@misc{Altman_Auberjonois_Beatty_Christie_McKay_Brower_Foster_Naughton_2009, address={U.K.}, title={McCabe & Mrs. Miller}, publisher={Warner Home Video}, author={Altman, Robert and Auberjonois, René and Beatty, Warren and Christie, Julie and McKay, Brian and Brower, Mitchell and Foster, David and Naughton, Edmund}, year={2009} }
@misc{Anderson_Gordon_Levin_Lyons_Sellar_Penn_Wahlberg_Moore_Reynolds_2010, address={[s.l.]}, title={Boogie nights}, publisher={Warner Home Video}, author={Anderson, Paul Thomas and Gordon, Lawrence and Levin, Lloyd and Lyons, John and Sellar, Joanne and Penn, Michael and Wahlberg, Mark and Moore, Julianne and Reynolds, Burt}, year={2010} }
@inbook{Bazin_Cardullo_1997, address={New York}, title={Chapter 1: William Wyler, or the Jansenist of Directing}, url={http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi102}, booktitle={Bazin at work: major essays & reviews from the forties & fifties}, publisher={Routledge}, author={Bazin, André and Cardullo, Bert}, year={1997}, pages={1–22} }
@misc{Bigelow_Boal_Ellison_Chastain_Edgerton_Pratt_Columbia Pictures_First Light Films_Annapurna Productions_Sony Pictures Home Entertainment (Firm)_2013, address={Culver City, Calif}, title={Zero dark thirty}, publisher={Sony Pictures Home Entertainment}, author={Bigelow, Kathryn and Boal, Mark and Ellison, Megan and Chastain, Jessica and Edgerton, Joel and Pratt, Chris and Columbia Pictures and First Light Films and Annapurna Productions and Sony Pictures Home Entertainment (Firm)}, year={2013} }
@article{Bordwell_2002, title={Intensified Continuity Visual Style in Contemporary American Film}, volume={55}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2002.55.3.16}, number={3}, journal={Film Quarterly}, publisher={University of California Press}, author={Bordwell, David}, year={2002}, pages={16–28} }
@book{Bordwell_Staiger_Thompson_1988, address={London}, title={The classical Hollywood cinema: film style & mode of production to 1960}, url={http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.warwick.ac.uk/idp/shibboleth}, publisher={Routledge}, author={Bordwell, David and Staiger, Janet and Thompson, Kristin}, year={1988} }
@article{Britton_1988, address={Toronto}, title={The Philosophy of the pigeonhole: Wisconsin formalism and ‘The Classical Style’}, url={https://contentstore.cla.co.uk/secure/link?id=179732f0-8543-e611-80bd-0cc47a6bddeb}, number={15}, journal={CineAction!}, publisher={CineAction! Collective}, author={Britton, Andrew}, year={1988}, pages={47–63} }
@article{Britton, address={London}, title={Blissing Out: The Politics of Reaganite Entertainment}, url={https://contentstore.cla.co.uk/secure/link?id=163438e9-8543-e611-80bd-0cc47a6bddeb}, journal={Movie}, publisher={Movie}, author={Britton, Andrew}, pages={1–42} }
@inbook{Cameron_1992, title={Film Noir: An Introduction}, url={https://contentstore.cla.co.uk/secure/link?id=48891e0f-df43-e611-80bd-0cc47a6bddeb}, booktitle={The Movie Book of Film Noir}, author={Cameron, I}, year={1992}, pages={8–38} }
@misc{Capra_Goodrich_Hackett_Stern_Stewart_Reed_Barrymore_Mitchell_Bondi_Travers_et al._2007, address={[U.K.]}, edition={Collector’s ed}, title={Frank Capra’s It’s a wonderful life}, publisher={Universal Pictures (UK)}, author={Capra, Frank and Goodrich, Frances and Hackett, Albert and Stern, Philip Van Doren and Stewart, James and Reed, Donna and Barrymore, Lionel and Mitchell, Thomas and Bondi, Beulah and Travers, Henry and Liberty Films}, year={2007} }
