Bibliography for FI908: Screen Cultures and Methods BETA

@misc{Ahmed, title={Making Feminist Points}, url={https://feministkilljoys.com/2013/09/11/making-feminist-points/}, author={Ahmed, Sara} }

@article{Amy Holdsworth_2008, title={‘Television Resurrections’: Television and Memory}, volume={47}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30136121}, number={3}, journal={Cinema Journal}, publisher={University of Texas Press}, author={Amy Holdsworth}, year={2008}, pages={137–144} }

@article{Andrews_2011, title={On the Grey Box: Broadcasting Experimental Film and Video on Channel 4’s}, volume={12}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/14714787.2011.575262}, DOI={10.1080/14714787.2011.575262}, number={2}, journal={Visual Culture in Britain}, author={Andrews, Hannah}, year={2011}, month={Jul}, pages={203–218} }

@book{Andrews_2014, address={Basingstoke}, title={Television and British cinema: convergence and divergence since 1990}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2722218}, publisher={Palgrave Macmillan}, author={Andrews, Hannah}, year={2014} }

@book{Barr_British Film Institute_1986a, address={London}, title={All our yesterdays: 90 years of British cinema}, publisher={BFI Publishing}, author={Barr, Charles and British Film Institute}, year={1986} }

@book{Barr_British Film Institute_1986b, address={London}, title={All our yesterdays: 90 years of British cinema}, publisher={BFI Publishing}, author={Barr, Charles and British Film Institute}, year={1986} }

@book{Bazin_Gray_2005, address={Berkeley}, title={What is cinema?}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756261}, publisher={University of California Press}, author={Bazin, André and Gray, Hugh}, year={2005} }

@book{Bennett_Strange_2011a, address={Durham, NC}, title={Television as digital media}, volume={Console-ing passions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2680993}, publisher={Duke University Press}, author={Bennett, James and Strange, Niki}, year={2011} }

@book{Bennett_Strange_2011b, address={Durham, NC}, title={Television as digital media}, volume={Console-ing passions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2680993}, publisher={Duke University Press}, author={Bennett, James and Strange, Niki}, year={2011} }

@book{Bennett_Strange_2011c, address={Durham, NC}, title={Television as digital media}, volume={Console-ing passions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2680993}, publisher={Duke University Press}, author={Bennett, James and Strange, Niki}, year={2011} }

@book{Bignell_Lacey_2005, address={Manchester}, title={Popular television drama: critical perspectives}, publisher={Manchester University Press}, author={Bignell, Jonathan and Lacey, Stephen}, year={2005} }

@inbook{Bordwell_1988, address={London}, title={Towards Intrinsic Norms}, url={https://contentstore.cla.co.uk/secure/link?id=18aa4f69-049b-e811-80cd-005056af4099}, booktitle={Ozu and the poetics of cinema}, publisher={BFI Publishing}, author={Bordwell, D.}, year={1988}, pages={73–88} }

@misc{Bordwell_2013, title={‘Watch Again! Look well! Look! (For Ozu)’}, url={http://www.davidbordwell.net/blog/2013/12/12/watch-again-look-well-look-for-ozu/}, publisher={Observations on Film Art}, author={Bordwell, David}, year={2013} }

@book{Brinkema_2014, address={Durham}, title={The forms of the affects}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2750546}, publisher={Duke University Press}, author={Brinkema, Eugenie}, year={2014} }

@book{Britton_Grant_2009, address={Detroit}, title={Britton on film: the complete film criticism of Andrew Britton}, volume={Contemporary approaches to film and television series}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2988759}, publisher={Wayne State University Press}, author={Britton, Andrew and Grant, Barry Keith}, year={2009} }

@article{Browne_1984, title={The political economy of the television (super) text}, volume={9}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/10509208409361210?journalCode=gqrf19}, DOI={10.1080/10509208409361210}, number={3}, journal={Quarterly Review of Film Studies}, author={Browne, Nick}, year={1984}, month={Jun}, pages={174–182} }

@book{Bruno_2007, address={New York}, title={Atlas of emotion: journeys in art, architecture and film}, publisher={Verso}, author={Bruno, Giuliana}, year={2007} }

@article{Brunsdon_1991, title={Pedagogies of the feminine: feminist teaching and women’s genres}, volume={32}, url={https://0-academic-oup-com.pugwash.lib.warwick.ac.uk/screen/article/32/4/364/1679919/Pedagogies-of-the-feminine-feminist-teaching-and}, DOI={10.1093/screen/32.4.364}, number={4}, journal={Screen}, author={Brunsdon, C.}, year={1991}, month={Dec}, pages={364–381} }

@book{Buonanno_2008a, address={Bristol}, title={The age of television: experiences and theories}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2684701}, publisher={Intellect}, author={Buonanno, Milly}, year={2008} }

@book{Buonanno_2008b, address={Bristol}, title={The age of television: experiences and theories}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2684701}, publisher={Intellect}, author={Buonanno, Milly}, year={2008} }

@inbook{Burch_1979, address={London}, title={Ozu Yasujiro}, url={https://contentstore.cla.co.uk/secure/link?id=76e8cecb-5720-e711-80c9-005056af4099}, booktitle={To the distant observer: form and meaning in the Japanese cinema}, publisher={Scolar Press}, author={Burch, N}, year={1979}, pages={154–185} }

@book{Caldwell_1995a, address={New Brunswick, N.J.}, title={Televisuality: style, crisis, and authority in American television}, volume={Communication, media, and culture}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2848118}, publisher={Rutgers University Press}, author={Caldwell, John Thornton}, year={1995} }

