‘A Matter of Life and Death (Dir. Michael Powell & Emeric Pressburger, UK, 1946)’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00C8C204?bcast=120690185.
Abrams, J.J. and Cruise, T. (no date) Mission Impossible 3 [DVD]. Available at: http://www.amazon.co.uk/Mission-Impossible-Single-Disc-DVD/dp/B000HWXS0K/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455640884&sr=1-1&keywords=mission+impossible+3.
Adorno, T. (1997) ‘The Culture Industry: Enlightenment as Mass Destruction’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=90f4e5dc-8143-e611-80bd-0cc47a6bddeb.
Adorno, T.W. and Horkheimer, M. (1997) Dialectic of Enlightenment. London: Verso. Available at: https://contentstore.cla.co.uk/secure/link?id=90f4e5dc-8143-e611-80bd-0cc47a6bddeb.
Agnes Varda (no date) ‘Cléo de 5 à 7/Cleo from 5 to 7 [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xcleo+de+5+a+7&searchscope=15&SORT=DZ/Xcleo+de+5+a+7&searchscope=15&SORT=DZ&extended=0&SUBKEY=cleo+de+5+a+7/1%2C9%2C9%2CB/frameset&FF=Xcleo+de+5+a+7&searchscope=15&SORT=DZ&1%2C1%2C.
Alain Resnais (no date) ‘Nuit et Brouillard/Night and Fog [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xnuit+et+brouillard&searchscope=15&SORT=DZ/Xnuit+et+brouillard&searchscope=15&SORT=DZ&extended=0&SUBKEY=nuit+et+brouillard/1%2C11%2C11%2CB/frameset&FF=Xnuit+et+brouillard&searchscope=15&SORT=DZ&3%2C3%2C.
Alexander Doty (no date) Making Things Perfectly Queer: Interpreting Mass Culture. Available at: http://lib.myilibrary.com/Open.aspx?id=523274&src=0.
Andermann, J. (2012) New Argentine Cinema. London: I.B. Tauris.
Andre Bazin (2005) What is Cinema? University of California Press. Available at: http://0-quod.lib.umich.edu.pugwash.lib.warwick.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08209.0001.001.
Antonioni, M. and Antonioni, M. (1962) ‘L’eclisse’. [s.l.]: Art House Original.
Antonioni, Michelangelo. (no date) ‘La Notte/The Night [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xla+notte&searchscope=15&SORT=DZ/Xla+notte&searchscope=15&SORT=DZ&extended=0&SUBKEY=la+notte/1%2C28%2C28%2CB/frameset&FF=Xla+notte&searchscope=15&SORT=DZ&1%2C1%2C.
Arroyo, J. (2000) Action/Spectacle Cinema: a Sight and Sound Reader. London: British Film Institute.
Arthur Penn (no date) ‘Bonnie and Clyde [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xbonnie+and+clyde&searchscope=15&SORT=DZ/Xbonnie+and+clyde&searchscope=15&SORT=DZ&extended=0&SUBKEY=bonnie+and+clyde/1%2C19%2C19%2CB/frameset&FF=Xbonnie+and+clyde&searchscope=15&SORT=DZ&5%2C5%2C.
Atkinson, M. (2015) ‘Line in the Sand’, Sight & Sound, 25(11), pp. 40–44. Available at: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/1727441649?accountid=14888.
Balasz, B. (1945a) ‘The Close-Up’, in Film Theory and Criticism: Introductory Readings. 2nd ed. New York: Oxford University Press, pp. 288–298. Available at: https://contentstore.cla.co.uk/secure/link?id=374b520e-9f82-e711-80cb-005056af4099.
Balasz, B. (1945b) ‘The Close-Up’, in Film Theory and Criticism: Introductory Readings. 2nd ed. New York: Oxford University Press, pp. 288–298. Available at: https://contentstore.cla.co.uk/secure/link?id=374b520e-9f82-e711-80cb-005056af4099.
