Alavi, Seema. The Eighteenth Century in India. Oxford University Press, 2002.
Alcalá, Luisa Elena and Philadelphia Museum of Art. Journeys to New Worlds: Spanish and Portuguese Colonial Art in the Roberta and Richard Huber Collection. Edited by Suzanne L. Stratton-Pruitt and Mark A. Castro, Philadelphia Museum of Art, 2013.
Allen, Brian. ‘“The Indian Mutiny and British Painting”’. Apollo, vol. 132, pp. 152–58.
Anderson, Tracy. ‘Fashioning the Viceroy: Portraits of Edward Robert Bulwer-Lytton (1831–91)’. Visual Culture in Britain, vol. 12, no. 3, 2011, pp. 293–311, https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/14714787.2011.609377.
Archer, Mildred, et al. Company Paintings: Indian Paintings of the British Period. The Museum, 1992.
Art Talk - Jitish Kallat (Artist). 15 Oct. 2011, https://www.youtube.com/watch?v=-eT-VEtObLA.
Art Talk - Subodh Gupta (Artist / Sculptor). 30AD, https://www.youtube.com/watch?v=p41MWei9Kfw.
Atul Dodiya with Jitish Kallat - Re-Searching the Nation, and Artist Archive Part 1. 20AD, https://www.youtube.com/watch?v=BwFcvM1F-Mw.
Atul Dodiya with Jitish Kallat - Re-Searching the Nation, and Artist Archive Part 2. 20AD, https://www.youtube.com/watch?v=OOHbPNamyhk.
Banerjee, Sandeep. ‘“Not Altogether Unpicturesque: Samuel Bourne and the Landscaping of the Indian Himalaya”’. Victorian Culture and Society, vol. 42, 2014, pp. 351–68, https://arlir.iii.com/nonret~S0&atitle=%22Not+Altogether+Unpicturesque:+Samuel+Bourne+and+the+Landscaping+of+the+Indian+Himalaya%22&title=Victorian+Culture+and+Society&aufirst=Sandeep&auinit=&aulast=Banerjee&issn=&eissn=&coden=&volume=42&issue=&spage=351&epage=368&quarter=&ssn=&date=2014&sid=&reqtype3.
Banerji, Debashish. The Alternate Nation of Abanindranath Tagore. SAGE, 2010.
---. The Alternate Nation of Abanindranath Tagore. electronic resource, SAGE, 2010, http://0-sk.sagepub.com.pugwash.lib.warwick.ac.uk/books/the-alternate-nation-of-abanindranath-tagore.
Barringer, T. J., et al. Art and the British Empire. Manchester University Press, 2007.
BBC Radio 4 - In Our Time, The Indian Mutiny. http://www.bbc.co.uk/programmes/b00qprnj.
Bean, Susan S., et al. Midnight to the Boom: Painting in India after Independence : From the Peabody Essex Museum’s Herwitz Collection. Peabody Essex Museum in association with Thames & Hudson, 2013.
"Beyond the Self: Pushpamala N”. 14AD, https://www.youtube.com/watch?v=sNvAqktHl_I.
Bhupen Khakhar: You Can’t Please All. Univ Of Washington Press, 2016.
Bose, Brinda, and Subhabrata Bhattacharyya. The Phobic and the Erotic: The Politics of Sexualities in Contemporary India. Seagull, 2006.
Bridge, Gary, and Sophie Watson. The Blackwell City Reader. 2nd ed, Wiley-Blackwell, 2010.
Brook, Daniel. A History of Future Cities. First Edition, W. W. Norton & Company, 2013.
Brosius, Christiane, and Roland Wenzlhuemer. Transcultural Turbulences: Towards a Multi-Sited Reading of Image Flows. electronic resource, Springer, http://0-link.springer.com.pugwash.lib.warwick.ac.uk/10.1007/978-3-642-18393-5.
Brown, Rebecca M. Art for a Modern India, 1947-1980. Duke University Press, 2009, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242.
---. Art for a Modern India, 1947-1980. Duke University Press, 2009, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242.
Brown, Rebecca M., and Deborah S. Hutton. Asian Art. Blackwell Pub, 2006, http://catdir.loc.gov/catdir/toc/ecip067/2006001997.html.
Burnage, Sarah. ‘Commemorating Cornwallis: Sculpture in India 1792–1813’. Visual Culture in Britain, vol. 11, no. 2, July 2010, pp. 173–94, https://doi.org/10.1080/14714781003784249.
Byrd, Antawan I., et al. Art Cities of the Future: 21st Century Avant-Gardes. Phaidon Press Limited, 2013.
Carol A. Breckenridge. ‘The Aesthetics and Politics of Colonial Collecting: India at World Fairs’. Comparative Studies in Society and History, vol. 31, no. 2, 1989, pp. 195–216, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/178806?seq=1#page_scan_tab_contents.
Catṭọpādhyāẏa, Pārtha and Centre for Studies in Social Sciences. Texts of Power: Emerging Disciplines in Colonial Bengal. University of Minnesota Press, 1995, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2908112.