@inbook{Carney_1996a, title={Speaking the language of the heart: Mr Smith goes to Washington}, url={https://contentstore.cla.co.uk/secure/link?id=2601bc86-1f50-e611-80c6-005056af4099}, booktitle={American vision: the films of Frank Capra}, author={Carney, R}, year={1996}, pages={299–344} }
@book{Carney_1996b, address={Hanover}, edition={Wesleyan University Press pbk. ed}, title={American vision: the films of Frank Capra}, publisher={Wesleyan University Press}, author={Carney, Raymond}, year={1996} }
@article{Charles Barr_1963, title={CinemaScope: Before and After}, volume={16}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3185949?seq=1#page_scan_tab_contents}, number={4}, journal={Film Quarterly}, author={Charles Barr}, year={1963}, pages={4–24} }
@inbook{Collins_1993, address={London}, title={Genericity in the 90s: Eclectic Irony and the New Sincerity}, volume={AFI film readers}, url={https://contentstore.cla.co.uk/secure/link?id=0cd720c8-8943-e611-80bd-0cc47a6bddeb}, booktitle={Film theory goes to the movies}, publisher={Routledge}, author={Collins, Jim}, year={1993}, pages={242–264} }
@book{Constable_2005, address={London}, title={Thinking in images: film theory, feminist philosophy and Marlene Dietrich}, publisher={BFI}, author={Constable, Catherine}, year={2005} }
@inbook{Cowie_1998, address={London}, title={Chapter 12: Storytelling: Classical Hollywood cinema and classical narrative}, url={https://contentstore.cla.co.uk/secure/link?id=e8babdc2-8a43-e611-80bd-0cc47a6bddeb}, booktitle={Contemporary Hollywood cinema}, publisher={Routledge}, author={Cowie, E.}, year={1998}, pages={178–190} }
@inbook{Cripps_1993, title={The Politics of Art}, url={https://contentstore.cla.co.uk/secure/link?id=b2f76b45-8b43-e611-80bd-0cc47a6bddeb}, booktitle={Slow Fade to Black: The Negro in American Film, 1900-1942}, author={Cripps, T}, year={1993}, pages={349–389} }
@inbook{Doane_1988, title={Clinical Eyes: The Medical Discourse}, url={https://contentstore.cla.co.uk/secure/link?id=c6138768-8d43-e611-80bd-0cc47a6bddeb}, booktitle={The Desire to Desire: The Woman’s Film of the 1940s}, author={Doane, M}, year={1988}, pages={38–69} }
@inbook{Durgnat_1988, title={Back to the Land}, url={https://contentstore.cla.co.uk/secure/link?id=54a66465-8e43-e611-80bd-0cc47a6bddeb}, booktitle={King Vidor, American}, author={Durgnat, R}, year={1988}, pages={138–171} }
@article{Dyer_1977, address={London}, title={Entertainment and Utopia}, url={https://contentstore.cla.co.uk/secure/link?id=ae75feaf-8e43-e611-80bd-0cc47a6bddeb}, number={24}, journal={Movie}, publisher={Movie}, author={Dyer, Richard}, year={1977}, pages={2–13} }
@book{Elsaesser_Horwath_King_2004, address={Amsterdam}, title={The last great American picture show: new Hollywood cinema in the 1970s}, volume={Film culture in transition}, url={http://lib.myilibrary.com/browse/open.asp?id=95894&entityid=https://idp.warwick.ac.uk/idp/shibboleth}, publisher={Amsterdam University Press}, author={Elsaesser, Thomas and Horwath, Alexander and King, Noel}, year={2004} }
@inbook{Gledhill_British Film Institute_1987, address={London}, title={Tales of Sound and Fury: Observations on the Family Melodrama}, url={http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi102/elsaesser_t_1987.pdf}, booktitle={Home is where the heart is: studies in melodrama and the woman’s film}, publisher={British Film Institute}, author={Gledhill, Christine and British Film Institute}, year={1987} }