@book{Caldwell_Everett_2003, address={New York}, title={New media: theories and practices of digitextuality}, volume={AFI film readers}, publisher={Routledge}, author={Caldwell, John Thornton and Everett, Anna}, year={2003} }

@inbook{Caldwell_1995b, address={New Brunswick, N.J.}, title={Excessive Style: The Crisis of Network Television}, volume={Communication, media, and culture}, url={https://contentstore.cla.co.uk/secure/link?id=8327195d-5720-e711-80c9-005056af4099}, booktitle={Televisuality: style, crisis, and authority in American television}, publisher={Rutgers University Press}, author={Caldwell, J.T.}, year={1995}, pages={3–31} }

@book{Cameron_1992, address={London}, title={The Movie book of film noir}, publisher={Studio Vista}, author={Cameron, Ian}, year={1992} }

@book{Cannadine_University of London. Institute of Historical Research_2004, address={Houndmills, Basingstoke, Hampshire}, title={History and the media}, publisher={Palgrave Macmillan}, author={Cannadine, David and University of London. Institute of Historical Research}, year={2004} }

@book{Carroll_2009, address={New York}, title={On criticism}, volume={Thinking in action}, publisher={Routledge}, author={Carroll, Noël}, year={2009} }

@inbook{Clayton_Klevan_2011a, address={Abingdon, Oxon}, title={Introduction: The language and style of film criticism}, url={https://contentstore.cla.co.uk/secure/link?id=ceb19b4d-5920-e711-80c9-005056af4099}, booktitle={The language and style of film criticism}, publisher={Routledge}, author={Clayton, Alex and Klevan, Andrew}, year={2011} }

@book{Clayton_Klevan_2011b, address={Abingdon, Oxon}, title={The language and style of film criticism}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2585945}, publisher={Routledge}, author={Clayton, Alex and Klevan, Andrew}, year={2011} }

@misc{Coen_Coen_Macy_McDormand_2004, address={Santa Monica, CA}, edition={Special ed}, title={Fargo}, publisher={MGM Home Entertainment}, author={Coen, Joel and Coen, Ethan and Macy, William H. and McDormand, Frances}, year={2004} }

@book{Corner_1991a, address={London}, title={Popular television in Britain: studies in cultural history}, publisher={BFI Publishing}, author={Corner, John}, year={1991} }

@book{Corner_1991b, address={London}, title={Popular television in Britain: studies in cultural history}, publisher={BFI Publishing}, author={Corner, John}, year={1991} }

@book{Corner_1999a, address={Oxford}, title={Critical ideas in television studies}, volume={Oxford television studies}, publisher={Clarendon Press}, author={Corner, John}, year={1999} }

@book{Corner_1999b, address={Oxford}, title={Critical ideas in television studies}, volume={Oxford television studies}, publisher={Clarendon Press}, author={Corner, John}, year={1999} }

@article{Corner, John_2003, title={Finding data, reading patterns, telling stories: issues in the historiography of television.}, volume={25}, url={http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/pdf/10.1177/01634437030252006}, number={2}, journal={Media, Culture & Society;}, author={Corner, John}, year={2003} }

@book{Couldry_McCarthy_2004, address={London}, title={MediaSpace: place, scale, and culture in a media age}, volume={Comedia}, publisher={Routledge}, author={Couldry, Nick and McCarthy, Anna}, year={2004} }

@book{Crary_1990, address={Cambridge, Mass}, title={Techniques of the observer: on vision and modernity in the  nineteenth century}, volume={October books}, publisher={MIT Press}, author={Crary, Jonathan}, year={1990} }

@book{Creeber_2006, address={London}, title={Tele-visions: an introduction to studying television}, publisher={BFI}, author={Creeber, Glen}, year={2006} }

@article{DAVID BORDWELL_2011, title={NEVER THE TWAIN Why can’t cinephiles and academics just get along? SHALL MEET}, volume={47}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/43459668?refreqid=search%3A350b5d35038cc5cd230d7262e379c3dc}, number={3}, journal={Film Comment}, publisher={Film Society of Lincoln Center}, author={DAVID BORDWELL}, year={2011}, pages={38–41} }

@misc{Denis_Pesery_Fargeau_Descas_Diop_Dogué_Colin_Caven_Soudaine compagnie_Arte France cinéma (Firm)_et al._2008, address={[London]}, title={35 rhums: 35 shots of rum}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/01407544?bcast=89004719}, publisher={New Wave Films}, author={Denis, Claire and Pesery, Bruno and Fargeau, Jean-Pol and Descas, Alex and Diop, Mati and Dogué, Nicole and Colin, Grégoire and Caven, Ingrid and Soudaine compagnie and Arte France cinéma (Firm) and Pandora Film (Firm) and Tindersticks (Musical group)}, year={2008} }

@book{Desser_1997, address={Cambridge}, title={Ozu’s Tokyo story}, volume={Cambridge film handbooks series}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2668747}, publisher={Cambridge University Press}, author={Desser, David}, year={1997} }

@book{Eleftheriotis_Needham_2006, address={Edinburgh}, title={Asian cinemas: a reader and guide}, publisher={Edinburgh University Press}, author={Eleftheriotis, Dimitris and Needham, Gary}, year={2006} }

@book{Ellis_1992a, address={London}, edition={Rev. ed}, title={Visible fictions: cinema, television, video}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2882155}, publisher={Routledge}, author={Ellis, John}, year={1992} }

@book{Ellis_1992b, address={London}, edition={Rev. ed}, title={Visible fictions: cinema, television, video}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2882155}, publisher={Routledge}, author={Ellis, John}, year={1992} }