Chambers, Iain, et al., editors. The Postcolonial Museum: The Arts of Memory and the Pressures of History. Ashgate, 2014, https://contentstore.cla.co.uk/secure/link?id=e1cdf9b4-a243-e611-80bd-0cc47a6bddeb.
Chatterjee, Amal. Representations of India, 1740-1840: The Creation of India in the Colonial Imagination. Macmillan, 1998, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924.
---. Representations of India, 1740-1840: The Creation of India in the Colonial Imagination. Macmillan, 1998, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924.
Chattopadhyay, Swati. ‘Blurring Boundaries: The Limits of “White Town” in Colonial Calcutta’. Journal of the Society of Architectural Historians, vol. 59, no. 2, June 2000, pp. 154–79, https://doi.org/10.2307/991588.
---. Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. Routledge, 2006, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2289785.
---. Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. electronic resource, Routledge, 2005, http://lib.myilibrary.com/browse/open.asp?id=21704&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Chaudhary, Zahid R. Afterimage of Empire: Photography in Nineteenth-Century India. University of Minnesota Press, 2012, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2967193.
Chaudhuri, Sukanta. Calcutta, the Living City. 1st paperback ed, Oxford University Press, 1995.
Chawla, Rupika. Raja Ravi Varma: Painter of Colonial India. Mapin Pub, 2010.
Cherry, Deborah, and Janice Helland. Local/Global: Women Artists in the Nineteenth Century. Ashgate, 2006.
Chiu, Melissa, and Benjamin Genocchio. Contemporary Art in Asia: A Critical Reader. MIT Press.
Ciotti, Manuela. ‘Post-Colonial Renaissance: “Indianness”, Contemporary Art and the Market in the Age of Neoliberal Capital’. Third World Quarterly, vol. 33, no. 4, May 2012, pp. 637–55, https://doi.org/10.1080/01436597.2012.657422.
Clare Anderson. ‘Oscar Mallitte’s Andaman Photographs, 1857-8’. History Workshop Journal, no. 67, 2009, pp. 152–72, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40646217?seq=1#page_scan_tab_contents.
Codell, Julie F. Power and Resistance: The Delhi Coronation Durbars, 1877, 1903, 1911. The Alkazi Collection of Photography in association with Mapin Publishing, 2012.
---. Power and Resistance: The Delhi Coronation Durbars, 1877, 1903, 1911. The Alkazi Collection of Photography in association with Mapin Publishing, 2012.
---. Transculturation in British Art, 1770-1930. Ashgate, 2012, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3225295.
Cohn, Bernard S. Colonialism and Its Forms of Knowledge: The British in India. Princeton University Press, 1996, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425.
---. Colonialism and Its Forms of Knowledge: The British in India. Princeton University Press, 1996, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425.
Corbridge, Stuart, et al. India Today: Economy, Politics and Society. Polity Press, 2013.
Coutu, Joan Michèle. Persuasion and Propaganda: Monuments and the Eighteenth-Century British Empire. electronic resource, McGill-Queen’s University Press, 2006, http://lib.myilibrary.com/browse/open.asp?id=286708&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Crowley, John E. Imperial Landscapes: Britain’s Global Visual Culture, 1745-1820. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2011, https://contentstore.cla.co.uk/secure/link?id=1a27b46f-8b43-e611-80bd-0cc47a6bddeb.
Dalmia, Vasudha, and Rashmi Sadana, editors. The Cambridge Companion to Modern Indian Culture. Cambridge University Press, 2012, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL9780521516259.
Dalmia, Yashodhara, et al. Contemporary Indian Art: Other Realities. Marg Publications, 2002.
---. Contemporary Indian Art: Other Realities. Marg Publications, 2002.
---. The Making of Modern Indian Art: The Progressives. Oxford University Press, 2001.
---. The Making of Modern Indian Art: The Progressives. Oxford University Press, 2001.
Dalmia, Yashodhara, and Amrita Sher-Gil. Amrita Sher-Gil: A Life. Penguin Books, 2013.
Dalrymple, William, et al. Princes and Painters in Mughal Delhi, 1707-1857. Asia Society Museum, 2012.
---. Princes and Painters in Mughal Delhi, 1707-1857. Asia Society Museum, 2012.
---. Princes and Painters in Mughal Delhi, 1707-1857. Asia Society Museum, 2012.
Das, Samit. Architecture of Santiniketan: Tagore’s Concept of Space. Niyogi Books, 2013.
Davis, Richard H. Lives of Indian Images. Princeton University Press, 1997, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2669016.
De Almeida, Hermione, and George H. Gilpin. Indian Renaissance: British Romantic Art and the Prospect of India. Ashgate, 2005.
---. Indian Renaissance: British Romantic Art and the Prospect of India. Ashgate, 2005, https://contentstore.cla.co.uk/secure/link?id=9cb5b81b-68cc-e811-80cd-005056af4099.