@book{Grant_2003, address={Austin, Tex}, title={Film genre reader III}, publisher={University of Texas Press}, author={Grant, Barry Keith}, year={2003} }
@inbook{Hill_1998, title={Post-classical Hollywood}, url={https://contentstore.cla.co.uk/secure/link?id=1436688a-a743-e611-80bd-0cc47a6bddeb}, booktitle={The Oxford guide to film studies}, author={Hill, J}, year={1998}, pages={289–309} }
@misc{Hitchcock_1980, address={[U.K.]}, title={Marnie}, publisher={[s.n.]}, author={Hitchcock, Alfred}, year={1980} }
@misc{Hutcheon, title={Irony, Nostalgia, and the Postmodern}, url={http://www.library.utoronto.ca/utel/criticism/hutchinp.html}, author={Hutcheon, Linda} }
@inbook{Jacobs_1991, title={Glamour and Gold Diggers}, url={https://contentstore.cla.co.uk/secure/link?id=0a2831f2-a143-e611-80bd-0cc47a6bddeb}, booktitle={The wages of sin: censorship and the fallen woman film, 1928-1942}, author={Jacobs, L}, year={1991}, pages={52–84} }
@article{John A. Noakes_1998, title={Bankers and Common Men in Bedford Falls: How the FBI Determined That ‘It’s a Wonderful Life’ Was a Subversive Movie}, volume={10}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3815225?seq=1#page_scan_tab_contents}, number={3}, journal={Film History}, author={John A. Noakes}, year={1998}, pages={311–319} }
@article{Kapsis_1988, title={The Historical reception of Hitchcock’s marnie}, volume={40}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20687831?seq=1#page_scan_tab_contents}, number={3}, journal={Journal of Film and Video}, author={Kapsis, Robert E}, year={1988}, pages={46–63} }
@inbook{Kelly_2004, title={1999-2001}, url={https://contentstore.cla.co.uk/secure/link?id=2e2b2d50-a543-e611-80bd-0cc47a6bddeb}, booktitle={Sean Penn His Life and Times}, author={Kelly, R}, year={2004}, pages={365–397} }
@inbook{King_2001, title={New Hollywood, Version I: The Hollywood Renaissance}, url={https://contentstore.cla.co.uk/secure/link?id=cf60cd3b-a643-e611-80bd-0cc47a6bddeb}, booktitle={New Hollywood Cinema: An Introduction}, author={King, G}, year={2001}, pages={11–48} }
@inbook{King_2005, title={Introduction: How Independent?}, url={https://contentstore.cla.co.uk/secure/link?id=d060cd3b-a643-e611-80bd-0cc47a6bddeb}, booktitle={American independent cinema}, author={King, G}, year={2005}, pages={1–10} }
@inbook{King_2009, address={London}, title={Indiewood in contexts}, volume={International library of cultural studies}, url={https://contentstore.cla.co.uk/secure/link?id=26322146-a643-e611-80bd-0cc47a6bddeb}, booktitle={Indiewood, USA: where Hollywood meets independent cinema}, publisher={I.B. Tauris}, author={King, Geoff}, year={2009}, pages={1–45} }
@book{Kitses_Rickman_1998, address={New York}, title={The Western reader}, publisher={Limelight Editions}, author={Kitses, Jim and Rickman, Gregg}, year={1998} }
@book{Kozloff_2011, address={Houndmills, Basingstoke, Hampshire}, title={The best years of our lives}, volume={BFI film classics}, publisher={Palgrave Macmillan on behalf of the British Film Institute}, author={Kozloff, Sarah}, year={2011} }
@article{Langford_2003, title={Revisiting the "Revisionist” Western.}, volume={33}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=aft&AN=505042546&site=ehost-live}, number={2}, journal={Film & History}, author={Langford, Barry}, year={2003}, pages={26–35} }
