguin.

Devine, T.M. and Finlay, R.J. (1996) Scotland in the twentieth century. Edinburgh: Edinburgh University Press.

Dunbar, A. and Soans, R. (2000) Rita, Sue and Bob too. London: Methuen.

Dunkerley, D. and Thompson, A. (1999) Wales today [electronic resource]. Cardiff: University of Wales Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=27320.

Evans, D.G. (2000) A history of Wales, 1906-2000. Cardiff: University of Wales Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=27320.

Fall, N. (2013) Home. London: Nick Hern Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872185.

Ferguson, W. (1998) The identity of the Scottish nation: an historic quest. Edinburgh: Edinburgh University Press.

Fevre, R. and Thompson, A. (1999) Nation, identity and social theory: perspectives from Wales. Cardiff: University of Wales Press.

Gardiner, M. (2005) Modern Scottish culture. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/5DVvL6YZ.

Gellner, E. and Breuilly, J. (2008) Nations and nationalism. 2nd ed. Ithaca, N.Y.: Cornell University Press.

Gilroy, P. (2004) ‘Ch.3: Has It Come To This?’, in After empire: melancholia or convivial culture? London: Routledge, pp. 95–132. Available at: https://contentstore.cla.co.uk/secure/link?id=f3ab94a5-9543-e611-80bd-0cc47a6bddeb.

Gounaridou, K. (2005) Staging nationalism: essays on theatre and national identity. Jefferson, N.C.: McFarland & Co.

Green, D.T. (2005) Stoning Mary. London: Nick Hern. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2872338.

Grosby, S.E. (2005) Nationalism: a very short introduction. Oxford: Oxford University Press. Available at: https://pugwash.lib.warwick.ac.uk/record=b2680107.

Guibernau, M. (1996) ‘Ch.7: Globalization, Modernity and National Identity’, in Nationalisms: the nation-state and nationalism in the twentieth  century. Cambridge: Polity, pp. 128–138. Available at: https://contentstore.cla.co.uk/secure/link?id=36f9f5f1-9843-e611-80bd-0cc47a6bddeb.

Hall, L. and Feaver, W. (2008) The Pitmen painters. London: Faber and Faber.

Harvie, J. (2005) ‘Ch.3: Remembering the nations: site-specific performance, memory, and identities’, in Staging the UK. Manchester: Manchester University Press, pp. 41–53. Available at: https://contentstore.cla.co.uk/secure/link?id=3bc4f2c8-9b43-e611-80bd-0cc47a6bddeb.

Harvie, Jen (2005) Staging the UK. Manchester: Manchester University Press.

Herbert, T. and Jones, G.E. (1995) Post-war Wales. Cardiff: University of Wales Press.

Hirst, P. and Thompson, G. (1999) ‘Introduction: Globalization - a Necessary Myth?’, in Globalization in question: the international economy and the possibilities of governance. 2nd ed. Malden, Mass: Polity Press, pp. 1–18. Available at: https://contentstore.cla.co.uk/secure/link?id=eec96ce4-9d43-e611-80bd-0cc47a6bddeb.

Hobsbawm, E.J. (1992) Nations and nationalism since 1780: programme, myth, reality. 2nd ed. Cambridge [England]: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781107295582.

Holdsworth, N. (2010) Theatre & nation. Basingstoke: Palgrave Macmillan.

Holdsworth, N. (2014a) Theatre and national identity: re-imagining conceptions of nation [electronic resource]. New York: Routledge. Available at: http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203366219.

Holdsworth, N. (ed.) (2014b) Theatre and national identity: re-imagining conceptions of nation. New York: Routledge.

Holdsworth, N. and Luckhurst, M. (2007) A concise companion to contemporary British and Irish drama. Oxford: Blackwell. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470690987.

Hooker, J. (2001) Imagining Wales: a view of modern Welsh writing in English. Cardiff: University of Wales Press.

Howard, P. and Greenhorn, S. (1998) Scotland plays: new Scottish drama. London: Nick Hern.

Hughes, E. (1991) Culture and politics in Northern Ireland, 1960-1990. Milton Keynes: Open University Press in collaboration with Anglia  Higher Education College.

