Bibliography for FI325: Horror and the Gothic in Film and Television BETA

Abbott, S. (2016) Undead apocalypse: vampires and zombies in the twenty-first century. Edinburgh: Edinburgh Univiversity Press. Available at: https://go.exlibris.link/vSRfbZqP.

Allan Cameron (2012) ‘Zombie Media: Transmission, Reproduction, and the Digital Dead’, Cinema Journal, 52(1), pp. 66–89. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/23360281?seq=1#page_scan_tab_contents.

Arnold, S. (2013) Maternal horror film: melodrama and motherhood. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2753968.

Aviva Briefel (2009) ‘What Some Ghosts Don’t Know: Spectral Incognizance and the Horror Film’, Narrative, 17(1), pp. 95–110. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30219292?seq=1#page_scan_tab_contents.

Balmain, C. (2008) Introduction to Japanese horror film. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/HXLg9ZJ4.

Barr, C. and British Film Institute (1986) All Our Yesterdays: 90 Years of British Cinema. London: BFI Publishing.

Barta, T. (1998) Screening the Past: Film and the Representation of History. Westport, Conn: Praeger.

Bell, E. and Mitchell, N. (2012) Britain. Bristol: Intellect. Available at: https://go.exlibris.link/9RqBqxcy.

Bell, J. and British Film Institute (2013) Gothic: The Dark Heart of Film. London: BFI.

Berenstein, R.J. (1996) Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema. New York: Columbia University Press.

Bettelheim, B. (1991) The Uses of Enchantment: The Meaning and Importance of Fairy Tales. Harmondsworth: Penguin.

Bingham, A. (2015) Contemporary Japanese cinema since Hana-bi. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/T6jJvwy8.

Bishop, K.W. (2010) American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture. Jefferson, N.C.: McFarland & Co.

Bitel, A. (no date) ‘The Best of FrightFest 2015’, Sight and Sound, September 30, 2015. Available at: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/festivals/best-frightfest-2015.

Boluk, S. and Lenz, W. (2011) Generation zombie: essays on the living dead in modern culture. Jefferson, N.C.: McFarland. Available at: https://go.exlibris.link/3VcXlLDm.

Bosma, P. (2015) Film programming: curating for cinemas, festivals, archives. New York: Wallflower, an imprint of Columbia University Press. Available at: https://go.exlibris.link/dz6Jxw9l.

Boss, P. (1986) ‘Vile Bodies and Bad Medicine’, Screen, 27(1), pp. 14–25. Available at: https://doi.org/10.1093/screen/27.1.14.

Botting, F. (1996) Gothic. London: Routledge.

Brown, S. and Abbott, S. (2010) ‘The art of splatter: Dexter, CSI, Bones and body horror’, in Dexter: investigating cutting edge television. London: I. B. Tauris, pp. 205–220.

Browning, M. (2007) David Cronenberg: Author or Film-Maker? Bristol: Intellect Books.

Buckingham, D. (1996) Moving Images: Understanding Children’s Emotional Responses to Television. Manchester: Manchester University Press.

Carol J. Clover (1987) ‘Her Body, Himself: Gender in the Slasher Film’, Representations, (20), pp. 187–228. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2928507?seq=1#page_scan_tab_contents.

Carpenter, J. et al. (1979) ‘Halloween’. [U.K.]: BBC1.

Carpenter, J. et al. (1982) ‘The Thing’. [London]: Universal Pictures. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00005ABF?bcast=95561559.

Carroll, N. (1990) ‘Why Horror?’, in The philosophy of horror or paradoxes of the heart. London: Routledge, pp. 158–195.

Ceyton, K. et al. (no date) ‘The Babadook’. [London]: Icon Film Distribution.

Chibnall, S. and Petley, J. (2002a) British Horror Cinema. London: Routledge.

Chibnall, S. and Petley, J. (2002b) British Horror Cinema. London: Routledge.

