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Bordwell, D., Staiger, J. and Thompson, K. (1988) The classical Hollywood cinema: film style & mode of production to 1960 [electronic resource]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Britton, A. (1988) ‘The Philosophy of the pigeonhole: Wisconsin formalism and “The Classical Style”’, CineAction!, (15), pp. 47–63. Available at: https://contentstore.cla.co.uk/secure/link?id=179732f0-8543-e611-80bd-0cc47a6bddeb.
Britton, A. (no date) ‘Blissing Out: The Politics of Reaganite Entertainment’, Movie, pp. 1–42. Available at: https://contentstore.cla.co.uk/secure/link?id=163438e9-8543-e611-80bd-0cc47a6bddeb.
Cameron, I. (1992) ‘Film Noir: An Introduction’, in The Movie Book of Film Noir, pp. 8–38. Available at: https://contentstore.cla.co.uk/secure/link?id=48891e0f-df43-e611-80bd-0cc47a6bddeb.
Capra, F. et al. (2007) ‘Frank Capra’s It’s a wonderful life’. [U.K.]: Universal Pictures (UK).
Carney, Raymond (1996) American vision: the films of Frank Capra. Wesleyan University Press pbk. ed. Hanover: Wesleyan University Press.
Carney, R (1996) ‘Speaking the language of the heart: Mr Smith goes to Washington’, in American vision: the films of Frank Capra, pp. 299–344. Available at: https://contentstore.cla.co.uk/secure/link?id=2601bc86-1f50-e611-80c6-005056af4099.
Charles Barr (1963) ‘CinemaScope: Before and After’, Film Quarterly, 16(4), pp. 4–24. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3185949?seq=1#page_scan_tab_contents.
Collins, J. (1993) ‘Genericity in the 90s: Eclectic Irony and the New Sincerity’, in Film theory goes to the movies. London: Routledge, pp. 242–264. Available at: https://contentstore.cla.co.uk/secure/link?id=0cd720c8-8943-e611-80bd-0cc47a6bddeb.
Constable, C. (2005) Thinking in images: film theory, feminist philosophy and Marlene Dietrich. London: BFI.
Cowie, E. (1998) ‘Chapter 12: Storytelling: Classical Hollywood cinema and classical narrative’, in Contemporary Hollywood cinema. London: Routledge, pp. 178–190. Available at: https://contentstore.cla.co.uk/secure/link?id=e8babdc2-8a43-e611-80bd-0cc47a6bddeb.
Cripps, T. (1993) ‘The Politics of Art’, in Slow Fade to Black: The Negro in American Film, 1900-1942, pp. 349–389. Available at: https://contentstore.cla.co.uk/secure/link?id=b2f76b45-8b43-e611-80bd-0cc47a6bddeb.
Doane, M. (1988) ‘Clinical Eyes: The Medical Discourse’, in The Desire to Desire: The Woman’s Film of the 1940s, pp. 38–69. Available at: https://contentstore.cla.co.uk/secure/link?id=c6138768-8d43-e611-80bd-0cc47a6bddeb.
Durgnat, R. (1988) ‘Back to the Land’, in King Vidor, American, pp. 138–171. Available at: https://contentstore.cla.co.uk/secure/link?id=54a66465-8e43-e611-80bd-0cc47a6bddeb.
Dyer, R. (1977) ‘Entertainment and Utopia’, Movie, (24), pp. 2–13. Available at: https://contentstore.cla.co.uk/secure/link?id=ae75feaf-8e43-e611-80bd-0cc47a6bddeb.
Elsaesser, T., Horwath, A. and King, N. (2004) The last great American picture show: new Hollywood cinema in the 1970s [electronic resource]. Amsterdam: Amsterdam University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=95894&entityid=https://idp.warwick.ac.uk/idp/shibboleth.
Gledhill, C. and British Film Institute (1987) ‘Tales of Sound and Fury: Observations on the Family Melodrama’, in Home is where the heart is: studies in melodrama and the woman’s film. London: British Film Institute. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi102/elsaesser_t_1987.pdf.
Grant, B.K. (2003) Film genre reader III. Austin, Tex: University of Texas Press.
Hill, J. (1998) ‘Post-classical Hollywood’, in The Oxford guide to film studies, pp. 289–309. Available at: https://contentstore.cla.co.uk/secure/link?id=1436688a-a743-e611-80bd-0cc47a6bddeb.
Hitchcock, A. (1980) ‘Marnie’. [U.K.]: [s.n.].
Hutcheon, L. (no date) Irony, Nostalgia, and the Postmodern. Available at: http://www.library.utoronto.ca/utel/criticism/hutchinp.html.
Jacobs, L. (1991) ‘Glamour and Gold Diggers’, in The wages of sin: censorship and the fallen woman film, 1928-1942, pp. 52–84. Available at: https://contentstore.cla.co.uk/secure/link?id=0a2831f2-a143-e611-80bd-0cc47a6bddeb.
John A. Noakes (1998) ‘Bankers and Common Men in Bedford Falls: How the FBI Determined That “It’s a Wonderful Life” Was a Subversive Movie’, Film History, 10(3), pp. 311–319. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3815225?seq=1#page_scan_tab_contents.
Kapsis, R.E. (1988) ‘The Historical reception of Hitchcock’s marnie’, Journal of Film and Video, 40(3), pp. 46–63. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20687831?seq=1#page_scan_tab_contents.
Kelly, R. (2004) ‘1999-2001’, in Sean Penn His Life and Times, pp. 365–397. Available at: https://contentstore.cla.co.uk/secure/link?id=2e2b2d50-a543-e611-80bd-0cc47a6bddeb.
