Bibliography for HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India BETA

Alavi, S. (2002) The eighteenth century in India. New Delhi: Oxford University Press.

Alcalá, L.E. and Philadelphia Museum of Art (2013) Journeys to new worlds: Spanish and Portuguese colonial art in the Roberta and Richard Huber collection. Edited by S.L. Stratton-Pruitt and M.A. Castro. Philadephia, Pennsylvania: Philadelphia Museum of Art.

Allen, B. (no date) ‘“The indian Mutiny and British Painting”’, Apollo, 132, pp. 152–158.

Anderson, T. (2011) ‘Fashioning the Viceroy: Portraits of Edward Robert Bulwer-Lytton (1831–91)’, Visual Culture in Britain, 12(3), pp. 293–311. Available at: https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/14714787.2011.609377.

Archer, M., Parlett, G., and Victoria and Albert Museum (1992) Company paintings: Indian paintings of the British period. London: The Museum.

‘Art Talk - Jitish Kallat (Artist)’ (2011). Available at: https://www.youtube.com/watch?v=-eT-VEtObLA.

‘Art Talk - Subodh Gupta (Artist / Sculptor)’ (30AD). Available at: https://www.youtube.com/watch?v=p41MWei9Kfw.

‘Atul Dodiya with Jitish Kallat - Re-Searching the Nation, and artist archive part 1’ (20AD). Available at: https://www.youtube.com/watch?v=BwFcvM1F-Mw.

‘Atul Dodiya with Jitish Kallat - Re-searching the Nation, and artist archive part 2’ (20AD). Available at: https://www.youtube.com/watch?v=OOHbPNamyhk.

Banerjee, S. (2014) ‘“Not Altogether Unpicturesque: Samuel Bourne and the Landscaping of the Indian Himalaya”’, Victorian Culture and Society, 42, pp. 351–368. Available at: https://arlir.iii.com/nonret~S0&atitle=%22Not+Altogether+Unpicturesque:+Samuel+Bourne+and+the+Landscaping+of+the+Indian+Himalaya%22&title=Victorian+Culture+and+Society&aufirst=Sandeep&auinit=&aulast=Banerjee&issn=&eissn=&coden=&volume=42&issue=&spage=351&epage=368&quarter=&ssn=&date=2014&sid=&reqtype3.

Banerji, D. (2010a) The alternate nation of Abanindranath Tagore. New Delhi: SAGE.

Banerji, D. (2010b) The alternate nation of Abanindranath Tagore [electronic resource]. Delhi: SAGE. Available at: http://0-sk.sagepub.com.pugwash.lib.warwick.ac.uk/books/the-alternate-nation-of-abanindranath-tagore.

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Bean, S.S., Bhabha, H.K., and Peabody Essex Museum (2013) Midnight to the boom: painting in India after independence : from the Peabody Essex Museum’s Herwitz Collection. New York, New York: Peabody Essex Museum in association with Thames & Hudson.

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Brook, D. (2013) A history of future cities. First Edition. New York: W. W. Norton & Company.

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Brown, R.M. (2009a) Art for a modern India, 1947-1980. Durham: Duke University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242.

Brown, R.M. (2009b) Art for a modern India, 1947-1980. Durham: Duke University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242.

Brown, R.M. and Hutton, D.S. (2006) Asian art. Malden, MA: Blackwell Pub. Available at: http://catdir.loc.gov/catdir/toc/ecip067/2006001997.html.

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Byrd, A.I. et al. (2013) Art cities of the future: 21st century avant-gardes. London: Phaidon Press Limited.

Carol A. Breckenridge (1989) ‘The Aesthetics and Politics of Colonial Collecting: India at World Fairs’, Comparative Studies in Society and History, 31(2), pp. 195–216. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/178806?seq=1#page_scan_tab_contents.

Catṭọpādhyāẏa, P. and Centre for Studies in Social Sciences (1995) Texts of power: emerging disciplines in colonial Bengal. Minneapolis, Minn: University of Minnesota Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2908112.

Chambers, I. et al. (eds) (2014) The postcolonial museum: the arts of memory and the pressures of history. Farnham, Surrey, England: Ashgate. Available at: https://contentstore.cla.co.uk/secure/link?id=e1cdf9b4-a243-e611-80bd-0cc47a6bddeb.

Chatterjee, A. (1998a) Representations of India, 1740-1840: the creation of India in the colonial imagination. Basingstoke: Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924.

Chatterjee, A. (1998b) Representations of India, 1740-1840: the creation of India in the colonial imagination. Basingstoke: Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924.