Christie, D. and Lauro, S.J. (2011) Better off Dead: The Evolution of the Zombie as Post-Human. 1st ed. New York: Fordham University Press. Available at: https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwfV3bSgMxEB16eRFfKipWq-wPVNckZjdQhFZdRQSpCvpWsrlUEEtZuxT_3pkQFxT0NZcJSYZMzmTmBICz43T460wQNlUuR3yb4Q1bCKeV4N5I6UtUGWYJNxaP8vYhv3vJpy24bpxMFGZp3byqP1eRMXVZz9f64zXE76x1RR-Ox7QrQkXEGEuPR0zRn9VtaAuFkKw7Hj9PJ996JjLEGCzNAh1kbMoiGU_TNfJxorn_KTIk94RRN-m4joao6EHXUXbCFrTcYhsGo3ddvZ1PQkpOcu99colbNjoJpTuQFFdPFzfDKGgWPTWzkmdnUiE-5LvQQfTv9iDxxhhi5EmFsYjFrJYq55x54-RpiealD_0_xez_U3cAG4wi-YM3YQCdVVW7w2ZuR3HJvgBgvHfd.

Conrich, I. (2010a) Horror Zone: The Cultural Experience of Contemporary Horror Cinema. London: I. B. Tauris.

Conrich, I. (2010b) Horror Zone: The Cultural Experience of Contemporary Horror Cinema. London: I. B. Tauris.

Crane, J.L. (1994a) Terror and Everyday Life: Singular Moments in the History of the Horror Film. Thousand Oaks, Calif: Sage Publications. Available at: https://go.exlibris.link/h6Zk07Vv.

Crane, J.L. (1994b) Terror and Everyday Life: Singular Moments in the History of the Horror Film. Thousand Oaks, Calif: Sage Publications. Available at: https://go.exlibris.link/h6Zk07Vv.

Creeber, G. (2004) Serial Television: Big Drama on the Small Screen. London: BFI.

Creed, B. (1986) ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’, Screen, 27(1), pp. 44–71. Available at: https://doi.org/10.1093/screen/27.1.44.

Creed, B. (1993) The Monstrous Feminine: Film, Feminism, Psychoanalysis. London: Routledge. Available at: https://go.exlibris.link/470q8WS7.

Creed, B. (2005) Phallic Panic: Film, Horror and the Primal Uncanny. Carlton, Vic., Australia: Melbourne University Press.

Curran, J. and Porter, V. (1983) British Cinema History. London: Weidenfeld and Nicolson.

Dante, J. et al. (2013) ‘The Hole’. [United Kingdom]: Film4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/025D7277?bcast=121917926.

Diane Waldman (1984) ‘“At Last I Can Tell It to Someone!”: Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s’, Cinema Journal, 23(2), pp. 29–40. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1225123?seq=1#page_scan_tab_contents.

Dika, V. (1990) Games of Terror: Halloween, Friday the 13th, and the Films of the Stalker Cycle. Rutherford, (etc.): Fairleigh Dickinson University Press.

Dixon, W.W. (1994) Re-Viewing British Cinema, 1900-1992: Essays and Interviews. Albany: State University of New York Press.

Dixon, W.W. (2010) A History of Horror. New Brunswick, N.J.: Rutgers University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2963660.

Donald, J. (1989) Fantasy and the Cinema. London: British Film Institute.

Dyer, R. (1988) ‘White’, Screen, 29(4), pp. 44–65. Available at: https://doi.org/10.1093/screen/29.4.44.

Eco, U. (1979) The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana University Press.

Eco, U. (1995) Six Walks in the Fictional Woods. Cambridge, Massachusetts: Harvard University Press.

Eggers, R. et al. (2015) ‘The witch: a New England folktale’. [United States]: Witch Movie.

Ellis, K.F. (1989) The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology. Urbana: University of Illinois Press.

Elsaesser, T. (2013) ‘Film festival networks: the new topographies of cinema in Europe’, in The film festival reader. St Andrews, Scotland: St Andrews Film Studies, pp. 69–96. Available at: https://0-www-degruyter-com.pugwash.lib.warwick.ac.uk/view/book/9789048505173/10.1515/9789048505173-005.xml.

Filipa Antunes (2014) ‘Children and Horror after PG-13: The Case of The Gate’, Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 6(4). Available at: http://ojs.meccsa.org.uk/index.php/netknow/article/view/313/147.

