[1]
Artel, J. Tambores en la noche. Ministerio de Cultura.
[2]
Barrio-Vilar, L. 2002. Narrating the slave self in the Americas : Issues of authority, Voice and Identity in Cuba Narratives of Slavery. Journal of Caribbean studies. 17, 1–2 (2002), 42–49.
[3]
Carpentier, A. and De Onís, H. 2006. The kingdom of this world. Farrar, Straus and Giroux.
[4]
Carpentier, A. and Samperio, G. 2013. El reino de este mundo. Lectorum.
[5]
Castellanos, R. 2008. Ciudad Real. Punto de Lectura.
[6]
Castillo Bueno, M. de los R. and Rubiera Castillo, D. 2000. Reyita: the life of a Black Cuban woman in the twentieth century. Duke University Press.
[7]
Castillo Bueno, M. de los R. and Rubiera Castillo, D. 2000. Reyita: the life of a Black Cuban woman in the twentieth century. Duke University Press.
[8]
César Rodríguez Chicharro 1988. La novela mexicana indigenista. Centro de Investigaciones Linguistico-Literarias, Instituto de Investigaciones Humanisticas, Universidad Veracruzana.
[9]
Davis, D.J. 1995. Slavery and beyond: the African impact on Latin America and the  Caribbean. Scholarly Resources Inc.
[10]
Febres, M.S. 2009. Raza en la cultura puertorriqueña. Poligramas. 31, (2009), 49–67.
[11]
Feld, S. Book Reviews: General/Theoretical Anthropology. American Anthropologist. 90, 4, 1003–1004.
[12]
Gates, H.L. 2011. Black in Latin America. New York University Press.
[13]
González Echevarría, R. 1990. Alejo Carpentier: the pilgrim at home. University of Texas Press.
[14]
González Echevarría, R. 1985. The voice of the masters: writing and authority in modern Latin  American literature. University of Texas Press.
[15]
Gugelberger, G. and Kearney, M. 1991. Voices for the Voiceless: Testimonial Literature in Latin America. Latin American Perspectives. 18, 3 (July 1991), 3–14. https://doi.org/10.1177/0094582X9101800301.
[16]
Guillén, N. 1972. El diario que a diario. Instituto Cubano del Libro.
[17]
Guillén, N. 1972. Obra poética, 1920-1958. Instituto Cubano del Libro.
[18]
Guillén, N. 1972. Obra poética, 1920-1958. Instituto Cubano del Libro.
[19]
Guillén, N. 2002. Sóngoro cosongo y otros poemas: selección del autor. Alianza Editorial.
[20]
Guillén, N. and Kutzinski, V.M. 1989. The daily daily. University of California Press.
[21]
Guillen, N. and Netchinsky, J. 1987. Balada De Los Dos Abuelos/Ballad of the Two Grandfathers. Callaloo. 31 (Spring 1987). https://doi.org/10.2307/2930737.
[22]
Jackson, I.V. 1985. More than drumming: essays on African and Afro-Latin music and musicians. Greenwood Press.
[23]
Janney, F. and Carpentier, A. 1981. Alejo Carpentier and his early works. Tamesis Books, [Distributed by Grant & Cutler].
[24]
Kicza, J.E. 2000. The Indian in Latin American history: resistance, resilience, and  acculturation. SR Books.
[25]
Klein, H.S. 1986. African slavery in Latin America and the Caribbean. Oxford University Press.
[26]
López y Fuentes, G. and Rivera, D. 2002. El indio. Continuum.
[27]
Luis, W. 1984. Voices from under: black narrative in Latin America and the  Caribbean. Greenwood Press.
[28]
Manzano, J.F. and Schulman, I.A. 1975. Autobiografía de un esclavo. Ediciones Guadarrama.
[29]
Márquez Rodríguez, A. 1983. Lo barroco y lo real-maravilloso en la obra de Alejo Carpentier. Siglo Veintiuno Editores.
[30]
Menton, S. 1993. Latin America’s new historical novel. University of Texas Press.
[31]
Mocega-González, E.P. Alejo Carpentier: estudios sobre su narrativa. Playor.
[32]
Molloy, S. 1991. At face value: autobiographical writing in Spanish America. Cambridge University Press.
[33]
Montejo, E. et al. 2010. Biografía de un cimarrón. Manchester University Press.
[34]
Morejón, N. 2001. Mujer Negra. Black woman and other poems =: mujer negra y otros poemas. Mango. 226–231.
[35]
Navarro, J. 1992. La novela realista mexicana. Universidad Autónoma de Tlaxcala.
[36]
Nicolas Guillen 1952. Ballad of My Two Grandfathers. Caribbean Quarterly. 2, 4 (1952), 16–17.
[37]
Núñez Cabeza de Vaca, A. et al. 2003. The narrative of Cabeza de Vaca. University of Nebraska Press.
[38]
O’Connell, J. 1995. Próspero’s daughter: the prose of Rosario Castellanos. University of Texas Press.
[39]
Pérez Salas, Ma.E. and Universidad Nacional Autónoma de México 2005. Costumbrismo y litografía en México: un nuevo modo de ver. UNAM, Instituto de Investigaciones Estéticas.
[40]
Peters, C. 2012. Cuban identity and the Angolan experience. Palgrave Macmillan.
[41]
Reiss, T.J. 2002. Sisyphus and Eldorado: magical and other realisms in Caribbean literature. African World Press.
[42]
Restall, M. 2005. Beyond black and red: African-native relations in colonial Latin America. University of New Mexico Press.
[43]
Ribeyro, J.R. 1994. Cuentos completos. Santillana.
[44]
Santos-Febres, M. 2009. Fe en disfraz. Alfaguara.
[45]
Smart, I. 1990. Nicolás Guillén: popular poet of the Caribbean. University of Missouri Press.
[46]
Stavenhagen, R. 2001. The Return of the Native: the indigenous challenge in Latin America. ISA Occasional Papers. 27, (2001).
[47]
Swanson, P. 2005. Latin American fiction: a short introduction. Blackwell Pub.
[48]
Uslar Pietri, A. and Miliani, D. 1993. Las lanzas coloradas. Cátedra.
[49]
Wade, P. 1995. The Cultural Politics of Blackness in Colombia. American Ethnologist. 22, 2 (1995), 341–357.
[50]
Webb, B.J. 1992. Myth and history in Caribbean fiction: Alejo Carpentier, Wilson  Harris, and Edouard Glissant. University of Massachusetts Press.
[51]
White, C.A. 1993. Decoding the word: Nicolás Guillén as maker and debunker of myth. Ediciones Universal.
[52]
Williams, L.V. 1982. Self and society in the poetry of Nicolás Guillén. Johns Hopkins University Press.
[53]
Williams, R.L. 1998. The modern Latin American novel. Twayne Publishers.
[54]
Williams, R.L. 1998. The modern Latin American novel. Twayne Publishers.
[55]
Cincinnati Romance Review.
[56]
1986. Testimonio y literatura. Institute for the Study of Ideologies and Literature.