1.
Knowles RP. Theatre and interculturalism. Basingstoke: Palgrave Macmillan; 2010.
2.
Pavis P. The intercultural performance reader. London: Routledge; 1996.
3.
Gilbert H. Postcolonial plays: an anthology. London: Routledge; 2001.
4.
Hwang DH. M. Butterfly. New York: Penguin; 1989.
5.
Bharucha R. Theatre and the world: performance and the politics of culture [Internet]. London: Routledge; 1993. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535459
6.
McLeod J. Beginning postcolonialism. Manchester: Manchester University Press; 2000.
7.
Said E. From Orientalism. Colonial discourse and post-colonial theory: a reader [Internet]. New York: Harvester Wheatsheaf; 1993. p. 132–149. Available from: https://contentstore.cla.co.uk/secure/link?id=4c711f97-ca43-e611-80bd-0cc47a6bddeb
8.
Schechner R, Appel W. By means of performance: intercultural studies of theatre and ritual [Internet]. Cambridge: Cambridge University Press; 1990. Available from: https://go.exlibris.link/M10z6XPK
9.
Schipper M. Introduction. Imagining Insiders: Africa and the question of belonging [Internet]. London: Cassell; 1999. Available from: https://clas.warwick.ac.uk/Extracts/Index/TH320
10.
Pavis P. Introduction: Towards a theory of interculturalism in theatre? The intercultural performance reader [Internet]. London: Routledge; 1996. p. 1–21. Available from: https://contentstore.cla.co.uk/secure/link?id=82541991-bd43-e611-80bd-0cc47a6bddeb
11.
Schipper M. Insiders and Outsiders. Imagining insiders: Africa and the question of belonging [Internet]. London: Cassell; 1999. p. 1–12. Available from: https://contentstore.cla.co.uk/secure/link?id=e7269ae7-cc43-e611-80bd-0cc47a6bddeb
12.
The intercultural performance reader / edited by Patrice Pavis. Available from: http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes
13.
The intercultural performance reader / edited by Patrice Pavis. Available from: http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes
14.
The intercultural performance reader / edited by Patrice Pavis. Available from: http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes
15.
Harding JM. The ghosts of the avant-garde(s): exorcising experimental theater and performance [Internet]. Ann Arbor: University of Michigan Press; 2013. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2721296
16.
Bharucha R. Theatre and the world: performance and the politics of culture [Internet]. London: Routledge; 1993. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535459
17.
Marranca B, Dasgupta G. Interculturalism and performance: writings from PAJ. New York: PAJ; 1991.
18.
Zarrilli PB. Theatre histories: an introduction [Internet]. 2nd ed. New York: Routledge; 2010. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2541725
19.
Zarrilli PB. Theatre histories: an introduction [Internet]. 2nd ed. New York: Routledge; 2010. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2541725
20.
Rustom Bharucha. Foreign Asia/Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization. Theatre Journal [Internet]. The Johns Hopkins University Press; 2004;56(1):1–28. Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25069375?seq=1#page_scan_tab_contents
21.
Mnouchkine A, Lemêtre JJ, Théâtre du Soleil, ARTE France, Bel Air Media (Firm), Arte Video (Firm). La dernier caravansérail: Odyssées. [Paris]: Arte Video; 2006.
22.
Mnouchkine A, Lemêtre JJ, Duplat F, Sotnikoff N, Maza RR, Picon-Vallin B, Cunha JC da, Cixous H, Théâtre du Soleil, ARTE France, Arte France Développement (Firm), Bel Air Media (Firm), Columbia TriStar Home Video (Firm). Tambours sur la digue. Original French version. [Paris]: Arte Video; 2002.
23.
Said E. From Orientalism. Colonial Discourse and Post-colonial Theory : A Reader [Internet]. New York: Harvester Wheatsheaf; 1993. p. 132–149. Available from: https://contentstore.cla.co.uk/secure/link?id=4c711f97-ca43-e611-80bd-0cc47a6bddeb
24.
Powell D, Sze F. Sze, "How interculturalism Performs: Performativity, performability and the theatricality of interculturalism”, in Interculturalism: exploring critical issues [Internet]. Electronic version. Oxford: Inter-Disciplinary Press; 2004. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3100862
25.
Worthen WB. The Wadsworth anthology of drama. Brief 5th ed. Boston, Mass: Thomson/Wadsworth; 2007.
26.
Hwang DH, DiGaetani JL. ‘M. Butterfly’: An Interview with David Henry Hwang. TDR (1988-). 1989 Autumn;33(3).
27.
Hwang DH. Evolving a Multicultural Tradition. MELUS [Internet]. 1989 Autumn;16(3). Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/467559
28.
Heldke L. ‘Let’s Eat Chinese!’: Reflections on Cultural Food Colonialism. Gastronomica. 2001 May;1(2):76–79.