Chattopadhyay, S. (2000) ‘Blurring Boundaries: The Limits of “White Town” in Colonial Calcutta’, Journal of the Society of Architectural Historians, 59(2), pp. 154–179. Available at: https://doi.org/10.2307/991588.

Chattopadhyay, S. (2005) Representing Calcutta: modernity, nationalism, and the colonial uncanny [electronic resource]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=21704&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

Chattopadhyay, S. (2006) Representing Calcutta: modernity, nationalism, and the colonial uncanny. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2289785.

Chaudhary, Z.R. (2012) Afterimage of empire: photography in nineteenth-century India. Minneapolis: University of Minnesota Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2967193.

Chaudhuri, S. (1995) Calcutta, the living city. 1st paperback ed. Calcutta: Oxford University Press.

Chawla, R. (2010) Raja Ravi Varma: painter of colonial India. Ahmedabad, India: Mapin Pub.

Cherry, D. and Helland, J. (2006) Local/global: women artists in the nineteenth century. Aldershot: Ashgate.

Chiu, M. and Genocchio, B. (no date) Contemporary art in Asia: a critical reader. Cambridge, Mass: MIT Press.

Ciotti, M. (2012) ‘Post-colonial Renaissance: “Indianness”, contemporary art and the market in the age of neoliberal capital’, Third World Quarterly, 33(4), pp. 637–655. Available at: https://doi.org/10.1080/01436597.2012.657422.

Clare Anderson (2009) ‘Oscar Mallitte’s Andaman Photographs, 1857-8’, History Workshop Journal, (67), pp. 152–172. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40646217?seq=1#page_scan_tab_contents.

Codell, J.F. (2012a) Power and resistance: the Delhi coronation durbars, 1877, 1903, 1911. [New Delhi?]: The Alkazi Collection of Photography in association with Mapin Publishing.

Codell, J.F. (2012b) Power and resistance: the Delhi coronation durbars, 1877, 1903, 1911. [New Delhi?]: The Alkazi Collection of Photography in association with Mapin Publishing.

Codell, J.F. (2012c) Transculturation in British art, 1770-1930. Farnham, Surrey, England: Ashgate. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3225295.

Cohn, B.S. (1996a) Colonialism and its forms of knowledge: the British in India. Princeton, N.J.: Princeton University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425.

Cohn, B.S. (1996b) Colonialism and its forms of knowledge: the British in India. Princeton, N.J.: Princeton University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425.

Corbridge, S., Harriss, J. and Jeffrey, C. (2013) India today: economy, politics and society. Cambridge, UK: Polity Press.

Coutu, J.M. (2006) Persuasion and propaganda: monuments and the eighteenth-century British Empire [electronic resource]. Montreal: McGill-Queen’s University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=286708&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

Crowley, J.E. (2011) Imperial landscapes: Britain’s global visual culture, 1745-1820. New Haven [Conn.]: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=1a27b46f-8b43-e611-80bd-0cc47a6bddeb.

Dalmia, V. and Sadana, R. (eds) (2012) The Cambridge Companion to Modern Indian Culture. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL9780521516259.

Dalmia, Y. (2001a) The making of modern Indian art: the progressives. New Delhi: Oxford University Press.

Dalmia, Y. (2001b) The making of modern Indian art: the progressives. New Delhi: Oxford University Press.

Dalmia, Y., Marg Publications, and National Centre for the Performing Arts (India) (2002a) Contemporary Indian art: other realities. Mumbai: Marg Publications.

Dalmia, Y., Marg Publications, and National Centre for the Performing Arts (India) (2002b) Contemporary Indian art: other realities. Mumbai: Marg Publications.

Dalmia, Y. and Sher-Gil, A. (2013) Amrita Sher-Gil: a life. London: Penguin Books.

Dalrymple, W., Sharma, Y., and Asia Society. Museum (2012a) Princes and painters in Mughal Delhi, 1707-1857. [New York]: Asia Society Museum.

Dalrymple, W., Sharma, Y., and Asia Society. Museum (2012b) Princes and painters in Mughal Delhi, 1707-1857. [New York]: Asia Society Museum.

Dalrymple, W., Sharma, Y., and Asia Society. Museum (2012c) Princes and painters in Mughal Delhi, 1707-1857. [New York]: Asia Society Museum.

Das, S. (2013) Architecture of Santiniketan: Tagore’s concept of space. New Delhi, India: Niyogi Books.

Davis, R.H. (1997) Lives of Indian images. Princeton, N.J.: Princeton University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2669016.

De Almeida, H. and Gilpin, G.H. (2005a) Indian Renaissance: British romantic art and the prospect of India. Aldershot, England: Ashgate.