---. Indian Renaissance: British Romantic Art and the Prospect of India. Ashgate, 2005.
---. Indian Renaissance: British Romantic Art and the Prospect of India. Ashgate, 2005.
Dehejia, Vidya, and Charles Allen. India through the Lens: Photography 1840-1911. Mandala, 2006.
---. India through the Lens: Photography 1840-1911. Mandala, 2006.
---. India through the Lens: Photography 1840-1911. Mandala, 2006.
---. India through the Lens: Photography 1840-1911. Mandala, 2006.
---. India through the Lens: Photography 1840-1911. Mandala, 2006.
Dewan, Deepali, and Deborah Hutton. Raja Deen Dayal: Artist-Photographer in 19th-Century India. Alkazi Collection of Photography in association with Mapin Publishing, 2013.
---. Raja Deen Dayal: Artist-Photographer in 19th-Century India. Alkazi Collection of Photography in association with Mapin Publishing, 2013.
Dias, Rosie. ‘Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars’. Tate Papers, vol. 19, 2013, http://www.tate.org.uk/research/publications/tate-papers/19/memory-and-the-aesthetics-of-military-experience-viewing-the-landscape-of-the-anglo-mysore-wars.
Dinkar, N. ‘Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose’. Oxford Art Journal, vol. 33, no. 2, June 2010, pp. 167–88, https://doi.org/10.1093/oxartj/kcq013.
Driver, Felix, and Luciana de Lima Martins. Tropical Visions in an Age of Empire. University of Chicago Press, 2005, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2947894.
Dutta, Krishna. Calcutta: A Cultural and Literary History. Signal, 2003.
Eaton, Natasha. Mimesis across Empires: Artworks and Networks in India, 1765-1860. Duke University Press, 2013.
---. Mimesis across Empires: Artworks and Networks in India, 1765-1860. Duke University Press, 2013.
EBBA KOCH. COMPLETE TAJ MAHAL AND THE RIVERFRONTS OF AGRA. THAMES & HUDSON.
edited by Julie F. Codell. Genre, Gender, Race, and World Cinema. Blackwell Pub, 2007.
Edney, Matthew H. Mapping an Empire: The Geographical Construction of British India, 1765-1843. University of Chicago Press, 1997.
Edwards, Elizabeth, et al. Sensible Objects: Colonialism, Museums and Material Culture. English ed, vol. Wenner-Gren international symposium series, Berg, 2006.
Farhat Hasan. ‘Indigenous Cooperation and the Birth of a Colonial City: Calcutta, c. 1698-1750’. Modern Asian Studies, vol. 26, no. 1, 1992, pp. 65–82, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312717?seq=1#page_scan_tab_contents.
Fordham, Douglas. ‘Costume Dramas: British Art at the Court of the Marathas’. Representations, vol. 101, no. 1, Feb. 2008, pp. 57–85, https://doi.org/10.1525/rep.2008.101.1.57.
Ghosh, Amal, and Juginder Lamba. Beyond Frontiers: Contemporary British Art by Artists of South Asian Descent. Saffron, 2001.
Ghosh, Durba. Sex and the Family in Colonial India: The Making of Empire. Cambridge University Press, 2006, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781139878418.
Gibbes, Phebe, and Michael J. Franklin. Hartly House, Calcutta. Oxford University Press, 2007.
Goswamy, B. N. Indian Painting: Themes, Histories, Interpretations : Essays in Honour of B.N. Goswamy. Edited by Mahesh Sharma and Padma Audrey Kaimal, Mapin Publishing in association with Osianama.com, 2013.
---. Indian Painting: Themes, Histories, Interpretations : Essays in Honour of B.N. Goswamy. Edited by Mahesh Sharma and Padma Audrey Kaimal, Mapin Publishing in association with Osianama.com, 2013.
Groseclose, Barbara S. British Sculpture and the Company Raj: Church Monuments and Public Statuary in Madras, Calcutta, and Bombay to 1858. University of Delaware Press, 1995, https://contentstore.cla.co.uk/secure/link?id=37409fa6-fdc6-e811-80cd-005056af4099.
Guégan, Xavier. ‘Visualizing Alienation: Symbolism and Duality in Samuel Bourne’s Photographs of British India’. Visual Culture in Britain, vol. 12, no. 3, Nov. 2011, pp. 349–65, https://doi.org/10.1080/14714787.2011.609393.
Guha, Sudeshna, et al. The Marshall Albums: Photography and Archaeology. Mapin, 2010.
---. The Marshall Albums: Photography and Archaeology. Mapin, 2010.
Guha-Thakurta, Tapati. Monuments, Objects, Histories: Institutions of Art in Colonial and Postcolonial India. Columbia University Press, 2004, https://encore.lib.warwick.ac.uk/iii/encore/search/C__SMonuments%2C%20objects%2C%20histories%3A%20institutions%20of%20art%20in%20colonial%20and%20postcolonial%20India__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.