29.
Highmore B. Alimentary Agents: Food, Cultural Theory and Multiculturalism. Journal of Intercultural Studies [Internet]. 2008 Nov;29(4):381–398. Available from: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/07256860802372337
30.
Stevens A. Stop thinking and just eat: when ‘food adventuring’ trivializes cultures [Internet]. The Guardian; Available from: https://www.theguardian.com/lifeandstyle/2015/jun/01/food-adventuring-cultural-appropriation
31.
Gilbert H. Postcolonial plays: an anthology. London: Routledge; 2001.
32.
Crow B, Banfield C. An introduction to post-colonial theatre [Internet]. Cambridge: Cambridge University Press; 1996. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2792697
33.
Girish Karnad. Theatre in India. Daedalus [Internet]. The MIT Press; 1989;118(4):330–352. Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20025275
34.
Karnad G. Performance, Meaning, and the Materials of Modern Indian Theatre. New Theatre Quarterly [Internet]. 1995 Nov;11(44). Available from: https://0-www-cambridge-org.pugwash.lib.warwick.ac.uk/core/journals/new-theatre-quarterly/article/performance-meaning-and-the-materials-of-modern-indian-theatre/D1DB214C552C2A2DBBCBEBA6DCC98D7E
35.
Get involved – Akram Khan Company [Internet]. Available from: http://www.akramkhancompany.net/get-involved/
36.
Sadler’s Wells Theatre - London’s Dance House [Internet]. Available from: http://www.sadlerswells.com/
37.
Sadler’s Wells Theatre - London’s Dance House [Internet]. Available from: http://www.sadlerswells.com/
38.
Inala [Internet]. Available from: http://inala.co.uk/home
39.
Introducing INALA - A Zulu Ballet [Internet]. Available from: https://www.youtube.com/watch?v=C2setLx1_DE
40.
Brau L. The Women’s Theatre of Takarazuka. TDR (1988-) [Internet]. 1990 Winter;34(4). Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1146045?seq=1#page_scan_tab_contents
41.
Nobuko Anan. Two-Dimensional Imagination in Contemporary Japanese Women’s Performance. TDR: The Drama Review [Internet]. The MIT Press; 2011;55(4):96–112. Available from: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/457623
42.
Takarazuka- The Final Countdown [Internet]. 1999. Available from: https://www.youtube.com/watch?v=yYtm3GtuWoQ
43.
Rose of Versailles - Ai Areba Koso [Internet]. 2001. Available from: https://www.youtube.com/watch?v=ldcDN6-zi4c
44.
Me and my Girl [Internet]. 1995. Available from: https://www.youtube.com/watch?v=CytWuYSYMBs
45.
Gilbert H. Postcolonial plays: an anthology. London: Routledge; 2001.
46.
Roach J. World-Bank Drama [Internet]. ESQ: A Journal of the American Renaissance. p. 157–176. Available from: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/563731/pdf
47.
Bran Nue Dae Movie [Internet]. Available from: https://www.youtube.com/watch?v=RnGRdaX594k
48.
Makeham, Paul. Singing the landscape: ‘Bran Nue Dae’. Australasian Drama Studies; St Lucia, Qld [Internet]. Australasian Drama Studies; 28. Available from: https://eprints.qut.edu.au/7198/1/7198.pdf
49.
Indigenous Hip Hop Projects – Dream big [Internet]. Available from: https://www.indigenoushiphop.com/
50.
BBC: Hip hop down under [Internet]. Available from: http://www.bbc.co.uk/1xtra/tx/documentaries/hip_hop_down_under.shtml
51.
Stavrais G. Aboriginal hip hop and youth identity. Australian Aboriginal Studies [Internet]. Aboriginal Studies Press; 2005;2:44–54. Available from: https://web.archive.org/web/20190306231340/http://lryb.aiatsis.gov.au/PDFs/aasj05.02_stavrias.pdf
52.
FTH:K - from the hip : khulumakhale [Internet]. Available from: http://www.fthk.co.za/about_fthk/about_the_company.htm
53.
Bantjes J, Swartz L, Conchar L, Derman W. When they call me cripple: a group of South African adolescents with cerebral palsy attending a special needs school talk about being disabled. Disability & Society [Internet]. 2015 Feb 7;30(2):241–254. Available from: http://www.tandfonline.com/doi/abs/10.1080/09687599.2014.997352
54.
Gilbert H. Postcolonial plays: an anthology. London: Routledge; 2001.
55.
Nayak A. After race: Ethnography, race and post-race theory. Ethnic and Racial Studies [Internet]. 2006 May;29(3):411–430. Available from: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/01419870600597818
56.
Sweden Ends Racism [Internet]. Available from: http://blackexplainer.com/sweden-ends-racism/
57.
