1.
Khullar S. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press; 2015.
2.
Throckmorton J, Gupta A. Postdate: Photography and Inherited History in India. San Jose Museum of Art in association with University of california Press; 2015.
3.
Victoria and Albert Museum. The Fabric of India. (Crill R, ed.). V&A Publishing; 2015.
4.
Sen G. Feminine Fables: Imaging the Indian Woman in Painting, Photography, and Cinema. Mapin Publishing; 2002.
5.
Velthuis O, Baia Curioni S, eds. Cosmopolitan Canvases: The Globalisation of Markets for Contemporary Art. First edition. Oxford University Press; 2015.
6.
Poddar S, Gaitonde VS. V.S. Gaitonde: Painting as Process, Painting as Life. DelMonico; 2014.
7.
Haidar NN, Sardar M. Sultans of Deccan India, 1500-1700: Opulence and Fantasy. Metropolitan Museum of Art; 2015.
8.
Alcalá LE, Philadelphia Museum of Art. Journeys to New Worlds: Spanish and Portuguese Colonial Art in the Roberta and Richard Huber Collection. (Stratton-Pruitt SL, Castro MA, eds.). Philadelphia Museum of Art; 2013.
9.
Das S. Architecture of Santiniketan: Tagore’s Concept of Space. Niyogi Books; 2013.
10.
Ritterskamp J, Goodrow GA, eds. Passages: Indian Art Today. Daab; 2014.
11.
Whitechapel Art Gallery, Fotomuseum Winterthur. Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh = 150 Jahre Fotografie Aus Indien, Pakistan Und Bangladesch. Steidl; 2010.
12.
Subramanian L, National Centre for the Performing Arts (India). Ports, Towns, Cities: A Historical Tour of the Indian Littoral. Marg Publications on behalf of the National Centre for the Performing Arts
13.
Rohatagi P, Godrej P, eds. India, a Pageant of Prints. Marg Publications; 1989.
14.
Byrd AI, Demir D, Jung H, et al. Art Cities of the Future: 21st Century Avant-Gardes. Phaidon Press Limited; 2013.
15.
Brook D. A History of Future Cities. First Edition. W. W. Norton & Company; 2013.
16.
King AD. Spaces of Global Cultures: Architecture, Urbanism, Identity. Vol The architext series. Routledge; 2004.
17.
Pinney C. Photography and Anthropology. Vol Exposures. Reaktion Books; 2011.
18.
Gupta S. Everything Is Inside. Penguin Studio; 2014.
19.
Pramod Kumar KG, Mewar AS. Posing for Posterity: Royal Indian Portraits. Lustre Press; 2012.
20.
Herwitz DA. Heritage, Culture, and Politics in the Postcolony. Columbia University Press; 2012.
21.
Malani N, Chadwick W, Fibicher B, Pijnappel J. Nalini Malani: Splitting the Other : Retrospective 1992-2009. Hatje Cantz; 2010.
22.
Ram S, Hastings FRH. Sita Ram’s Painted Views of India: Lord Hastings’s Journey from Calcutta to the Punjab, 1814-15. (Losty JP, ed.). Thames & Hudson; 2015.
23.
Taylor R, Branfoot C, Tripe L. Captain Linnaeus Tripe, Photographer of India and Burma, 1852-1860. National Gallery of art; 2014.
24.
Hapgood S. Early Bombay Photography. Mapin Publishing in association with Contemporary Arts Trust, Mumbai; 2015.
25.
Lacoste A, Beato F, J. Paul Getty Museum. Felice Beato: A Photographer on the Eastern Road. J. Paul Getty Museum http://www.getty.edu/publications/virtuallibrary/9781606060353.html
26.
Hardgrave RL. A Portrait of the Hindus: Balthazar Solvyns & the European Image of India, 1760-1824. Oxford University Press in association with Mapin Pub; 2004.
27.
Neshat S, Serpentine Gallery, Kunsthalle Wien. Shirin Neshat. Kunsthalle Wien; 2000.
28.
Neshat S, Zaya O, Fundación Telefónica (Madrid, Spain). Escrito Sobre El Cuerpo =: Written on the Body. Fundación Telefónica; 2013.
29.
Bhupen Khakhar: You Can’t Please All. Univ Of Washington Press; 2016.
30.
Kallat J. Jitish Kallat, Universal Recipient. Haunch of Venison
31.
Brown RM, Hutton DS. Asian Art. Vol Blackwell anthologies in art history. Blackwell Pub; 2006. http://catdir.loc.gov/catdir/toc/ecip067/2006001997.html
32.
Lago M, Herringham CJP. Christiana Herringham and the Edwardian Art Scene. University of Missouri Press http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2870093
33.
Rycroft DJ, ed. World Art and the Legacies of Colonial Violence. Ashgate; 2013.
34.
Chiu M, Genocchio B. Contemporary Art in Asia: A Critical Reader. MIT Press
35.
Michael Wood: The Story of India. https://learningonscreen.ac.uk/ondemand/index.php/prog/007110AD?bcast=27399799
36.
Michael Wood: The Story of India. https://learningonscreen.ac.uk/ondemand/index.php/prog/006FD928?bcast=91326007
37.
