Bantjes, Jason, Leslie Swartz, Lauren Conchar, and Wayne Derman. 2015. ‘When They Call Me Cripple: A Group of South African Adolescents with Cerebral Palsy Attending a Special Needs School Talk about Being Disabled’. Disability & Society 30 (2): 241–54. https://doi.org/10.1080/09687599.2014.997352.
‘BBC: Hip Hop down Under’. n.d. http://www.bbc.co.uk/1xtra/tx/documentaries/hip_hop_down_under.shtml.
Berggreen, Shu-Ling C, and Katalin Lustyik. 2004. ‘Lilo vs. Dora: Interculturalism through the Lens of Disney and Nickelodeon’. https://pdfs.semanticscholar.org/6722/d9230e57cbf4f649b808a1afc85df848cf7c.pdf.
‘Between Word, Image and Movement : Performative Critiques of Colonial Ethnography’. n.d. Témoigner:  Testimony Between History and Memory, Auschwitz Foundation International Quarterly, no. 121. http://wrap.warwick.ac.uk/71831/.
Bharucha, Rustom. 1993a. Theatre and the World: Performance and the Politics of Culture. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535459.
———. 1993b. Theatre and the World: Performance and the Politics of Culture. London: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535459.
‘Bran Nue Dae Movie’. n.d. https://www.youtube.com/watch?v=RnGRdaX594k.
Brau, Lorie. 1990. ‘The Women’s Theatre of Takarazuka’. TDR (1988-) 34 (4). https://doi.org/10.2307/1146045.
Brown, D. 2006. ‘Stories of Land, Land of Stories: Aboriginality, Identity and Belonging in South Africa and Beyond’. In To Speak of This Land: Identity and Belonging in South Africa and Beyond, 7–35. Scottsville, South Africa: University of KwaZulu-Natal Press. https://contentstore.cla.co.uk/secure/link?id=5cf90f23-8643-e611-80bd-0cc47a6bddeb.
Chikha, Chokri Ben, and Karel Arnaut. 2013. ‘Staging/Caging “otherness” in the Postcolony: Spectres of the Human Zoo’. Critical Arts 27 (6): 661–83. https://doi.org/10.1080/02560046.2013.867589.
Crow, Brian, and Chris Banfield. 1996. An Introduction to Post-Colonial Theatre. Vol. Cambridge studies in modern theatre. Cambridge: Cambridge University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2792697.
‘De Waarheidscommissie | Action Zoo Humain’. n.d. https://www.actionzoohumain.be/nl/productie/de-waarheidscommissie.
Diana Taylor. 1998. ‘A Savage Performance: Guillermo Gómez-Peña and Coco Fusco’s “Couple in the Cage”’. TDR (1988-) 42 (2): 160–75. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1146705?seq=1#page_scan_tab_contents.
Du Gay, Paul, and Stuart Hall. 1996. Questions of Cultural Identity. London: Sage. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2986425.
Fleishman, Mark. 2005. ‘“Stories like the Wind”: Recontextualising /Xam Narratives for Contemporary Audiences’. South African Theatre Journal 19 (1): 43–57. https://doi.org/10.1080/10137548.2005.9687801.
Fleishman, Mark, and Alfred Hinkel. 2004. ‘Rain in a Dead Man’s Footprints’. Magnet Theatre. https://magnettheatre.co.za/productions/rain-in-a-dead-mans-footprints/.
Francis, Kati. 2006. ‘Theatre of Struggle and Transformation: A Critical Investigation into the Power of Oral Traditions as Used by Director Mark Fleishman’. South African Theatre Journal 20 (1): 102–27. https://doi.org/10.1080/10137548.2006.9687828.
‘FTH:K - from the Hip : Khulumakhale’. n.d. http://www.fthk.co.za/about_fthk/about_the_company.htm.
‘Get Involved – Akram Khan Company’. n.d. http://www.akramkhancompany.net/get-involved/.
Gilbert, Helen. 2001a. Postcolonial Plays: An Anthology. London: Routledge.
———. 2001b. Postcolonial Plays: An Anthology. London: Routledge.
———. 2001c. Postcolonial Plays: An Anthology. London: Routledge.
———. 2001d. Postcolonial Plays: An Anthology. London: Routledge.
Girish Karnad. 1989. ‘Theatre in India’. Daedalus 118 (4): 330–52. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20025275.
Gómez-Peña, Guillermo, Coco Fusco, Paula Heredia, Daisy Wright, Authentic Documentary Productions, and Newsreel (Firm). 1993. ‘The Couple in the Cage: A Guatinaui Odyssey’. New York, NY: Third World Newsreel.