Barr, C. and British Film Institute (2012) Vertigo. 2nd ed. London: BFI.
Bazin, A. and Gray, H. (2005) What is Cinema? Berkeley: University of California Press. Available at: http://0-quod.lib.umich.edu.pugwash.lib.warwick.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08209.0001.001.
Berg, A. (2014) Every Secret Thing [DVD]. Available at: http://www.amazon.co.uk/Every-Secret-Thing-Region-1/dp/B00XIF8GF0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455719730&sr=1-1&keywords=every+secret+thing.
Biskind, P. (1998) Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. London: Bloomsbury.
Biskind, P., Miramax Films, and Sundance Channel (2004) Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. London: Bloomsbury.
Bonny Cassidy (2015) ‘Stanza and deliver – the Filmic Poetry of Mad Max: Fury Road’, The Conversation [Preprint]. Available at: http://theconversation.com/stanza-and-deliver-the-filmic-poetry-of-mad-max-fury-road-42750.
Bordwell, D. (1979) ‘The Art Cinema as a Mode of Film Practice’, Film Criticism, IV(1), pp. 56–64. Available at: https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/fiaf/docview/222728459/fulltext/DC65F094D99E4564PQ/1?accountid=14888.
Bordwell, D. and Thompson, Kristin (2008a) ‘The Shot: Cinematography’, in Film Art: an Introduction. Tenth edition. New York: McGraw-Hill, pp. 162–217. Available at: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099.
Bordwell, D. and Thompson, Kristin (2008b) ‘The Shot: Cinematography’, in Film Art: an Introduction. Tenth edition. New York: McGraw-Hill, pp. 162–217. Available at: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099.
Bordwell, D. and Thompson, Kristin (2008c) ‘The Shot: Cinematography’, in Film Art: an Introduction. Tenth edition. New York: McGraw-Hill, pp. 162–217. Available at: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099.
Bordwell, D. and Thompson, Kristin (2008d) ‘The Shot: Cinematography’, in Film Art: an Introduction. Tenth edition. New York: McGraw-Hill, pp. 162–217. Available at: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099.
Bordwell, D. and Thompson, Kristin (2008e) ‘The Shot: Cinematography’, in Film Art: an Introduction. Tenth edition. New York: McGraw-Hill, pp. 162–217. Available at: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099.
Bordwell, D. and Thompson, Krisin (2008) ‘The Shot: Mise-en-scene’, in Film art: an introduction. 8th ed. New York: McGraw-Hill Higher Education, pp. 112–161. Available at: https://contentstore.cla.co.uk/secure/link?id=672e9160-1f50-e611-80c6-005056af4099.
Brayton, S. (2008) ‘`Mexican’ labor in the Hollywood Imaginary’, International Journal of Cultural Studies, 11(4), pp. 459–476. Available at: https://doi.org/10.1177/1367877908096054.
Bregman, A. et al. (2007) ‘Lovely and Amazing’. [U.K.]: BBC2. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0057B0CD?bcast=50689291.
Bregman, A. et al. (no date) ‘Friends with Money’. [London]: Sony Pictures Home Entertainment. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/BUF4DE721?bcast=123305061.
Brennan, P. et al. (2006) ‘Salesman’. [U.K.]: BBC.
Brunette, P. (1998) The Films of Michelangelo Antonioni. Cambridge: Cambridge University Press.
Bruzzi, S. (2006) New Documentary. 2nd ed. London: Routledge.
Burch, N. and Lane, H.R. (1973) Theory of Film Practice. London: Secker and Warburg.
Campanella, J.J. et al. (2013) ‘The Secret in their Eyes’. [U.K.]: BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01E33111?bcast=121146745.
Carroll, N. (2006) Comedy Incarnate: Buster Keaton, Physical Humour and Bodily Coping. Oxford: Blackwell.