Fischer, A. (2013) Sustainable projections: concepts in film festival management. St Andrews: St Andrews Film Studies.

Fleenor, J.E. (1983) The Female Gothic. Montreal: Eden Press.

Forshaw, B. (2013) British Gothic Cinema. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://go.exlibris.link/xfscgBK1.

Freud, S. (no date) ‘The Uncanny’. Available at: http://web.mit.edu/allanmc/www/freud1.pdf.

Gallafent, E. (1988) ‘Black Satin: Fantasy, Murder and the Couple in “Gaslight” and “Rebecca”’, Screen, 29(3), pp. 84–105. Available at: https://doi.org/10.1093/screen/29.3.84.

Gledhill, C. (1999) ‘The Horror Film’, in The cinema book. 2nd ed. London: British Film Institute, pp. 194–204.

Gledhill, C. and British Film Institute (1987) Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute.

Goldberg, R. (2004) ‘Demons in the Family: Tracking the Japanese "Uncanny Mother” film from A Page of Madness to Ringu’’, in Planks of reason: essays on the horror film. Rev. ed. Lanham, Md: Scarecrow Press, pp. 370–386. Available at: https://contentstore.cla.co.uk/secure/link?id=44d3a41b-5920-e711-80c9-005056af4099.

Grant, B.K. (1996a) The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press.

Grant, B.K. (1996b) The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press.

Grant, B.K. and Sharrett, C. (2004) Planks of Reason: Essays on the Horror Film. Rev. ed. Lanham, Md: Scarecrow Press.

Halberstam, J. (1995) ‘Bodies that splatter: queers and chainsaws’, in Skin shows: gothic horror and the technology of monsters. Durham: Duke University Press, pp. 138–160. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2748427.

Hammond, M. and Mazdon, L. (2005a) The Contemporary Television Series. Edinburgh: Edinburgh University Press.

Hammond, M. and Mazdon, L. (2005b) The Contemporary Television Series. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/8yfbzK0D.

Hanson, H. (2007) Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London: I. B. Tauris. Available at: https://go.exlibris.link/YW0LtYHg.

Hark, I.R. (2002) Exhibition: The Film Reader. London: Routledge.

Hayward, P. (ed.) (2009) Terror tracks: music, sound and horror cinema. London, England: Equinox.

Helen, H. (2007) ‘Reviewing the Female Gothic Heroine: Agency, Identification and Feminist Film Critism’, in Hollywood heroines: women in film noir and the female gothic film. London: I. B. Tauris, pp. 33–62. Available at: https://contentstore.cla.co.uk/secure/link?id=d32206bf-9a43-e611-80bd-0cc47a6bddeb.

Heller, T. (1992) Dead secrets: Wilkie Collins and the Female Gothic. New Haven: Yale University Press.

Hills, M. (2005) ‘TV Horror’, in The pleasures of horror. New York: Continuum, pp. 111–128.

Hills, Matt (2005) ‘TV Horror’, in The Pleasures of Horror. New York: Continuum, pp. 111–128.

Hollinger, K. (1993) ‘The Female Oedipal Drama of  Rebecca from Novel to Film’, Quarterly Review of Film and Video, 14(4), pp. 17–30. Available at: https://doi.org/10.1080/10509209309361414.

Hooper, T. et al. (1974) ‘The Texas Chainsaw Massacre’. [U.K.]: Universal Pictures (UK).

Hopkins, L. (2005) Screening the gothic. 1st ed. Austin, TX: University of Texas Press. Available at: https://go.exlibris.link/8jrT3pfS.

Hughes, W., Punter, D. and Smith, A. (2013) The Encyclopedia of the Gothic. Chichester, West Sussex, UK: Wiley-Blackwell.

Humm, P., Stigant, P. and Widdowson, P. (1986) Popular Fictions: Essays in Literature and History. London: Methuen. Available at: https://go.exlibris.link/3j3pRTHt.