Michael Wood: The Story of India. https://learningonscreen.ac.uk/ondemand/index.php/prog/00701B83?bcast=91483971
38.
Michael Wood: The Story of India. https://learningonscreen.ac.uk/ondemand/index.php/prog/00704552?bcast=91641912
39.
Michael Wood: The Story of India. https://learningonscreen.ac.uk/ondemand/index.php/prog/00709342?bcast=91799483
40.
The Story of India. https://learningonscreen.ac.uk/ondemand/index.php/prog/0070DE73?bcast=28763312
41.
The Birth of Empire: The East India Company. https://learningonscreen.ac.uk/ondemand/index.php/prog/070E029F?bcast=110358883
42.
The Birth of Empire: The East India Company. https://learningonscreen.ac.uk/ondemand/index.php/prog/07149907?bcast=110528108
43.
Chattopadhyay S. Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. Vol Asia’s transformations. Routledge; 2006. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2289785
44.
Chattopadhyay S. Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. Vol Asia’s great cities. Routledge; 2005. http://lib.myilibrary.com/browse/open.asp?id=21704&entityid=https://idp.warwick.ac.uk/idp/shibboleth
45.
Losty JP, British Library. Calcutta, City of Palaces: A Survey of the City in the Days of the East India Company, 1690-1858. British Library; 1990. https://contentstore.cla.co.uk/secure/link?id=72a46a41-8fd0-e811-80cd-005056af4099
46.
Chaudhuri S. Calcutta, the Living City. 1st paperback ed. Oxford University Press; 1995.
47.
Jain J. Kalighat Painting: Images from a Changing World. Mapin Pub; 1999.
48.
Webster M, Zoffany J, Paul Mellon Centre for Studies in British Art. Johan Zoffany: 1733-1810. Yale University Press; 2011. https://contentstore.cla.co.uk/secure/link?id=657dff69-e143-e611-80bd-0cc47a6bddeb
49.
Markel S, Gude TB, Alam M, Los Angeles County Museum of Art, Musée Guimet (Paris, France). India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art; 2010.
50.
Markel S, Gude TB, Alam M, Los Angeles County Museum of Art, Musée Guimet (Paris, France). India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art; 2010.
51.
Markel S, Gude TB, Alam M, Los Angeles County Museum of Art, Musée Guimet (Paris, France). India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art; 2010.
52.
Chattopadhyay S. Blurring Boundaries: The Limits of ‘White Town’ in Colonial Calcutta. Journal of the Society of Architectural Historians. 2000;59(2):154-179. doi:10.2307/991588
53.
Sciampacone A. Urban Ruin. Third Text. 2011;25(6):751-762. doi:10.1080/09528822.2011.624349
54.
P. J. Marshall. The White Town of Calcutta under the Rule of the East India Company. Modern Asian Studies. 2000;34(2):307-331. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/313065?seq=1#page_scan_tab_contents
55.
Scriver P, Prakash V. Colonial Modernities: Building, Dwelling, and Architecture in British India and Ceylon. Vol The architext series. Routledge; 2007. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2289794
56.
The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge University Press; 2009.
57.
Sinha S, Panda C. Kalighat Paintings: From the Collection of Victoria and Albert Museum, London and Victoria Memorial Hall, Kolkata. V&A Pub. in association with Mapin Pub; 2011.
58.
Dutta K. Calcutta: A Cultural and Literary History. Signal; 2003.
59.
Farhat Hasan. Indigenous Cooperation and the Birth of a Colonial City: Calcutta, c. 1698-1750. Modern Asian Studies. 1992;26(1):65-82. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312717?seq=1#page_scan_tab_contents
60.
Susan M. Neild. Colonial Urbanism: The Development of Madras City in the Eighteenth and Nineteenth Centuries. Modern Asian Studies. 1979;13(2):217-246. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312124?seq=1#page_scan_tab_contents
61.
Kosambi M, Brush JE. Three Colonial Port Cities in India. Geographical Review. 1988;78(1). doi:10.2307/214304
62.
Waghorne JP. The Diaspora of the Gods: Hindu Temples in the New World System 1640-1800. The Journal of Asian Studies. 1999;58(3). doi:10.2307/2659115
63.
Marshall PJ. Bengal: The British Bridgehead : Eastern India 1740-1828. Vol The New Cambridge history of India. II. Cambridge University Press; 1987.
64.
Moorhouse G. Calcutta. Main. Faber & Faber; 2008.
65.
Sengupta T. Between the Garden and the Bazaar: The Visions, Spaces and Structures of Colonial Towns in Nineteenth-Century Provincial Bengal. Visual Culture in Britain. 2011;12(3):333-348. doi:10.1080/14714787.2011.613732
66.
Hulme P, Youngs T, eds. The Cambridge Companion to Travel Writing. Vol Cambridge Companions to Literature. Cambridge University Press; 2002. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL052178140X
67.
The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge University Press; 2009.
68.
Gibbes P, Franklin MJ. Hartly House, Calcutta. Oxford University Press; 2007.
69.
Hartly House, Calcutta: A Novel of the Days of Warren Hastings. Pluto; 1989.
70.
Ghosh D. Sex and the Family in Colonial India: The Making of Empire. Vol Cambridge Studies in Indian History and Society. Cambridge University Press; 2006. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781139878418
71.