@book{Elsaesser_2016, address={Amsterdam}, title={Film history as media archaeology: tracking digital cinema}, volume={Film culture in transition}, publisher={Amsterdam University Press}, author={Elsaesser, Thomas}, year={2016} }

@book{Elsaesser_Hagener_2010a, address={New York}, title={Film theory: an introduction through the senses}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3076220}, publisher={Routledge}, author={Elsaesser, Thomas and Hagener, Malte}, year={2010} }

@book{Elsaesser_Hagener_2010b, address={New York}, title={Film theory: an introduction through the senses}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3076220}, publisher={Routledge}, author={Elsaesser, Thomas and Hagener, Malte}, year={2010} }

@book{Evans_2017, address={Edinburgh}, title={Douglas Sirk, aesthetic modernism and the culture of modernity}, publisher={Edinburgh University Press}, author={Evans, Victoria L.}, year={2017} }

@book{Fassbinder_Mira_Ben Salem_Valentin_Hermann_Karlowa_Bucher_Kreissl_Mattes_Symo_et al._2003, address={[United States]}, title={Ali, fear eats the soul}, volume={Criterion collection}, publisher={Criterion Collection}, author={Fassbinder, Rainer Werner and Mira, Brigitte and Ben Salem, El Hedi and Valentin, Barbara and Hermann, Irm and Karlowa, Elma and Bucher, Anita and Kreissl, Gusti and Mattes, Doris and Symo, Margit and Jürges, Jürgen and Eymèsz, Thea and Rainer Werner Fassbinder Foundation and Tango Film Produktion and Criterion Collection (Firm) and Wellspring Media}, year={2003} }

@book{Fiske_2011, address={London}, edition={2nd ed}, title={Television culture}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2586371}, publisher={Routledge}, author={Fiske, John}, year={2011} }

@book{Friedberg_2006, address={Cambridge, Mass}, title={The virtual window: from Alberti to Microsoft}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756081}, publisher={MIT Press}, author={Friedberg, Anne}, year={2006} }

@misc{Fuller_Green_Gaiman_Whittle_Browning_Schreiber_FremantleMedia North America_StudioCanal Limited_2017, address={[London]}, title={American gods: Complete season one}, publisher={StudioCanal}, author={Fuller, Bryan and Green, Michael and Gaiman, Neil and Whittle, Ricky and Browning, Emily and Schreiber, Pablo and FremantleMedia North America and StudioCanal Limited}, year={2017} }

@book{Geller_New Museum of Contemporary Art (New York, N.Y.), address={New York}, title={From receiver to remote control: the TV set}, publisher={New Museum of Contemporary Art}, author={Geller, Matthew and New Museum of Contemporary Art (New York, N.Y.)} }

@book{Geraghty_Lusted_1998, address={London}, title={The television studies book}, publisher={Arnold}, author={Geraghty, Christine and Lusted, David}, year={1998} }

@book{Gibbs_Pye_2005a, address={Manchester}, title={Style and meaning: studies in the detailed analysis of film}, publisher={Manchester University Press}, author={Gibbs, John and Pye, Douglas}, year={2005} }

@book{Gibbs_Pye_2005b, address={Manchester}, title={Style and meaning: studies in the detailed analysis of film}, publisher={Manchester University Press}, author={Gibbs, John and Pye, Douglas}, year={2005} }

@book{Gibbs_Pye_2005c, address={Manchester}, title={Style and meaning: studies in the detailed analysis of film}, publisher={Manchester University Press}, author={Gibbs, John and Pye, Douglas}, year={2005} }

@book{Gibbs_2002, address={London}, title={Mise-en-scène: film style and interpretation}, volume={Short cuts}, url={http://WARW.eblib.com/patron/FullRecord.aspx?p=927987}, publisher={Wallflower}, author={Gibbs, John Edward}, year={2002} }

@book{Gillis_Hollows_2008, address={London}, title={Feminism, domesticity and popular culture}, volume={Routledge advances in sociology}, publisher={Routledge}, author={Gillis, Stacy and Hollows, Joanne}, year={2008} }

@article{Goerge Toles_1999, title={Obvious mysteries in Fargo}, volume={38}, url={https://0-literature-proquest-com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R01593801&divLevel=0&queryId=3010753398631&trailId=15DE4F2BB9B&area=abell&forward=critref_ft}, number={4}, journal={Michigan Quarterly Review}, author={Goerge Toles}, year={1999} }

@book{Gorton_2009, address={Edinburgh}, title={Media audiences: television, meaning and emotion}, volume={Media topics}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2796985}, publisher={Edinburgh University Press}, author={Gorton, Kristyn}, year={2009} }

@book{Gott_Schilt_Rascaroli_2013, address={Bristol, UK}, title={Open roads, closed borders: the contemporary French-language road movie}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2659958}, publisher={Intellect}, author={Gott, Michael and Schilt, Thibaut and Rascaroli, Laura}, year={2013} }

@book{Graf_2002, address={London}, title={The cinema of Wim Wenders: the celluloid highway}, volume={Directors’ cuts}, publisher={Wallflower Press}, author={Graf, Alexander}, year={2002} }

@book{Grainge_2011, address={London}, title={Ephemeral media: transitory screen culture from television to YouTube}, publisher={BFI}, author={Grainge, Paul}, year={2011} }

@book{Gregg_Seigworth_2010, address={Durham, NC}, title={The affect theory reader}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2747774}, publisher={Duke University Press}, author={Gregg, Melissa and Seigworth, Gregory J.}, year={2010} }