Gupta, Subodh. Everything Is Inside. Penguin Studio, 2014.
---. Subodh Gupta, Common Man (Exhibition Catalogue). JRP/Ringier, 2009.
Haidar, Navina Najat, and Marika Sardar. Sultans of Deccan India, 1500-1700: Opulence and Fantasy. Metropolitan Museum of Art, 2015.
Hapgood, Susan. Early Bombay Photography. Mapin Publishing in association with Contemporary Arts Trust, Mumbai, 2015.
Hardgrave, Robert L. A Portrait of the Hindus: Balthazar Solvyns & the European Image of India, 1760-1824. Oxford University Press in association with Mapin Pub, 2004.
Hartly House, Calcutta: A Novel of the Days of Warren Hastings. Pluto, 1989.
Heathorn, Stephen J. ‘Angel of Empire: The Cawnpore Memorial Well as a British Site of Imperial Remembrance’. Journal of Colonialism and Colonial History, vol. 8, no. 3, 2007, http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/230163.
Herwitz, Daniel. ‘Maqbool Fida Husain’. Third Text, vol. 20, no. 1, 2006, pp. 41–55, https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/09528820500472811.
Herwitz, Daniel Alan. Heritage, Culture, and Politics in the Postcolony. Columbia University Press, 2012.
Hight, Eleanor M., and Gary D. Sampson. Colonialist Photography: Imag(in)Ing Race and Place. Routledge, 2002, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3089004.
---. Colonialist Photography: Imag(in)Ing Race and Place. Routledge, 2002, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3089004.
Hodges, William. Travels In India - During The Years 1780-1783. Read Books, 2009.
Holborn, Mark. The Empire Strikes Back: Indian Art Today. Jonathan Cape, 2009.
Hulme, Peter, and Tim Youngs, editors. The Cambridge Companion to Travel Writing. Cambridge University Press, 2002, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL052178140X.
Hutton, Deborah. ‘Raja Deen Dayal and Sons: Photographing Hyderabad’s Famine Relief Efforts’. History of Photography, vol. 31, no. 3, Oct. 2007, pp. 260–75, https://doi.org/10.1080/03087290701440247.
Hyman, Timothy, and Bhupen Khakhar. Bhupen Khakhar. Mapin Pub, 1998.
---. Bhupen Khakhar. Mapin Pub, 1998.
India Perspectives-Special Issue of Indian Contemporary Art by Indian Diplomacy - Issuu. https://issuu.com/indiandiplomacy/docs/india_perspectives-special_issue_on_indian_contemp?e=1985439/2596792.
Isabel Stuebe. ‘William Hodges and Warren Hastings: A Study in Eighteenth-Century Patronage’. The Burlington Magazine, vol. 115, no. 847, 1973, pp. 657–66, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/877441?seq=1#page_scan_tab_contents.
Jain, Jyotindra. Kalighat Painting: Images from a Changing World. Mapin Pub, 1999.
James Skinner’s Tazkirat al-Umara Now Digitised - Asian and African Studies Blog. 2014, http://britishlibrary.typepad.co.uk/asian-and-african/2014/08/james-skinners-tazkirat-al-umara-now-digitised.html.
Jasanoff, Maya. Edge of Empire: Conquest and Collecting in the East, 1750-1850. Harper Perennial, 2006.
Jitish Kallat - Slide Lecture Complete Video - Chandigarh Lalit Kala Akademi. 24AD, https://www.youtube.com/watch?v=VAeLSpFHO50.
Judith T. Kenny. ‘Climate, Race, and Imperial Authority: The Symbolic Landscape of the British Hill Station in India’. Annals of the Association of American Geographers, vol. 85, no. 4, 1995, pp. 694–714, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2564433?seq=1#page_scan_tab_contents.
Julie Codell, On the Delhi Coronation Durbars, 1877, 1903, 1911" | BRANCH. http://www.branchcollective.org/?ps_articles=julie-codell-on-the-delhi-coronation-durbars-1877-1903-1911.
Kallat, Jitish. Jitish Kallat, Universal Recipient. Haunch of Venison.
Kapur, Geeta. ‘Francis Newton Souza: Devil in the Flesh’. Third Text, vol. 3, no. 8–9, Sept. 1989, pp. 25–64, https://doi.org/10.1080/09528828908576235.
---. When Was Modernism: Essays on Contemporary Cultural Practice in India. First paperback edition, Tulika, 2001.
---. ‘"When Was Modernism in Indian Art?”’. Journal of Arts and Ideas, no. 27–28, pp. 105–26, http://dsal.uchicago.edu/books/artsandideas/pager.html?objectid=HN681.S597_27-28_107.gif.
Kate Brittlebank. ‘Sakti and Barakat: The Power of Tipu’s Tiger. An Examination of the Tiger Emblem of Tipu Sultan of Mysore’. Modern Asian Studies, vol. 29, no. 2, 1995, pp. 257–69, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312813?seq=1#page_scan_tab_contents.