Tandan B. The Architecture of Lucknow and Oudh, 1722-1856: Its Evolution in an Aesthetic and Social Context. Zophorus; 2008.
72.
Barringer TJ, Quilley G, Fordham D. Art and the British Empire. Manchester University Press; 2007.
73.
Michael H. Fisher. The Imperial Coronation of 1819: Awadh, the British and the Mughals. Modern Asian Studies. 1985;19(2):239-277. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312155?seq=1#page_scan_tab_contents
74.
Madan CW. Two Private Letters to a Gentleman in England, from His Son Who Accompanied Earl Cornwallis, on His Expedition to Lucknow in the Year 1787. Gale Ecco, Print Editions; 2010.
75.
Alavi S. The Eighteenth Century in India. Vol Oxford in India readings; debates in Indian history and society. Oxford University Press; 2002.
76.
Maya Jasanoff. Collectors of Empire: Objects, Conquests and Imperial Self-Fashioning. Past & Present. 2004;(184):109-135. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3600699?seq=1#page_scan_tab_contents
77.
Quilley G, Bonehill J, Hodges W, National Maritime Museum (Great Britain). William Hodges 1744-1797: The Art of Exploration. Yale University Press for the National Maritime Museum, Greenwich and Yale Center for British Art, New Haven; 2004. https://contentstore.cla.co.uk/secure/link?id=2e75ba25-0dc7-e811-80cd-005056af4099
78.
Hodges W. Travels In India - During The Years 1780-1783. Read Books; 2009.
79.
De Almeida H, Gilpin GH. Indian Renaissance: British Romantic Art and the Prospect of India. Vol British art and visual culture since 1750, new readings. Ashgate; 2005.
80.
Crowley JE. Imperial Landscapes: Britain’s Global Visual Culture, 1745-1820. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press; 2011. https://contentstore.cla.co.uk/secure/link?id=1a27b46f-8b43-e611-80bd-0cc47a6bddeb
81.
De Almeida H, Gilpin GH. Indian Renaissance: British Romantic Art and the Prospect of India. Vol British art and visual culture since 1750, new readings. Ashgate; 2005. https://contentstore.cla.co.uk/secure/link?id=9cb5b81b-68cc-e811-80cd-005056af4099
82.
Ray R. Under the Banyan Tree: Relocating the Picturesque in British India. Published for the Paul Mellon Centre for Studies in British art by Yale University Press; 2013. https://contentstore.cla.co.uk/secure/link?id=33500075-c443-e611-80bd-0cc47a6bddeb
83.
Eaton N. Mimesis across Empires: Artworks and Networks in India, 1765-1860. Vol Objects/histories. Duke University Press; 2013.
84.
Isabel Stuebe. William Hodges and Warren Hastings: A Study in Eighteenth-Century Patronage. The Burlington Magazine. 1973;115(847):657-666. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/877441?seq=1#page_scan_tab_contents
85.
Sutton D. Other Landscapes: Colonialism and the Predicament of Authority in Nineteenth-Century South India. Vol Nordic Institute of Asian Studies monograph series. NIAS; 2009. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2689022
86.
Judith T. Kenny. Climate, Race, and Imperial Authority: The Symbolic Landscape of the British Hill Station in India. Annals of the Association of American Geographers. 1995;85(4):694-714. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2564433?seq=1#page_scan_tab_contents
87.
Ray R. "Misty Mediations: Spectral Imaginings and the Himalayan Picturesque”. Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture. 2012;3(11). http://www.19thc-artworldwide.org/index.php/autumn12/ray-spectral-imaginings-and-the-himalayan-picturesque
88.
Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars | Tate. http://www.tate.org.uk/research/publications/tate-papers/19/memory-and-the-aesthetics-of-military-experience-viewing-the-landscape-of-the-anglo-mysore-wars
89.
Edney MH. Mapping an Empire: The Geographical Construction of British India, 1765-1843. University of Chicago Press; 1997.
90.
Driver F, Martins L de L. Tropical Visions in an Age of Empire. University of Chicago Press; 2005. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2947894
91.
Views in India, Chiefly among the Neelgherry Hills, Taken during a Short Residence on Them in 1835, with Notes and Descriptive Illustrations. https://www.splrarebooks.com/collection/view/views-in-india-chiefly-among-the-neelgherry-hills/
92.
Codell JF. Transculturation in British Art, 1770-1930. Vol British art, global contexts. Ashgate; 2012. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3225295
93.
Coutu JM. Persuasion and Propaganda: Monuments and the Eighteenth-Century British Empire. McGill-Queen’s University Press; 2006. http://lib.myilibrary.com/browse/open.asp?id=286708&entityid=https://idp.warwick.ac.uk/idp/shibboleth
94.
Tobin BF. Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting. Duke University Press; 1999.
95.
Groseclose BS. British Sculpture and the Company Raj: Church Monuments and Public Statuary in Madras, Calcutta, and Bombay to 1858. University of Delaware Press; 1995. https://contentstore.cla.co.uk/secure/link?id=37409fa6-fdc6-e811-80cd-005056af4099
96.
De Almeida H, Gilpin GH. Indian Renaissance: British Romantic Art and the Prospect of India. Vol British art and visual culture since 1750, new readings. Ashgate; 2005.