@book{Langford_2010a, address={Edinburgh}, title={Post-classical Hollywood: film industry, style and ideology since 1945}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010} }
@book{Langford_2010b, address={Edinburgh}, title={Post-classical Hollywood: film industry, style and ideology since 1945}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780748643219}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010} }
@book{Leitch_Poague_2011a, address={Chichester, West Sussex, UK}, title={A companion to Alfred Hitchcock}, volume={Wiley-Blackwell companions to film directors}, publisher={Wiley-Blackwell}, author={Leitch, Thomas M. and Poague, Leland A.}, year={2011} }
@book{Leitch_Poague_2011b, address={Chichester, West Sussex, UK}, title={A companion to Alfred Hitchcock}, volume={Wiley-Blackwell companions to film directors}, url={http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781444397321}, publisher={Wiley-Blackwell}, author={Leitch, Thomas M. and Poague, Leland A.}, year={2011} }
@book{Maltby_2003, address={Oxford}, edition={2nd ed}, title={Hollywood cinema}, publisher={Blackwell}, author={Maltby, Richard}, year={2003} }
@book{McElhaney_2006, address={Albany}, title={The death of classical cinema: Hitchcock, Lang, Minnelli}, volume={The SUNY series, horizons of cinema}, publisher={State University of New York Press}, author={McElhaney, Joe}, year={2006} }
@book{McElhaney_2009, address={Detroit}, title={Vincente Minnelli: the art of entertainment}, volume={Contemporary approaches to film and television series}, publisher={Wayne State University Press}, author={McElhaney, Joe}, year={2009} }
@misc{Minnelli_Jones_1997, address={[London]}, title={Some came running}, publisher={BBC}, author={Minnelli, Vincente and Jones, James}, year={1997} }
@inbook{Modelski_2005, title={Introduction: Hitchcock, Feminism, and the Patriarchal Unconscious}, url={https://contentstore.cla.co.uk/secure/link?id=23abdb8d-b443-e611-80bd-0cc47a6bddeb}, booktitle={The women who knew too much: Hitchcock and feminist theory}, author={Modelski, T}, year={2005}, pages={1–15} }
@article{Modleski_2013, title={Historical Omission and Psychic Repression in Paul Thomas Anderson’s Boogie Nights}, volume={8}, url={http://www.worldpicturejournal.com/WP_8/PDFs/Modleski.pdf}, journal={World Picture Journal}, author={Modleski, Tania}, year={2013} }
@book{Neale_British Film Institute_2002, address={London}, title={Genre and contemporary Hollywood}, publisher={British Film Institute}, author={Neale, Stephen and British Film Institute}, year={2002} }
@article{Noël Carroll_1982, title={The Future of Allusion: Hollywood in the Seventies (And beyond)}, volume={20}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/778606?seq=1#page_scan_tab_contents}, journal={October}, author={Noël Carroll}, year={1982}, pages={51–81} }
@article{Nowell-Smith_1977, title={Dossier on Melodrama: Minnelli and Melodrama}, volume={18}, url={https://0-journalarchives-jisc-ac-uk.pugwash.lib.warwick.ac.uk/oupjournalsscreenscreen_18_2pdf18-2-113pdf}, number={2}, journal={Screen}, author={Nowell-Smith, Geoffrey}, year={1977}, pages={113–118} }
@article{Pisters_2010, title={Logistics of Perception 2.0: Multiple Screen Aesthetics in Iraq War Films}, volume={14}, url={http://www.film-philosophy.com/index.php/f-p/article/view/221}, number={1}, journal={Film-Philosophy}, author={Pisters, Patricia}, year={2010}, pages={232–252} }