Carroll, N. and Wiley InterScience (Online service) (2007) Comedy incarnate: Buster Keaton, physical humor, and bodily coping. Malden, MA, USA: Blackwell Pub. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470754931.
Caughie, J. and British Film Institute (1981) Theories of Authorship: a Reader. London: Routledge & Kegan Paul in association with the British Film Institute.
Chaplin, C. et al. (2003) ‘City Lights’. [Burbank, CA]: MK2.
Chaplin, C. et al. (2010) ‘Modern Times’. [U.K.]: Park Circus. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=123248395.
‘Cinema Journal’ (no date). Available at: http://webcat.warwick.ac.uk/search~S15?/Xcinema+journal&searchscope=15&SORT=DZ/Xcinema+journal&searchscope=15&SORT=DZ&SUBKEY=cinema+journal/1%2C39%2C39%2CB/frameset&FF=Xcinema+journal&searchscope=15&SORT=DZ&2%2C2%2C.
‘Citizen Kane (Dir. Orson Welles, USA, 1941)’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000A6D70?bcast=38970013.
Clayton, A. (2007) The Body in Hollywood Slapstick. Jefferson, N.C.: McFarland & Co.
Cook, P. (2005) Screening the Past: Memory and Nostalgia in Cinema. London: Routledge.
Cook, P. (2007) The Cinema Book. 3rd ed. London: BFI.
Cook, P. and Dodd, P. (1993) Women and Film: a ‘Sight and Sound’ Reader. London: Scarlet Press.
Coppola, F.F. et al. (2011) ‘The Conversation’. [U.K.]: Film4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187.
Corrigan, T. and White, P. (2015) The Film Experience: an Introduction. Fourth edition. Boston: Bedford/St. Martins.
‘Costuming and the Color System of Leave her to Heaven.’ (1987) Film Criticism, XI(3), pp. 11–20. Available at: http://0-fiaf.chadwyck.com.pugwash.lib.warwick.ac.uk/fulltext/indexFullText.do?id=004/0094251&area=index&fromToC=yes&jid=006/0000129.
Courau, P. et al. (2009) ‘L’Année dernière a Marienbad/Last Year at Marienbad’. [Irvington, NY]: Criterion Collection.
Cowie, P. (2010) Akira Kurosawa: Master of Cinema. New York: Rizzoli.
Cuarón, A. et al. (2014) ‘Gravity’. London: Warner Home Video, a division of Warner Bros. Entertainment UK Ltd. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/068A7B49?bcast=124554628.
Cukor, G. et al. (2005) ‘Holiday’. [London]: Columbia TriStar Home Video. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00799133?bcast=65988187.
Curtiz, M. and Bogart, H. (1999) ‘Casablanca’. Warner Home Video. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001C11A0?bcast=114467368.
David Bordwell (2002a) ‘Intensified Continuity Visual Style in Contemporary American Film’, Film Quarterly, 55(3), pp. 16–28. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2002.55.3.16?seq=1#page_scan_tab_contents.
David Bordwell (2002b) ‘Intensified Continuity Visual Style in Contemporary American Film’, Film Quarterly, 55(3), pp. 16–28. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2002.55.3.16?seq=1#page_scan_tab_contents.
Delgado, M.M. (2013) ‘La mujer sin cabeza/The Headless Woman: Silence, historical memory and metaphor’, in. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi101/delgado_m_2013.pdf.
Delgado, M.M. and Fiddian, R.W. (2013) ‘La Mujer sin cabeza / The Headless Woman: (Lucrecia Martel, 2008): silence, historical memory and metapho’, in. Manchester: Manchester University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=200a1bb5-8c43-e611-80bd-0cc47a6bddeb.
Derek Nystrom (2004) ‘Hard Hats and Movie Brats: Auteurism and the Class Politics of the New Hollywood’, Cinema Journal, 43(3), pp. 18–41. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3661107?seq=1#page_scan_tab_contents.