Khan, Hussain Ahmad. Artisans, Sufis, Shrines: Colonial Architecture in Nineteenth-Century Punjab. I.B. Tauris, 2015.
Khullar, Sonal. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press, 2015.
---. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press, 2015.
---. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press, 2015.
---. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press, 2015.
---. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press, 2015.
---. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press, 2015.
King, Anthony D. Spaces of Global Cultures: Architecture, Urbanism, Identity. Routledge, 2004.
King, Catherine. Views of Difference: Different Views of Art. Yale University Press in association with the Open University, 1999.
---. Views of Difference: Different Views of Art. Yale University Press in association with the Open University, 1999.
Kosambi, Meera, and John E. Brush. ‘Three Colonial Port Cities in India’. Geographical Review, vol. 78, no. 1, Jan. 1988, https://doi.org/10.2307/214304.
Kunstmuseum Bern. Horn Please: Narratives in Contemporary Indian Art. Hatje Cantz, 2007.
Lacoste, Anne, et al. Felice Beato: A Photographer on the Eastern Road. J. Paul Getty Museum, http://www.getty.edu/publications/virtuallibrary/9781606060353.html.
Lago, Mary, and Christiana Jane Powell Herringham. Christiana Herringham and the Edwardian Art Scene. University of Missouri Press, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2870093.
Lawson, Philip, and Jim Phillips. ‘“Our Execrable Banditti”: Perceptions of Nabobs in Mid-Eighteenth Century Britain’. Albion: A Quarterly Journal Concerned with British Studies, vol. 16, no. 3, Autumn 1984, https://doi.org/10.2307/4048755.
Leibsohn, Dana, and Jeanette Favrot Peterson. Seeing across Cultures in the Early Modern World. Ashgate, 2012.
Losty, Jeremiah P., et al. Mughal India: Art, Culture and Empire : Manuscripts and Paintings in the British Library. British Library, 2012.
Losty, Jeremiah P. and British Library. Calcutta, City of Palaces: A Survey of the City in the Days of the East India Company, 1690-1858. British Library, 1990, https://contentstore.cla.co.uk/secure/link?id=72a46a41-8fd0-e811-80cd-005056af4099.
Madan, Charles William. Two Private Letters to a Gentleman in England, from His Son Who Accompanied Earl Cornwallis, on His Expedition to Lucknow in the Year 1787. Gale Ecco, Print Editions, 2010.
Magee, Judith. The Art of India. Natural History Museum, 2013.
Mahrukh Tarapor. ‘John Lockwood Kipling and British Art Education in India’. Victorian Studies, vol. 24, no. 1, 1980, pp. 53–81, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3826879?seq=1#page_scan_tab_contents.
Malani, Nalini, et al. Nalini Malani: Splitting the Other : Retrospective 1992-2009. Hatje Cantz, 2010.
Markel, Stephen, et al. India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art, 2010.
---. India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art, 2010.
---. India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art, 2010.
---. India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art, 2010.
Marshall, P. J. Bengal: The British Bridgehead : Eastern India 1740-1828. Cambridge University Press, 1987.
---. ‘The Making of an Imperial Icon: The Case of Warren Hastings’. The Journal of Imperial and Commonwealth History, vol. 27, no. 3, Sept. 1999, pp. 1–16, https://doi.org/10.1080/03086539908583071.
Mathur, Saloni. ‘A Retake of Sher-Gil’s’. Critical Inquiry, vol. 37, no. 3, 2011, pp. 515–44, https://0-www-jstor-org.pugwash.lib.warwick.ac.uk/stable/10.1086/659356?seq=1#metadata_info_tab_contents.
Maya Jasanoff. ‘Collectors of Empire: Objects, Conquests and Imperial Self-Fashioning’. Past & Present, no. 184, 2004, pp. 109–35, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3600699?seq=1#page_scan_tab_contents.
---. ‘Collectors of Empire: Objects, Conquests and Imperial Self-Fashioning’. Past & Present, no. 184, 2004, pp. 109–35, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3600699?seq=1#page_scan_tab_contents.
Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars | Tate. http://www.tate.org.uk/research/publications/tate-papers/19/memory-and-the-aesthetics-of-military-experience-viewing-the-landscape-of-the-anglo-mysore-wars.
Michael H. Fisher. ‘The Imperial Coronation of 1819: Awadh, the British and the Mughals’. Modern Asian Studies, vol. 19, no. 2, 1985, pp. 239–77, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312155?seq=1#page_scan_tab_contents.
Michael Wood: The Story of India. BBC ONE, https://learningonscreen.ac.uk/ondemand/index.php/prog/007110AD?bcast=27399799.
---. BBC FOUR, https://learningonscreen.ac.uk/ondemand/index.php/prog/006FD928?bcast=91326007.
---. BBC FOUR, https://learningonscreen.ac.uk/ondemand/index.php/prog/00701B83?bcast=91483971.
---. BBC FOUR, https://learningonscreen.ac.uk/ondemand/index.php/prog/00704552?bcast=91641912.