King, G. (2001) ‘New Hollywood, Version I: The Hollywood Renaissance’, in New Hollywood Cinema: An Introduction, pp. 11–48. Available at: https://contentstore.cla.co.uk/secure/link?id=cf60cd3b-a643-e611-80bd-0cc47a6bddeb.
King, G. (2005) ‘Introduction: How Independent?’, in American independent cinema, pp. 1–10. Available at: https://contentstore.cla.co.uk/secure/link?id=d060cd3b-a643-e611-80bd-0cc47a6bddeb.
King, G. (2009) ‘Indiewood in contexts’, in Indiewood, USA: where Hollywood meets independent cinema. London: I.B. Tauris, pp. 1–45. Available at: https://contentstore.cla.co.uk/secure/link?id=26322146-a643-e611-80bd-0cc47a6bddeb.
Kitses, J. and Rickman, G. (1998) The Western reader. New York: Limelight Editions.
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Langford, B. (2010a) Post-classical Hollywood: film industry, style and ideology since 1945. Edinburgh: Edinburgh University Press.
Langford, B. (2010b) Post-classical Hollywood: film industry, style and ideology since 1945 [electronic resource]. Edinburgh: Edinburgh University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780748643219.
Leitch, T.M. and Poague, L.A. (2011a) A companion to Alfred Hitchcock. Chichester, West Sussex, UK: Wiley-Blackwell.
Leitch, T.M. and Poague, L.A. (2011b) A companion to Alfred Hitchcock. Chichester, West Sussex, UK: Wiley-Blackwell. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781444397321.
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Modelski, T. (2005) ‘Introduction: Hitchcock, Feminism, and the Patriarchal Unconscious’, in The women who knew too much: Hitchcock and feminist theory, pp. 1–15. Available at: https://contentstore.cla.co.uk/secure/link?id=23abdb8d-b443-e611-80bd-0cc47a6bddeb.
Modleski, T. (2013) ‘Historical Omission and Psychic Repression in Paul Thomas Anderson’s Boogie Nights’, World Picture Journal, 8. Available at: http://www.worldpicturejournal.com/WP_8/PDFs/Modleski.pdf.
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Noël Carroll (1982) ‘The Future of Allusion: Hollywood in the Seventies (And beyond)’, October, 20, pp. 51–81. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/778606?seq=1#page_scan_tab_contents.
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Redmond, S. and Jermyn, D. (2003) The cinema of Kathryn Bigelow: Hollywood transgressor. London: Wallflower Press.
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Schatz, T. (1998) ‘Introduction: “The Whole Equation of Pictures”’, in The Genius of the System: Hollywood Film Making in the Studio Era, pp. 2–12. Available at: https://contentstore.cla.co.uk/secure/link?id=7a4fca0a-2150-e611-80c6-005056af4099.
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Thomas, D. (2000) ‘Structures, Moods and Worlds’, in Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films, pp. 9–25. Available at: https://contentstore.cla.co.uk/secure/link?id=8bf59a00-d943-e611-80bd-0cc47a6bddeb.
Thompson, K. and Bordwell, D. (2010) ‘American cinema in the post-war era, 1946-1967’, in Film history: an introduction. 3rd ed. Boston: McGraw-Hill Higher Education. Available at: https://contentstore.cla.co.uk/secure/link?id=0ca24fa0-d943-e611-80bd-0cc47a6bddeb.
Toles, G.E. (2001) A house made of light: essays on the art of film. Detroit: Wayne State University Press.
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Valck, M. de and Hagener, M. (2005) Cinephilia: movies, love and memory. Amsterdam: Amsterdam University Press. Available at: http://dare.uva.nl/cgi/arno/show.cgi?fid=133255.
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Warshow, R. (2001a) ‘Movie Chronicle: The Westerner’, in The Immediate Experience: Movies, comics, theatre and other aspects of popular culture, pp. 105–124. Available at: https://contentstore.cla.co.uk/secure/link?id=ba99f3a4-e043-e611-80bd-0cc47a6bddeb.
Warshow, R. (2001b) ‘The Gangster as tragic hero’, in The immediate experience: movies, comics, theatre & other aspects of popular culture, pp. 97–107. Available at: https://contentstore.cla.co.uk/secure/link?id=e73b3779-2150-e611-80c6-005056af4099.
Wilson, G.M. (2005) ‘Chapter 3: Narrative and visual pleasures in The Scarlet Empress (Josef von Sternerg, 1934)’, in Style and meaning: studies in the detailed analysis of film. Manchester: Manchester University Press, pp. 53–67. Available at: https://contentstore.cla.co.uk/secure/link?id=56c46f9a-2150-e611-80c6-005056af4099.
Wood, R. (1976) ‘The Shadow Worlds of Jacques Tourneur’, in Personal views: explorations in film, pp. 209–223. Available at: https://contentstore.cla.co.uk/secure/link?id=7ce26ffb-e643-e611-80bd-0cc47a6bddeb.
Wood, R. (2002) ‘Ideology, genre, auteur’, in Hitchcock’s films revisited. Rev. ed. New York: Columbia University Press, pp. 288–302. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi102.
Wood, R. (2003) Hollywood from Vietnam to Reagan-- and beyond. Expanded and rev. ed. New York: Columbia University Press.
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Wood, R. (2012) Hollywood from Vietnam to Reagan ... and Beyond: a Revised and Expanded Edition of the Classic Text [electronic resource]. New York: Columbia University Press. Available at: http://WARW.eblib.com/patron/FullRecord.aspx?p=952891.
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Wyler, W. et al. (2004) ‘The best years of our lives’. Santa Monica, CA: MGM Home Entertainment.
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