@book{Gumbrecht_Pfeiffer_1994, address={Stanford, Calif}, title={Materialities of communication}, volume={Writing science}, publisher={Stanford University Press}, author={Gumbrecht, Hans Ulrich and Pfeiffer, Karl Ludwig}, year={1994} }

@article{Gunning_2007, title={Moving Away from the Index: Cinema and the Impression of Reality}, volume={18}, url={https://plu.mx/a/?ebsco-client=&doi=10.1215%2F10407391-2006-022}, DOI={10.1215/10407391-2006-022}, number={1}, journal={differences}, author={Gunning, T.}, year={2007}, month={Jan}, pages={29–52} }

@misc{Halliday_1997, title={Conversations with Jon Halliday}, url={https://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=halliday++Conversations+with+Jon+Halliday&rh=n%3A266239%2Ck%3Ahalliday++Conversations+with+Jon+Halliday}, publisher={Cahiers du cinéma}, author={Halliday, Jon}, year={1997} }

@book{Hartley_1999, address={London}, title={Uses of television}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2881799}, publisher={Routledge}, author={Hartley, John}, year={1999} }

@article{Hemmings_2005, title={INVOKING AFFECT}, volume={19}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/09502380500365473}, DOI={10.1080/09502380500365473}, number={5}, journal={Cultural Studies}, author={Hemmings, Clare}, year={2005}, month={Sep}, pages={548–567} }

@article{Hills_2007, title={FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF}, volume={5}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/17400300601140167}, DOI={10.1080/17400300601140167}, number={1}, journal={New Review of Film and Television Studies}, author={Hills, Matt}, year={2007}, month={Apr}, pages={41–60} }

@book{Hilmes_2003, address={London}, title={The television history book}, publisher={British Film Institute}, author={Hilmes, Michele}, year={2003} }

@misc{Hitoto_Hsiao-hsien_T’ien-Wen_Miyajima_Asano_Hagiwara_Shōchiku Kabushiki Kaisha_Asahi Shimbunsha_Sumitomo Corporation_Eisei Gekijo Co_et al., address={[England]}, title={Café Lumière}, publisher={ICA Projects}, author={Hitoto, Yo and Hsiao-hsien, Hou and T’ien-Wen, Chu and Miyajima, Hideji and Asano, Tadanobu and Hagiwara, Masato and Shōchiku Kabushiki Kaisha and Asahi Shimbunsha and Sumitomo Corporation and Eisei Gekijo Co and Imagica Corp} }

@book{Jacobs_2000, address={Oxford}, title={The intimate screen: early British television drama}, volume={Oxford television studies}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2664100}, publisher={Oxford University Press}, author={Jacobs, Jason}, year={2000} }

@article{Jacobs_2001, title={Issues of judgement and value in television studies}, volume={4}, url={http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/10.1177/136787790100400404}, DOI={10.1177/136787790100400404}, number={4}, journal={International Journal of Cultural Studies}, author={Jacobs, Jason}, year={2001}, month={Dec}, pages={427–447} }

@misc{Jarmusch_Koduh_Nagase_Hawkins_Channel Four (Great Britain)_1993, address={[London]}, title={Mystery train}, publisher={Channel 4}, author={Jarmusch, Jim and Koduh, Youki and Nagase, Masatoshi and Hawkins, Screamin’ Jay and Channel Four (Great Britain)}, year={1993} }

@book{Johnson_2012, address={Abingdon, Oxon}, title={Branding television}, volume={Comedia}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2807202}, publisher={Routledge}, author={Johnson, Catherine}, year={2012} }

@book{Kaplan_1983, address={Frederick, MD.}, title={Regarding television: critical approaches : an anthology}, volume={The American Film Institute monograph series}, publisher={University Publications of America}, author={Kaplan, E. Ann}, year={1983} }

@misc{Kar Wai Wong, title={Grandmaster [videorecording]}, author={Kar Wai Wong} }

@misc{Kiarostami_2003, title={Five Dedicated to Ozu}, url={https://www.amazon.co.uk/Five-Dedicated-Ozu-Region-NTSC/dp/B000QCU520/ref=sr_1_1?s=books&ie=UTF8&qid=1505207321&sr=8-1&keywords=Five+Dedicated+to+Ozu}, author={Kiarostami, Abbas}, year={2003} }

@inbook{Klinger_1994, address={Bloomington}, title={The Many Faces of Melodrama}, url={https://contentstore.cla.co.uk/secure/link?id=8f1afd4b-f599-e711-80cb-005056af4099}, booktitle={Melodrama and meaning: history, culture, and the films of Douglas  Sirk}, publisher={Indiana University Press}, author={Klinger, B.}, year={1994}, pages={11–20} }

@book{Klinger_2006, address={Berkeley}, title={Beyond the multiplex: cinema, new technologies, and the home}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2668425}, publisher={University of California Press}, author={Klinger, Barbara}, year={2006} }

@misc{Kore-eda_Abe_Natsukawa_Kiki_Harada_You_New Wave Films_2008, address={[London]}, title={Still walking}, publisher={New Wave Films}, author={Kore-eda, Hirokazu and Abe, Hiroshi and Natsukawa, Yui and Kiki, Kirin and Harada, Yoshio and You and New Wave Films}, year={2008} }

@book{Kracauer_1965, address={New York}, title={Theory of film: the redemption of physical reality}, publisher={Oxford University Press}, author={Kracauer, Siegfried}, year={1965} }

@article{Lacey_2006, title={Some Thoughts on Television History and Historiography: A British Perspective}, volume={1}, url={http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/10.7227/CST.1.1.3}, DOI={10.7227/CST.1.1.3}, number={1}, journal={Critical Studies in Television: The International Journal of Television Studies}, author={Lacey, Stephen}, year={2006}, month={Mar}, pages={3–12} }

