@book{Abbott_2016, address={Edinburgh}, title={Undead apocalypse: vampires and zombies in the twenty-first century}, url={https://go.exlibris.link/vSRfbZqP}, publisher={Edinburgh Univiversity Press}, author={Abbott, Stacey}, year={2016} }
@article{Allan Cameron_2012, title={Zombie Media: Transmission, Reproduction, and the Digital Dead}, volume={52}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/23360281?seq=1#page_scan_tab_contents}, number={1}, journal={Cinema Journal}, author={Allan Cameron}, year={2012}, pages={66–89} }
@book{Arnold_2013, address={Houndmills, Basingstoke, Hampshire}, title={Maternal horror film: melodrama and motherhood}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2753968}, publisher={Palgrave Macmillan}, author={Arnold, Sarah}, year={2013} }
@article{Aviva Briefel_2009, title={What Some Ghosts Don’t Know: Spectral Incognizance and the Horror Film}, volume={17}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30219292?seq=1#page_scan_tab_contents}, number={1}, journal={Narrative}, author={Aviva Briefel}, year={2009}, pages={95–110} }
@book{Balmain_2008, address={Edinburgh}, title={Introduction to Japanese horror film}, url={https://go.exlibris.link/HXLg9ZJ4}, publisher={Edinburgh University Press}, author={Balmain, Colette}, year={2008} }
@book{Barr_British Film Institute_1986, address={London}, title={All Our Yesterdays: 90 Years of British Cinema}, publisher={BFI Publishing}, author={Barr, Charles and British Film Institute}, year={1986} }
@book{Barta_1998, address={Westport, Conn}, title={Screening the Past: Film and the Representation of History}, publisher={Praeger}, author={Barta, Tony}, year={1998} }
@book{Bell_Mitchell_2012, address={Bristol}, title={Britain}, volume={Directory of world cinema}, url={https://go.exlibris.link/9RqBqxcy}, publisher={Intellect}, author={Bell, Emma and Mitchell, Neil}, year={2012} }
@book{Bell_British Film Institute_2013, address={London}, title={Gothic: The Dark Heart of Film}, publisher={BFI}, author={Bell, James and British Film Institute}, year={2013} }
@book{Berenstein_1996, address={New York}, title={Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema}, volume={Film and culture}, publisher={Columbia University Press}, author={Berenstein, Rhona J.}, year={1996} }
@book{Bettelheim_1991, address={Harmondsworth}, title={The Uses of Enchantment: The Meaning and Importance of Fairy Tales}, publisher={Penguin}, author={Bettelheim, Bruno}, year={1991} }
@book{Bingham_2015, address={Edinburgh}, title={Contemporary Japanese cinema since Hana-bi}, volume={Traditions in world cinema}, url={https://go.exlibris.link/T6jJvwy8}, publisher={Edinburgh University Press}, author={Bingham, Adam}, year={2015} }
@book{Bishop_2010, address={Jefferson, N.C.}, title={American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture}, publisher={McFarland & Co}, author={Bishop, Kyle William}, year={2010} }
@article{Bitel, title={The Best of FrightFest 2015}, volume={September 30, 2015}, url={http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/festivals/best-frightfest-2015}, journal={Sight and Sound}, author={Bitel, Anton} }
@book{Boluk_Lenz_2011, address={Jefferson, N.C.}, title={Generation zombie: essays on the living dead in modern culture}, url={https://go.exlibris.link/3VcXlLDm}, publisher={McFarland}, author={Boluk, Stephanie and Lenz, Wylie}, year={2011} }
@book{Bosma_2015, address={New York}, title={Film programming: curating for cinemas, festivals, archives}, volume={Short cuts series}, url={https://go.exlibris.link/dz6Jxw9l}, publisher={Wallflower, an imprint of Columbia University Press}, author={Bosma, Peter}, year={2015} }
@article{Boss_1986, title={Vile Bodies and Bad Medicine}, volume={27}, url={https://academic.oup.com/screen/article-abstract/27/1/14/1630462/Vile-Bodies-and-Bad-Medicine?redirectedFrom=fulltext}, DOI={10.1093/screen/27.1.14}, number={1}, journal={Screen}, author={Boss, P.}, year={1986}, pages={14–25} }
@book{Botting_1996, address={London}, title={Gothic}, volume={New critical idiom}, publisher={Routledge}, author={Botting, Fred}, year={1996} }
@inbook{Brown_Abbott_2010, address={London}, title={The art of splatter: Dexter, CSI, Bones and body horror}, volume={Investigating cult TV.}, booktitle={Dexter: investigating cutting edge television}, publisher={I. B. Tauris}, author={Brown, Simon and Abbott, Stacy}, year={2010}, pages={205–220} }
@book{Browning_2007, address={Bristol}, title={David Cronenberg: Author or Film-Maker?}, publisher={Intellect Books}, author={Browning, Mark}, year={2007} }
@book{Buckingham_1996, address={Manchester}, title={Moving Images: Understanding Children’s Emotional Responses to Television}, publisher={Manchester University Press}, author={Buckingham, David}, year={1996} }
@article{Carol J. Clover_1987, title={Her Body, Himself: Gender in the Slasher Film}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2928507?seq=1#page_scan_tab_contents}, number={20}, journal={Representations}, author={Carol J. Clover}, year={1987}, pages={187–228} }
@misc{Carpenter_Foster_Turman_Lancaster_Russell_Brimley_Carter_Clennon_Campbell_Universal Pictures (Firm)_1982, address={[London]}, title={The Thing}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00005ABF?bcast=95561559}, publisher={Universal Pictures}, author={Carpenter, John and Foster, David and Turman, Lawrence and Lancaster, Bill and Russell, Kurt and Brimley, Wilford and Carter, T. K. and Clennon, David and Campbell, John W. and Universal Pictures (Firm)}, year={1982} }
@misc{Carpenter_Hill_Akkad_Pleasence_Curtis_Loomis_Soles_Compass International Pictures_Anchor Bay Entertainment, Inc_BBC One (Television station : London, England)_1979, address={[U.K.]}, title={Halloween}, publisher={BBC1}, author={Carpenter, John and Hill, Debra and Akkad, Moustapha and Pleasence, Donald and Curtis, Jamie Lee and Loomis, Nancy and Soles, P. J. and Compass International Pictures and Anchor Bay Entertainment, Inc and BBC One (Television station : London, England)}, year={1979} }
@inbook{Carroll_1990, address={London}, title={Why Horror?}, booktitle={The philosophy of horror or paradoxes of the heart}, publisher={Routledge}, author={Carroll, Noel}, year={1990}, pages={158–195} }
