Carl Plantinga (2005) ‘What a Documentary Is, After All’, The Journal of Aesthetics and Art Criticism, 63(2), pp. 105–117. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3700465?seq=1#page_scan_tab_contents.
Carroll, Noël (1998) Interpreting the moving image. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2790861.
Carroll, Noel (1998) Interpreting the Moving Image. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781139164115.
Carroll, N. and Choi, J. (2006) Philosophy of film and motion pictures: an anthology. Malden, MA: Blackwell Pub. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864959.
Carroll, N. and Gibson, J. (2011) Narrative, emotion, and insight. University Park, Pa: Pennsylvania State University Press.
Choi, J. (no date) Philosophy of Film and Motion Pictures : An Anthology [electronic resource]. Blackwell Publishers 2006. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864959.
Coplan, A. (2006) ‘Caring about characters: Three determinants of emotional engagement’, Film and Philosophy, 10(1). Available at: https://arlir.iii.com/nonret~S0&atitle=Caring+about+characters:+Three+determinants+of+emotional+engagement&title=Film+and+Philosophy&aufirst=Amy&auinit=&aulast=Coplan&issn=10730427&eissn=&coden=&volume=10&issue=1&spage=&epage=&quarter=&ssn=&date=2006&sid=&reqtype3.
Coplan, A. (no date) Blade runner. Routledge 2015. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3227395.
Coplan, A. and Davies, D. (2015) Blade runner [electronic resource]. London: Routledge. Available at: http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203100592.
Cox, D. and Levine, M.P. (2011) Thinking Through Film: Doing Philosophy, Watching Movies [electronic resource]. Hoboken: John Wiley & Sons. Available at: http://WARW.eblib.com/patron/FullRecord.aspx?p=697779.
Cox, D. and Levine, M.P. (2012) Thinking through film: doing philosophy, watching movies. Chichester, West Sussex: Wiley-Blackwell. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2649530.
Eaton, A. (no date) Talk to Her [electronic resource]. Routledge 2008.
Eaton, A.W. (2008) Talk to her. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864860.
Freeland, C.A. (2000) The naked and the undead: evil and the appeal of horror. Boulder, Colo: Westview Press.
Giannopoulou, Z. (2013a) Mulholland Drive [electronic resource]. Milton Park, Abingdon, Oxon: Routledge. Available at: http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203370353.
Giannopoulou, Z. (ed.) (2013b) Mulholland Drive. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2718272.
Gross, L.P., Katz, J.S. and Ruby, J. (eds) (1988) Image ethics: the moral rights of subjects in photographs, film, and television. New York: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2926754.
JOLLIMORE, T. (2009) ‘"Like a Picture or a Bump on the Head”: Vision, Cognition, and the Language of Poetry’, Midwest Studies In Philosophy, 33(1), pp. 131–158. Available at: https://doi.org/10.1111/j.1475-4975.2009.00187.x.
Kupfer, J.H. (no date a) Visions of virtue in popular film [electronic resource]. Boulder, Colo: Westview Press. Available at: http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.07704.0001.001.
Kupfer, J.H. (no date b) Visions of virtue in popular film. Westview Press 1999. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3192116.
Kydd, E. (2011) The critical practice of film: an introduction. New York: Palgrave Macmillan.
Litch, M.M. (no date) Philosophy Through Film [electronic resource]. 2nd ed. Routledge 2010.
Litch, M.M. and Karofsky, A. (2015) Philosophy through film. Third edition. New York: Routledge. Available at: http://pugwash.lib.warwick.ac.uk/record=b3227397.
Livingston, P. (2008) ‘Recent Work on Cinema as Philosophy’, Philosophy Compass, 3(4), pp. 590–603. Available at: https://doi.org/10.1111/j.1747-9991.2008.00158.x.
Livingston, P. (2009) Cinema, philosophy, Bergman: on film as philosophy [electronic resource]. Oxford: Oxford University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199570171.001.0001.
Livingston, P. (no date a) Cinema, philosophy, Bergman : on film as philosophy. Oxford University Press 2012. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2664409.
Livingston, P. (no date b) Routledge Companion to Philosophy and Film [electronic resource]. Routledge 2008.
Livingston, P. (no date c) Routledge Companion to Philosophy and Film [electronic resource]. Routledge 2008. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864863.
Livingston, P. and Plantinga, C.R. (2009a) The Routledge companion to philosophy and film. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864863.
Livingston, P. and Plantinga, C.R. (2009b) The Routledge companion to philosophy and film. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864863.
Nichols, B. (no date) Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. University of California Press 2016. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3199357.
Paisley Livingston (2006) ‘Theses on Cinema as Philosophy’, The Journal of Aesthetics and Art Criticism, 64(1), pp. 11–18. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3700488?seq=1#page_scan_tab_contents.
Robinson, J. (1995) ‘L’éducation sentimentale’, Australasian Journal of Philosophy, 73(2), pp. 212–226. Available at: https://doi.org/10.1080/00048409512346551.
SMUTS, A. (2009) ‘Film as Philosophy: In Defense of a Bold Thesis’, Journal of Aesthetics and Art Criticism, 67(4), pp. 409–420. Available at: https://doi.org/10.1111/j.1540-6245.2009.01370.x.
Stokes, P.D. (2006) Creativity from constraints: the psychology of breakthrough. New York: Springer Pub. Co. Available at: https://ebookcentral.proquest.com/lib/warw/detail.action?docID=423619.
Stolnitz, J. (1992) ‘On The Cognitive Triviality of Art’, The British Journal of Aesthetics, 32(3), pp. 191–200. Available at: https://doi.org/10.1093/bjaesthetics/32.3.191.
Thinking through cinema : film as philosophy (no date). Blackwell Publishers 2006.
Thomson-Jones, K. (2009) ‘Cinematic Narrators’, Philosophy Compass, 4(2), pp. 296–311. Available at: https://doi.org/10.1111/j.1747-9991.2009.00204.x.
Wartenberg, T.E. (2007) Thinking on screen: film as philosophy. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864963.
Wartenberg, T.E. (no date) Thinking on Screen : Film as Philosophy [electronic resource]. Routledge 2007. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2864963.