Hurley, E. (2010) National performance: representing Quebec from Expo 67 to Céline Dion. Toronto: University of Toronto Press. Available at: http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=4672461.

Hutchinson, J. and Smith, A.D. (1994) Nationalism. Oxford: Oxford University Press.

Johnes, M. (2012) Wales since 1939. Manchester, UK: Manchester University Press.

Jones, A. (2007) ‘Ch.3: The English national theatre: O brave new world, That has such people in’t.’, in National theatres in context: France, Germany, England and Wales. Cardiff: University of Wales Press, pp. 90–128. Available at: https://contentstore.cla.co.uk/secure/link?id=1a432228-a343-e611-80bd-0cc47a6bddeb.

Jones, Anwen (2007) National theatres in context: France, Germany, England and Wales. Cardiff: University of Wales Press.

Jordan, E. and Arts Council of Ireland (2000) Theatre stuff: critical essays on contemporary Irish theatre. Dublin: Carysfort Press.

Kershaw, B. (1992a) ‘Ch.5: Consolidation in the 1970’s: The popular political theatre of John McGrath and the 7:84 theatre company’, in The politics of performance: radical theatre as cultural  intervention. London: Routledge, pp. 132–167. Available at: https://contentstore.cla.co.uk/secure/link?id=3ed51c9f-a543-e611-80bd-0cc47a6bddeb.

Kershaw, B. (1992b) ‘Section in Ch.5.: John McGrath sets up 7:84 (Scotland)’, in The politics of performance: radical theatre as cultural  intervention. London: Routledge, pp. 148–167. Available at: https://contentstore.cla.co.uk/secure/link?id=9a6e52a9-a543-e611-80bd-0cc47a6bddeb.

Kershaw, Baz (1992) The politics of performance: radical theatre as cultural  intervention. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

Kruger, L. (1992) The national stage: theatre and cultural legitimation in England, France, and America. Chicago: University of Chicago Press.

Kumar, K. (2003) The making of English national identity. Cambridge: Cambridge University Press. Available at: https://pugwash.lib.warwick.ac.uk/record=b2781604.

Llewellyn-Jones, M. (2002) Contemporary Irish drama & cultural identity. Bristol: Intellect. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9781841508245.

Lord, P. (2000) The visual culture of Wales: Imaging the nation. Cardiff: University of Wales Press.

Lustgarten, A. (2015) Lampedusa. London, England: Bloomsbury.

Maguire, T. (2006) Making theatre in Northern Ireland: through and beyond the troubles. Exeter: University of Exeter Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2868924__SMaking%20theatre%20in%20Northern%20Ireland%3A%20through%20and%20beyond%20the%20troubles__Orightresult__U__X4?lang=eng&suite=cobalt.

McCrone, D. (1992) Understanding Scotland: the sociology of a stateless nation. London: Routledge.

McCrone, D. (1998) The sociology of nationalism: tomorrow’s ancestors. London: Routledge. Available at: https://go.exlibris.link/j1lhDmCT.

McCrone, D. (2001) Understanding Scotland: the sociology of a nation. 2nd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=32285&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

McKenna, B. (2003) Rupture, representation, and the refashioning of identity in drama from the North of Ireland, 1969-1994. Westport, Conn: Praeger.

McKittrick, D. and McVea, D. (2001) Making sense of the troubles. Rev ed. London: Penguin.

Milling, J., Thomson, P. and Donohue, J.W. (2004) The Cambridge history of British theatre. Cambridge: Cambridge University Press. Available at: http://0-universitypublishingonline.org.pugwash.lib.warwick.ac.uk/cambridge/histories.

Morash, C. and Richards, S. (2013) Mapping Irish theatre: theories of space and place. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781139600309.

Morgan, K.O. (1981) Rebirth of a nation: Wales 1880-1980. Oxford: Clarendon Press.

Nellhaus, T. et al. (eds) (2016) Theatre histories: an introduction. Third edition. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876058.

O’Casey, S. and Murray, C. (1998) Three Dublin plays: The shadow of a gunman, Juno and the Paycock, The plough and the stars. London: Faber and Faber.

Ogden, G. (1998) ‘America and the Theatre of Small Nations’, in State of play: four playwrights of Wales. Llandysul: Gomer, pp. 416–427. Available at: https://contentstore.cla.co.uk/secure/link?id=1f5c9963-ba43-e611-80bd-0cc47a6bddeb.