@misc{Ceyton_Davis_Henshall_Kent_Kurzel_Ladczuk_McElhinney_Moliere_Njoo_West_et al., address={[London]}, title={The Babadook}, publisher={Icon Film Distribution}, author={Ceyton, Kristina and Davis, Essie and Henshall, Daniel and Kent, Jennifer and Kurzel, Jed and Ladczuk, Radek and McElhinney, Hayley and Moliere, Kristian and Njoo, Simon and West, Barbara and Winspear, Ben and Wiseman, Noah and Causeway Films and Entertainment One (Firm : Canada) and Screen Australia and Smoking Gun Productions (Firm) and South Australian Film Corporation} }
@book{Chibnall_Petley_2002a, address={London}, title={British Horror Cinema}, volume={British popular cinema}, publisher={Routledge}, author={Chibnall, Steve and Petley, Julian}, year={2002} }
@book{Chibnall_Petley_2002b, address={London}, title={British Horror Cinema}, volume={British popular cinema}, publisher={Routledge}, author={Chibnall, Steve and Petley, Julian}, year={2002} }
@book{Christie_Lauro_2011, address={New York}, edition={1st ed}, title={Better off Dead: The Evolution of the Zombie as Post-Human}, url={https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwfV3bSgMxEB16eRFfKipWq-wPVNckZjdQhFZdRQSpCvpWsrlUEEtZuxT_3pkQFxT0NZcJSYZMzmTmBICz43T460wQNlUuR3yb4Q1bCKeV4N5I6UtUGWYJNxaP8vYhv3vJpy24bpxMFGZp3byqP1eRMXVZz9f64zXE76x1RR-Ox7QrQkXEGEuPR0zRn9VtaAuFkKw7Hj9PJ996JjLEGCzNAh1kbMoiGU_TNfJxorn_KTIk94RRN-m4joao6EHXUXbCFrTcYhsGo3ddvZ1PQkpOcu99colbNjoJpTuQFFdPFzfDKGgWPTWzkmdnUiE-5LvQQfTv9iDxxhhi5EmFsYjFrJYq55x54-RpiealD_0_xez_U3cAG4wi-YM3YQCdVVW7w2ZuR3HJvgBgvHfd}, publisher={Fordham University Press}, author={Christie, Deborah and Lauro, Sarah Juliet}, year={2011} }
@book{Conrich_2010a, address={London}, title={Horror Zone: The Cultural Experience of Contemporary Horror Cinema}, publisher={I. B. Tauris}, author={Conrich, Ian}, year={2010} }
@book{Conrich_2010b, address={London}, title={Horror Zone: The Cultural Experience of Contemporary Horror Cinema}, publisher={I. B. Tauris}, author={Conrich, Ian}, year={2010} }
@book{Crane_1994a, address={Thousand Oaks, Calif}, title={Terror and Everyday Life: Singular Moments in the History of the Horror Film}, url={https://go.exlibris.link/h6Zk07Vv}, publisher={Sage Publications}, author={Crane, Jonathan Lake}, year={1994} }
@book{Crane_1994b, address={Thousand Oaks, Calif}, title={Terror and Everyday Life: Singular Moments in the History of the Horror Film}, url={https://go.exlibris.link/h6Zk07Vv}, publisher={Sage Publications}, author={Crane, Jonathan Lake}, year={1994} }
@book{Creeber_2004, address={London}, title={Serial Television: Big Drama on the Small Screen}, publisher={BFI}, author={Creeber, Glen}, year={2004} }
@article{Creed_1986, title={Horror and the Monstrous-Feminine: An Imaginary Abjection}, volume={27}, url={https://academic.oup.com/screen/article-abstract/27/1/44/1630470/Horror-and-the-Monstrous-Feminine-An-Imaginary?redirectedFrom=fulltext}, DOI={10.1093/screen/27.1.44}, number={1}, journal={Screen}, author={Creed, B.}, year={1986}, pages={44–71} }
@book{Creed_1993, address={London}, title={The Monstrous Feminine: Film, Feminism, Psychoanalysis}, volume={Popular fiction series}, url={https://go.exlibris.link/470q8WS7}, publisher={Routledge}, author={Creed, Barbara}, year={1993} }
@book{Creed_2005, address={Carlton, Vic., Australia}, title={Phallic Panic: Film, Horror and the Primal Uncanny}, publisher={Melbourne University Press}, author={Creed, Barbara}, year={2005} }
@book{Curran_Porter_1983, address={London}, title={British Cinema History}, publisher={Weidenfeld and Nicolson}, author={Curran, James and Porter, Vincent}, year={1983} }
@misc{Dante_FilmFour (Firm)_Bold Films_Benderspink (Firm)_2013, address={[United Kingdom]}, title={The Hole}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/025D7277?bcast=121917926}, publisher={Film4}, author={Dante, Joe and FilmFour (Firm) and Bold Films and Benderspink (Firm)}, year={2013} }
@article{Diane Waldman_1984, title={‘At Last I Can Tell It to Someone!’: Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s}, volume={23}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1225123?seq=1#page_scan_tab_contents}, number={2}, journal={Cinema Journal}, author={Diane Waldman}, year={1984}, pages={29–40} }
@book{Dika_1990, address={Rutherford, (etc.)}, title={Games of Terror: Halloween, Friday the 13th, and the Films of the Stalker Cycle}, publisher={Fairleigh Dickinson University Press}, author={Dika, Vera}, year={1990} }
@book{Dixon_1994, address={Albany}, title={Re-Viewing British Cinema, 1900-1992: Essays and Interviews}, publisher={State University of New York Press}, author={Dixon, Wheeler W.}, year={1994} }
@book{Dixon_2010, address={New Brunswick, N.J.}, title={A History of Horror}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2963660}, publisher={Rutgers University Press}, author={Dixon, Wheeler W.}, year={2010} }
@book{Donald_1989, address={London}, title={Fantasy and the Cinema}, publisher={British Film Institute}, author={Donald, James}, year={1989} }
@article{Dyer_1988, title={White}, volume={29}, url={https://academic.oup.com/screen/article-abstract/29/4/44/1646277/White?redirectedFrom=fulltext}, DOI={10.1093/screen/29.4.44}, number={4}, journal={Screen}, author={Dyer, R.}, year={1988}, pages={44–65} }
@book{Eco_1979, address={Bloomington}, title={The Role of the Reader: Explorations in the Semiotics of Texts}, volume={Advances in semiotics}, publisher={Indiana University Press}, author={Eco, Umberto}, year={1979} }
@book{Eco_1995, address={Cambridge, Massachusetts}, title={Six Walks in the Fictional Woods}, volume={The Charles Eliot Norton lectures}, publisher={Harvard University Press}, author={Eco, Umberto}, year={1995} }
@misc{Eggers_Van Hoy_Knudsen_Redmond_Bekerman_Teixeira_Taylor-Joy_Ineson_Dickie_Scrimshaw_et al._2015, address={[United States]}, title={The witch: a New England folktale}, publisher={Witch Movie}, author={Eggers, Robert and Van Hoy, Jay and Knudsen, Lars and Redmond, Jodi and Bekerman, Daniel and Teixeira, Rodrigo and Taylor-Joy, Anya and Ineson, Ralph and Dickie, Kate and Scrimshaw, Harvey and Grainger, Ellie and Dawson, Lucas and Korven, Mark and Ford, Louise and Blaschke, Jarin and Parts and Labor (Firm) and RT Features (Firm) and Rooks Nest Entertainment (Firm) and Maiden Voyage Pictures (Firm) and Mott Street Pictures (Firm) and Code Red Productions (Firm) and Scythia Films (Firm) and Pulse Films and Special Projects (Firm) and A24 (Firm)}, year={2015} }