Doty, A. (1993) Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press.
Douglas, K. et al. (2008) ‘Build my Gallows High’. [U.K.]: BBC2. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000BCE03?bcast=123085974.
Dreyer, C.T. (1999) ‘The Passion of Joan of Arc’. [Irvington, N.Y.]: Criterion Collection.
Elsaesser, T. (2012) The Persistence of Hollywood. Available at: http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203152508.
Elsässer, T. (2012) The Persistence of Hollywood. New York, NY: Routledge. Available at: http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203152508.
Farmer, R. (2009) ‘Marker, Resnais, Varda: Remembering the Left Bank Group’. Available at: http://sensesofcinema.com/2009/feature-articles/marker-resnais-varda-remembering-the-left-bank-group/.
Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema (2011). Oxon: Routledge.
Fonda, P. et al. (2004) Easy rider [videorecording]. 35th anniversary special ed. [London]: Columbia TriStar Home Entertainment.
Fowler, C. (2002) The European Cinema Reader. London: Routledge.
François Truffaut (no date) ‘Les Quatre Cents Coups/The 400 Blows [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xles+quatre+cents+coups&searchscope=15&SORT=DZ/Xles+quatre+cents+coups&searchscope=15&SORT=DZ&extended=0&SUBKEY=les+quatre+cents+coups/1%2C5%2C5%2CB/frameset&FF=Xles+quatre+cents+coups&searchscope=15&SORT=DZ&1%2C1%2C.
Furthman, J. et al. (2009) ‘Rio bravo’. London: Warner Home Video (UK) [distributor]. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0168F1BD?bcast=123561863.
Geuens, J.-P. (2014) ‘The Depth of the Field’, Quarterly Review of Film and Video, 31(6), pp. 572–585. Available at: https://doi.org/10.1080/10509208.2012.686812.
Gibbs, J. (2002a) Mise-en-scène: Film Style and Interpretation. London: Wallflower. Available at: https://go.exlibris.link/mRKMv93t.
Gibbs, J. (2002b) Mise-en-scène: Film Style and Interpretation. Available at: http://WARW.eblib.com/patron/Read.aspx?p=927987&pg=1.
Gibbs, J. (2002c) Mise-en-scène: Film Style and Interpretation. London: Wallflower. Available at: https://go.exlibris.link/mRKMv93t.
Gibbs, J. (2002d) Mise-en-scène: Film Style and Interpretation. Available at: http://WARW.eblib.com/patron/Read.aspx?p=927987&pg=1.
Gibbs, J. and Pye, D. (2005) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester: Manchester University Press.
Giorgelli, P. et al. (2012) ‘Las Acacias’. [England]: Film4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02CDBADA?bcast=122924679.
Glazer, J. et al. (2008) ‘Birth’. [England]: Film Four. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00570D86?bcast=104260940.
Glazer, J. et al. (2014) ‘Under the Skin’. England: StudioCanal. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/085C33A2?bcast=120745173.
Gottlieb, S. and Brookhouse, C. (2002) Framing Hitchcock: Selected Essays from the Hitchcock Annual. Detroit: Wayne State University Press.
Grant, B.K. (2008) Auteurs and Authorship: a Film Reader. Oxford: Blackwell Pub.
Greene, N. (2007) The French New Wave: a New Look. London: Wallflower.
Greengrass, P. and Damon, M. (2007) The Bourne Ultimatum [DVD]. Available at: http://www.amazon.co.uk/Bourne-Ultimatum-DVD-Matt-Damon/dp/B000IOM98Y/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455640786&sr=1-1&keywords=bourne+ultimatum.
Gregory, A. (2013) Nicole Holofcener Nails It - The New Yorker. Available at: http://www.newyorker.com/culture/culture-desk/nicole-holofcener-nails-it.
Grobet, X. et al. (no date) ‘Enough Said’. [London]: 20th Century Fox Home Entertainment. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/068B7EF6?bcast=121767131.