@book{Landy_1991, address={Detroit}, title={Imitations of life: a reader on film & television melodrama}, volume={Contemporary film and television series}, publisher={Wayne State University Press}, author={Landy, Marcia}, year={1991} }

@book{Lee_2011, address={Houndmills, Basingstoke, Hampshire}, title={East Asian cinemas: regional flows and global transformations}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2702797}, publisher={Palgrave Macmillan}, author={Lee, Vivian P. Y.}, year={2011} }

@book{Lehman_1990, address={Tallahassee, Fla}, title={Close viewings: an anthology of new film criticism}, publisher={Florida State University Press}, author={Lehman, Peter}, year={1990} }

@book{Luhr_2004, address={Cambridge, U.K.}, title={The Coen brothers’ Fargo}, volume={The Cambridge University Press film handbooks series}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2668201}, publisher={Cambridge University Press}, author={Luhr, William}, year={2004} }

@book{Lury_2005, address={London}, title={Interpreting television}, publisher={Hodder Arnold}, author={Lury, Karen}, year={2005} }

@article{Lynn Spigel_1988a, title={Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955}, volume={6}, url={http://cameraobscura.dukejournals.org/content/6/1_16/9.citation}, DOI={10.1215/02705346-6-1_16-9                                  10.1215/02705346-6-1_16-9}, number={1 16}, journal={Camera Obscura}, publisher={Duke University Press}, author={Lynn Spigel}, year={1988}, month={Jan}, pages={9–46} }

@article{Lynn Spigel_1988b, title={Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955}, volume={6}, url={http://cameraobscura.dukejournals.org/content/6/1_16/9.citation}, DOI={10.1215/02705346-6-1_16-9                                  10.1215/02705346-6-1_16-9}, number={1 16}, journal={Camera Obscura}, publisher={Duke University Press}, author={Lynn Spigel}, year={1988}, month={Jan}, pages={9–46} }

@book{Manovich_2001, address={Cambridge, Mass}, title={The language of new media}, volume={Leonardo series}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2851616}, publisher={MIT Press}, author={Manovich, Lev}, year={2001} }

@book{Marks_2000, address={Durham, NC}, title={The skin of the film: intercultural cinema, embodiment, and the senses}, publisher={Duke University Press}, author={Marks, Laura U.}, year={2000} }

@article{Martin_2012, title={Guess-Work: Scarlet Street}, volume={3}, url={http://www2.warwick.ac.uk/fac/arts/film/movie/contents/scarlet_st._final.2.pdf}, journal={Movie: A Journal of Film Criticism}, author={Martin, Adrian}, year={2012} }

@book{Martin_2014, address={Houndmills, Basingstoke, Hampshire}, title={Mise en scène and film style: from classical Hollywood to new media art}, volume={Palgrave close readings in film and television}, publisher={Palgrave Macmillan}, author={Martin, Adrian}, year={2014} }

@book{McLoone_Hill_1996, address={Luton}, title={Big picture, small screen: the relations between film and television}, volume={Acamedia research monograph}, publisher={University of Luton Press}, author={McLoone, Martin and Hill, John}, year={1996} }

@book{Mellencamp_1990, address={Bloomington}, title={Logics of television: essays in cultural criticism}, volume={Theories of contemporary culture}, publisher={Indiana University Press}, author={Mellencamp, Patricia}, year={1990} }

@inbook{Metz_1974, address={New York}, title={On the Impression of Reality in the Cinema}, url={https://contentstore.cla.co.uk/secure/link?id=e12e9083-4f99-e711-80cb-005056af4099}, booktitle={Film language: a semiotics of the cinema}, publisher={Oxford University Press}, author={Metz, Christian}, year={1974}, pages={3–15} }

@book{Mittell_2015, address={New York}, title={Complex TV: the poetics of contemporary television storytelling}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3087566}, publisher={New York University Press}, author={Mittell, Jason}, year={2015} }

@book{Moran_2013, address={London}, title={Armchair nation: an intimate history of Britain in front of the TV}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876349}, publisher={Profile Books}, author={Moran, Joe}, year={2013} }

@book{Morley_1988, address={London}, title={Family television: cultural power and domestic leisure}, volume={Comedia}, publisher={Routledge}, author={Morley, David}, year={1988} }

@book{Mulvey_2006a, address={London}, title={Death 24x a second: stillness and the moving image}, publisher={Reaktion Books}, author={Mulvey, Laura}, year={2006} }

@book{Mulvey_2006b, address={London}, title={Death 24x a second: stillness and the moving image}, publisher={Reaktion Books}, author={Mulvey, Laura}, year={2006} }

@book{Mulvey_2008, address={Basingstoke}, edition={2nd ed}, title={Visual and other pleasures}, volume={Language, discourse, society}, publisher={Palgrave Macmillan}, author={Mulvey, Laura}, year={2008} }

@inbook{Nagib_2016, address={Edinburgh}, title={The Politics of Slowness and the Traps of Modernity}, volume={Traditions in world cinema}, url={https://contentstore.cla.co.uk/secure/link?id=8835f723-6e98-e711-80cb-005056af4099}, booktitle={Slow cinema}, publisher={Edinburgh University Press}, author={Nagib, Lúcia}, editor={De Luca, Tiago and Jorge, Nuno Barradas}, year={2016}, pages={25–46} }