@book{Ellis_1989, address={Urbana}, title={The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology}, publisher={University of Illinois Press}, author={Ellis, Kate Ferguson}, year={1989} }
@inbook{Elsaesser_2013, address={St Andrews, Scotland}, title={Film festival networks: the new topographies of cinema in Europe}, url={https://0-www-degruyter-com.pugwash.lib.warwick.ac.uk/view/book/9789048505173/10.1515/9789048505173-005.xml}, booktitle={The film festival reader}, publisher={St Andrews Film Studies}, author={Elsaesser, Thomas}, year={2013}, pages={69–96} }
@article{Filipa Antunes_2014, title={Children and Horror after PG-13: The Case of The Gate}, volume={6}, url={http://ojs.meccsa.org.uk/index.php/netknow/article/view/313/147}, number={4}, journal={Networking Knowledge: Journal of the MeCCSA Postgraduate Network}, author={Filipa Antunes}, year={2014} }
@book{Fischer_2013, address={St Andrews}, title={Sustainable projections: concepts in film festival management}, volume={Films need festivals, festivals need films}, publisher={St Andrews Film Studies}, author={Fischer, Alex}, year={2013} }
@book{Fleenor_1983, address={Montreal}, title={The Female Gothic}, publisher={Eden Press}, author={Fleenor, Juliann E.}, year={1983} }
@book{Forshaw_2013, address={Houndmills, Basingstoke, Hampshire}, title={British Gothic Cinema}, volume={Palgrave gothic series}, url={https://go.exlibris.link/xfscgBK1}, publisher={Palgrave Macmillan}, author={Forshaw, Barry}, year={2013} }
@article{Freud, title={The Uncanny}, url={http://web.mit.edu/allanmc/www/freud1.pdf}, author={Freud, Sigmund} }
@article{Gallafent_1988, title={Black Satin: Fantasy, Murder and the Couple in ‘Gaslight’ and ‘Rebecca’}, volume={29}, url={https://academic.oup.com/screen/article-abstract/29/3/84/1728435/Black-Satin-Fantasy-Murder-and-the-Couple-in?redirectedFrom=fulltext}, DOI={10.1093/screen/29.3.84}, number={3}, journal={Screen}, author={Gallafent, E.}, year={1988}, pages={84–105} }
@inbook{Gledhill_1999, address={London}, edition={2nd ed}, title={The Horror Film}, booktitle={The cinema book}, publisher={British Film Institute}, author={Gledhill, C.}, year={1999}, pages={194–204} }
@book{Gledhill_British Film Institute_1987, address={London}, title={Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film}, publisher={British Film Institute}, author={Gledhill, Christine and British Film Institute}, year={1987} }
@inbook{Goldberg_2004, address={Lanham, Md}, edition={Rev. ed}, title={Demons in the Family: Tracking the Japanese "Uncanny Mother” film from A Page of Madness to Ringu’}, url={https://contentstore.cla.co.uk/secure/link?id=44d3a41b-5920-e711-80c9-005056af4099}, booktitle={Planks of reason: essays on the horror film}, publisher={Scarecrow Press}, author={Goldberg, Ruth}, year={2004}, pages={370–386} }
@book{Grant_1996a, address={Austin}, title={The Dread of Difference: Gender and the Horror Film}, volume={Texas film studies series}, publisher={University of Texas Press}, author={Grant, Barry Keith}, year={1996} }
@book{Grant_1996b, address={Austin}, title={The Dread of Difference: Gender and the Horror Film}, volume={Texas film studies series}, publisher={University of Texas Press}, author={Grant, Barry Keith}, year={1996} }
@book{Grant_Sharrett_2004, address={Lanham, Md}, edition={Rev. ed}, title={Planks of Reason: Essays on the Horror Film}, publisher={Scarecrow Press}, author={Grant, Barry Keith and Sharrett, Christopher}, year={2004} }
@inbook{Halberstam_1995, address={Durham}, title={Bodies that splatter: queers and chainsaws}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2748427}, booktitle={Skin shows: gothic horror and the technology of monsters}, publisher={Duke University Press}, author={Halberstam, J.}, year={1995}, pages={138–160} }
@book{Hammond_Mazdon_2005a, address={Edinburgh}, title={The Contemporary Television Series}, publisher={Edinburgh University Press}, author={Hammond, Michael and Mazdon, Lucy}, year={2005} }
@book{Hammond_Mazdon_2005b, address={Edinburgh}, title={The Contemporary Television Series}, url={https://go.exlibris.link/8yfbzK0D}, publisher={Edinburgh University Press}, author={Hammond, Michael and Mazdon, Lucy}, year={2005} }
@book{Hanson_2007, address={London}, title={Hollywood Heroines: Women in Film Noir and the Female Gothic Film}, url={https://go.exlibris.link/YW0LtYHg}, publisher={I. B. Tauris}, author={Hanson, Helen}, year={2007} }
@book{Hark_2002, address={London}, title={Exhibition: The Film Reader}, volume={In focus}, publisher={Routledge}, author={Hark, Ina Rae}, year={2002} }
@inbook{Helen_2007, address={London}, title={Reviewing the Female Gothic Heroine: Agency, Identification and Feminist Film Critism}, url={https://contentstore.cla.co.uk/secure/link?id=d32206bf-9a43-e611-80bd-0cc47a6bddeb}, booktitle={Hollywood heroines: women in film noir and the female gothic film}, publisher={I. B. Tauris}, author={Helen, H.}, year={2007}, pages={33–62} }
@book{Heller_1992, address={New Haven}, title={Dead secrets: Wilkie Collins and the Female Gothic}, publisher={Yale University Press}, author={Heller, Tamar}, year={1992} }
@inbook{Hills_2005a, address={New York}, title={TV Horror}, booktitle={The pleasures of horror}, publisher={Continuum}, author={Hills, M.}, year={2005}, pages={111–128} }
@inbook{Hills_2005b, address={New York}, title={TV Horror}, booktitle={The Pleasures of Horror}, publisher={Continuum}, author={Hills, Matt}, year={2005}, pages={111–128} }
@article{Hollinger_1993, title={The Female Oedipal Drama of Rebecca from Novel to Film}, volume={14}, url={https://0-www-tandfonline-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/10509209309361414}, DOI={10.1080/10509209309361414}, number={4}, journal={Quarterly Review of Film and Video}, author={Hollinger, Karen}, year={1993}, pages={17–30} }
@misc{Hooper_Henkel_Burns_Hansen_Danziger_Partain_1974, address={[U.K.]}, edition={Original uncut version}, title={The Texas Chainsaw Massacre}, publisher={Universal Pictures (UK)}, author={Hooper, Tobe and Henkel, Kim and Burns, Marilyn and Hansen, Gunnar and Danziger, Allen and Partain, Paul A.}, year={1974} }
@book{Hopkins_2005, address={Austin, TX}, edition={1st ed}, title={Screening the gothic}, url={https://go.exlibris.link/8jrT3pfS}, publisher={University of Texas Press}, author={Hopkins, Lisa}, year={2005} }