Hunt, L. (2002) ‘Necromancy in the UK: witchcraft & the occult in British horror’, in British horror cinema. London: Routledge, pp. 82–98. Available at: https://contentstore.cla.co.uk/secure/link?id=376238c4-5720-e711-80c9-005056af4099.

Hunt, L., Lockyer, S. and Williamson, M. (eds) (2014) Screening the Undead: Vampires and Zombies in Film and Television. London: I.B. Tauris.

Hutchings, P. (1993) ‘Horror and the Family’, in Hammer and beyond: the British horror film. Manchester: Manchester University Press, pp. 159–185.

Iordanova, D. (2009) Film Festival Yearbook 1:The Festival Circuit. Edited by D. Iordanova and R. Rhyne. St. Andrews, Scotland: St. Andrews Film Studies in collaboration with College Gate Press.

Iordanova, D. (2013) The Film Festival Reader. St Andrews, Scotland: St Andrews Film Studies.

Iordanova, D. and Cheung, R. (2010) Film Festival Yearbook 2: Film Festivals and Imagined Communities. Edited by D. Iordanova and R. Chong. St. Andrews, Scotland: St Andrews Film Studies.

Iordanova, D. and Cheung, R. (2011a) Film Festivals and East Asia. Edited by D. Iordanova and R. Cheung. St. Andrews, Scotland: St Andrews Film Studies.

Iordanova, D. and Cheung, R. (eds) (2011b) Film festivals and East Asia. St. Andrews, Scotland: St Andrews Film Studies.

Iordanova, D. and Torchin, L. (2012) Film Festival Yearbook 4: Film Festivals and Activism. Edited by D. Iordanova and L. Torchin. St Andrews: St Andrews Film Studies.

Iordanova, D. and Van de Peer, S. (eds) (2014) Film festivals and the Middle East. St Andrews: St Andrews Film Studies.

Jancovich, M. (2002) Horror: The Film Reader. London: Routledge.

Joan Hawkins (2000) ‘Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture’, Film Quarterly, 53(2), pp. 14–29. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1213717?seq=1#page_scan_tab_contents.

Johnston, D. (2015) Haunted seasons: television ghost stories for Christmas and horror for Halloween. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://go.exlibris.link/6FBKxTtT.

Jones, O. (2011) Chavs: The Demonization of the Working Class. London: Verso.

Joshi, S.T. (2006) Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares [Two Volumes] [Hardcover]. Greenwood Press.

Jowett, Lorna (2013a) ‘TV as horror’, in TV Horror: Investigating the Dark Side of the Small Screen. London: I.B. Tauris, pp. 179–200.

Jowett, Lorna (2013b) ‘TV as horror’, in TV Horror: Investigating the Dark Side of the Small Screen. London: I.B. Tauris, pp. 179–200.

Jowett, L. (2013) ‘TV as horror’, in TV horror: investigating the dark side of the small screen. London: I.B. Tauris, pp. 179–200. Available at: https://contentstore.cla.co.uk/secure/link?id=a7fb10af-a343-e611-80bd-0cc47a6bddeb.

Jungerkes, S. and Wienand, C. (2012) ‘A past that refuses to die: Nazi zombie film and the legacy of occupation’, in D.H. Magilow, E. Bridges, and K.T. Vander Lugt (eds) Nazisploitation!: the Nazi image in low-brow cinema and culture. New York: Continuum, pp. 238–257. Available at: https://contentstore.cla.co.uk/secure/link?id=ecb221c3-a343-e611-80bd-0cc47a6bddeb.

Kackman, M. (2011) Flow TV: Television in the Age of Media Convergence. New York: Routledge. Available at: https://go.exlibris.link/cCyG9c0j.

King, S. (2010a) Danse Macabre. Gallery Books trade pbk. ed. New York: Gallery.

King, S. (2010b) Danse Macabre. Gallery Books trade pbk. ed. New York: Gallery.

Kovacs, L. (2005) The Haunted Screen: Ghosts in Literature and Film. Jefferson, N.C.: McFarland & Co.

Kracauer, S. (1947) From Caligari to Hitler: A Psychological History of the German Film. Princeton,New Jersey: Princeton University Press.