De Almeida, H. and Gilpin, G.H. (2005b) Indian Renaissance: British romantic art and the prospect of India. Aldershot, England: Ashgate. Available at: https://contentstore.cla.co.uk/secure/link?id=9cb5b81b-68cc-e811-80cd-005056af4099.

De Almeida, H. and Gilpin, G.H. (2005c) Indian Renaissance: British romantic art and the prospect of India. Aldershot, England: Ashgate.

De Almeida, H. and Gilpin, G.H. (2005d) Indian Renaissance: British romantic art and the prospect of India. Aldershot, England: Ashgate.

Dehejia, V. and Allen, C. (2006a) India through the lens: photography 1840-1911. San Francisco, Calif: Mandala.

Dehejia, V. and Allen, C. (2006b) India through the lens: photography 1840-1911. San Francisco, Calif: Mandala.

Dehejia, V. and Allen, C. (2006c) India through the lens: photography 1840-1911. San Francisco, Calif: Mandala.

Dehejia, V. and Allen, C. (2006d) India through the lens: photography 1840-1911. San Francisco, Calif: Mandala.

Dehejia, V. and Allen, C. (2006e) India through the lens: photography 1840-1911. San Francisco, Calif: Mandala.

Dewan, D. and Hutton, D. (2013a) Raja Deen Dayal: artist-photographer in 19th-century India. New Delhi: Alkazi Collection of Photography in association with Mapin Publishing.

Dewan, D. and Hutton, D. (2013b) Raja Deen Dayal: artist-photographer in 19th-century India. New Delhi: Alkazi Collection of Photography in association with Mapin Publishing.

Dias, R. (2013) ‘Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars’, Tate Papers, 19. Available at: http://www.tate.org.uk/research/publications/tate-papers/19/memory-and-the-aesthetics-of-military-experience-viewing-the-landscape-of-the-anglo-mysore-wars.

Dinkar, N. (2010) ‘Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose’, Oxford Art Journal, 33(2), pp. 167–188. Available at: https://doi.org/10.1093/oxartj/kcq013.

Driver, F. and Martins, L. de L. (2005) Tropical visions in an age of empire. Chicago: University of Chicago Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2947894.

Dutta, K. (2003) Calcutta: a cultural and literary history. Oxford: Signal.

Eaton, N. (2013a) Mimesis across empires: artworks and networks in India, 1765-1860. Durham: Duke University Press.

Eaton, N. (2013b) Mimesis across empires: artworks and networks in India, 1765-1860. Durham: Duke University Press.

EBBA KOCH (no date) COMPLETE TAJ MAHAL AND THE RIVERFRONTS OF AGRA. LONDON: THAMES & HUDSON.

edited by Julie F. Codell (2007) Genre, gender, race, and world cinema. Oxford: Blackwell Pub.

Edney, M.H. (1997) Mapping an empire: the geographical construction of British India,  1765-1843. Chicago: University of Chicago Press.

Edwards, E., Gosden, C. and Phillips, R.B. (2006) Sensible objects: colonialism, museums and material culture. English ed. Oxford: Berg.

Farhat Hasan (1992) ‘Indigenous Cooperation and the Birth of a Colonial City: Calcutta, c. 1698-1750’, Modern Asian Studies, 26(1), pp. 65–82. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312717?seq=1#page_scan_tab_contents.

Fordham, D. (2008) ‘Costume Dramas: British Art at the Court of the Marathas’, Representations, 101(1), pp. 57–85. Available at: https://doi.org/10.1525/rep.2008.101.1.57.

Ghosh, A. and Lamba, J. (2001) Beyond frontiers: contemporary British art by artists of South Asian descent. London: Saffron.

Ghosh, D. (2006) Sex and the Family in Colonial India: The Making of Empire. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781139878418.

Gibbes, P. and Franklin, M.J. (2007) Hartly House, Calcutta. New Delhi: Oxford University Press.

Goswamy, B.N. (2013a) Indian painting: themes, histories, interpretations : essays in honour of B.N. Goswamy. Edited by M. Sharma and P.A. Kaimal. [Ahmedabad]: Mapin Publishing in association with Osianama.com.

Goswamy, B.N. (2013b) Indian painting: themes, histories, interpretations : essays in honour of B.N. Goswamy. Edited by M. Sharma and P.A. Kaimal. [Ahmedabad]: Mapin Publishing in association with Osianama.com.

Groseclose, B.S. (1995) British sculpture and the Company Raj: church monuments and public  statuary in Madras, Calcutta, and Bombay to 1858. Newark: University of Delaware Press. Available at: https://contentstore.cla.co.uk/secure/link?id=37409fa6-fdc6-e811-80cd-005056af4099.