@book{Hughes_Punter_Smith_2013, address={Chichester, West Sussex, UK}, title={The Encyclopedia of the Gothic}, volume={The Wiley-Blackwell encyclopedia of literature}, publisher={Wiley-Blackwell}, author={Hughes, William and Punter, David and Smith, Andrew}, year={2013} }
@book{Humm_Stigant_Widdowson_1986, address={London}, title={Popular Fictions: Essays in Literature and History}, volume={New accents}, url={https://go.exlibris.link/3j3pRTHt}, publisher={Methuen}, author={Humm, Peter and Stigant, Paul and Widdowson, Peter}, year={1986} }
@inbook{Hunt_2002, address={London}, title={Necromancy in the UK: witchcraft & the occult in British horror}, volume={British popular cinema}, url={https://contentstore.cla.co.uk/secure/link?id=376238c4-5720-e711-80c9-005056af4099}, booktitle={British horror cinema}, publisher={Routledge}, author={Hunt, Leon}, year={2002}, pages={82–98} }
@inbook{Hutchings_1993, address={Manchester}, title={Horror and the Family}, booktitle={Hammer and beyond: the British horror film}, publisher={Manchester University Press}, author={Hutchings, P.}, year={1993}, pages={159–185} }
@book{Iordanova_2009, address={St. Andrews, Scotland}, title={Film Festival Yearbook 1:The Festival Circuit}, volume={Film festival yearbook}, publisher={St. Andrews Film Studies in collaboration with College Gate Press}, author={Iordanova, Dina}, editor={Iordanova, Dina and Rhyne, Ragan}, year={2009} }
@book{Iordanova_2013, address={St Andrews, Scotland}, title={The Film Festival Reader}, publisher={St Andrews Film Studies}, author={Iordanova, Dina}, year={2013} }
@book{Iordanova_Cheung_2010, address={St. Andrews, Scotland}, title={Film Festival Yearbook 2: Film Festivals and Imagined Communities}, volume={Film festival yearbook}, publisher={St Andrews Film Studies}, author={Iordanova, Dina and Cheung, Ruby}, editor={Iordanova, Dina and Chong, Ruby}, year={2010} }
@book{Iordanova_Cheung_2011a, address={St. Andrews, Scotland}, title={Film Festivals and East Asia}, volume={Film festival Yearbook 3: Film Festivals and East Asia}, publisher={St Andrews Film Studies}, author={Iordanova, Dina and Cheung, Ruby}, editor={Iordanova, Dina and Cheung, Ruby}, year={2011} }
@book{Iordanova_Torchin_2012, address={St Andrews}, title={Film Festival Yearbook 4: Film Festivals and Activism}, volume={Film festival yearbook}, publisher={St Andrews Film Studies}, author={Iordanova, Dina and Torchin, Leshu}, editor={Iordanova, Dina and Torchin, Leshu}, year={2012} }
@book{Jancovich_2002, address={London}, title={Horror: The Film Reader}, volume={In focus}, publisher={Routledge}, author={Jancovich, Mark}, year={2002} }
@article{Joan Hawkins_2000, title={Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture}, volume={53}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1213717?seq=1#page_scan_tab_contents}, number={2}, journal={Film Quarterly}, author={Joan Hawkins}, year={2000}, pages={14–29} }
@book{Johnston_2015, address={Houndmills, Basingstoke, Hampshire}, title={Haunted seasons: television ghost stories for Christmas and horror for Halloween}, volume={The Palgrave gothic series}, url={https://go.exlibris.link/6FBKxTtT}, publisher={Palgrave Macmillan}, author={Johnston, Derek}, year={2015} }
@book{Jones_2011, address={London}, title={Chavs: The Demonization of the Working Class}, publisher={Verso}, author={Jones, Owen}, year={2011} }
@book{Joshi_2006, title={Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares [Two Volumes]}, publisher={Greenwood Press}, author={Joshi, S. T.}, year={2006} }
@inbook{Jowett_2013a, address={London}, title={TV as horror}, volume={Investigating cult TV.}, url={https://contentstore.cla.co.uk/secure/link?id=a7fb10af-a343-e611-80bd-0cc47a6bddeb}, booktitle={TV horror: investigating the dark side of the small screen}, publisher={I.B. Tauris}, author={Jowett, L.}, year={2013}, pages={179–200} }
@inbook{Jowett_2013b, address={London}, title={TV as horror}, volume={Investigating cult TV.}, booktitle={TV Horror: Investigating the Dark Side of the Small Screen}, publisher={I.B. Tauris}, author={Jowett, Lorna}, year={2013}, pages={179–200} }
@inbook{Jowett_2013c, address={London}, title={TV as horror}, volume={Investigating cult TV.}, booktitle={TV Horror: Investigating the Dark Side of the Small Screen}, publisher={I.B. Tauris}, author={Jowett, Lorna}, year={2013}, pages={179–200} }
@inbook{Jungerkes_Wienand_2012, address={New York}, title={A past that refuses to die: Nazi zombie film and the legacy of occupation}, url={https://contentstore.cla.co.uk/secure/link?id=ecb221c3-a343-e611-80bd-0cc47a6bddeb}, booktitle={Nazisploitation!: the Nazi image in low-brow cinema and culture}, publisher={Continuum}, author={Jungerkes, Sven and Wienand, Christiane}, editor={Magilow, Daniel H. and Bridges, Elizabeth and Vander Lugt, Kristin T.}, year={2012}, pages={238–257} }
@book{Kackman_2011, address={New York}, title={Flow TV: Television in the Age of Media Convergence}, url={https://go.exlibris.link/cCyG9c0j}, publisher={Routledge}, author={Kackman, Michael}, year={2011} }
@book{King_2010a, address={New York}, edition={Gallery Books trade pbk. ed}, title={Danse Macabre}, publisher={Gallery}, author={King, Stephen}, year={2010} }
@book{King_2010b, address={New York}, edition={Gallery Books trade pbk. ed}, title={Danse Macabre}, publisher={Gallery}, author={King, Stephen}, year={2010} }
@book{Kovacs_2005, address={Jefferson, N.C.}, title={The Haunted Screen: Ghosts in Literature and Film}, publisher={McFarland & Co}, author={Kovacs, Lee}, year={2005} }
@inbook{Kracauer_2004, address={Princeton, N.J.}, edition={Rev. and expanded ed}, title={Procession of Tyrants}, booktitle={From Caligari to Hitler: a psychological history of the German film}, publisher={Princeton University Press}, author={Kracauer, S.}, year={2004}, pages={77–87} }
@book{Kracauer_1947, address={Princeton,New Jersey}, title={From Caligari to Hitler: A Psychological History of the German Film}, publisher={Princeton University Press}, author={Kracauer, Siegfried}, year={1947} }
@article{Kristeva_1982, address={Oxford}, title={Approaching Abjection}, volume={5}, journal={The Oxford literary review}, publisher={Oxford Literary Review}, author={Kristeva, Julia}, year={1982} }
@book{Leach_2004, address={Cambridge, UK}, title={British Film}, volume={National film traditions}, url={https://go.exlibris.link/02xVf8WL}, publisher={Cambridge University Press}, author={Leach, Jim}, year={2004} }