97.
Davis RH. Lives of Indian Images. Princeton University Press; 1997. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2669016
98.
Nair J. Tipu Sultan, History Painting and the Battle for ‘Perspective’. Studies in History. 2006;22(1):97-143. http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1177/025764300502200105
99.
De Almeida H, Gilpin GH. Indian Renaissance: British Romantic Art and the Prospect of India. Vol British art and visual culture since 1750, new readings. Ashgate; 2005.
100.
Webster M, Zoffany J, Paul Mellon Centre for Studies in British Art. Johan Zoffany: 1733-1810. Yale University Press; 2011.
101.
Burnage S. Commemorating Cornwallis: Sculpture in India 1792–1813. Visual Culture in Britain. 2010;11(2):173-194. doi:10.1080/14714781003784249
102.
Fordham D. Costume Dramas: British Art at the Court of the Marathas. Representations. 2008;101(1):57-85. doi:10.1525/rep.2008.101.1.57
103.
Marshall PJ. The making of an imperial Icon: The case of Warren Hastings. The Journal of Imperial and Commonwealth History. 1999;27(3):1-16. doi:10.1080/03086539908583071
104.
Robert Travers. Death and the Nabob: Imperialism and Commemoration in Eighteenth-Century India. Past & Present. 2007;(196):83-124. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25096681?seq=1#page_scan_tab_contents
105.
Lawson P, Phillips J. ‘Our Execrable Banditti’: Perceptions of Nabobs in Mid-Eighteenth Century Britain. Albion: A Quarterly Journal Concerned with British Studies. 1984;16(3). doi:10.2307/4048755
106.
Tobin BF. Colonizing Nature: The Tropics in British Arts and Letters, 1760-1820. PENN/University of Pennsylvania Press; 2005. https://encore.lib.warwick.ac.uk/iii/encore/search/C__SColonizing%20nature%3A%20the%20tropics%20in%20British%20arts%20and%20letters%2C%201760-1820__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
107.
Stronge S, Victoria and Albert Museum. Tipu’s Tigers. V&A Publishing; 2009.
108.
Dias R. Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars. Tate Papers. 2013;19. http://www.tate.org.uk/research/publications/tate-papers/19/memory-and-the-aesthetics-of-military-experience-viewing-the-landscape-of-the-anglo-mysore-wars
109.
Maya Jasanoff. Collectors of Empire: Objects, Conquests and Imperial Self-Fashioning. Past & Present. 2004;(184):109-135. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3600699?seq=1#page_scan_tab_contents
110.
Kate Brittlebank. Sakti and Barakat: The Power of Tipu’s Tiger. An Examination of the Tiger Emblem of Tipu Sultan of Mysore. Modern Asian Studies. 1995;29(2):257-269. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/312813?seq=1#page_scan_tab_contents
111.
Jasanoff M. Edge of Empire: Conquest and Collecting in the East, 1750-1850. Harper Perennial; 2006.
112.
O’Quinn D. Staging Governance: Theatrical Imperialism in London, 1770-1800. Johns Hopkins University Press; 2005.
113.
Chatterjee A. Representations of India, 1740-1840: The Creation of India in the Colonial Imagination. Macmillan; 1998. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924
114.
Chatterjee A. Representations of India, 1740-1840: The Creation of India in the Colonial Imagination. Macmillan; 1998. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924
115.
Roy K. War, Culture, and Society in Early Modern South Asia, 1740-1849. Vol Asian states and empires. Routledge; 2011.
116.
Teltscher K. India Inscribed: European and British Writing on India, 1600-1800. Oxford University Press; 1995.
117.
Archer M, Parlett G, Victoria and Albert Museum. Company Paintings: Indian Paintings of the British Period. Vol Indian art series. The Museum; 1992.
118.
Magee J. The Art of India. Vol Images of nature. Natural History Museum; 2013.
119.
Dalrymple W, Sharma Y, Asia Society. Museum. Princes and Painters in Mughal Delhi, 1707-1857. Asia Society Museum; 2012.
120.
Tillotson GHR. James Tod’s Rajasthan. Marg; 2008.
121.
Ram S, Hastings FRH. Sita Ram’s Painted Views of India: Lord Hastings’s Journey from Calcutta to the Punjab, 1814-15. (Losty JP, ed.). Thames & Hudson; 2015.
122.
Losty JP, Roy M, British Library. Mughal India: Art, Culture and Empire : Manuscripts and Paintings in the British Library. British Library; 2012.
123.
James Skinner’s Tazkirat al-Umara now digitised - Asian and African studies blog. Published 2014. http://britishlibrary.typepad.co.uk/asian-and-african/2014/08/james-skinners-tazkirat-al-umara-now-digitised.html
124.
Pelizzari MA, Ballerini J, Centre canadien d’architecture, Yale Center for British Art. Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900. Yale University Press; 2003. https://contentstore.cla.co.uk/secure/link?id=8aa09481-27d2-e811-80cd-005056af4099
125.
Markel S, Gude TB, Alam M, Los Angeles County Museum of Art, Musée Guimet (Paris, France). India’s Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art; 2010.
126.