@article{Pye_1989, address={London}, title={Bordwell and Hollywood}, volume={33}, journal={Movie}, author={Pye, Douglas}, year={1989}, pages={46–52} }
@inbook{Pye_Leigh_Smith_2007, address={London}, title={Tone and Interpretation: Some Came Running}, url={https://contentstore.cla.co.uk/secure/link?id=d94e223e-c343-e611-80bd-0cc47a6bddeb}, booktitle={Close-up 02}, publisher={Wallflower}, author={Pye, Douglas and Leigh, Jacob and Smith, Susan}, year={2007} }
@book{Redmond_Jermyn_2003, address={London}, title={The cinema of Kathryn Bigelow: Hollywood transgressor}, volume={Directors’ cuts}, publisher={Wallflower Press}, author={Redmond, Sean and Jermyn, Deborah}, year={2003} }
@misc{Rombes, title={Zero Dark Thirty and the New History}, url={http://filmmakermagazine.com/64175-zero-dark-thirty-and-the-new-history/}, author={Rombes, Nicholas} }
@book{Rothman_2012, address={Albany}, edition={2nd ed}, title={Hitchcock: the murderous gaze}, volume={SUNY series, horizons of cinema}, publisher={State University of New York Press}, author={Rothman, William}, year={2012} }
@inbook{Schatz_1998, title={Introduction: ‘The Whole Equation of Pictures’}, url={https://contentstore.cla.co.uk/secure/link?id=7a4fca0a-2150-e611-80c6-005056af4099}, booktitle={The Genius of the System: Hollywood Film Making in the Studio Era}, author={Schatz, T}, year={1998}, pages={2–12} }
@article{Sconce_2002, title={Irony, nihilism and the new American ‘smart’ film}, volume={43}, url={http://0-screen.oxfordjournals.org.pugwash.lib.warwick.ac.uk/content/43/4.toc}, DOI={10.1093/screen/43.4.349}, number={4}, journal={Screen}, author={Sconce, Jeffrey}, year={2002}, month={Dec}, pages={349–369} }
@book{Sperb_2013, address={Austin}, edition={First edition}, title={Blossoms & blood: postmodern media culture and the films of Paul Thomas Anderson}, publisher={University of Texas Press}, author={Sperb, Jason}, year={2013} }
@inbook{Stewart_1993, title={The Gigantic}, url={https://contentstore.cla.co.uk/secure/link?id=efa771a2-d543-e611-80bd-0cc47a6bddeb}, booktitle={On longing: narratives of the miniature, the gigantic, the souvenir, the collection}, author={Stewart, S}, year={1993}, pages={70–103} }
@inbook{Thomas_2000, title={Structures, Moods and Worlds}, url={https://contentstore.cla.co.uk/secure/link?id=8bf59a00-d943-e611-80bd-0cc47a6bddeb}, booktitle={Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films}, author={Thomas, D}, year={2000}, pages={9–25} }
@inbook{Thompson_Bordwell_2010, address={Boston}, edition={3rd ed}, title={American cinema in the post-war era, 1946-1967}, url={https://contentstore.cla.co.uk/secure/link?id=0ca24fa0-d943-e611-80bd-0cc47a6bddeb}, booktitle={Film history: an introduction}, publisher={McGraw-Hill Higher Education}, author={Thompson, Kristin and Bordwell, David}, year={2010} }
@book{Toles_2001, address={Detroit}, title={A house made of light: essays on the art of film}, volume={Contemporary film and television series}, publisher={Wayne State University Press}, author={Toles, George E.}, year={2001} }
@inbook{Turner_2002, title={The New Hollywoo}, url={https://contentstore.cla.co.uk/secure/link?id=6914a99d-cc43-e611-80bd-0cc47a6bddeb}, booktitle={The Film cultures reader}, author={Turner, G}, year={2002}, pages={184–205} }