@article{Ndalianis_2015, title={A Disturbing Feast for the Senses}, volume={14}, DOI={10.1177/1470412915607928}, number={3}, journal={Journal of Visual Culture}, author={Ndalianis, Angela}, year={2015}, month={Dec}, pages={279–284} }

@article{Newcomb_Hirsch_1983, title={Television as a cultural forum: Implications for research∗}, volume={8}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/10509208309361170}, DOI={10.1080/10509208309361170}, number={3}, journal={Quarterly Review of Film Studies}, author={Newcomb, Horace M. and Hirsch, Paul M.}, year={1983}, month={Jun}, pages={45–55} }

@article{Niessen_2011, title={Lives of cinema: against its ‘death’}, volume={52}, url={https://0-academic-oup-com.pugwash.lib.warwick.ac.uk/screen/article-lookup/doi/10.1093/screen/hjr023}, DOI={10.1093/screen/hjr023}, number={3}, journal={Screen}, author={Niessen, N.}, year={2011}, month={Sep}, pages={307–326} }

@article{Nixon_2017, title={Life in the kitchen: Television advertising, the housewife and domestic modernity in Britain, 1955–1969}, volume={31}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/13619462.2016.1245619}, DOI={10.1080/13619462.2016.1245619}, number={1}, journal={Contemporary British History}, author={Nixon, Sean}, year={2017}, month={Jan}, pages={69–90} }

@book{Ozu_Noda_2003, title={Tokyo Story: The Ozu/Noda Screenplay}, url={https://www.amazon.co.uk/Tokyo-Story-Screenplay-16-Oct-2003-Paperback/dp/B013PREW8K/ref=sr_1_1?ie=UTF8&qid=1505207011&sr=8-1&keywords=Tokyo+Story%3A+The+Ozu%2FNoda+Screenplay}, author={Ozu, Yasujiro and Noda, Kogo}, year={2003} }

@misc{Ozu_Noda_Atsuta_Ryū_Hara_Sugimura_2004, address={London}, title={The Noriko trilogy}, publisher={Tartan Video}, author={Ozu, Yasujirō and Noda, Kōgo and Atsuta, Yūharu and Ryū, Chishū and Hara, Setsuko and Sugimura, Haruko}, year={2004} }

@misc{Ozu_Noda_Hara_Tsukasa_Okada_Satomi_Shōchiku Kabushiki Kaisha_2006, address={[S.I.]}, title={Late autumn}, publisher={Tartan Video}, author={Ozu, Yasujirō and Noda, Kōgo and Hara, Setsuko and Tsukasa, Yōko and Okada, Mariko and Satomi, Ton and Shōchiku Kabushiki Kaisha}, year={2006} }

@inbook{Perkins_1972a, address={Harmondsworth}, edition={Penguin}, title={"How” is "What”}, url={https://contentstore.cla.co.uk/secure/link?id=16d966f4-3d99-e711-80cb-005056af4099}, booktitle={Film as film: understanding and judging movies}, publisher={Penguin}, author={Perkins, V. F.}, year={1972}, pages={116–133} }

@book{Perkins_1972b, address={Harmondsworth}, title={Film as film: understanding and judging movies}, volume={A Pelican original}, publisher={Penguin}, author={Perkins, V. F.}, year={1972} }

@book{Pertierra_Turner_2013, address={London}, title={Locating television: zones of consumption}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2724171}, publisher={Routledge}, author={Pertierra, Anna Cristina and Turner, Graeme}, year={2013} }

@book{Phillips_Stringer_2007, address={London}, title={Japanese cinema: texts and contexts}, publisher={Routledge}, author={Phillips, Alastair and Stringer, Julian}, year={2007} }

@book{Plantinga_2009, address={Berkeley}, title={Moving viewers: American film and the spectator’s experience}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2668563}, publisher={University of California Press}, author={Plantinga, Carl R.}, year={2009} }

@book{Pye_Leigh_Smith_2007, address={London}, title={Close-up 02}, publisher={Wallflower}, author={Pye, Douglas and Leigh, Jacob and Smith, Susan}, year={2007} }

@article{Rachel Moseley and Helen Wheatley_2008, title={Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies}, volume={47}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30136123}, number={3}, journal={Cinema Journal}, publisher={University of Texas Press}, author={Rachel Moseley and Helen Wheatley}, year={2008}, pages={152–158} }

@book{Richie_1974, address={Berkeley}, title={Ozu}, publisher={University of California Press}, author={Richie, Donald}, year={1974} }

@article{Rodan_2009, title={Large, sleek, slim, stylish flat screens: Privatized space and the televisual experience}, volume={23}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/10304310902884050}, DOI={10.1080/10304310902884050}, number={3}, journal={Continuum}, author={Rodan, Debbie}, year={2009}, month={Jun}, pages={367–382} }

@book{Rodowick_2007, address={Cambridge, Mass}, title={The virtual life of film}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2667173}, publisher={Harvard University Press}, author={Rodowick, David Norman}, year={2007} }

@misc{Rosenbaum_2000, title={Is Ozu Slow?}, url={http://sensesofcinema.com/2000/feature-articles/ozu-2/}, number={4}, publisher={Senses of Cinema}, author={Rosenbaum, Jonathan}, year={2000} }

@book{Russell_2011, address={New York}, title={Classical Japanese cinema revisited}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2824993}, publisher={Continuum}, author={Russell, Catherine}, year={2011} }

@book{Schrader_1988, address={New York}, title={Transcendental style in film: Ozu, Bresson, Dreyer}, publisher={Da Capo}, author={Schrader, Paul}, year={1988} }