Allen B. ‘The indian Mutiny and British Painting’. Apollo. 132:152-158.
127.
Heathorn SJ. Angel of Empire: The Cawnpore Memorial Well as a British Site of Imperial Remembrance. Journal of Colonialism and Colonial History. 2007;8(3). http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/230163
128.
BBC Radio 4 - In Our Time, The Indian Mutiny. http://www.bbc.co.uk/programmes/b00qprnj
129.
Pal P, Dehejia V, Pierpont Morgan Library. From Merchants to Emperors: British Artists and India 1757-1930. Cornell University Press; 1986.
130.
Eaton N. Mimesis across Empires: Artworks and Networks in India, 1765-1860. Vol Objects/histories. Duke University Press; 2013.
131.
Dalrymple W, Sharma Y, Asia Society. Museum. Princes and Painters in Mughal Delhi, 1707-1857. Asia Society Museum; 2012.
132.
Guha S, Chattopadhyaya B, Sepia International Inc. and the Alkazi Collection of Photography. The Marshall Albums: Photography and Archaeology. Mapin; 2010.
133.
Dehejia V, Allen C. India through the Lens: Photography 1840-1911. Mandala; 2006.
134.
EBBA KOCH. COMPLETE TAJ MAHAL AND THE RIVERFRONTS OF AGRA. THAMES & HUDSON
135.
Guha S, Chattopadhyaya B, Sepia International Inc. and the Alkazi Collection of Photography. The Marshall Albums: Photography and Archaeology. Mapin; 2010.
136.
Leibsohn D, Peterson JF. Seeing across Cultures in the Early Modern World. Vol Transculturalisms, 1400-1700. Ashgate; 2012.
137.
Zahid Chaudhary. Phantasmagoric Aesthetics: Colonial Violenca and the Management of Perception. Cultural Critique. 2005;(59):63-119. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4489198?seq=1#page_scan_tab_contents
138.
Schwartz JM, Ryan JR. Picturing Place: Photography and the Geographical Imagination. I.B. Tauris; 2003.
139.
Dalrymple W, Sharma Y, Asia Society. Museum. Princes and Painters in Mughal Delhi, 1707-1857. Asia Society Museum; 2012.
140.
Julie Codell, On the Delhi Coronation Durbars, 1877, 1903, 1911" | BRANCH. http://www.branchcollective.org/?ps_articles=julie-codell-on-the-delhi-coronation-durbars-1877-1903-1911
141.
Codell JF. Power and Resistance: The Delhi Coronation Durbars, 1877, 1903, 1911. The Alkazi Collection of Photography in association with Mapin Publishing; 2012.
142.
Anderson T. Fashioning the Viceroy: Portraits of Edward Robert Bulwer-Lytton (1831–91). Visual Culture in Britain. 2011;12(3):293-311. https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/14714787.2011.609377
143.
Codell JF. Power and Resistance: The Delhi Coronation Durbars, 1877, 1903, 1911. The Alkazi Collection of Photography in association with Mapin Publishing; 2012.
144.
The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge University Press; 2009.
145.
Mitter P. Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations. Cambridge University Press; 1994.
146.
Thakurta TG, Thakurta TG. Westernisation and Tradition in South Indian Painting in the Nineteenth Century: The Case of Raja Ravi Varma (1848-1906). Studies in History. 1986;2(2):165-195. http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1177/025764308600200203
147.
Edwards E, Gosden C, Phillips RB. Sensible Objects: Colonialism, Museums and Material Culture. Vol Wenner-Gren international symposium series. English ed. Berg; 2006.
148.
Mahrukh Tarapor. John Lockwood Kipling and British Art Education in India. Victorian Studies. 1980;24(1):53-81. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3826879?seq=1#page_scan_tab_contents
149.
Khan HA. Artisans, Sufis, Shrines: Colonial Architecture in Nineteenth-Century Punjab. Vol 17. I.B. Tauris; 2015.
150.
Chawla R. Raja Ravi Varma: Painter of Colonial India. Mapin Pub; 2010.
151.
Kapur G. When Was Modernism: Essays on Contemporary Cultural Practice in India. First paperback edition. Tulika; 2001.
152.
Watt CA, Mann M. Civilizing Missions in Colonial and Postcolonial South Asia: From Improvement to Development. Vol Anthem South Asian studies. Anthem Press; 2011. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha3c4
153.
Watt C, Mann M, eds. Civilizing Missions in Colonial and Postcolonial South Asia: From Improvement to Development. Anthem Press; 2012. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.7135/UPO9780857288301
154.
Carol A. Breckenridge. The Aesthetics and Politics of Colonial Collecting: India at World Fairs. Comparative Studies in Society and History. 1989;31(2):195-216. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/178806?seq=1#page_scan_tab_contents
155.
Guha-Thakurta T. Monuments, Objects, Histories: Institutions of Art in Colonial and Postcolonial India. Vol Cultures of history. Columbia University Press; 2004. https://encore.lib.warwick.ac.uk/iii/encore/search/C__SMonuments%2C%20objects%2C%20histories%3A%20institutions%20of%20art%20in%20colonial%20and%20postcolonial%20India__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
156.