Halligey, Alex. 2005. ‘Re-Inventing Mythologies: Arguments towards Cultural Identity in                              And’. South African Theatre Journal 19 (1): 208–22. https://doi.org/10.1080/10137548.2005.9687812.
Harding, James Martin. 2013. The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. Ann Arbor: University of Michigan Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2721296.
Heldke, Lisa. 2001. ‘“Let’s Eat Chinese!”: Reflections on Cultural Food Colonialism’. Gastronomica 1 (2): 76–79. https://doi.org/10.1525/gfc.2001.1.2.76.
Highmore, Ben. 2008. ‘Alimentary Agents: Food, Cultural Theory and Multiculturalism’. Journal of Intercultural Studies 29 (4): 381–98. https://doi.org/10.1080/07256860802372337.
Hwang, David Henry. 1989a. ‘Evolving a Multicultural Tradition’. MELUS 16 (3). https://doi.org/10.2307/467559.
———. 1989b. M. Butterfly. New York: Penguin.
Hwang, David Henry, and John Louis DiGaetani. 1989. ‘“M. Butterfly”: An Interview with David Henry Hwang’. TDR (1988-) 33 (3). https://doi.org/10.2307/1145993.
‘Inala’. n.d. http://inala.co.uk/home.
‘Indigenous Hip Hop Projects – Dream Big’. n.d. https://www.indigenoushiphop.com/.
‘Introducing INALA - A Zulu Ballet’. n.d. https://www.youtube.com/watch?v=C2setLx1_DE.
Kapsali, Maria. 2013. ‘Rethinking Actor Training: Training Body, Mind and … Ideological Awareness’. Theatre, Dance and Performance Training 4 (1): 73–86. https://contentstore.cla.co.uk/secure/link?id=4f62c72e-72da-e711-80cd-005056af4099.
Karnad, Girish. 1995. ‘Performance, Meaning, and the Materials of Modern Indian Theatre’. New Theatre Quarterly 11 (44). https://doi.org/10.1017/S0266464X00009337.
Knowles, Richard Paul. 2010. Theatre and Interculturalism. Basingstoke: Palgrave Macmillan.
Kruger, Marie. 2009. ‘The Relationship between Theatre and Ritual in the Sogo Bò of the Bamana from Mali’. New Theatre Quarterly 25 (03). https://doi.org/10.1017/S0266464X09000414.
Maio, Kathy. n.d. ‘Disney’s Dolls’. New Internationalist, no. 308. https://newint.org/features/1998/12/05/dolls/.
Makeham, Paul. n.d. ‘Singing the Landscape: “Bran Nue Dae”’. Australasian Drama Studies; St Lucia, Qld. 28. https://eprints.qut.edu.au/7198/1/7198.pdf.
Marranca, Bonnie, and Gautam Dasgupta. 1991. Interculturalism and Performance: Writings from PAJ. New York: PAJ.
McLeod, John. 2000. Beginning Postcolonialism. Vol. Beginnings (Manchester, England). Manchester: Manchester University Press.
‘Me and My Girl’. 1995. https://www.youtube.com/watch?v=CytWuYSYMBs.
Millar, Mervyn. 2006. Journey of the Tall Horse: A Story of African Theatre. London: Oberon.
Mnouchkine, Ariane, Jean-Jacques Lemêtre, François Duplat, Nicolas Sotnikoff, Renata Ramos Maza, Béatrice Picon-Vallin, Juliana Carneiro da Cunha, et al. 2002. ‘Tambours Sur La Digue’. [Paris]: Arte Video.
Mnouchkine, Ariane, Jean-Jacques Lemêtre, Théâtre du Soleil, ARTE France, Bel Air Media (Firm), and Arte Video (Firm). 2006. ‘La Dernier Caravansérail: Odyssées’. [Paris]: Arte Video.
Nayak, Anoop. 2006. ‘After Race: Ethnography, Race and Post-Race Theory’. Ethnic and Racial Studies 29 (3): 411–30. https://doi.org/10.1080/01419870600597818.
Nobuko Anan. 2011. ‘Two-Dimensional Imagination in Contemporary Japanese Women’s Performance’. TDR: The Drama Review 55 (4): 96–112. http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/457623.
Pavis, P. 1996. ‘Introduction: Towards a Theory of Interculturalism in Theatre?’ In The Intercultural Performance Reader, 1–21. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=82541991-bd43-e611-80bd-0cc47a6bddeb.
