1.
Carroll, N. Interpreting the moving image. vol. Cambridge studies in film (Cambridge University Press, 1998).
2.
Carroll, N. Interpreting the Moving Image. vol. Cambridge Studies in Film (Cambridge University Press, 1998).
3.
Coplan, A. & Davies, D. Blade runner. vol. Philosophers on film (Routledge, 2015).
4.
Coplan, A. Blade runner.
5.
Coplan, A. Caring about characters: Three determinants of emotional engagement. Film and Philosophy 10, (2006).
6.
Cox, D. & Levine, M. P. Thinking through film: doing philosophy, watching movies. (Wiley-Blackwell, 2012).
7.
Cox, D. & Levine, M. P. Thinking Through Film: Doing Philosophy, Watching Movies. (John Wiley & Sons, 2011).
8.
Eaton, A. W. Talk to her. vol. Philosophers on film (Routledge, 2008).
9.
Eaton, A. Talk to Her [electronic resource].
10.
Livingston, P. & Plantinga, C. R. The Routledge companion to philosophy and film. vol. The Routledge philosophy companions (Routledge, 2009).
11.
Livingston, P. Routledge Companion to Philosophy and Film [electronic resource].
12.
Freeland, C. A. The naked and the undead: evil and the appeal of horror. vol. Thinking through cinema (Westview Press, 2000).
13.
Giannopoulou, Z. Mulholland Drive. vol. Philosophers on film (Routledge, 2013).
14.
Mulholland Drive. vol. Philosophers on film (Routledge, 2013).
15.
Image ethics: the moral rights of subjects in photographs, film, and television. vol. Communication and society (Oxford University Press, 1988).
16.
JOLLIMORE, T. "Like a Picture or a Bump on the Head”: Vision, Cognition, and the Language of Poetry. Midwest Studies In Philosophy 33, 131–158 (2009).
17.
Kupfer, J. H. Visions of virtue in popular film. vol. Thinking through cinema (Westview Press).
18.
Kupfer, J. H. Visions of virtue in popular film.
19.
Kydd, E. The critical practice of film: an introduction. (Palgrave Macmillan, 2011).
20.
Litch, M. M. & Karofsky, A. Philosophy through film. (Routledge, 2015).
21.
Litch, M. M. Philosophy Through Film [electronic resource].
22.
Paisley Livingston. Theses on Cinema as Philosophy. The Journal of Aesthetics and Art Criticism 64, 11–18 (2006).
23.
Livingston, P. Recent Work on Cinema as Philosophy. Philosophy Compass 3, 590–603 (2008).
24.
Livingston, P. Cinema, philosophy, Bergman: on film as philosophy. (Oxford University Press, 2009).
25.
Livingston, P. Cinema, philosophy, Bergman : on film as philosophy.
26.
Carroll, N. & Gibson, J. Narrative, emotion, and insight. vol. Studies of the Greater Philadelphia Philosophy Consortium (Pennsylvania State University Press, 2011).
27.
Nichols, B. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary.
28.
Carl Plantinga. What a Documentary Is, After All. The Journal of Aesthetics and Art Criticism 63, 105–117 (2005).
29.
Robinson, J. L’éducation sentimentale. Australasian Journal of Philosophy 73, 212–226 (1995).
30.
Carroll, N. & Choi, J. Philosophy of film and motion pictures: an anthology. vol. Blackwell philosophy anthologies series, 24 (Blackwell Pub, 2006).
31.
Choi, J. Philosophy of Film and Motion Pictures : An Anthology [electronic resource].
32.
Thinking through cinema : film as philosophy.
33.
SMUTS, A. Film as Philosophy: In Defense of a Bold Thesis. Journal of Aesthetics and Art Criticism 67, 409–420 (2009).
34.
Stolnitz, J. On The Cognitive Triviality of Art. The British Journal of Aesthetics 32, 191–200 (1992).
35.
Thomson-Jones, K. Cinematic Narrators. Philosophy Compass 4, 296–311 (2009).
36.
Livingston, P. & Plantinga, C. R. The Routledge companion to philosophy and film. vol. The Routledge philosophy companions (Routledge, 2009).
37.
Livingston, P. Routledge Companion to Philosophy and Film [electronic resource].
38.
Wartenberg, T. E. Thinking on screen: film as philosophy. (Routledge, 2007).
39.
Wartenberg, T. E. Thinking on Screen : Film as Philosophy [electronic resource].
40.
Stokes, P. D. Creativity from constraints: the psychology of breakthrough. (Springer Pub. Co, 2006).
