Carl Plantinga. 2005. ‘What a Documentary Is, After All’. The Journal of Aesthetics and Art Criticism 63 (2): 105–17. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3700465?seq=1#page_scan_tab_contents.
Carroll, Noël. 1998. Interpreting the Moving Image. Vol. Cambridge studies in film. Cambridge: Cambridge University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2790861.
Carroll, Noel. 1998. Interpreting the Moving Image. Vol. Cambridge Studies in Film. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781139164115.
Carroll, Noël, and Jinhee Choi. 2006. Philosophy of Film and Motion Pictures: An Anthology. Vol. Blackwell philosophy anthologies series, 24. Malden, MA: Blackwell Pub. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864959.
Carroll, Noël, and John Gibson. 2011. Narrative, Emotion, and Insight. Vol. Studies of the Greater Philadelphia Philosophy Consortium. University Park, Pa: Pennsylvania State University Press.
Choi, Jinhee. n.d. Philosophy of Film and Motion Pictures : An Anthology [Electronic Resource]. Blackwell Publishers 2006. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864959.
Coplan, A. n.d. Blade Runner. Routledge 2015. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3227395.
Coplan, Amy. 2006. ‘Caring about Characters: Three Determinants of Emotional Engagement’. Film and Philosophy 10 (1). https://arlir.iii.com/nonret~S0&atitle=Caring+about+characters:+Three+determinants+of+emotional+engagement&title=Film+and+Philosophy&aufirst=Amy&auinit=&aulast=Coplan&issn=10730427&eissn=&coden=&volume=10&issue=1&spage=&epage=&quarter=&ssn=&date=2006&sid=&reqtype3.
Coplan, Amy, and David Davies. 2015. Blade Runner. Electronic resource. Vol. Philosophers on film. London: Routledge. http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203100592.
Cox, Damian, and Michael P. Levine. 2011. Thinking Through Film: Doing Philosophy, Watching Movies. Electronic resource. Hoboken: John Wiley & Sons. http://WARW.eblib.com/patron/FullRecord.aspx?p=697779.
———. 2012. Thinking through Film: Doing Philosophy, Watching Movies. Chichester, West Sussex: Wiley-Blackwell. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2649530.
Eaton, Anne. n.d. Talk to Her [Electronic Resource]. Routledge 2008.
Eaton, Anne W. 2008. Talk to Her. Vol. Philosophers on film. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864860.
Freeland, Cynthia A. 2000. The Naked and the Undead: Evil and the Appeal of Horror. Vol. Thinking through cinema. Boulder, Colo: Westview Press.
Giannopoulou, Zina. 2013a. Mulholland Drive. Electronic resource. Vol. Philosophers on film. Milton Park, Abingdon, Oxon: Routledge. http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203370353.
———, ed. 2013b. Mulholland Drive. Vol. Philosophers on film. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2718272.
Gross, Larry P., John Stuart Katz, and Jay Ruby, eds. 1988. Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television. Vol. Communication and society. New York: Oxford University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2926754.
JOLLIMORE, TROY. 2009. ‘"Like a Picture or a Bump on the Head”: Vision, Cognition, and the Language of Poetry’. Midwest Studies In Philosophy 33 (1): 131–58. https://doi.org/10.1111/j.1475-4975.2009.00187.x.
Kupfer, Joseph H. n.d. Visions of Virtue in Popular Film. Electronic resource. Vol. Thinking through cinema. Boulder, Colo: Westview Press. http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.07704.0001.001.
———. n.d. Visions of Virtue in Popular Film. Westview Press 1999. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3192116.
Kydd, Elspeth. 2011. The Critical Practice of Film: An Introduction. New York: Palgrave Macmillan.
Litch, Mary M. n.d. Philosophy Through Film [Electronic Resource]. 2nd ed. Routledge 2010.
Litch, Mary M., and Amy Karofsky. 2015. Philosophy through Film. Third edition. New York: Routledge. http://pugwash.lib.warwick.ac.uk/record=b3227397.
Livingston, Paisley. 2008. ‘Recent Work on Cinema as Philosophy’. Philosophy Compass 3 (4): 590–603. https://doi.org/10.1111/j.1747-9991.2008.00158.x.
———. 2009. Cinema, Philosophy, Bergman: On Film as Philosophy. Electronic resource. Oxford: Oxford University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199570171.001.0001.
———. n.d. Cinema, Philosophy, Bergman : On Film as Philosophy. Oxford University Press 2012. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2664409.
———. n.d. Routledge Companion to Philosophy and Film [Electronic Resource]. Routledge 2008.
———. n.d. Routledge Companion to Philosophy and Film [Electronic Resource]. Routledge 2008. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864863.
Livingston, Paisley, and Carl R. Plantinga. 2009a. The Routledge Companion to Philosophy and Film. Vol. The Routledge philosophy companions. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864863.
———. 2009b. The Routledge Companion to Philosophy and Film. Vol. The Routledge philosophy companions. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864863.
Nichols, Bill. n.d. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. University of California Press 2016. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3199357.
Paisley Livingston. 2006. ‘Theses on Cinema as Philosophy’. The Journal of Aesthetics and Art Criticism 64 (1): 11–18. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3700488?seq=1#page_scan_tab_contents.
Robinson, Jenefer. 1995. ‘L’éducation Sentimentale’. Australasian Journal of Philosophy 73 (2): 212–26. https://doi.org/10.1080/00048409512346551.
SMUTS, AARON. 2009. ‘Film as Philosophy: In Defense of a Bold Thesis’. Journal of Aesthetics and Art Criticism 67 (4): 409–20. https://doi.org/10.1111/j.1540-6245.2009.01370.x.
Stokes, Patricia D. 2006. Creativity from Constraints: The Psychology of Breakthrough. New York: Springer Pub. Co. https://ebookcentral.proquest.com/lib/warw/detail.action?docID=423619.
Stolnitz, Jerome. 1992. ‘On The Cognitive Triviality of Art’. The British Journal of Aesthetics 32 (3): 191–200. https://doi.org/10.1093/bjaesthetics/32.3.191.
Thinking through Cinema : Film as Philosophy. n.d. Blackwell Publishers 2006.
Thomson-Jones, Katherine. 2009. ‘Cinematic Narrators’. Philosophy Compass 4 (2): 296–311. https://doi.org/10.1111/j.1747-9991.2009.00204.x.
Wartenberg, Thomas E. 2007. Thinking on Screen: Film as Philosophy. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864963.
———. n.d. Thinking on Screen : Film as Philosophy [Electronic Resource]. Routledge 2007. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864963.