---. BBC FOUR, https://learningonscreen.ac.uk/ondemand/index.php/prog/00709342?bcast=91799483.
Mitter, Partha. Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations. Cambridge University Press, 1994.
---. Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations. Cambridge University Press, 1994.
---. The Artful Pose: Early Studio Photography in Mumbai, c.1855-1940. Mapin, 2010.
---. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books, 2007.
---. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. electronic resource, Reaktion Books, 2007, http://lib.myilibrary.com/browse/open.asp?id=227134&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
---. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. electronic resource, Reaktion Books, 2007, http://lib.myilibrary.com/browse/open.asp?id=227134&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
---. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books, 2007.
---. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. electronic resource, Reaktion Books, 2007, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2321017.
---. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books, 2007, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2321017.
Moorhouse, Geoffrey. Calcutta. Main, Faber & Faber, 2008.
Nair, J. ‘Tipu Sultan, History Painting and the Battle for “Perspective”’. Studies in History, vol. 22, no. 1, 2006, pp. 97–143, http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1177/025764300502200105.
Neshat, Shirin, Octavio Zaya, et al. Escrito Sobre El Cuerpo =: Written on the Body. Fundación Telefónica, 2013.
Neshat, Shirin, Serpentine Gallery, et al. Shirin Neshat. Kunsthalle Wien, 2000.
Nikhil Chopra | Performer Artist Yog Raj Chitrakar Sir Raja | Mumbai India. http://www.nikhilchopra.net/.
O’Quinn, Daniel. Staging Governance: Theatrical Imperialism in London, 1770-1800. Johns Hopkins University Press, 2005.
P. J. Marshall. ‘The White Town of Calcutta under the Rule of the East India Company’. Modern Asian Studies, vol. 34, no. 2, 2000, pp. 307–31, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/313065?seq=1#page_scan_tab_contents.
Pal, Pratapaditya, et al. From Merchants to Emperors: British Artists and India 1757-1930. Cornell University Press, 1986.
Pelizzari, Maria Antonella, et al. Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900. Yale University Press, 2003, https://contentstore.cla.co.uk/secure/link?id=8aa09481-27d2-e811-80cd-005056af4099.
---. Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900. Yale University Press, 2003.
Perry, Gillian, and Paul Wood. Themes in Contemporary Art. Yale University Press in association with the Open University, 2004.
Peyton-Jones, Julia, et al. Indian Highway. Koenig Books, 2008.
Pinney, Christopher. Camera Indica: The Social Life of Indian Photographs. Reaktion Books, 1997.
---. Photography and Anthropology. Reaktion Books, 2011.
Poddar, Sandhini, and V. S. Gaitonde. V.S. Gaitonde: Painting as Process, Painting as Life. DelMonico, 2014.
---. V.S. Gaitonde: Painting as Process, Painting as Life. DelMonico, 2014.
Prakash, Vikramaditya. ‘Between Objectivity and Illusion: Architectural Photography in the Colonial Frame’. Journal of Architectural Education, vol. 55, no. 1, Sept. 2001, pp. 13–20, https://doi.org/10.1162/104648801753168774.
Pramod Kumar, K. G., and Arvind Singh Mewar. Posing for Posterity: Royal Indian Portraits. Lustre Press, 2012.
Pushapamala, N. Lecture at Delhi Photo Festival. 29 Dec. 2011, https://www.youtube.com/watch?v=U8B2RH1FUU8.
Quilley, Geoff, et al. William Hodges 1744-1797: The Art of Exploration. Yale University Press for the National Maritime Museum, Greenwich and Yale Center for British Art, New Haven, 2004, https://contentstore.cla.co.uk/secure/link?id=2e75ba25-0dc7-e811-80cd-005056af4099.
Ram, Sita, and Francis Rawdon-Hastings Hastings. Sita Ram’s Painted Views of India: Lord Hastings’s Journey from Calcutta to the Punjab, 1814-15. Edited by Jeremiah P. Losty, Thames & Hudson, 2015.
---. Sita Ram’s Painted Views of India: Lord Hastings’s Journey from Calcutta to the Punjab, 1814-15. Edited by Jeremiah P. Losty, Thames & Hudson, 2015.
Ramaswamy, Sumathi. Barefoot Across the Nation Maqbool Fida Husain & the Idea of India. Yoda Press, 2011.
---. Barefoot Across the Nation Maqbool Fida Husain & the Idea of India. Yoda Press, 2011.
Randeep Ramesh. ‘"The Damien Hirst of Delhi” - Interview with Subodh Gupta’. The Guardian, 20AD, http://cloud.hauserwirth.com/documents/xL3nAXcNb3NfqP0qEg3I7nXwPujfWPDuhw7a435jlhE7j96USO/the-guardian-20-02-07-b3PVG6.pdf.