Hanson, H. (2007) Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London: I. B. Tauris.
Harron, M. et al. (2005) ‘American psycho’. [Santa Monica, Calif.]: Lions Gate Films.
Harron, M. (2005) The Notorious Bettie Page [DVD]. Available at: http://www.amazon.co.uk/Notorious-Bettie-Page-DVD/dp/B000MX7YGI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455722307&sr=1-1&keywords=the+notorious+bettie+page.
Hawks, H. (1981) ‘Only Angels Have Wings’. [U.K]: [s.n.]. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008EB32?bcast=29103113.
Hawks, H. (1997) ‘To Have and Have Not’. [UK]: [s.n.]. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000EBF54?bcast=27336832.
Henderson, Brian (1971) ‘The Long Take’, Film Comment, 7(2), pp. 6–11. Available at: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/210282759/fulltext/624C400050354250PQ/1?accountid=14888.
Higgins, L.A. (1996) New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France. Lincoln: University of Nebraska Press.
Hill, J. and Gibson, P.C. (1998) The Oxford Guide to Film Studies. Oxford: Oxford University Press.
Hitchcock, A. et al. (2005) ‘Rear Window’. [UK]: Universal Pictures. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000329A?bcast=124479046.
Hitchcock, A. et al. (2008) ‘Vertigo’. [U.K.]: Universal Pictures (UK). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E85A?bcast=123569267.
Holmlund, C. and Wyatt, J. (2005) Contemporary American Independent Film: from the Margins to the Mainstream. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=62f840e6-a843-e611-80bd-0cc47a6bddeb.
Holofcener, N. (1996) Walking And Talking [DVD]. Available at: http://www.amazon.co.uk/Walking-Talking-All-Region-Compatible/dp/B009R4GA72/ref=sr_1_16?s=dvd&ie=UTF8&qid=1455719341&sr=1-16&keywords=nicole+holofcener.
Holofcener, N. et al. (2011) ‘Please Give’. [United Kingdom]: Sony Pictures Home Entertainment.
Jean-Luc Godard (no date) ‘A Bout de Souffle/Breathless [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xa+bout+de+souffle&searchscope=15&SORT=DZ/Xa+bout+de+souffle&searchscope=15&SORT=DZ&extended=0&SUBKEY=a+bout+de+souffle/1%2C12%2C12%2CB/frameset&FF=Xa+bout+de+souffle&searchscope=15&SORT=DZ&2%2C2%2C.
Jenkins, H., Karnick, K.B., and American Film Institute (1995) Classical Hollywood Comedy. New York: Routledge.
Jones, N. (2015) Hollywood Action Films and Spatial Theory. New York: Routledge.
Keaton, B. et al. (2005) ‘The General’. London: 2 entertain Video, Cinema Club.
Keaton, B. and Cline, E. (1995) ‘One Week’. [London]: Channel 4.
Kelly, G. et al. (2000) ‘Singin’ in the Rain’. [United Kingdom]: Turner Entertainment Co. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0018C80D?bcast=123188027.
King, G. (2001) New Hollywood Cinema: an Introduction. London: I. B. Tauris.
King, G. (2014) Indie 2.0: Change and Continuity in Contemporary American Indie Film. London: I.B. Tauris.
King, G. (no date) ‘New Hollywood, Version 1: The Hollywood Renaissance’, in. Available at: http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi101/king_g_2001_3.pdf.
King, G., Molloy, C. and Tzioumakis, Y. (2013) American Independent Cinema: Indie, Indiewood and Beyond. Abingdon, Oxon: Routledge.
Krämer, P. (2005) The New Hollywood: from Bonnie and Clyde to Star Wars. London: Wallflower.
Kurosawa, A. (2000) ‘Yojimbo (Akira Kurosawa, Japan, 1961)’. London: BFI Video Publishing. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029.
Lang, F. (2003) ‘M’. [U.K.]: Eureka Video.