Guégan, X. (2011) ‘Visualizing Alienation: Symbolism and Duality in Samuel Bourne’s Photographs of British India’, Visual Culture in Britain, 12(3), pp. 349–365. Available at: https://doi.org/10.1080/14714787.2011.609393.

Guha, S., Chattopadhyaya, B., and Sepia International Inc. and the Alkazi Collection of Photography (2010a) The Marshall albums: photography and archaeology. New Delhi: Mapin.

Guha, S., Chattopadhyaya, B., and Sepia International Inc. and the Alkazi Collection of Photography (2010b) The Marshall albums: photography and archaeology. New Delhi: Mapin.

Guha-Thakurta, T. (2004) Monuments, objects, histories: institutions of art in colonial and postcolonial India. New York: Columbia University Press. Available at: https://encore.lib.warwick.ac.uk/iii/encore/search/C__SMonuments%2C%20objects%2C%20histories%3A%20institutions%20of%20art%20in%20colonial%20and%20postcolonial%20India__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Gupta, S. et al. (2009) Subodh Gupta, common man (Exhibition Catalogue). zurich: JRP/Ringier.

Gupta, S. (2014) Everything is inside. New Delhi: Penguin Studio.

Haidar, N.N. and Sardar, M. (2015) Sultans of Deccan India, 1500-1700: opulence and fantasy. New York: Metropolitan Museum of Art.

Hapgood, S. (2015) Early bombay photography. [Ahmedabad]: Mapin Publishing in association with Contemporary Arts Trust, Mumbai.

Hardgrave, R.L. (2004) A Portrait of the Hindus: Balthazar Solvyns & the European image of India, 1760-1824. New York: Oxford University Press in association with Mapin Pub.

Hartly House, Calcutta: a novel of the days of Warren Hastings (1989). London: Pluto.

Heathorn, S.J. (2007) ‘Angel of Empire: The Cawnpore Memorial Well as a British Site of Imperial Remembrance’, Journal of Colonialism and Colonial History, 8(3). Available at: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/230163.

Herwitz, D. (2006) ‘Maqbool Fida Husain’, Third Text, 20(1), pp. 41–55. Available at: https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/09528820500472811.

Herwitz, D.A. (2012) Heritage, culture, and politics in the postcolony. New York: Columbia University Press.

Hight, E.M. and Sampson, G.D. (2002a) Colonialist photography: imag(in)ing race and place. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3089004.

Hight, E.M. and Sampson, G.D. (2002b) Colonialist photography: imag(in)ing race and place. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3089004.

Hodges, W. (2009) Travels In India - During The Years 1780-1783. Alcester: Read Books.

Holborn, M. (2009) The empire strikes back: Indian art today. London: Jonathan Cape.

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Hutton, D. (2007) ‘Raja Deen Dayal and Sons: Photographing Hyderabad’s Famine Relief Efforts’, History of Photography, 31(3), pp. 260–275. Available at: https://doi.org/10.1080/03087290701440247.

Hyman, T. and Khakhar, B. (1998a) Bhupen Khakhar. Bombay, India: Mapin Pub.

Hyman, T. and Khakhar, B. (1998b) Bhupen Khakhar. Bombay, India: Mapin Pub.

India Perspectives-Special Issue of Indian Contemporary Art by Indian Diplomacy - issuu (no date). Available at: https://issuu.com/indiandiplomacy/docs/india_perspectives-special_issue_on_indian_contemp?e=1985439/2596792.

Isabel Stuebe (1973) ‘William Hodges and Warren Hastings: A Study in Eighteenth-Century Patronage’, The Burlington Magazine, 115(847), pp. 657–666. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/877441?seq=1#page_scan_tab_contents.

Jain, J. (1999) Kalighat painting: images from a changing world. Ahmedabad, India: Mapin Pub.

James Skinner’s Tazkirat al-Umara now digitised - Asian and African studies blog (2014). Available at: http://britishlibrary.typepad.co.uk/asian-and-african/2014/08/james-skinners-tazkirat-al-umara-now-digitised.html.

Jasanoff, M. (2006) Edge of Empire: conquest and collecting in the east, 1750-1850. London: Harper Perennial.

‘Jitish Kallat - Slide Lecture  Complete Video - Chandigarh Lalit Kala Akademi’ (24AD). Available at: https://www.youtube.com/watch?v=VAeLSpFHO50.

Judith T. Kenny (1995) ‘Climate, Race, and Imperial Authority: The Symbolic Landscape of the British Hill Station in India’, Annals of the Association of American Geographers, 85(4), pp. 694–714. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2564433?seq=1#page_scan_tab_contents.