Ray, Romita. ‘"Misty Mediations: Spectral Imaginings and the Himalayan Picturesque”’. Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture, vol. 3, no. 11, 2012, http://www.19thc-artworldwide.org/index.php/autumn12/ray-spectral-imaginings-and-the-himalayan-picturesque.
---. Under the Banyan Tree: Relocating the Picturesque in British India. Published for the Paul Mellon Centre for Studies in British art by Yale University Press, 2013, https://contentstore.cla.co.uk/secure/link?id=33500075-c443-e611-80bd-0cc47a6bddeb.
Ritterskamp, Julia, and Gérard A. Goodrow, editors. Passages: Indian Art Today. Daab, 2014.
Robert Travers. ‘Death and the Nabob: Imperialism and Commemoration in Eighteenth-Century India’. Past & Present, no. 196, 2007, pp. 83–124, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25096681?seq=1#page_scan_tab_contents.
Rohatagi, Pauline, and Pheroza Godrej, editors. India, a Pageant of Prints. Marg Publications, 1989.
Roy, Kaushik. War, Culture, and Society in Early Modern South Asia, 1740-1849. Routledge, 2011.
Ryan, James R. Picturing Empire: Photography and the Visualisation of the British Empire. Reaktion, 1997, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2998250.
Rycroft, Daniel J., editor. World Art and the Legacies of Colonial Violence. Ashgate, 2013.
Schwartz, Joan M., and James R. Ryan. Picturing Place: Photography and the Geographical Imagination. I.B. Tauris, 2003.
Sciampacone, Amanda. ‘Urban Ruin’. Third Text, vol. 25, no. 6, Nov. 2011, pp. 751–62, https://doi.org/10.1080/09528822.2011.624349.
Scriver, Peter, and Vikramaditya Prakash. Colonial Modernities: Building, Dwelling, and Architecture in British India and Ceylon. Routledge, 2007, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2289794.
Sen, Geeti. Feminine Fables: Imaging the Indian Woman in Painting, Photography, and Cinema. Mapin Publishing, 2002.
Sengupta, Tania. ‘Between the Garden and the Bazaar: The Visions, Spaces and Structures of Colonial Towns in Nineteenth-Century Provincial Bengal’. Visual Culture in Britain, vol. 12, no. 3, Nov. 2011, pp. 333–48, https://doi.org/10.1080/14714787.2011.613732.
‘"Seven Artists in Delhi: Pushpamala N”’. The Guardian Online, 11AD, https://www.theguardian.com/artanddesign/video/2011/mar/11/delhi-artists-pushpamala-n-video.
Singh, Devika. ‘Indian Nationalist Art History and the Writing and Exhibiting of Mughal Art, 1910-48’. Art History, vol. 36, no. 5, Nov. 2013, pp. 1042–69, https://doi.org/10.1111/1467-8365.12038.
Sinha, Suhashini, and Chitta Panda. Kalighat Paintings: From the Collection of Victoria and Albert Museum, London and Victoria Memorial Hall, Kolkata. V&A Pub. in association with Mapin Pub, 2011.
Souza, F. N., and Aziz Kurtha. Francis Newton Souza: Bridging Western and Indian Modern Art. Mapin, 2006.
---. Francis Newton Souza: Bridging Western and Indian Modern Art. Mapin, 2006.
Stronge, Susan and Victoria and Albert Museum. Tipu’s Tigers. V&A Publishing, 2009.
Subodh Gupta - Lecture Slide Show and Interaction- at Chandigarh Lalit Kala Akademi. 24AD, https://www.youtube.com/watch?v=unogaCzNTz4.
Subramanian, Lakshmi and National Centre for the Performing Arts (India). Ports, Towns, Cities: A Historical Tour of the Indian Littoral. Marg Publications on behalf of the National Centre for the Performing Arts.
Susan M. Neild. ‘Colonial Urbanism: The Development of Madras City in the Eighteenth and Nineteenth Centuries’. Modern Asian Studies, vol. 13, no. 2, 1979, pp. 217–46, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312124?seq=1#page_scan_tab_contents.
Sutton, Deborah. Other Landscapes: Colonialism and the Predicament of Authority in Nineteenth-Century South India. electronic resource, NIAS, 2009, http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2689022.
Tandan, Banmali. The Architecture of Lucknow and Oudh, 1722-1856: Its Evolution in an Aesthetic and Social Context. Zophorus, 2008.
Taylor, Roger, et al. Captain Linnaeus Tripe, Photographer of India and Burma, 1852-1860. National Gallery of art, 2014.
Teltscher, Kate. India Inscribed: European and British Writing on India, 1600-1800. Oxford University Press, 1995.
Thakurta, T. G., and T. G. Thakurta. ‘Westernisation and Tradition in South Indian Painting in the Nineteenth Century: The Case of Raja Ravi Varma (1848-1906)’. Studies in History, vol. 2, no. 2, 1986, pp. 165–95, http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1177/025764308600200203.
The Albumen Print: Photographic Processes. 20AD, https://www.youtube.com/watch?v=Cq1RvahEPSk&feature=c4-overview-vl&list=PL4F918844C147182A.