Du Gay P, Hall S. Questions of cultural identity [Internet]. London: Sage; 1996. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2986425
58.
Tan MCC. Acoustic interculturalism: listening to performance [Internet]. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan; 2012. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2587701
59.
Kapsali M. Rethinking actor training: training body, mind and … ideological awareness. Theatre, Dance and Performance Training [Internet]. 2013 Mar;4(1):73–86. Available from: https://contentstore.cla.co.uk/secure/link?id=4f62c72e-72da-e711-80cd-005056af4099
60.
Diana Taylor. A Savage Performance: Guillermo Gómez-Peña and Coco Fusco’s ‘Couple in the Cage’. TDR (1988-) [Internet]. The MIT Press; 1998;42(2):160–175. Available from: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1146705?seq=1#page_scan_tab_contents
61.
Gómez-Peña G, Fusco C, Heredia P, Wright D, Authentic Documentary Productions, Newsreel (Firm). The couple in the cage: a Guatinaui odyssey. New York, NY: Third World Newsreel; 1993.
62.
De Waarheidscommissie | action zoo humain [Internet]. Available from: https://www.actionzoohumain.be/nl/productie/de-waarheidscommissie
63.
Chikha CB, Arnaut K. Staging/caging ‘otherness’ in the postcolony: spectres of the human zoo. Critical Arts [Internet]. 2013 Nov;27(6):661–683. Available from: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/02560046.2013.867589
64.
Between word, image and movement : performative critiques of colonial ethnography. Témoigner:  Testimony Between History and Memory, Auschwitz Foundation International Quarterly [Internet]. (121). Available from: http://wrap.warwick.ac.uk/71831/
65.
Millar M. Journey of the Tall Horse: a story of African theatre. London: Oberon; 2006.
66.
Tall Horse [Internet]. Available from: https://www.youtube.com/watch?v=CUbMelFpf3w
67.
Tall Horse - YouTube [Internet]. Available from: https://www.youtube.com/watch?v=CUbMelFpf3w
68.
The "Dark Continent” Goes North: An Exploration of Intercultural Theatre Practice through Handspring and Sogolon Puppet Companies’ Production of Tall Horse. Theatre Journal. 2010;62(1):57–73.
69.
Kruger M. The Relationship between Theatre and Ritual in the Sogo bò of the Bamana from Mali. New Theatre Quarterly [Internet]. 2009 Aug;25(03). Available from: https://0-www-cambridge-org.pugwash.lib.warwick.ac.uk/core/journals/new-theatre-quarterly/article/the-relationship-between-theatre-and-ritual-in-the-sogo-bo-of-the-bamana-from-mali/80272DD61188A8CFDCBB4773FF8C6840
70.
Spring J. Sticks and strings [Internet]. Auckland Park [South Africa] : SABC; 2010. Available from: https://library.avemaria.edu/title/sticks-and-strings/oclc/655700343&referer=brief_results
71.
Fleishman M, Hinkel A. Rain in a Dead man’s Footprints [Internet]. Magnet Theatre; 2004. Available from: https://magnettheatre.co.za/productions/rain-in-a-dead-mans-footprints/
72.
Brown D. Stories of Land, Land of Stories: Aboriginality, Identity and Belonging in South Africa and Beyond. To speak of this land: identity and belonging in South Africa and beyond [Internet]. Scottsville, South Africa: University of KwaZulu-Natal Press; 2006. p. 7–35. Available from: https://contentstore.cla.co.uk/secure/link?id=5cf90f23-8643-e611-80bd-0cc47a6bddeb
73.
Fleishman M. ‘Stories like the wind’: Recontextualising /Xam narratives for contemporary audiences. South African Theatre Journal [Internet]. 2005 Jan;19(1):43–57. Available from: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/10137548.2005.9687801
74.
Francis K. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director Mark Fleishman. South African Theatre Journal [Internet]. 2006 Jan;20(1):102–127. Available from: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/10137548.2006.9687828
75.
Halligey A. Re-inventing mythologies: arguments towards cultural identity in                              and. South African Theatre Journal [Internet]. 2005 Jan;19(1):208–222. Available from: https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/10137548.2005.9687812
76.
Maio K. Disney’s Dolls. New Internationalist [Internet]. (308). Available from: https://newint.org/features/1998/12/05/dolls/
77.
Berggreen SLC, Lustyik K. Lilo vs. Dora: Interculturalism through the lens of Disney and Nickelodeon [Internet]. 2004. Available from: https://pdfs.semanticscholar.org/6722/d9230e57cbf4f649b808a1afc85df848cf7c.pdf
78.
Ward A. Mouse morality: the rhetoric of Disney animated film [Internet]. Austin, Tex: University of Texas Press; 2003. Available from: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2921487