@book{Leggott_2008, address={London}, title={Contemporary British Cinema: From Heritage to Horror}, volume={Short cuts series}, publisher={Wallflower}, author={Leggott, James}, year={2008} }
@book{Lennard_2014, address={Albany}, title={Bad Seeds and Holy Terrors: The Child Villains of Horror Film}, volume={SUNY series, horizons of cinema}, url={http://encore.lib.warwick.ac.uk/iii/encore/search/C__SBad%20Seeds%20and%20Holy%20Terrors%3A%20The%20Child%20Villains%20of%20Horror%20Film__Orightresult/StabSwitch?lang=eng&suite=cobalt}, publisher={State University of New York Press}, author={Lennard, Dominic}, year={2014} }
@article{Lester_2016, title={The Children’s Horror Film: Characterizing an ‘Impossible’ Subgenre}, volume={78}, url={http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/628733}, number={1}, journal={The Velvet Light Trap}, publisher={University of Texas Press}, author={Lester, Catherine}, year={2016}, pages={22–37} }
@article{Linda Williams_1991, title={Film Bodies: Gender, Genre, and Excess}, volume={44}, number={4}, journal={Film Quarterly}, author={Linda Williams}, year={1991}, pages={2–13} }
@book{Lury_2010, address={London}, title={The child in film: tears, fears and fairytales}, publisher={I.B. Tauris}, author={Lury, Karen}, year={2010} }
@book{MacCabe_1986, address={Manchester}, title={High theory/low culture: analysing popular television and film}, volume={Images of culture}, publisher={Manchester University Press}, author={MacCabe, Colin}, year={1986} }
@book{Magistrale_2005a, address={New York}, title={Abject Terrors: Surveying the Modern and Postmodern Horror Film}, publisher={Peter Lang}, author={Magistrale, Tony}, year={2005} }
@book{Magistrale_2005b, address={New York}, title={Abject Terrors: Surveying the Modern and Postmodern Horror Film}, publisher={Peter Lang}, author={Magistrale, Tony}, year={2005} }
@book{Mathijs_2008, address={London}, title={The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero}, volume={Directors’ cuts}, publisher={Wallflower}, author={Mathijs, Ernest}, year={2008} }
@book{McIntosh_Leverette_2008, address={Lanham, Md}, title={Zombie culture: autopsies of the living dead}, publisher={Scarecrow Press}, author={McIntosh, Shawn and Leverette, Marc}, year={2008} }
@book{McRoy_2005, address={Edinburgh}, title={Japanese horror cinema}, volume={Traditions in world cinema}, publisher={Edinburgh University Press}, author={McRoy, Jay}, year={2005} }
@book{McRoy_2008, address={Amsterdam}, title={Nightmare Japan: contemporary Japanese horror cinema}, volume={Contemporary cinema}, url={https://go.exlibris.link/G794cJwN}, publisher={Rodopi}, author={McRoy, Jay}, year={2008} }
@inbook{Milbank_1998, address={Basingstoke}, title={Female Gothic}, booktitle={The Handbook to Gothic literature}, publisher={Macmillan}, author={Milbank, A.}, year={1998}, pages={53–57} }
@book{Milbank_1992, address={Basingstoke}, title={Daughters of the House: Modes of the Gothic in Victorian Fiction}, url={https://go.exlibris.link/9pGwBlJw}, publisher={Macmillan}, author={Milbank, Alison}, year={1992} }
@article{Miles_1994, title={Introduction to Special Number: Female Gothic}, volume={1}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/0969908940010201}, DOI={10.1080/0969908940010201}, number={2}, journal={Women’s Writing}, author={Miles, Robert}, year={1994}, pages={131–142} }
@book{Modleski_1982, address={Hamden, Conn}, title={Loving with a Vengeance: Mass-Produced Fantasies for Women}, publisher={Archon Books}, author={Modleski, Tania}, year={1982} }
@book{Moreman_Rushton_2011a, address={Jefferson, N.C.}, title={Race, oppression and the zombie: essays on cross-cultural appropriations of the Caribbean tradition}, publisher={McFarland}, author={Moreman, Christopher M. and Rushton, Cory}, year={2011} }
@book{Moreman_Rushton_2011b, address={Jefferson, N.C.}, title={Zombies are us: essays on the humanity of the walking dead}, publisher={McFarland}, author={Moreman, Christopher M. and Rushton, Cory}, year={2011} }
@book{Murphy_British Film Institute_1992, address={London}, title={Sixties British Cinema}, url={https://go.exlibris.link/LXpjJ0KQ}, publisher={British Film Institute}, author={Murphy, Robert and British Film Institute}, year={1992} }
@book{Murphy_British Film Institute_2009, address={London}, edition={3rd ed}, title={The British cinema book}, url={https://go.exlibris.link/tMbvpRrv}, publisher={BFI}, author={Murphy, Robert and British Film Institute}, year={2009} }
@misc{Murphy_Falchuk_McDermott_Britton_O’Hare_Lange_Farmiga_Peters_Rabe_FX Networks, LLC_et al._2012, address={[U.K.]}, title={American Horror Story: The Complete First Season}, publisher={20th Century Fox Home Entertainment}, author={Murphy, Ryan and Falchuk, Brad and McDermott, Dylan and Britton, Connie and O’Hare, Denis P. and Lange, Jessica and Farmiga, Taissa and Peters, Evan and Rabe, Lily and FX Networks, LLC and Brad Falchuk Teley-Vision and Ryan Murphy Productions and Twentieth Century-Fox Film Corporation and Twentieth Century Fox Home Entertainment, Inc and Twentieth Century-Fox Television, Inc}, year={2012} }
@book{Newman_British Film Institute_1996, address={London}, title={The BFI companion to horror}, publisher={Cassell}, author={Newman, Kim and British Film Institute}, year={1996} }
@book{Nichols_1985, address={Berkeley, Calif}, title={Movies and Methods: Vol.2: An Anthology}, publisher={University of California Press}, author={Nichols, Bill}, year={1985} }
@book{Nowell_2011, address={New York}, title={Blood money: a history of the first teen slasher film cycle}, url={http://ebookcentral.proquest.com/lib/warw/detail.action?docID=634569}, publisher={Continuum}, author={Nowell, Richard}, year={2011} }
@book{Odell_Le Blanc_2007, address={Harpenden}, title={Horror Films}, publisher={Kamera}, author={Odell, Colin and Le Blanc, Michelle}, year={2007} }
@misc{Palin, Michael., title={Remember Me. [DVD] [2014]}, url={http://webcat.warwick.ac.uk/search~S15?/tremember+Me/tremember+me/1%2C6%2C9%2CB/frameset&FF=tremember+me+videorecording&1%2C1%2C}, author={Palin, Michael.} }
@article{Peacock_2009, title={Two Kingdoms Two Kings}, volume={4}, url={http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/abs/10.7227/CST.4.2.4}, DOI={10.7227/CST.4.2.4}, number={2}, journal={Critical Studies in Television: The International Journal of Television Studies}, author={Peacock, Steven}, year={2009}, pages={24–36} }