Lederer, C. et al. (2006) ‘Gentlemen Prefer Blondes’. [S.l.]: Twentieth Century Fox Home Entertainment. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001CB98F?bcast=58837918.
Lester, C. (no date) Apocalypse and Optimism in Mad Max: Fury Road and Tomorrowland: Alternate Take. Available at: http://www.alternatetakes.co.uk/?2015,6,644.
Lisa Purse (2011) Contemporary Action Cinema. Available at: http://0-universitypublishingonline.org.pugwash.lib.warwick.ac.uk/edinburgh/ebook.jsf?bid=CBO9780748646128.
Lister, R. (2012) ‘The Feature Film as Short Story: The "Little Disturbances” of Nicole Holofcener’. Available at: http://www.nottingham.ac.uk/scope/issues/2012/october-issue-24.aspx.
‘Literature/Film Quarterly’ (no date).
Lloyd, A. and Robinson, D. (1982) Movies of the Fifties. London: Orbis.
Lloyd, H. et al. (2005) ‘The Harold Lloyd comedy collection: Vol. 1’. [Los Angeles, Calif.]: New Line Home Entertainment.
Maltby, R. (2003) Hollywood Cinema. 2nd ed. Oxford: Blackwell.
Mankiewicz, J.L. (1994) ‘The Ghost and Mrs. Muir’. [London]: BBC 2. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0072B92C?bcast=63279565.
Marcantonio, C. (2010) In the Mood for Love. Available at: http://sensesofcinema.com/2010/cteq/in-the-mood-for-love/.
Martel, L. et al. (2010) ‘The Headless Woman’. [United Kingdom]: New Wave Films.
Martel, L. (no date) La Cienaga (The Swamp) [DVD]. Available at: http://www.amazon.co.uk/Cienaga-Swamp-DVD-Mercedes-Mor%C3%A1n/dp/B0042PG274/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455714788&sr=1-1&keywords=la+cienaga.
Martin, A. (2003) The Mad Max Movies. Strawberry Hills, NSW: Currency Press and ScreenSound Australia, National Screen and Sound Archives.
McLane, B.A. (2013) A New History of Documentary Film. Second edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.
Michelangelo Antonioni (no date) ‘L’Avventura [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xl%27avventura&searchscope=15&SORT=DZ/Xl%27avventura&searchscope=15&SORT=DZ&extended=0&SUBKEY=l%27avventura/1%2C41%2C41%2CB/frameset&FF=Xl%27avventura&searchscope=15&SORT=DZ&1%2C1%2C.
Mike Nichols (no date) ‘The Graduate [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15/?searchtype=X&searcharg=the+graduate+mike+nichols&searchscope=15&sortdropdown=-&SORT=DZ&extended=0&SUBMIT=Search&searchlimits=&searchorigarg=Xthe+graduate%26SORT%3DDZ.
Miller, R. (2003) Personal Velocity [DVD]. Available at: http://www.amazon.co.uk/Personal-Velocity-DVD-Kyra-Sedgwick/dp/B0000A33QJ/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455722133&sr=1-1&keywords=personal+velocity.
Miller, R. et al. (2005) ‘The Ballad of Jack & Rose’. [England]: Entertainment in Video. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0070A69A?bcast=109612521.
Monaco, J. (1979) Alain Resnais. New York: Oxford University Press.
Mulvey, L. (2008a) Visual and Other Pleasures. 2nd ed. Basingstoke: Palgrave Macmillan.
Mulvey, L. (2008b) ‘Visual Pleasure and Narrative Cinema’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=abcfc280-b643-e611-80bd-0cc47a6bddeb.
Nichols, B. (2010a) ‘How Can We Define Documentary Film?’, in Introduction to documentary. 2nd ed. Bloomington: Indiana University Press, pp. 1–41. Available at: https://contentstore.cla.co.uk/secure/link?id=80a9a1c0-b843-e611-80bd-0cc47a6bddeb.