Catṭọpādhyāẏa P, Centre for Studies in Social Sciences. Texts of Power: Emerging Disciplines in Colonial Bengal. University of Minnesota Press; 1995. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2908112
157.
Cohn BS. Colonialism and Its Forms of Knowledge: The British in India. Vol Princeton studies in culture/power/history. Princeton University Press; 1996. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425
158.
Cohn BS. Colonialism and Its Forms of Knowledge: The British in India. Princeton University Press; 1996. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425
159.
Mitter P. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books; 2007.
160.
Mitter P. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books; 2007. http://lib.myilibrary.com/browse/open.asp?id=227134&entityid=https://idp.warwick.ac.uk/idp/shibboleth
161.
The Daguerreotype: Photographic Processes. Published online 5AD. https://www.youtube.com/watch?v=cmm90yhhuJM
162.
The Collodion Process: Photographic Processes. Published online 12AD. https://www.youtube.com/watch?v=--PAAJZRbn8
163.
The Albumen Print: Photographic Processes. Published online 20AD. https://www.youtube.com/watch?v=Cq1RvahEPSk&feature=c4-overview-vl&list=PL4F918844C147182A
164.
Prakash V. Between Objectivity and Illusion: Architectural Photography in the Colonial Frame. Journal of Architectural Education. 2001;55(1):13-20. doi:10.1162/104648801753168774
165.
Weinstein L. Exposing the Zenana: Maharaja Sawai Ram Singh II’s Photographs of Women in Purdah. History of Photography. 2010;34(1):2-16. https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/03087290903283627
166.
Dehejia V, Allen C. India through the Lens: Photography 1840-1911. Mandala; 2006.
167.
Dehejia V, Allen C. India through the Lens: Photography 1840-1911. Mandala; 2006.
168.
Dewan D, Hutton D. Raja Deen Dayal: Artist-Photographer in 19th-Century India. Alkazi Collection of Photography in association with Mapin Publishing; 2013.
169.
Dehejia V, Allen C. India through the Lens: Photography 1840-1911. Mandala; 2006.
170.
Hight EM, Sampson GD. Colonialist Photography: Imag(in)Ing Race and Place. Vol Documenting the image. Routledge; 2002. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3089004
171.
Mitter P, Mehta TZ, Mumbai City Museum. The Artful Pose: Early Studio Photography in Mumbai, c.1855-1940. Mapin; 2010.
172.
Hutton D. Raja Deen Dayal and Sons: Photographing Hyderabad’s Famine Relief Efforts. History of Photography. 2007;31(3):260-275. doi:10.1080/03087290701440247
173.
Guégan X. Visualizing Alienation: Symbolism and Duality in Samuel Bourne’s Photographs of British India. Visual Culture in Britain. 2011;12(3):349-365. doi:10.1080/14714787.2011.609393
174.
Ryan JR. Picturing Empire: Photography and the Visualisation of the British Empire. Vol Picturing history. Reaktion; 1997. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2998250
175.
Pinney C. Camera Indica: The Social Life of Indian Photographs. Vol Envisioning Asia. Reaktion Books; 1997.
176.
Chaudhary ZR. Afterimage of Empire: Photography in Nineteenth-Century India. University of Minnesota Press; 2012. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2967193
177.
Clare Anderson. Oscar Mallitte’s Andaman Photographs, 1857-8. History Workshop Journal. 2009;(67):152-172. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40646217?seq=1#page_scan_tab_contents
178.
Dewan D, Hutton D. Raja Deen Dayal: Artist-Photographer in 19th-Century India. Alkazi Collection of Photography in association with Mapin Publishing; 2013.
179.
Banerjee S. ‘Not Altogether Unpicturesque: Samuel Bourne and the Landscaping of the Indian Himalaya’. Victorian Culture and Society. 2014;42:351-368. https://arlir.iii.com/nonret~S0&atitle=%22Not+Altogether+Unpicturesque:+Samuel+Bourne+and+the+Landscaping+of+the+Indian+Himalaya%22&title=Victorian+Culture+and+Society&aufirst=Sandeep&auinit=&aulast=Banerjee&issn=&eissn=&coden=&volume=42&issue=&spage=351&epage=368&quarter=&ssn=&date=2014&sid=&reqtype3
180.
Dehejia V, Allen C. India through the Lens: Photography 1840-1911. Mandala; 2006.
181.
Hight EM, Sampson GD. Colonialist Photography: Imag(in)Ing Race and Place. Vol Documenting the image. Routledge; 2002. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3089004
182.
Pelizzari MA, Ballerini J, Centre canadien d’architecture, Yale Center for British Art. Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900. Yale University Press; 2003.
183.
Thomas G. The Madras photographic society 1856–61. History of Photography. 1992;16(4):299-301. doi:10.1080/03087298.1992.10442563
184.
Mitter P. Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations. Cambridge University Press; 1994.
185.
The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge University Press; 2009. http://www2.warwick.ac.uk/services/library/search/extracts/ha/ha3c4
186.
Banerji D. The Alternate Nation of Abanindranath Tagore. SAGE; 2010.
187.
Banerji D. The Alternate Nation of Abanindranath Tagore. SAGE; 2010. http://0-sk.sagepub.com.pugwash.lib.warwick.ac.uk/books/the-alternate-nation-of-abanindranath-tagore
188.