@book{Pinedo_1997, address={Albany, N.Y.}, title={Recreational terror: women and the pleasures of horror film viewing}, volume={SUNY series, interruptions--border testimony(ies) and critical discourse/s}, publisher={State University of New York Press}, author={Pinedo, Isabel Cristina}, year={1997} }
@book{Pirie_1973, address={London}, title={A Heritage of Horror: The English Gothic Cinema, 1946-1972}, publisher={Gordon Fraser Gallery Ltd}, author={Pirie, David}, year={1973} }
@book{Pirie_2008, address={London}, edition={[New ed.]}, title={A New Heritage of Horror: The English Gothic Cinema}, publisher={I.B. Tauris}, author={Pirie, David}, year={2008} }
@book{Porton_2009, address={London}, title={Dekalog: 03: On Film Festivals}, volume={Dekalog}, publisher={Wallflower}, author={Porton, Richard}, year={2009} }
@book{Prawer_1980, address={Oxford (etc.)}, title={Caligari’s Children: The Film as Tale of Terror}, publisher={Oxford University Press}, author={Prawer, S. S.}, year={1980} }
@book{Propp_Wagner_1968, address={Austin}, edition={2nd ed}, title={Morphology of the Folktale}, volume={American Folklore Society bibliographical and special series}, publisher={University of Texas Press}, author={Propp, V. I︠A︡ and Wagner, Louis A.}, year={1968} }
@book{Punter_2000, address={Oxford}, title={A Companion to the Gothic}, volume={Blackwell companions to literature and culture series}, publisher={Blackwell Publishers}, author={Punter, David}, year={2000} }
@misc{Reilly_Fassbender_Colson_Holmes_Watkins_O’Connell_Julyan_Rollercoaster Films (Firm)_Aramid Entertainment (Firm)_ITV (Firm)_2008, address={[London]}, title={Eden Lake}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/01268C4D?bcast=120784128}, publisher={ITV4}, author={Reilly, Kelly and Fassbender, Michael and Colson, Christian and Holmes, Richard and Watkins, James and O’Connell, Jack and Julyan, David and Rollercoaster Films (Firm) and Aramid Entertainment (Firm) and ITV (Firm)}, year={2008} }
@book{Reynolds_Brennan_McCarron_2001, address={London}, title={Frightening Fiction}, volume={Contemporary classics of children’s literature}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3021318}, publisher={Continuum}, author={Reynolds, Kimberley and Brennan, Geraldine and McCarron, Kevin}, year={2001} }
@book{Rose_2009a, address={Leighton Buzzard}, title={Beyond Hammer: British Horror Cinema since 1970}, publisher={Auteur}, author={Rose, James}, year={2009} }
@book{Rose_2009b, address={Leighton Buzzard}, title={Beyond Hammer: British horror cinema since 1970}, publisher={Auteur}, author={Rose, James}, year={2009} }
@book{Ruoff_2012, address={Scotland}, title={Coming Soon to a Festival Near You: Programming Film Festivals}, publisher={St Andrews Film Studies}, author={Ruoff, Jeffrey}, editor={Ruoff, Jeffrey}, year={2012} }
@book{Sargeant_Watson_1999, address={London}, title={Lost Highways: An Illustrated History of Road Movies}, publisher={Creation}, author={Sargeant, Jack and Watson, Stephanie}, year={1999} }
@misc{Sasdy_Young_Lee_Keen_Hayden_Watford_Bates_Higgins_Sallis_Carson_et al._1970, address={Burbank, CA}, edition={Widescreen ed}, title={Taste the Blood of Dracula}, publisher={Warner Home Video}, author={Sasdy, Peter and Young, Aida and Lee, Christopher and Keen, Geoffrey and Hayden, Linda and Watford, Gwen and Bates, Ralph and Higgins, Anthony and Sallis, Peter and Carson, John and Jarvis, Martin and Blair, Isla and Stoker, Bram and Warner Bros and Hammer Film Productions and Warner Home Video (Firm)}, year={1970} }
@book{Schneider_2004, address={Cambridge}, title={Horror Film and Psychoanalysis: Freud’s Worst Nightmare}, volume={Cambridge studies in film}, url={https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwfV3dS8MwED-0e_HNT5yb0nfp7HdTGMI2LEMEmQr6NtIuc6JrITrmn-9dmm6toI-_JhzN5cjdJblfADy3Z1u_1oQw5X5GZHQc_QOaiDP3cHXG6IJlzixWjzckj-HtA7t7YZMtw5BtNfkG8B9f1_xzoS7vrLmk18Z1zZVK4hci7dHREl3XIjJOKuza9WNMylqDwfNkWFmaj36Z2Zq1pSSaQkuPAlXMihEIhlFBVAEHQ5ZNC7m7LYjQhjXwKZBydDUspl2YSml-n0ogq2GS2cDYP6zjUnKFlXC3wlq-r09diQF7NLxvdFUlSEo9NW-Z7ENLUAnFAeyI_BCM5O1jeQSX_SWX79fjQspCmnP8ZqLCzbIKjGtqlP6V6nQMZnLzNBpbWvpUbzJNU3T0DEf17Z2AkRe5OAXT9WYZd0WGMRvOfuoxN4oZ8e0FMWokC9vQ_lPM2T9tHdgr78_QRkgXjC-5EuebAV_ouf4BAxKbJg}, publisher={Cambridge University Press}, author={Schneider, Steven Jay}, year={2004} }
@book{Scott_2007a, address={Amsterdam}, title={Monsters and the monstrous: myths and metaphors of enduring evil}, volume={At the interfaces, probing the boundaries}, url={https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwY2AwNtIz0EUrE8ySEk2SQYfRJQLrB2ASMUwzBpbOwNaFRbJhiiX48ga3YDOvIAufCItAJgZX2NYY8IwhdJmiHqyshM-llicWlUOXWupBtgHYp4CLZlNgM8UIWDAzm1gCO2Ssjo7hgU4oTUh2kNbM5GykusRNkIE1FbTBQIiBKTVPmIEH6aaCShEGdZvcxKJsO19Qqw3YMFMA9vMVgE00hVyQQBGwl26jD1YgyqDg5hri7KELtSEeOgwTnwSsWC0szIDVoxgDC7BrnyrBoGCabGaYkmxgCawyTExSUywtEo2SLC2TTRNB59SlmJpLMijC3BwPjHbQWH5iXirQsngjQ9CRnsC-FlCNJE6rpPDISTNwQcYpQcMJMgwsJUWlqbLwgJGDhhqQ9vEM9PcDAN-nh00}, publisher={Rodopi}, author={Scott, Niall}, year={2007} }
@book{Scott_2007b, address={Amsterdam}, title={Monsters and the monstrous: myths and metaphors of enduring evil}, volume={At the interfaces, probing the boundaries}, url={https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwY2AwNtIz0EUrE8ySEk2SQYfRJQLrB2ASMUwzBpbOwNaFRbJhiiX48ga3YDOvIAufCItAJgZX2NYY8IwhdJmiHqyshM-llicWlUOXWupBtgHYp4CLZlNgM8UIWDAzm1gCO2Ssjo7hgU4oTUh2kNbM5GykusRNkIE1FbTBQIiBKTVPmIEH6aaCShEGdZvcxKJsO19Qqw3YMFMA9vMVgE00hVyQQBGwl26jD1YgyqDg5hri7KELtSEeOgwTnwSsWC0szIDVoxgDC7BrnyrBoGCabGaYkmxgCawyTExSUywtEo2SLC2TTRNB59SlmJpLMijC3BwPjHbQWH5iXirQsngjQ9CRnsC-FlCNJE6rpPDISTNwQcYpQcMJMgwsJUWlqbLwgJGDhhqQ9vEM9PcDAN-nh00}, publisher={Rodopi}, author={Scott, Niall}, year={2007} }
@misc{Selznick_Sherwood_Harrison_Hitchcock_Olivier_Fontaine_Sanders_Anderson_Du Maurier_2008, address={[U.K.]}, title={Rebecca}, publisher={BBC2}, author={Selznick, David O. and Sherwood, Robert E. and Harrison, Joan and Hitchcock, Alfred and Olivier, Laurence and Fontaine, Joan and Sanders, George and Anderson, Judith and Du Maurier, Daphne}, year={2008} }
@book{Shail_2008, address={Houndmills, Basingstoke, Hampshire}, title={Seventies British cinema}, publisher={Palgrave Macmillan}, author={Shail, Robert}, year={2008} }