Kracauer, S. (2004) ‘Procession of Tyrants’, in From Caligari to Hitler: a psychological history of the German film. Rev. and expanded ed. Princeton, N.J.: Princeton University Press, pp. 77–87.

Kristeva, J. (1982) ‘Approaching Abjection’, The Oxford literary review, 5.

Leach, J. (2004) British Film. Cambridge, UK: Cambridge University Press. Available at: https://go.exlibris.link/02xVf8WL.

Leggott, J. (2008) Contemporary British Cinema: From Heritage to Horror. London: Wallflower.

Lennard, D. (2014) Bad Seeds and Holy Terrors: The Child Villains of Horror Film. Albany: State University of New York Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SBad%20Seeds%20and%20Holy%20Terrors%3A%20The%20Child%20Villains%20of%20Horror%20Film__Orightresult/StabSwitch?lang=eng&suite=cobalt.

Lester, C. (2016) ‘The Children’s Horror Film: Characterizing an “Impossible” Subgenre’, The Velvet Light Trap, 78(1), pp. 22–37. Available at: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/628733.

Linda Williams (1991) ‘Film Bodies: Gender, Genre, and Excess’, Film Quarterly, 44(4), pp. 2–13.

Lury, K. (2010) The child in film: tears, fears and fairytales. London: I.B. Tauris.

MacCabe, C. (1986) High theory/low culture: analysing popular television and film. Manchester: Manchester University Press.

Magistrale, T. (2005a) Abject Terrors: Surveying the Modern and Postmodern Horror Film. New York: Peter Lang.

Magistrale, T. (2005b) Abject Terrors: Surveying the Modern and Postmodern Horror Film. New York: Peter Lang.

Marlow-Mann, A. (ed.) (2013) Archival film festivals. St Andrews: St Andrews Film Studies.

Mathijs, E. (2008) The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero. London: Wallflower.

McIntosh, S. and Leverette, M. (2008) Zombie culture: autopsies of the living dead. Lanham, Md: Scarecrow Press.

McRoy, J. (2005) Japanese horror cinema. Edinburgh: Edinburgh University Press.

McRoy, J. (2008) Nightmare Japan: contemporary Japanese horror cinema. Amsterdam: Rodopi. Available at: https://go.exlibris.link/G794cJwN.

Milbank, A. (1992) Daughters of the House: Modes of the Gothic in Victorian Fiction. Basingstoke: Macmillan. Available at: https://go.exlibris.link/9pGwBlJw.

Milbank, A. (1998) ‘Female Gothic’, in The Handbook to Gothic literature. Basingstoke: Macmillan, pp. 53–57.

Miles, R. (1994) ‘Introduction to Special Number: Female Gothic’, Women’s Writing, 1(2), pp. 131–142. Available at: https://doi.org/10.1080/0969908940010201.

Modleski, T. (1982) Loving with a Vengeance: Mass-Produced Fantasies for Women. Hamden, Conn: Archon Books.

Moreman, C.M. and Rushton, C. (2011a) Race, oppression and the zombie: essays on cross-cultural appropriations of the Caribbean tradition. Jefferson, N.C.: McFarland.

Moreman, C.M. and Rushton, C. (2011b) Zombies are us: essays on the humanity of the walking dead. Jefferson, N.C.: McFarland.

Murphy, R. et al. (2012) ‘American Horror Story: The Complete First Season’. [U.K.]: 20th Century Fox Home Entertainment.

Murphy, R. and British Film Institute (1992) Sixties British Cinema. London: British Film Institute. Available at: https://go.exlibris.link/LXpjJ0KQ.

Murphy, R. and British Film Institute (2009) The British cinema book. 3rd ed. London: BFI. Available at: https://go.exlibris.link/tMbvpRrv.

Mysterious Bodies (2007). Available at: http://intensitiescultmedia.com/2012/12/11/intensities-the-journal-of-cult-media-4-mysterious-bodies/.

Newman, K. and British Film Institute (1996) The BFI companion to horror. London: Cassell.

Nichols, B. (1985) Movies and Methods: Vol.2: An Anthology. Berkeley, Calif: University of California Press.