Dalmia Y. The Making of Modern Indian Art: The Progressives. Oxford University Press; 2001.
189.
Herwitz D. Maqbool Fida Husain. Third Text. 2006;20(1):41-55. https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/09528820500472811
190.
Souza FN, Kurtha A. Francis Newton Souza: Bridging Western and Indian Modern Art. Mapin; 2006.
191.
King C. Views of Difference: Different Views of Art. Vol Art and its histories. Yale University Press in association with the Open University; 1999.
192.
Mitter P. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books; 2007. http://lib.myilibrary.com/browse/open.asp?id=227134&entityid=https://idp.warwick.ac.uk/idp/shibboleth
193.
Mitter P. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books; 2007.
194.
The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge University Press; 2009.
195.
Dinkar N. Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose. Oxford Art Journal. 2010;33(2):167-188. doi:10.1093/oxartj/kcq013
196.
Singh D. Indian Nationalist Art History and the Writing and Exhibiting of Mughal Art, 1910-48. Art History. 2013;36(5):1042-1069. doi:10.1111/1467-8365.12038
197.
Victoria Turner S. The ‘Essential Quality of Things’: E.B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain, . 1910–14. Visual Culture in Britain. 2010;11(2):239-264. doi:10.1080/14714787.2010.481165
198.
Dalmia V, Sadana R, eds. The Cambridge Companion to Modern Indian Culture. Vol Cambridge Companions to Culture. Cambridge University Press; 2012. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL9780521516259
199.
Khullar S. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press; 2015.
200.
Dalmia Y. The Making of Modern Indian Art: The Progressives. Oxford University Press; 2001.
201.
Khullar S. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press; 2015.
202.
Ramaswamy S. Barefoot Across the Nation Maqbool Fida Husain & the Idea of India. Yoda Press; 2011.
203.
Ramaswamy S. Barefoot Across the Nation Maqbool Fida Husain & the Idea of India. Yoda Press; 2011.
204.
Zitzewitz K. The Art of Secularism: The Cultural Politics of Modernist Art in Contemporary India. Hurst & Co. Ltd; 2014.
205.
Souza FN, Kurtha A. Francis Newton Souza: Bridging Western and Indian Modern Art. Mapin; 2006.
206.
Kapur G. Francis Newton Souza: Devil in the flesh. Third Text. 1989;3(8-9):25-64. doi:10.1080/09528828908576235
207.
Poddar S, Gaitonde VS. V.S. Gaitonde: Painting as Process, Painting as Life. DelMonico; 2014.
208.
Kapur G. "When was Modernism in Indian Art?”. Journal of Arts and Ideas. (27-28):105-126. http://dsal.uchicago.edu/books/artsandideas/pager.html?objectid=HN681.S597_27-28_107.gif
209.
Mathur S. A Retake of Sher-Gil’s. Critical Inquiry. 2011;37(3):515-544. https://0-www-jstor-org.pugwash.lib.warwick.ac.uk/stable/10.1086/659356?seq=1#metadata_info_tab_contents
210.
Mitter P. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books; 2007. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2321017
211.
Mitter P. The Triumph of Modernism: India’s Artists and the Avant-Garde, 1922-1947. Reaktion Books; 2007. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2321017
212.
Zitzewitz K. The Art of Secularism: The Cultural Politics of Modernist Art in Contemporary India. Hurst & Co. Ltd; 2014. https://contentstore.cla.co.uk/secure/link?id=ea37c43b-f393-e811-80cd-005056af4099
213.
Khullar S. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press; 2015.
214.
Chambers I, De Angelis A, Ianniciello C, Orabona M, Quadraro M, eds. The Postcolonial Museum: The Arts of Memory and the Pressures of History. Ashgate; 2014. https://contentstore.cla.co.uk/secure/link?id=e1cdf9b4-a243-e611-80bd-0cc47a6bddeb
215.
Jitish Kallat - Slide Lecture Complete Video - Chandigarh Lalit Kala Akademi. Published online 24AD. https://www.youtube.com/watch?v=VAeLSpFHO50
216.
Gupta S, Obrist HU, Herbert M, Hauser & Wirth London. Subodh Gupta, Common Man (Exhibition Catalogue). JRP/Ringier; 2009.
217.
Pushapamala N. lecture at Delhi Photo Festival. Published online 29 December 2011. https://www.youtube.com/watch?v=U8B2RH1FUU8
218.
Nikhil Chopra | Performer Artist Yog Raj Chitrakar Sir Raja | Mumbai India. http://www.nikhilchopra.net/
219.
Dalmia Y, Sher-Gil A. Amrita Sher-Gil: A Life. Penguin Books; 2013.
220.
Cherry D, Helland J. Local/Global: Women Artists in the Nineteenth Century. Ashgate; 2006.
221.
Bose B, Bhattacharyya S. The Phobic and the Erotic: The Politics of Sexualities in Contemporary India. Seagull; 2006.
222.
Goswamy BN. Indian Painting: Themes, Histories, Interpretations : Essays in Honour of B.N. Goswamy. (Sharma M, Kaimal PA, eds.). Mapin Publishing in association with Osianama.com; 2013.
223.
Hyman T, Khakhar B. Bhupen Khakhar. Mapin Pub; 1998.