@book{Short_2006a, address={Basingstoke [England]}, title={Misfit sisters: screen horror as female rites of passage}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2520086}, publisher={Palgrave Macmillan}, author={Short, Sue}, year={2006} }
@book{Short_2006b, address={Basingstoke [England]}, title={Misfit Sisters: Screen Horror as Female Rites of Passage}, url={https://go.exlibris.link/DPFrSMt3}, publisher={Palgrave Macmillan}, author={Short, Sue}, year={2006} }
@misc{Simon_2002, address={[U.K.]}, title={The American Nightmare}, publisher={FilmFour}, author={Simon, Adam}, year={2002} }
@book{Simpson, address={Hemlock Books, 2012}, title={Urban terrors: new British horror cinema, 1997-2008}, author={Simpson, M. J.} }
@book{Skal_2001, address={New York}, edition={Revised edition}, title={The Monster Show: A Cultural History of Horror}, publisher={Faber and Faber}, author={Skal, David J.}, year={2001} }
@book{Spadoni_2007, address={Berkeley}, title={Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre}, url={https://go.exlibris.link/BYD0rD4t}, publisher={University of California Press}, author={Spadoni, Robert}, year={2007} }
@book{Spigel_Mann_1992, address={Minneapolis}, title={Private Screenings: Television and the Female Consumer}, volume={A Camera obscura book}, url={https://go.exlibris.link/nnNtKGh1}, publisher={University of Minnesota Press}, author={Spigel, Lynn and Mann, Denise}, year={1992} }
@book{Spooner_McEvoy_2007, address={London}, title={The Routledge Companion to Gothic}, url={https://go.exlibris.link/Pff4rYGF}, publisher={Routledge}, author={Spooner, Catherine and McEvoy, Emma}, year={2007} }
@book{Stokes_Maltby_1999, address={London}, title={Identifying Hollywood’s Audiences: Cultural Identity and the Movies}, publisher={British Film Institute}, author={Stokes, Melvyn and Maltby, Richard}, year={1999} }
@article{Stratton_2011, title={Zombie Trouble: Zombie Texts, Bare Life and Displaced People}, volume={14}, url={https://0-journals-sagepub-com.pugwash.lib.warwick.ac.uk/doi/abs/10.1177/1367549411400103}, DOI={10.1177/1367549411400103}, number={3}, journal={European Journal of Cultural Studies}, author={Stratton, J.}, year={2011}, pages={265–281} }
@article{Tangherlini_2001, title={Ghost in the Machine: Supernatural Threat and the State in Lars von Trier’s Riget}, url={http://0-literature.proquest.com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R01620147&divLevel=0&area=abell&forward=critref_ft}, author={Tangherlini, Timothy R.}, year={2001} }
@book{Tatar_2009, address={New York}, edition={1st ed}, title={Enchanted Hunters: The Power of Stories in Childhood}, publisher={W.W. Norton}, author={Tatar, Maria}, year={2009} }
@book{Taylor_2006, address={Cambridge, UK}, title={The Cambridge companion to Wilkie Collins}, url={https://go.exlibris.link/0zBysvPN}, publisher={Cambridge University Press}, author={Taylor, Jenny Bourne}, year={2006} }
@book{Thornham_1999, address={Edinburgh}, title={Feminist film theory: a reader}, publisher={Edinburgh University Press}, author={Thornham, Sue}, year={1999} }
@inbook{Tudor_1974, address={London}, title={Cinema and Society: Film Movements}, url={https://contentstore.cla.co.uk/secure/link?id=6684dccd-db43-e611-80bd-0cc47a6bddeb}, booktitle={Image and influence: studies in the sociology of film}, publisher={Allen and Unwin}, author={Tudor, A}, year={1974}, pages={152–179} }
@book{Tudor_1989, address={Oxford}, title={Monsters and Mad Scientists: A Cultural History of the Horror Movie}, publisher={Basil Blackwell}, author={Tudor, Andrew}, year={1989} }
@article{Tudor_1995, title={Unruly Bodies, Unquiet Minds}, volume={1}, url={https://0-journals-sagepub-com.pugwash.lib.warwick.ac.uk/doi/10.1177/1357034X95001001003}, DOI={10.1177/1357034X95001001003}, number={1}, journal={Body & Society}, author={Tudor, Andrew}, year={1995}, pages={25–41} }
@article{Tudor_1997, title={Why Horror? The Peculiar Pleasures of a Popular Genre}, volume={11}, url={http://0-doi.org.pugwash.lib.warwick.ac.uk/10.1080/095023897335691}, DOI={10.1080/095023897335691}, number={3}, journal={Cultural Studies}, author={Tudor, Andrew}, year={1997}, pages={443–463} }
@book{Tyler_2013, address={London}, title={Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain}, url={https://go.exlibris.link/PrTffdYw}, publisher={Zed Books Ltd}, author={Tyler, Imogen}, year={2013} }
@book{Valck_2007, address={Amsterdam}, title={Film Festivals: From European Geopolitics to Global Cinephilia}, volume={Film culture in transition}, url={https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnZ1dS8MwFIYPc7vxzk_UqewPdKZJmtPBEEQsU7zxg-FdSZYERLdJ1f_vOemYH5feBJJQSk9L8r6n5DkASg5F9mdNwJmMufFSo8odI1oCKX2nAi2VWoXImYLqwdzcl7dP5V0H5O9MxnBpydun__ote4As-7AQjEYwZOgVQ8Q2oGcUjth_XeD1Os3CEgFLruYwYpIJ2wVsuTvrftmiN0l5JN7s9zjXQOIb_9hwqi3oBT6FsA2dsNiBbvX8Ot-F_nhum5dz7gwqpmPQV_I-PkuDezCtrh4vJ9mquEFmcxJNOqMmoHfRyYDKezGzwmEcuegNypCrwhvaKQpEwVuwMnqGwpKdpPkYpSrUPnQXy0U4gEHhAwnlqHTUubZobCmiI22BLggnrT4Ekx6kfmsJFjUzpVexrdsZim0tRU1BrVNQ6xTUo_9e2IfNNgnKuYpj6H40n-GEj0U1XCD-NL0jaqf55AvZCJFo}, publisher={Amsterdam University Press}, author={Valck, Marijke de}, year={2007} }
@book{Vincendeau_British Film Institute_2001, address={London}, title={Film/Literature/Heritage: A Sight and Sound Reader}, publisher={British Film Institute}, author={Vincendeau, Ginette and British Film Institute}, year={2001} }
@inbook{Walker_2014, address={New York}, title={Low Budgets, No Budgets, and Digital-video Nasties: Recent British Horror and Informal Distribution}, url={https://contentstore.cla.co.uk/secure/link?id=c5951dff-de43-e611-80bd-0cc47a6bddeb}, booktitle={Merchants of menace: the business of horror cinema}, publisher={Bloomsbury, an imprint of Bloomsbury Publishing Inc}, author={Walker, J}, editor={Nowell, Richard}, year={2014}, pages={215–228} }
@inbook{Walker_2016a, address={Edinburgh}, title={Heartless Hoodies}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3021554}, booktitle={Contemporary British horror cinema: industry, genre and society}, publisher={Edinburgh University Press}, author={Walker, J.}, year={2016}, pages={85–108} }
@book{Walker_2016b, address={Edinburgh}, title={Contemporary British Horror Cinema: Industry, Genre and Society}, publisher={Edinburgh University Press}, author={Walker, Johnny}, year={2016} }
