1.
Bahr, E.: Was ist Aufklärung?: Thesen und Definitionen. Reclam, Stuttgart (1974).
2.
Lessing, G.E., Grosse, W.: Die Juden: ein Lustspiel in einem Aufzuge verfertiget im Jahr 1749. Reclam, Stuttgart (2002).
3.
Schiller, F.: Maria Stuart: Trauerspiel in fünf Aufzügen. Philipp Reclam jun, Stuttgart (1990).
4.
Schiller, Friedrich, Walzel, Oskar F.: Wilhelm Tell: Schauspiel. Philipp Reclam Jun, Stuttgart.
5.
Kleist, H. von, Reusner, E. von: Prinz Friedrich von Homburg: ein Schauspiel. Philipp Reclam, Stuttgart (1979).
6.
Tieck, Ludwig: Der blonde Eckbert: Der Runenberg ; Die Elfen. Philipp Reclam, Stuttgart (1952).
7.
Regener, Ursula: Joseph von Eichendorff, Das Marmorbild. P. Reclam, Stuttgart (2004).
8.
Hoffmann, E. T. A., Drux, Rudolf: Der Sandmann. Reclam, Stuttgart (1991).
9.
Kleist, Heinrich von, Kleist, Heinrich von: Die Marquise von O--: Das Erdbeben in Chili : Erzèahlungen. P. Reclam, Stuttgart (1993).
10.
Kleist, Heinrich von: Die Verlobung in St. Domingo: Das Bettelweib von Locarno ; Der Findling ;Erzèahlungen / Heinrich von Kleist. Anm. von Christine Ruhrberg. Reclam, Stuttgart (1996).
11.
Bèuchner, Georg, Greiner, Martin: Lenz: der Hessische Landbote. Reclam, Stuttgart (1957).
12.
Funk, G.: Georg Bèuchner, Dantons Tod. Reclam, Stuttgart (2002).
13.
Marx, K., Engels, F.: The Communist manifesto. Penguin, Harmondsworth (1985).
14.
Heine, H., Windfuhr, M.: Die Harzreise. Reclam, Stuttgart (2003).
15.
Blackbourn, D., Blackbourn, D.: History of Germany, 1780-1918: the long nineteenth century. Blackwell Pub, Malden, Mass., Oxford (2003).
16.
Fulbrook, Mary: German history since 1800. Arnold, London (1997).
17.
Sagarra, E.: A social history of Germany, 1648-1914. Methuen, London (1977).
18.
Sagarra, E.: An introduction to nineteenth century Germany. Longman, Harlow (1980).
19.
Beutin, W.: A History of German literature: from the beginnings to the present  day. Routledge, London (1993).
20.
Sagarra, E., Skrine, P.N.: A companion to German literature: from 1500 to the present. Blackwell Publishers, Oxford, UK (1999).
21.
Brunschwig, Henri, Jellinek, Frank: Enlightenment and romanticism in eighteenth-century Prussia. University of Chicago Press, Chicago (1974).
22.
Hampson, N.: The Enlightenment. Penguin, Harmondsworth (1968).
23.
Hobsbawm, E. J., Ranger, T. O.: The Invention of tradition. Cambridge University Press, Cambridge (1983).
24.
Outram, Dorinda: The Enlightenment. Cambridge University Press, Cambridge (2005).
25.
Honour, Hugh: Neo-classicism. Penguin, Harmondsworth (1991).
26.
Honour, Hugh: Romanticism. Penguin, Harmondsworth (1981).
27.
Prawer, Siegbert Salomon, University of London: The Romantic period in Germany: essays by members of the London  University Institute of Germanic Studies. Weidenfeld & Nicolson, London (1970).
28.
Berlin, Isaiah, Hardy, Henry: The roots of romanticism: the A.W. Mellon Lectures in the fine arts, 1965, the National Gallery of Art, Washington, DC. Pimlico, London (2000).
29.
Vaughan, William: German romantic painting. Yale University Press, New Haven (1980).
30.
Reiss, Hans: The political thought of the German Romantics, 1793-1815. Blackwell, Oxford (1955).
31.
Robertson, R.: ‘Dies hohe Lied der Duldung’? The Ambiguities of Toleration in Lessing’s ‘Die Juden and Nathan der Weise’. The Modern Language Review. 93, (1998). https://doi.org/10.2307/3733627.
32.
Reed, T. J.: Schiller. Oxford University Press, Oxford (1991).
33.
Sharpe, Lesley: Friedrich Schiller: Drama, Thought and Politics. Cambridge University Press, Cambridge (1991).
34.
Frisch, Max: Wilhelm Tell fèur die Schule. Suhrkamp, Frankfurt am Main (1971).
35.
Allan, Seâan: The Plays of Heinrich von Kleist: Ideals and Illusions. Cambridge University Press, Cambridge (1996).
36.