@book{Sedgwick_2003, address={Durham, N.C.}, title={Touching feeling: affect, pedagogy, performativity}, volume={Series Q.}, publisher={Duke University Press}, author={Sedgwick, Eve Kosofsky}, year={2003} }

@book{Shaviro_1993, address={Minneapolis}, title={The cinematic body}, volume={Theory out of bounds}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2914101}, publisher={University of Minnesota Press}, author={Shaviro, Steven}, year={1993} }

@article{Shouse_2005, title={Feeling, Emotion, Affect}, volume={8}, url={http://www.journal.media-culture.org.au/0512/03-shouse.php}, number={6}, journal={M/C Journal}, author={Shouse, Eric}, year={2005} }

@book{Silverstone_1994, address={London}, title={Television and everyday life}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2698500}, publisher={Routledge}, author={Silverstone, Roger}, year={1994} }

@article{Smit_2013, title={Visual Effects and Visceral Affect: ‘Tele-Affectivity’ and the Intensified Intimacy of Contemporary Television}, volume={8}, url={http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/10.7227/CST.8.3.8}, DOI={10.7227/CST.8.3.8}, number={3}, journal={Critical Studies in Television: The International Journal of Television Studies}, author={Smit, Alexia}, year={2013}, month={Nov}, pages={92–107} }

@book{Sobchack_2004, address={Berkeley}, title={Carnal thoughts: embodiment and moving image culture}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2668155}, publisher={University of California Press}, author={Sobchack, Vivian Carol}, year={2004} }

@article{Song Hwee LIM_2016, title={Domesticating Time: Gendered Temporalities in Hou Hsiao-hsien’s Café Lumière}, volume={10}, url={http://0-booksandjournals.brillonline.com.pugwash.lib.warwick.ac.uk/content/journals/10.3868/s010-005-016-0003-4}, DOI={10.3868/s010-005-016-0003-4}, number={1}, journal={Frontiers of Literary Studies in China}, author={Song Hwee LIM}, year={2016}, pages={36–57} }

@inbook{Sontang_1967, address={London}, title={Against Interpretation}, url={https://contentstore.cla.co.uk/secure/link?id=1d2e7487-799c-e711-80cb-005056af4099}, booktitle={Against interpretation, and other essays}, publisher={Eyre & Spottiswoode}, author={Sontang, Susan}, year={1967}, pages={3–14} }

@misc{Spacey, title={House of cards [videorecording]}, author={Spacey, K.} }

@book{Spigel_1992, address={Chicago}, title={Make room for TV: television and the family ideal in postwar America}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756011}, publisher={University of Chicago Press}, author={Spigel, Lynn}, year={1992} }

@article{Spigel_2009, title={My TV Studies . . . Now Playing on a You Tube Site Near You}, volume={10}, url={http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/10.1177/1527476408325895}, DOI={10.1177/1527476408325895}, number={1}, journal={Television & New Media}, author={Spigel, Lynn}, year={2009}, month={Jan}, pages={149–153} }

@book{Spigel_Olsson_2004a, address={Durham}, title={Television after TV: essays on a medium in transition}, volume={Console-ing passions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876268}, publisher={Duke University Press}, author={Spigel, Lynn and Olsson, Jan}, year={2004} }

@book{Spigel_Olsson_2004b, address={Durham}, title={Television after TV: essays on a medium in transition}, volume={Console-ing passions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876268}, publisher={Duke University Press}, author={Spigel, Lynn and Olsson, Jan}, year={2004} }

@book{Stam_2000a, address={Malden, Mass}, title={Film theory: an introduction}, publisher={Blackwell}, author={Stam, Robert}, year={2000} }

@book{Stam_2000b, address={Malden, Mass}, title={Film theory: an introduction}, publisher={Blackwell}, author={Stam, Robert}, year={2000} }

@book{Stokes_1999, address={Basingstoke}, title={On screen rivals: cinema and television in the United States and  Britain}, publisher={Macmillan}, author={Stokes, Jane C.}, year={1999} }

@book{Thomas_2001, address={London}, title={Reading Hollywood: spaces and meanings in American film}, volume={Short cuts}, publisher={Wallflower}, author={Thomas, Deborah}, year={2001} }

@book{Tichi_1991, address={New York}, title={Electronic hearth: creating an American television culture}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2905968}, publisher={Oxford University Press}, author={Tichi, Cecelia}, year={1991} }

@book{Turner_Tay_2009, address={London}, title={Television studies after tv: understanding television in the post-broadcast era}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876267}, publisher={Routledge}, author={Turner, Graeme and Tay, Jinna}, year={2009} }

@book{Udden_2009, address={Hong Kong}, title={No man an island: the cinema of Hou Hsiao-hsien}, publisher={Hong Kong University Press}, author={Udden, James}, year={2009} }

@article{Visual Studies Workshop, address={Rochester, N.Y.}, title={Afterimage}, publisher={Visual Studies Workshop}, author={Visual Studies Workshop} }

@article{Wallace, Richard_2016, title={John Cura: Pioneer of the Television Archive.}, volume={13}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=edb&AN=112339087&site=eds-live&group=trial}, number={1}, journal={Journal of British Cinema & Television;}, author={Wallace, Richard}, year={2016}, pages={99–120} }

@misc{Wenders_1985, title={Tokyo-Ga}, url={https://www.amazon.co.uk/Tokyo-Ga-Chishu-Ryu/dp/B00ESQBU6A/ref=sr_1_1?s=books&ie=UTF8&qid=1505207424&sr=8-1&keywords=Tokyo-Ga+wim+Wenders%2C+1985}, author={Wenders, Wim}, year={1985} }