Paxman, J. (2007) The English: a portrait of a people. London: Viking.

Perryman, M. (2008) Imagined nation: England after Britain. London: Lawrence & Wishart.

Pittin-Hédon, M.-O. (2015) The space of fiction: voices from Scotland in a post-devolution age. Glasgow: Scottish Literature International.

Plater, A., Chaplin, S. and Glasgow, A. (2000) Close the coalhouse door: a stage play in three acts. Newcastle-upon-Tyne: Bloodaxe.

Poggi, V. and Rose, M. (2000) A theatre that matters: twentieth-century Scottish drama and theatre. 1. ed. Milano: Unicopli.

Povey, M. (2003) Indian country. Cardiff: Sgript Cymru.

Powell, J. (2008) Great hatred, little room: making peace in Northern Ireland. London: Bodley Head.

Rebellato, D. (2009) Theatre & globalization. Basingstoke: Palgrave Macmillan.

Reid, T. (2013) Theatre & Scotland. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://pugwash.lib.warwick.ac.uk/record=b3053957.

Roms, H. (2007) ‘Ch.6: Staging an Urban Nation: Place and Identity in Contemporary Welsh Theatre’, in A concise companion to contemporary British and Irish drama. Oxford: Blackwell, pp. 107–124. Available at: https://contentstore.cla.co.uk/secure/link?id=8d62f21e-c843-e611-80bd-0cc47a6bddeb.

Schoene-Harwood, B. (ed.) (2007) The Edinburgh companion to contemporary Scottish literature. Edinburgh: Edinburgh University Press. Available at: https://pugwash.lib.warwick.ac.uk/record=b3053957.

Seaton, S. and Grace, F. (2016) Making mischief. London: Oberon Books.

Shirlow, P. (2008) ‘Ch.4: Belfast: a segregated city’, in Northern Ireland after the troubles: a society in transition. Manchester: Manchester University Press, pp. 73–87. Available at: https://contentstore.cla.co.uk/secure/link?id=c89e2925-2150-e611-80c6-005056af4099.

Sierz, A. (2011) Rewriting the nation: British theatre today. London: Methuen Drama. Available at: http://0-www.dramaonlinelibrary.com.pugwash.lib.warwick.ac.uk/context-and-criticism/rewriting-the-nation-iid-11589.

Slovo, G. (2011) The riots: from spoken evidence. London: Oberon Books.

Smith, A.D. (1991) National identity. London: Penguin.

Smith, A.D. (2010) Nationalism: theory, ideology, history. 2nd ed. Cambridge, UK: Polity. Available at: http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=1184135.

Stevenson, R. and Wallace, G. (1996) Scottish theatre since the seventies. Edinburgh: Edinburgh University Press. Available at: https://pugwash.lib.warwick.ac.uk/record=b3741628.

Stewart, E.L. (1983) Men should weep: a play. London: Samuel French Ltd.

Taylor, A.-M. (1997) Staging Wales: Welsh theatre 1979-1997. Cardiff: University of Wales Press.

Tombs, R. (2015) The English and their history. London: Penguin Books.

Wallace, C. (2013) The theatre of David Greig. London, UK: Bloomsbury.

Williams, C. (2005) ‘Ch.1: Problematizing Wales: An Exploration in Historiography and Postcoloniality’, in Postcolonial Wales. Cardiff: University of Wales Press, pp. 3–22. Available at: https://contentstore.cla.co.uk/secure/link?id=23225ede-e343-e611-80bd-0cc47a6bddeb.

Williams, G.A. (1985) When was Wales?: a history of the Welsh. London: Black Raven.

Wilmer, S.E. (2004) Writing & rewriting national theatre histories. Iowa City: University of Iowa Press. Available at: http://0-www.palgraveconnect.com.pugwash.lib.warwick.ac.uk/doifinder/10.1057/9780230582910.

Wilmer, S.E. (2008) National theatres in a changing Europe. Basingstoke: Palgrave Macmillan. Available at: http://0-www.palgraveconnect.com.pugwash.lib.warwick.ac.uk/doifinder/10.1057/9780230582910.