‘Night of the Living Dead (1968)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001A9F70?bcast=91796119.

Nowell, R. (2011) Blood money: a history of the first teen slasher film cycle [electronic resource]. New York: Continuum. Available at: http://ebookcentral.proquest.com/lib/warw/detail.action?docID=634569.

Odell, C. and Le Blanc, M. (2007) Horror Films. Harpenden: Kamera.

Palin, Michael. (no date) ‘Remember Me. [DVD] [2014]’. Available at: http://webcat.warwick.ac.uk/search~S15?/tremember+Me/tremember+me/1%2C6%2C9%2CB/frameset&FF=tremember+me+videorecording&1%2C1%2C.

Peacock, S. (2009) ‘Two Kingdoms Two Kings’, Critical Studies in Television: The International Journal of Television Studies, 4(2), pp. 24–36. Available at: https://doi.org/10.7227/CST.4.2.4.

Pinedo, I.C. (1997) Recreational terror: women and the pleasures of horror film viewing. Albany, N.Y.: State University of New York Press.

Pirie, D. (1973) A Heritage of Horror: The English Gothic Cinema, 1946-1972. London: Gordon Fraser Gallery Ltd.

Pirie, D. (2008) A New Heritage of Horror: The English Gothic Cinema. [New ed.]. London: I.B. Tauris.

Porton, R. (2009) Dekalog: 03: On Film Festivals. London: Wallflower.

Prawer, S.S. (1980) Caligari’s Children: The Film as Tale of Terror. Oxford (etc.): Oxford University Press.

Propp, V.I. and Wagner, L.A. (1968) Morphology of the Folktale. 2nd ed. Austin: University of Texas Press.

Punter, D. (2000) A Companion to the Gothic. Oxford: Blackwell Publishers.

Reilly, K. et al. (2008) ‘Eden Lake’. [London]: ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01268C4D?bcast=120784128.

‘Remember Me’ (no date a). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/083487E3?bcast=114574508.

‘Remember Me’ (no date b). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/083E226E?bcast=114616461.

‘Remember Me’ (no date c). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/084457F0?bcast=114657181.

Reynolds, K., Brennan, G. and McCarron, K. (2001) Frightening Fiction. London: Continuum. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3021318.

Rose, J. (2009a) Beyond Hammer: British Horror Cinema since 1970. Leighton Buzzard: Auteur.

Rose, J. (2009b) Beyond Hammer: British horror cinema since 1970. Leighton Buzzard: Auteur.

Ruoff, J. (2012) Coming Soon to a Festival Near You: Programming Film Festivals. Edited by J. Ruoff. Scotland: St Andrews Film Studies.

Sargeant, J. and Watson, S. (1999) Lost Highways: An Illustrated History of Road Movies. London: Creation.

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Schneider, S.J. (2004) Horror Film and Psychoanalysis: Freud’s Worst Nightmare. Cambridge: Cambridge University Press. Available at: https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwfV3dS8MwED-0e_HNT5yb0nfp7HdTGMI2LEMEmQr6NtIuc6JrITrmn-9dmm6toI-_JhzN5cjdJblfADy3Z1u_1oQw5X5GZHQc_QOaiDP3cHXG6IJlzixWjzckj-HtA7t7YZMtw5BtNfkG8B9f1_xzoS7vrLmk18Z1zZVK4hci7dHREl3XIjJOKuza9WNMylqDwfNkWFmaj36Z2Zq1pSSaQkuPAlXMihEIhlFBVAEHQ5ZNC7m7LYjQhjXwKZBydDUspl2YSml-n0ogq2GS2cDYP6zjUnKFlXC3wlq-r09diQF7NLxvdFUlSEo9NW-Z7ENLUAnFAeyI_BCM5O1jeQSX_SWX79fjQspCmnP8ZqLCzbIKjGtqlP6V6nQMZnLzNBpbWvpUbzJNU3T0DEf17Z2AkRe5OAXT9WYZd0WGMRvOfuoxN4oZ8e0FMWokC9vQ_lPM2T9tHdgr78_QRkgXjC-5EuebAV_ouf4BAxKbJg.

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