@book{Valck_Hagener_2005, address={Amsterdam}, title={Cinephilia: movies, love and memory}, volume={Film culture in transition}, url={http://dare.uva.nl/cgi/arno/show.cgi?fid=133255}, publisher={Amsterdam University Press}, author={Valck, Marijke de and Hagener, Malte}, year={2005} }
@misc{Von Sternberg_Dietrich_Catherine_2001, address={[Irvington, N.Y.]}, edition={RSDL dual-layer ed}, title={The scarlet empress}, volume={Criterion collection}, publisher={Criterion Collection}, author={Von Sternberg, Josef and Dietrich, Marlene and Catherine}, year={2001} }
@inbook{Warshow_2001a, title={Movie Chronicle: The Westerner}, url={https://contentstore.cla.co.uk/secure/link?id=ba99f3a4-e043-e611-80bd-0cc47a6bddeb}, booktitle={The Immediate Experience: Movies, comics, theatre and other aspects of popular culture}, author={Warshow, R}, year={2001}, pages={105–124} }
@inbook{Warshow_2001b, title={The Gangster as tragic hero}, url={https://contentstore.cla.co.uk/secure/link?id=e73b3779-2150-e611-80c6-005056af4099}, booktitle={The immediate experience: movies, comics, theatre & other aspects of popular culture}, author={Warshow, R}, year={2001}, pages={97–107} }
@inbook{Wilson_2005, address={Manchester}, title={Chapter 3: Narrative and visual pleasures in The Scarlet Empress (Josef von Sternerg, 1934)}, url={https://contentstore.cla.co.uk/secure/link?id=56c46f9a-2150-e611-80c6-005056af4099}, booktitle={Style and meaning: studies in the detailed analysis of film}, publisher={Manchester University Press}, author={Wilson, G.M.}, year={2005}, pages={53–67} }
@inbook{Wood_1976, title={The Shadow Worlds of Jacques Tourneur}, url={https://contentstore.cla.co.uk/secure/link?id=7ce26ffb-e643-e611-80bd-0cc47a6bddeb}, booktitle={Personal views: explorations in film}, author={Wood, R}, year={1976}, pages={209–223} }
@inbook{Wood_2002, address={New York}, edition={Rev. ed}, title={Ideology, genre, auteur}, url={http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi102}, booktitle={Hitchcock’s films revisited}, publisher={Columbia University Press}, author={Wood, Robin}, year={2002}, pages={288–302} }
@book{Wood_2003, address={New York}, edition={Expanded and rev. ed}, title={Hollywood from Vietnam to Reagan-- and beyond}, publisher={Columbia University Press}, author={Wood, Robin}, year={2003} }
@book{Wood_2006, address={Detroit}, edition={Rev. ed}, title={Personal views: explorations in film}, volume={Contemporary approaches to film and television series}, publisher={Wayne State University Press}, author={Wood, Robin}, year={2006} }
@book{Wood_2012, address={New York}, title={Hollywood from Vietnam to Reagan ... and Beyond: a Revised and Expanded Edition of the Classic Text}, url={http://WARW.eblib.com/patron/FullRecord.aspx?p=952891}, publisher={Columbia University Press}, author={Wood, Robin}, year={2012} }
@article{Wood, address={London}, title={Smart-Ass and Cutie Pie}, volume={21}, url={https://contentstore.cla.co.uk/secure/link?id=4544d7e9-e643-e611-80bd-0cc47a6bddeb}, journal={Movie}, publisher={Movie}, author={Wood, Robin}, pages={1–17} }
@misc{Wyler_Andrews_Loy_Mayo_March_Russell_2004, address={Santa Monica, CA}, title={The best years of our lives}, publisher={MGM Home Entertainment}, author={Wyler, William and Andrews, Dana and Loy, Myrna and Mayo, Virginia and March, Fredric and Russell, Harold}, year={2004} }
@misc{Zemeckis_Spielberg_1991, address={[UK]}, title={Back to the future}, publisher={[s.n.]}, author={Zemeckis, Robert and Spielberg, Steven}, year={1991} }