Brown, H. M.: Heinrich von Kleist: the ambiguity of art and the necessity of form. Clarendon Press, Oxford (1998).
37.
Sammons, Jeffrey L.: Heinrich Heine: a modern biography. Carcanet New Press, Manchester (1979).
38.
Allen, R.: Reading Kleist and Hoffmann. In: Romantic writings. pp. 251–267. Routledge in association with the Open University, London (1996).
39.
Allan, S.: Prinz Friedrich von Homburg. In: The plays of Heinrich von Kleist: ideals and illusions. pp. 223–259. Cambridge University Press, Cambridge (1996).
40.
Benn, M.B.: Political Revolt. In: The drama of revolt: a critical study of Georg Büchner. pp. 4–40. Cambridge University Press, Cambridge (1976).
41.
Brown, H.M.: Die Verlobung in St Domingo/ The Erzahlungen. In: Heinrich von Kleist: the ambiguity of art and the necessity of form. pp. 179–194. Clarendon, Oxford (1998).
42.
Bunyan, A.: Heine, Die Harzreise. In: Landmarks in German short prose. pp. 61–78. P. Lang, Oxford (2003).
43.
Dyer, D.: Das Erdbeben in Chili. In: The stories of Kleist: a critical study. pp. 13–30. Duckworth, London (1977).
44.
Ellis, J.M.: Kleist’s Das Erdbeben in Chile. Publications of the English Goethe Society. 33, 10–55 (1963).
45.
Ellis, J.M.: Tieck: Der blonde Eckbert. In: Narration in the German novelle: theory and interpretation. pp. 77–93. Cambridge University Press, London (1974).
46.
Falkenberg, M.: Ludwig Tieck’s ‘Der blonde Eckbert’ - The Uncanniness of Indifferent Fate. In: Rethinking the uncanny in Hoffman and Tieck. pp. 135–160. P. Lang, Oxford (2005).
47.
Finkelde, D.: Normativität und Transgression: Kleists Prinz Friedrich von Homburg und die obszöne Unterseite des Gesetzes. German Studies Review. 32, 569–589 (2009).
48.
Garland, H.: Wilhelm Tell. In: Schiller, the dramatic writer: a study of style in the plays. pp. 261–286. Clarendon, Oxford (1969).
49.
Graham, I.: Heiliger Dankgesang eines Genesenen an die Gottheit’: a reading of Wilhelm Tell. In: Schiller’s drama; talent and integrity. pp. 195–215. Barnes & Noble Books, New York (1974).
50.
Guthrie, J.: The True Dialectic of Dantons Tod: A Reply. New German studies. 10, 151–174 (1982).
51.
Holmes, T.M.: The Ideology of the Moderates in Buchner’s ‘Dantons Tod’. German Life and Letters. 27, 93–100 (1974).
52.
Homan, R.L.: Liberty and the Libertine in Danton’s Death. Themes in drama. 7, 129–136 (1985).
53.
Horton, D.: ‘Verwirrung’ In Deb Blonde Eckbert. German Life and Letters. 37, 322–335 (1984).
54.
Horton, D.: Modes of Consciousness Representation in Büchner’s Lenz. German Life and Letters. 43, 34–48 (1989).
55.
Jones, M.V.: Der Sandmann’ and ‘the uncanny’: a sketch for an alternative approach. Paragraph : the journal of the Modern Critical Theory Group. 7, 77–101 (1986).
56.
Kaiser, D.A.: Schiller’s aesthetic state. In: Romanticism, aesthetics, and nationalism. pp. 39–58. Cambridge University Press, Cambridge (1999).
57.
Kerry, S.S.: Uber Die Asthetische Erziehung Des Menschen’. In: Schiller’s writings on aesthetics. pp. 110–169. University Press, Manchester, Eng (1961).
58.
Knight, A.H.J.: Büchner’s Works. In: Georg Büchner. pp. 68–165. Methuen, London (1974).
59.
Lamport, F.J.: The Silence of Wilhelm Tell. The Modern Language Review. 76, 857–868 (1981).
60.
Maass, J.: The Prince of Homburg. In: Kleist: a biography. pp. 192–199. Secker & Warburg, London (1983).
61.
Maguire, J.M.: Perspectives on revolution: Marx’s position on the eve of 1848. In: Marx’s theory of politics. pp. 28–47. Cambridge University Press, Cambridge [Eng.] (1978).
62.
Martinson, S.: The Tasks of Culture: Beauty and the Aesthetic Education of the Human Being. In: Harmonious tensions: the writings of Friedrich Schiller. pp. 144–192. University of Delaware Press, Newark, N.J. (1996).
63.
Mason, E.E.: In My Beginning Is My End. German Life and Letters. 31, 135–144 (1977).
64.
McColgan, M.: The True Dialectic of Dantons Tod. New German Studies. 6, 151–174 (1978).