@book{Wheatley_2007, address={London}, title={Re-viewing television history: critical issues in television historiography}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876271}, publisher={I. B. Tauris}, author={Wheatley, Helen}, year={2007} }

@book{Willemen_British Film Institute_1994, address={Bloomington}, title={Looks and frictions: essays in cultural studies and film theory}, volume={Perspectives}, publisher={Indiana University Press}, author={Willemen, Paul and British Film Institute}, year={1994} }

@article{Williams, Linda, title={Film Bodies: Gender, Genre, and Excess}, volume={44}, url={https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/223102636?accountid=14888}, number={4}, journal={Film Quarterly (ARCHIVE)}, author={Williams, Linda} }

@inbook{Williams_1990, address={London}, edition={2nd ed}, title={Chapter 4: ‘Programming: distribution and flow’}, url={https://contentstore.cla.co.uk/secure/link?id=4c8eb77a-c497-e711-80cb-005056af4099}, booktitle={Television: technology and cultural form}, publisher={Routledge}, author={Williams, Raymond}, year={1990}, pages={78–118} }

@book{Williams_Williams_1990, address={London}, edition={2nd ed}, title={Television: technology and cultural form}, publisher={Routledge}, author={Williams, Raymond and Williams, Ederyn}, year={1990} }

@book{Wilson_1986, address={Baltimore}, title={Narration in light: studies in cinematic point of view}, publisher={Johns Hopkins University Press}, author={Wilson, George M.}, year={1986} }

@article{Wood_2007, title={Television is happening}, volume={10}, url={http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1177/1367549407081956}, DOI={10.1177/1367549407081956}, number={4}, journal={European Journal of Cultural Studies}, author={Wood, Helen}, year={2007}, month={Nov}, pages={485–506} }

@book{Wood_2006, address={Detroit}, edition={Rev. ed}, title={Personal views: explorations in film}, volume={Contemporary approaches to film and television series}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2999423}, publisher={Wayne State University Press}, author={Wood, Robin}, year={2006} }

@article{Wu_2008, title={Remapping Ozu’s Tokyo? The Interplay between History and Memory in Hou Hsiao-Hsien’s Café Lumière}, volume={19}, url={http://0-www.ingentaconnect.com.pugwash.lib.warwick.ac.uk/content/intellect/ac/2008/00000019/00000001/art00011}, DOI={10.1386/ac.19.1.172_1}, number={1}, journal={Asian Cinema}, author={Wu, I-fen}, year={2008}, month={Mar}, pages={172–181} }

@misc{Wyman_Hudson_Moorehead_Nagel_Grey_Talbott_Sirk_Lee_Fenwick_Hunter_et al._2007, address={[London?]}, title={All that heaven allows}, publisher={Universal Pictures Video}, author={Wyman, Jane and Hudson, Rock and Moorehead, Agnes and Nagel, Conrad and Grey, Virginia and Talbott, Gloria and Sirk, Douglas and Lee, Edna and Fenwick, Peg and Hunter, Ross and Metty, Russell and Gross, Frank and Skinner, Frank and Universal-International (Firm)}, year={2007} }

@article{Please read: V.F. Perkins, ‘Must We Say What They Mean? Film Criticism and Interpretation’_1990, address={London}, volume={34}, url={https://contentstore.cla.co.uk/secure/link?id=565b4837-7a9c-e711-80cb-005056af4099}, journal={Movie}, publisher={Movie}, year={1990}, pages={1–6} }

@book{Buckland_2014, address={New York}, title={Hollywood puzzle films}, volume={AFI film readers}, publisher={Routledge}, year={2014} }

@book{Stein_Di Paolo_2015a, address={New York}, title={Ozu international: essays on the global influences of a Japanese auteur}, url={http://lib.myilibrary.com/ProductDetail.aspx?id=752606&entityid=https://idp.warwick.ac.uk/idp/shibboleth}, publisher={Bloomsbury, An imprint of Bloombury Publishing Inc}, year={2015} }

@book{Stein_Di Paolo_2015b, address={New York}, title={Ozu international: essays on the global influences of a Japanese auteur}, url={http://lib.myilibrary.com/ProductDetail.aspx?id=752606&entityid=https://idp.warwick.ac.uk/idp/shibboleth}, publisher={Bloomsbury, An imprint of Bloombury Publishing Inc}, year={2015} }

@book{McDonald_Smith-Rowsey_2016, address={New York, NY}, title={The Netflix effect: technology and entertainment in the 21st century}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3030558}, publisher={Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc}, year={2016} }

@book{De Luca_Jorge_2016a, address={Edinburgh}, title={Slow cinema}, volume={Traditions in world cinema}, publisher={Edinburgh University Press}, year={2016} }

@book{De Luca_Jorge_2016b, address={Edinburgh}, title={Slow cinema}, volume={Traditions in world cinema}, publisher={Edinburgh University Press}, year={2016} }

@misc{All That Heaven Allows (1955), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0001483A?bcast=95712924}, publisher={FilmFour} }

@misc{Far from Heaven (2002), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0054E252?bcast=74586582}, publisher={FilmFour} }

@misc{The Cine-Files, url={http://issue4.thecine-files.com/} }

@misc{Scarlet Street (1945), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00017964?bcast=76007713}, publisher={BBC2 England} }

@misc{Grayson Perry: Divided Britain, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0F03831C?bcast=124243314}, publisher={Channel 4} }

@article{Senses of cinema, address={West Preston, Victoria, Australia}, url={http://sensesofcinema.com/issues/}, publisher={Senses of Cinema} }

@misc{Late Spring (1949), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/01BC3002?bcast=90546390}, publisher={FilmFour} }