Pavis, Patrice. 1996. The Intercultural Performance Reader. London: Routledge.
Powell, Diane, and Fiona Sze. 2004. Sze, "How Interculturalism Performs: Performativity, Performability and the Theatricality of Interculturalism”, in Interculturalism: Exploring Critical Issues. Electronic version. Vol. Critical issues. Oxford: Inter-Disciplinary Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3100862.
Roach, Jo. n.d. ‘World-Bank Drama’. ESQ: A Journal of the American Renaissance. http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/563731/pdf.
‘Rose of Versailles - Ai Areba Koso’. 2001. https://www.youtube.com/watch?v=ldcDN6-zi4c.
Rustom Bharucha. 2004. ‘Foreign Asia/Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization’. Theatre Journal 56 (1): 1–28. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25069375?seq=1#page_scan_tab_contents.
‘Sadler’s Wells Theatre - London’s Dance House’. n.d. http://www.sadlerswells.com/.
‘———’. n.d. http://www.sadlerswells.com/.
Said, E. 1993a. ‘From Orientalism’. In Colonial Discourse and Post-Colonial Theory: A Reader, 132–49. New York: Harvester Wheatsheaf. https://contentstore.cla.co.uk/secure/link?id=4c711f97-ca43-e611-80bd-0cc47a6bddeb.
———. 1993b. ‘From Orientalism’. In Colonial Discourse and Post-Colonial Theory : A Reader, 132–49. New York: Harvester Wheatsheaf. https://contentstore.cla.co.uk/secure/link?id=4c711f97-ca43-e611-80bd-0cc47a6bddeb.
Schechner, Richard, and Willa Appel. 1990. By Means of Performance: Intercultural Studies of Theatre and Ritual. Cambridge: Cambridge University Press. https://go.exlibris.link/M10z6XPK.
Schipper, M. 1999. ‘Insiders and Outsiders’. In Imagining Insiders: Africa and the Question of Belonging, Literature, culture, and identity:1–12. London: Cassell. https://contentstore.cla.co.uk/secure/link?id=e7269ae7-cc43-e611-80bd-0cc47a6bddeb.
Schipper, Mineke. 1999. ‘Introduction’. In Imagining Insiders: Africa and the Question of Belonging. London: Cassell. https://clas.warwick.ac.uk/Extracts/Index/TH320.
Spring, Jemima. 2010. ‘Sticks and Strings’. Auckland Park [South Africa] : SABC. https://library.avemaria.edu/title/sticks-and-strings/oclc/655700343&referer=brief_results.
Stavrais, George. 2005. ‘Aboriginal Hip Hop and Youth Identity’. Australian Aboriginal Studies 2: 44–54. https://web.archive.org/web/20190306231340/http://lryb.aiatsis.gov.au/PDFs/aasj05.02_stavrias.pdf.
Stevens, Ashlie. n.d. ‘Stop Thinking and Just Eat: When “food Adventuring” Trivializes Cultures’. The Guardian. https://www.theguardian.com/lifeandstyle/2015/jun/01/food-adventuring-cultural-appropriation.
‘Sweden Ends Racism’. n.d. http://blackexplainer.com/sweden-ends-racism/.
‘Takarazuka- The Final Countdown’. 1999. https://www.youtube.com/watch?v=yYtm3GtuWoQ.
‘Tall Horse’. n.d. https://www.youtube.com/watch?v=CUbMelFpf3w.
‘Tall Horse - YouTube’. n.d. https://www.youtube.com/watch?v=CUbMelFpf3w.
Tan, Marcus Cheng Chye. 2012. Acoustic Interculturalism: Listening to Performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2587701.
‘The "Dark Continent” Goes North: An Exploration of Intercultural Theatre Practice through Handspring and Sogolon Puppet Companies’ Production of Tall Horse’. 2010. Theatre Journal 62 (1): 57–73. https://doi.org/10.1353/tj.0.0335.
‘The Intercultural Performance Reader / Edited by Patrice Pavis’. n.d. http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes.
‘———’. n.d. http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes.
‘———’. n.d. http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes.
Ward, Annalee. 2003. Mouse Morality: The Rhetoric of Disney Animated Film. Austin, Tex: University of Texas Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2921487.
Worthen, William B. 2007. The Wadsworth Anthology of Drama. Brief 5th ed. Boston, Mass: Thomson/Wadsworth.
Zarrilli, Phillip B. 2010a. Theatre Histories: An Introduction. 2nd ed. New York: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2541725.
———. 2010b. Theatre Histories: An Introduction. 2nd ed. New York: Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2541725.