Julie Codell, On the Delhi Coronation Durbars, 1877, 1903, 1911" | BRANCH (no date). Available at: http://www.branchcollective.org/?ps_articles=julie-codell-on-the-delhi-coronation-durbars-1877-1903-1911.

Kallat, J. (no date) Jitish Kallat, universal recipient. London: Haunch of Venison.

Kapur, G. (1989) ‘Francis Newton Souza: Devil in the flesh’, Third Text, 3(8–9), pp. 25–64. Available at: https://doi.org/10.1080/09528828908576235.

Kapur, G. (2001) When was modernism: essays on contemporary cultural practice in India. First paperback edition. New Delhi: Tulika.

Kapur, G. (no date) ‘"When was Modernism in Indian Art?”’, Journal of Arts and Ideas, (27–28), pp. 105–126. Available at: http://dsal.uchicago.edu/books/artsandideas/pager.html?objectid=HN681.S597_27-28_107.gif.

Kate Brittlebank (1995) ‘Sakti and Barakat: The Power of Tipu’s Tiger. An Examination of the Tiger Emblem of Tipu Sultan of Mysore’, Modern Asian Studies, 29(2), pp. 257–269. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312813?seq=1#page_scan_tab_contents.

Khan, H.A. (2015) Artisans, Sufis, shrines: colonial architecture in nineteenth-century Punjab. London: I.B. Tauris.

Khullar, S. (2015a) Worldly affiliations: artistic practice, national identity, and modernism in India, 1930-1990. Oakland, California: University of California Press.

Khullar, S. (2015b) Worldly affiliations: artistic practice, national identity, and modernism in India, 1930-1990. Oakland, California: University of California Press.

Khullar, S. (2015c) Worldly affiliations: artistic practice, national identity, and modernism in India, 1930-1990. Oakland, California: University of California Press.

Khullar, S. (2015d) Worldly affiliations: artistic practice, national identity, and modernism in India, 1930-1990. Oakland, California: University of California Press.

Khullar, S. (2015e) Worldly affiliations: artistic practice, national identity, and modernism in India, 1930-1990. Oakland, California: University of California Press.

Khullar, S. (2015f) Worldly affiliations: artistic practice, national identity, and modernism in India, 1930-1990. Oakland, California: University of California Press.

King, A.D. (2004) Spaces of global cultures: architecture, urbanism, identity. London: Routledge.

King, C. (1999a) Views of difference: different views of art. New Haven: Yale University Press in association with the  Open University.

King, C. (1999b) Views of difference: different views of art. New Haven: Yale University Press in association with the  Open University.

Kosambi, M. and Brush, J.E. (1988) ‘Three Colonial Port Cities in India’, Geographical Review, 78(1). Available at: https://doi.org/10.2307/214304.

Kunstmuseum Bern (2007) Horn please: narratives in contemporary Indian art. Ostfildern: Hatje Cantz.

Lacoste, A., Beato, F., and J. Paul Getty Museum (no date) Felice Beato: a photographer on the Eastern road. Los Angeles: J. Paul Getty Museum. Available at: http://www.getty.edu/publications/virtuallibrary/9781606060353.html.

Lago, M. and Herringham, C.J.P. (no date) Christiana Herringham and the Edwardian art scene. Columbia: University of Missouri Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2870093.

Lawson, P. and Phillips, J. (1984) ‘“Our Execrable Banditti”: Perceptions of Nabobs in Mid-Eighteenth Century Britain’, Albion: A Quarterly Journal Concerned with British Studies, 16(3). Available at: https://doi.org/10.2307/4048755.

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Losty, J.P., Roy, M., and British Library (2012) Mughal India: art, culture and empire : manuscripts and paintings in the British Library. London: British Library.

Madan, C.W. (2010) Two Private Letters to a Gentleman in England, from His Son Who Accompanied Earl Cornwallis, on His Expedition to Lucknow in the Year 1787. Gale Ecco, Print Editions.

Magee, J. (2013) The art of India. London: Natural History Museum.

Mahrukh Tarapor (1980) ‘John Lockwood Kipling and British Art Education in India’, Victorian Studies, 24(1), pp. 53–81. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3826879?seq=1#page_scan_tab_contents.

Malani, N. et al. (2010) Nalini Malani: splitting the other : retrospective 1992-2009. Ostfildern, Germany: Hatje Cantz.

Markel, S. et al. (2010a) India’s fabled city: the art of courtly Lucknow. Los Angeles: Los Angeles County Museum of Art.

Markel, S. et al. (2010b) India’s fabled city: the art of courtly Lucknow. Los Angeles: Los Angeles County Museum of Art.

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