65.
McGlathery, J.M.: Magic and Desire in Eichendorff’s Das Marmorbild. German Life and Letters. 42, 257–268 (1989).
66.
McInnes, E.: Scepticism, Ideology and History in Buchner’s Dantons Tod. In: For Lionel Thomas: a collection of essays presented in his memory. pp. 53–69. Dept. of German, University of Hull, [Hull, Eng.] (1980).
67.
McLellan, D.: Writings 1848-1850. In: The thought of Karl Marx: an introduction. pp. 43–53. Macmillan, London (etc.) (1980).
68.
Mills, K.: The ‘Hero’ and the Sceptic: the Function of Lacroix in Dantons Tod. In: Büchner in Britain: a passport to Georg Büchner. pp. 29–37. University of Bristol Press, Bristol (1987).
69.
Nisbet, H.B.: "Was ist Aufklärung?”: The Concept of Enlightenment in Eighteenth-Century Germany. Journal of European studies. 12, 77–95 (1982).
70.
Ockenden, R.C.: Wilhelm Tell as political drama. Oxford German Studies. 18, 23–44 (1990).
71.
Parker, J.J.: Some Reflections on Georg Büchner’s Lenz and its Principal Source, the Oberlin Record. German Life and Letters. 21, 103–111 (1968).
72.
Pascal, R.: Buchner’s Lenz - Style and Message. Oxford German studies. 9, 68–83 (1978).
73.
Perraudin, M.: Babekan’s ‘Brille’, and the Rejuvenation of Congo Hoango. A reinterpretation of Kleist’s story of the Haitian Revolution. Oxford German studies. 20, 85–103 (1992).
74.
Prawer, S.S.: Germany Revisited. In: Heine, the tragic satirist: a study of the later poetry, 1827-1856. pp. 103–130. Cambridge University Press, Cambridge (1961).
75.
Prawer, S.S.: Hoffmann’s Uncanny Guest: A Reading of Der Sandmann. German Life and Letters. 18, 297–308 (1965).
76.
Reddick, J.: Fraud, futility, Freedom. In: Georg Büchner: the shattered whole. pp. 93–120. Clarendon Press, Oxford (1994).
77.
Savile, A.: Beauty and the Ideal of Man. In: Aesthetic reconstructions: the seminal writings of Lessing, Kant and Schiller. pp. 195–218. Basil Blackwell, Oxford (1987).
78.
Schmidt, R.: Male Foibles, Female Critique and Narrative Capriciousness: On the Function of Gender in Conceptions of Art and Subjectivity in E.T.A. Hoffmann. In: From Goethe to Gide: feminism, aesthetics and the French and Germany literary canon, 1770-1936. pp. 49–64. University of Exeter Press, Exeter (2005).
79.
Sharpe, L.: Wilhelm Tell. In: Schiller and the historical character: presentation and interpretation in the historiographical works and in the historical dramas. pp. 142–173. Oxford University Press, Oxford (1982).
80.
Sharpe, L.: Weimar: the later dramas. In: Friedrich Schiller: drama, thought and politics. pp. 251–313. Cambridge University Press, Cambridge (1991).
81.
Stahl, E.L.: Prinz Friedrich von Homburg. In: Heinrich von Kleist’s dramas. pp. 103–115. Blackwell, London (1961).
82.
Stephens, A.: Das Erdbeben in Chili - Die Verlobung in St. Domingo. In: Heinrich von Kleist: the dramas and stories. pp. 194–211. Berg, Oxford (1994).
83.
Stern, J.P.: A World of Suffering: Georg Buchner. In: Re-interpretations: seven studies in nineteenth-century German literature. pp. 78–155. Thames and Hudson, London (1964).
84.
Swales, M.: Ontology, Politics, Sexuality. A Note on Georg Buchner’s Drama Dantons Tod. New German studies. 3, 109–125 (1975).
85.
Swales, M.: Reading One’s Life: An Analysis of Tieck’s Der Blonde Eckbert. German Life and Letters. 29, 165–175 (1975).
86.
Tuveson, E.L.: The millenarian structure of The Communist Manifesto. In: The Apocalypse in English Renaissance thought and literature: patterns, antecedents and repercussions. pp. 323–341. Manchester University Press, Manchester (1984).
87.
Wagner, Y., Strauss, M.: The Programme of the Communist Manifesto and Its Theoretical Foundations. Political Studies. 17, 470–484 (1969).
88.
Wright, E.: The Language of Omens in Hoffmann’s Der Sandmann and Tieck’s Liebeszauber. In: E.T.A. Hoffmann and the rhetoric of terror: aspects of language used for the evocation of fear. pp. 75–115. University of London, Institute of Germanic Studies, London (1978).
89.
Durrell, M., Hammer, A.E.: Hammer’s German grammar and usage. Routledge, Taylor & Francis Group, London (2017).