@book{Waller_1985, address={Urbana}, title={The Living and the Undead: From Stoker’s Dracula to Romero’s Dawn of the Dead}, publisher={University of Illinois Press}, author={Waller, Gregory A.}, year={1985} }
@book{Waller_1987a, address={Urbana}, title={American Horrors: Essays on the Modern American Horror Film}, publisher={University of Illinois Press}, author={Waller, Gregory A.}, year={1987} }
@book{Waller_1987b, address={Urbana}, title={American Horrors: Essays on the Modern American Horror Film}, publisher={University of Illinois Press}, author={Waller, Gregory A.}, year={1987} }
@book{Waller_1987c, address={Urbana}, title={American horrors: essays on the modern American horror film}, publisher={University of Illinois Press}, author={Waller, Gregory A.}, year={1987} }
@book{Warner_1998, address={London}, title={No go the Bogeyman: Scaring, Lulling, and Making Mock}, publisher={Chatto & Windus}, author={Warner, Marina}, year={1998} }
@book{Wee_2014, address={New York}, title={Japanese horror films and their American remakes: translating fear, adapting culture}, volume={Routledge advances in film studies}, url={https://go.exlibris.link/JNlPdmqk}, publisher={Routledge/Taylor & Francis Group}, author={Wee, Valerie}, year={2014} }
@article{Weetch_2012, address={Canada}, title={Reading Parallax: 3D Meaning Construction in ‘The Hole’}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/1326199468/7D1847A829E34CD0PQ/5?accountid=14888}, number={89}, journal={CineAction}, author={Weetch, Owen}, year={2012}, pages={14–21} }
@book{Wells_2000, address={London}, title={The Horror Genre: From Beezlebub to Blair Witch}, volume={Short cuts}, publisher={Wallflower}, author={Wells, Paul}, year={2000} }
@misc{Whale_Karloff_Shelley_1931, address={[London]}, title={Frankenstein}, url={https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.warwick.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000791DC%3Fbcast%3D132984342}, publisher={Universal Studios (UK)}, author={Whale, James and Karloff, Boris and Shelley, Mary Wollstonecraft}, year={1931} }
@inbook{Wheatley_2006a, address={Manchester}, title={Showing Less, Suggesting More: the Ghost Story On British Television}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3362214}, booktitle={Gothic television}, publisher={Manchester University Press}, author={Wheatley, H.}, year={2006}, pages={26–56} }
@book{Wheatley_2006b, address={Manchester}, title={Gothic Television}, publisher={Manchester University Press}, author={Wheatley, Helen}, year={2006} }
@book{Wheatley_2006c, address={Manchester}, title={Gothic Television}, publisher={Manchester University Press}, author={Wheatley, Helen}, year={2006} }
@article{Wheatley_2012, title={Uncanny Children, Haunted Houses, Hidden Rooms: Children’s Gothic Televisio...}, volume={13}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=aft&AN=83380745&site=ehost-live}, number={3}, journal={Visual Culture in Britain}, author={Wheatley, Helen}, year={2012}, pages={383–397} }
@book{Wheatley_2016, address={London}, title={Spectacular television: exploring televisual pleasure}, url={https://go.exlibris.link/qkX3ZThD}, publisher={I.B. Tauris}, author={Wheatley, Helen}, year={2016} }
@book{Williams_1999, address={Berkeley}, edition={Expanded pbk. ed}, title={Hard core: power, pleasure, and the ‘frenzy of the visible’}, url={http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.08072.0001.001}, publisher={University of California Press}, author={Williams, Linda}, year={1999} }
@book{Williams_1996, address={Madison N.J.}, title={Hearths of Darkness: The Family in the American Horror Film}, publisher={Fairleigh Dickinson University Press}, author={Williams, Tony}, year={1996} }
@book{Wong_2011, address={New Brunswick, New Jersey}, title={Film Festivals: Culture, People, and Power on the Global Screen}, publisher={Rutgers University Press}, author={Wong, Cindy H.}, year={2011} }
@inbook{Wood_1986, address={New York}, title={Normality and monsters: The films of Larry Cohen and George Romero}, booktitle={Hollywood from Vietnam to Reagan}, publisher={Columbia University Press}, author={Wood, Robin}, year={1986}, pages={95–134} }
@book{Worland_2007, address={Malden, MA}, title={The Horror Film: An Introduction}, volume={New approaches to film genre}, publisher={Blackwell Pub}, author={Worland, Rick}, year={2007} }
@misc{Mysterious Bodies_2007, url={http://intensitiescultmedia.com/2012/12/11/intensities-the-journal-of-cult-media-4-mysterious-bodies/}, year={2007} }
@book{Hayward_2009, address={London, England}, title={Terror tracks: music, sound and horror cinema}, volume={Genre, music and sound}, publisher={Equinox}, year={2009} }
@book{Iordanova_Cheung_2011b, address={St. Andrews, Scotland}, title={Film festivals and East Asia}, volume={Film festival yearbook}, publisher={St Andrews Film Studies}, year={2011} }
@book{Marlow-Mann_2013, address={St Andrews}, title={Archival film festivals}, volume={Film festival yearbook}, publisher={St Andrews Film Studies}, year={2013} }
@book{Iordanova_Van de Peer_2014, address={St Andrews}, title={Film festivals and the Middle East}, volume={Film festival yearbook}, publisher={St Andrews Film Studies}, year={2014} }
@book{Hunt_Lockyer_Williamson_2014, address={London}, title={Screening the Undead: Vampires and Zombies in Film and Television}, publisher={I.B. Tauris}, year={2014} }
@book{Siddique_Raphael_2016, address={London, United Kingdom}, title={Transnational horror cinema: bodies of excess and the global grotesque}, publisher={Palgrave Macmillan}, year={2016} }
@article{Wide Angle, address={Baltimore}, publisher={John Hopkins University} }
@article{Wide Angle, address={Baltimore}, publisher={John Hopkins University} }
@misc{Remember Me, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/083487E3?bcast=114574508}, publisher={BBC1 London} }
@misc{Remember Me, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/083E226E?bcast=114616461}, publisher={BBC1 London} }
@misc{Remember Me, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/084457F0?bcast=114657181}, publisher={BBC1 London} }
@misc{The Babadook (2014), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/083C1235?bcast=122959503}, publisher={FilmFour} }
@misc{Night of the Living Dead (1968), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/001A9F70?bcast=91796119}, publisher={BBC2 England} }