224.
Khullar S. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press; 2015.
225.
Dalmia Y, Marg Publications, National Centre for the Performing Arts (India). Contemporary Indian Art: Other Realities. Marg Publications; 2002.
226.
Goswamy BN. Indian Painting: Themes, Histories, Interpretations : Essays in Honour of B.N. Goswamy. (Sharma M, Kaimal PA, eds.). Mapin Publishing in association with Osianama.com; 2013.
227.
Hyman T, Khakhar B. Bhupen Khakhar. Mapin Pub; 1998.
228.
Khullar S. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. University of California Press; 2015.
229.
Dalmia Y, Marg Publications, National Centre for the Performing Arts (India). Contemporary Indian Art: Other Realities. Marg Publications; 2002.
230.
King C. Views of Difference: Different Views of Art. Vol Art and its histories. Yale University Press in association with the Open University; 1999.
231.
Ciotti M. Post-colonial Renaissance: ‘Indianness’, contemporary art and the market in the age of neoliberal capital. Third World Quarterly. 2012;33(4):637-655. doi:10.1080/01436597.2012.657422
232.
Corbridge S, Harriss J, Jeffrey C. India Today: Economy, Politics and Society. Vol Politics today. Polity Press; 2013.
233.
India Perspectives-Special Issue of Indian Contemporary Art by Indian Diplomacy - issuu. https://issuu.com/indiandiplomacy/docs/india_perspectives-special_issue_on_indian_contemp?e=1985439/2596792
234.
Bean SS, Bhabha HK, Peabody Essex Museum. Midnight to the Boom: Painting in India after Independence : From the Peabody Essex Museum’s Herwitz Collection. Peabody Essex Museum in association with Thames & Hudson; 2013.
235.
Holborn M. The Empire Strikes Back: Indian Art Today. Jonathan Cape; 2009.
236.
Peyton-Jones J, Obrist HU, Madden K, Serpentine Gallery, Astrup Fearnley museet for moderne kunst. Indian Highway. Koenig Books; 2008.
237.
Kunstmuseum Bern. Horn Please: Narratives in Contemporary Indian Art. Hatje Cantz; 2007.
238.
Ghosh A, Lamba J. Beyond Frontiers: Contemporary British Art by Artists of South Asian Descent. Saffron; 2001.
239.
Perry G, Wood P. Themes in Contemporary Art. Vol Art of the 20th century. Yale University Press in association with the Open University; 2004.
240.
Brown RM. Art for a Modern India, 1947-1980. Duke University Press; 2009. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242
241.
Brown RM. Art for a Modern India, 1947-1980. Vol Objects/histories. Duke University Press; 2009. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242
242.
edited by Julie F. Codell. Genre, Gender, Race, and World Cinema. Blackwell Pub; 2007.
243.
Art Talk - Jitish Kallat (Artist). Published online 15 October 2011. https://www.youtube.com/watch?v=-eT-VEtObLA
244.
Atul Dodiya with Jitish Kallat - Re-Searching the Nation, and artist archive part 1. Published online 20AD. https://www.youtube.com/watch?v=BwFcvM1F-Mw
245.
Atul Dodiya with Jitish Kallat - Re-searching the Nation, and artist archive part 2. Published online 20AD. https://www.youtube.com/watch?v=OOHbPNamyhk
246.
Bridge G, Watson S. The Blackwell City Reader. 2nd ed. Wiley-Blackwell; 2010.
247.
Brosius C, Wenzlhuemer R. Transcultural Turbulences: Towards a Multi-Sited Reading of Image Flows. Vol Transcultural research-- Heidelberg studies on Asia and Europe in a global context. Springer http://0-link.springer.com.pugwash.lib.warwick.ac.uk/10.1007/978-3-642-18393-5
248.
The Big Indian Picture. "Eye of the Beholder: Interview with Pushpamala N”,. http://thebigindianpicture.com/2012/11/eye-of-the-beholder-pushpamala-n/
249.
"Beyond the Self: Pushpamala N”. Published online 14AD. https://www.youtube.com/watch?v=sNvAqktHl_I
250.
"Seven Artists in Delhi: Pushpamala N”. The Guardian online. Published online 11AD. https://www.theguardian.com/artanddesign/video/2011/mar/11/delhi-artists-pushpamala-n-video
251.
Art Talk - Subodh Gupta (Artist / Sculptor). Published online 30AD. https://www.youtube.com/watch?v=p41MWei9Kfw
252.
Randeep Ramesh. "The Damien Hirst of Delhi” - interview with Subodh Gupta. The Guardian. Published online 20AD. http://cloud.hauserwirth.com/documents/xL3nAXcNb3NfqP0qEg3I7nXwPujfWPDuhw7a435jlhE7j96USO/the-guardian-20-02-07-b3PVG6.pdf
253.
Subodh Gupta - Lecture Slide Show and Interaction- at Chandigarh Lalit Kala Akademi. Published online 24AD. https://www.youtube.com/watch?v=unogaCzNTz4
254.
"The Unstoppable Indians: Subodh Gupta”, aired on NDTV, November 2008. Published online 26 December 2013. https://www.youtube.com/watch?v=Mulhe8eq0p4