The Big Indian Picture. "Eye of the Beholder: Interview with Pushpamala N”,. http://thebigindianpicture.com/2012/11/eye-of-the-beholder-pushpamala-n/.
The Birth of Empire: The East India Company. BBC2 England, https://learningonscreen.ac.uk/ondemand/index.php/prog/070E029F?bcast=110358883.
---. BBC2 England, https://learningonscreen.ac.uk/ondemand/index.php/prog/07149907?bcast=110528108.
The Collodion Process: Photographic Processes. 12AD, https://www.youtube.com/watch?v=--PAAJZRbn8.
The Daguerreotype: Photographic Processes. 5AD, https://www.youtube.com/watch?v=cmm90yhhuJM.
The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge University Press, 2009.
---. Cambridge University Press, 2009.
---. Cambridge University Press, 2009.
---. Cambridge University Press, 2009, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha3c4.
---. Cambridge University Press, 2009.
The Story of India. BBC FOUR, https://learningonscreen.ac.uk/ondemand/index.php/prog/0070DE73?bcast=28763312.
"The Unstoppable Indians: Subodh Gupta”, Aired on NDTV, November 2008. 26 Dec. 2013, https://www.youtube.com/watch?v=Mulhe8eq0p4.
Thomas, G. ‘The Madras Photographic Society 1856–61’. History of Photography, vol. 16, no. 4, Dec. 1992, pp. 299–301, https://doi.org/10.1080/03087298.1992.10442563.
Throckmorton, Jodi, and Atreyee Gupta. Postdate: Photography and Inherited History in India. San Jose Museum of Art in association with University of california Press, 2015.
Tillotson, G. H. R. James Tod’s Rajasthan. Marg, 2008.
Tobin, Beth Fowkes. Colonizing Nature: The Tropics in British Arts and Letters, 1760-1820. PENN/University of Pennsylvania Press, 2005, https://encore.lib.warwick.ac.uk/iii/encore/search/C__SColonizing%20nature%3A%20the%20tropics%20in%20British%20arts%20and%20letters%2C%201760-1820__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.
---. Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting. Duke University Press, 1999.
Velthuis, Olav, and Stefano Baia Curioni, editors. Cosmopolitan Canvases: The Globalisation of Markets for Contemporary Art. First edition, Oxford University Press, 2015.
Victoria and Albert Museum. The Fabric of India. Edited by Rosemary Crill, V&A Publishing, 2015.
Victoria Turner, Sarah. ‘The “Essential Quality of Things”: E.B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain, . 1910–14’. Visual Culture in Britain, vol. 11, no. 2, July 2010, pp. 239–64, https://doi.org/10.1080/14714787.2010.481165.
Views in India, Chiefly among the Neelgherry Hills, Taken during a Short Residence on Them in 1835, with Notes and Descriptive Illustrations. https://www.splrarebooks.com/collection/view/views-in-india-chiefly-among-the-neelgherry-hills/.
Waghorne, Joanne Punzo. ‘The Diaspora of the Gods: Hindu Temples in the New World System 1640-1800’. The Journal of Asian Studies, vol. 58, no. 3, Aug. 1999, https://doi.org/10.2307/2659115.
Watt, Carey Anthony, and Michael Mann. Civilizing Missions in Colonial and Postcolonial South Asia: From Improvement to Development. Anthem Press, 2011, http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha3c4.
Watt, Carey, and Michael Mann, editors. Civilizing Missions in Colonial and Postcolonial South Asia: From Improvement to Development. Anthem Press, 2012, http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.7135/UPO9780857288301.
Webster, Mary, et al. Johan Zoffany: 1733-1810. Yale University Press, 2011, https://contentstore.cla.co.uk/secure/link?id=657dff69-e143-e611-80bd-0cc47a6bddeb.
---. Johan Zoffany: 1733-1810. Yale University Press, 2011.
Weinstein, Laura. ‘Exposing the Zenana: Maharaja Sawai Ram Singh II’s Photographs of Women in Purdah’. History of Photography, vol. 34, no. 1, 2010, pp. 2–16, https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/03087290903283627.
Whitechapel Art Gallery and Fotomuseum Winterthur. Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh = 150 Jahre Fotografie Aus Indien, Pakistan Und Bangladesch. Steidl, 2010.
Zahid Chaudhary. ‘Phantasmagoric Aesthetics: Colonial Violenca and the Management of Perception’. Cultural Critique, no. 59, 2005, pp. 63–119, http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4489198?seq=1#page_scan_tab_contents.
Zitzewitz, Karin. The Art of Secularism: The Cultural Politics of Modernist Art in Contemporary India. Hurst & Co. Ltd, 2014.
---. The Art of Secularism: The Cultural Politics of Modernist Art in Contemporary India. Hurst & Co. Ltd, 2014, https://contentstore.cla.co.uk/secure/link?id=ea37c43b-f393-e811-80cd-005056af4099.