Nichols, B. (2010b) Introduction to Documentary. 2nd ed. Bloomington: Indiana University Press.
Nicole Holofcener - IMDb (no date). Available at: http://www.imdb.com/name/nm0392237/.
O’Meara, J. (no date) ‘Inside the Outsider’s Ear - Hyperacousia and Marginalized Character Indentification’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=1f7056d1-ba43-e611-80bd-0cc47a6bddeb.
Oppenheimer, J. et al. (no date) ‘The Act of Killing’. [U.K.]: Dogwoof DVD. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/059705F6?bcast=108795473.
Orpen, V. (2003) Film Editing: the Art of the Expressive. London: Wallflower.
Paulus, T. and King, R. (2010) Slapstick Comedy. New York: Routledge.
Perez, G. (1998a) The Material Ghost: Films and their Medium. Baltimore, Md: Johns Hopkins University Press.
Perez, G. (1998b) The Material Ghost: Films and their Medium. Baltimore, Md: Johns Hopkins University Press.
Perkins, C. (2014) ‘Beyond Indiewood: The Everyday Ethics of Nicole Holofcener’, Camera Obscura: Feminism, Culture, and Media Studies, 29(1_85), pp. 137–159. Available at: https://doi.org/10.1215/02705346-2408543.
Perkins, V.F. (1972a) Film as Film: Understanding and Judging Movies. Harmondsworth: Penguin.
Perkins, V.F. (1972b) Film as Film: Understanding and Judging Movies. Harmondsworth: Penguin.
Perkins, V.F. (1972c) Film as Film: Understanding and Judging Movies. Harmondsworth: Penguin.
Perkins, V.F. (1982) ‘Moments of Choice’, in Movies of the fifties. London: Orbis, pp. 209–213.
Perkins, V.F. (1993) ‘Direction and Authorship’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=5d058cd5-2050-e611-80c6-005056af4099.
Peter Bogdanovich (no date) ‘The Last Picture Show [videorecording]’. Available at: http://webcat.warwick.ac.uk/search~S15?/Xlast+picture+show&searchscope=15&SORT=DZ/Xlast+picture+show&searchscope=15&SORT=DZ&extended=0&SUBKEY=last+picture+show/1%2C22%2C22%2CB/frameset&FF=Xlast+picture+show&searchscope=15&SORT=DZ&1%2C1%2C.
Purse, L. (2011) Contemporary Action Cinema. Edinburgh: Edinburgh University Press. Available at: http://pugwash.lib.warwick.ac.uk/record=b2954621.
Rafelson, B. (1983) ‘Five Easy Pieces’. [London]: BBC2. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366.
Ramsay, L. et al. (2014) ‘We Need to Talk About Kevin’. [U.K.]: BBC2. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02A76758?bcast=115715399.
Rascaroli, L., Rhodes, J.D., and British Film Institute (2011) Antonioni: Centenary Essays. London: Palgrave Macmillan.
Ray, R.B. (1985) A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton, N.J.: Princeton University Press.
Ray, R.B. (no date) ‘The Culmination of Classic Hollywood: Casablanca’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=0ad5cd66-c443-e611-80bd-0cc47a6bddeb.
Reay, P. (2004) Music in Film: Soundtracks and Synergy. London: Wallflower.
Renoir, J. et al. (2003) ‘La règle du jeu: The rules of the game’. London: BFI Video Pub. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004E41D5?bcast=124145491.
Resnais, A., Riva, E. and Okada, E. (2004) ‘Hiroshima mon amour’. [England?]: Nouveaux Pictures. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00122A71?bcast=108804037.
Richie, D. (1998) ‘Yojimbo’, in The Films of Akira Kurosawa. (New ed.). Berkeley, Calif: University of California Press, pp. 147–155. Available at: https://contentstore.cla.co.uk/secure/link?id=a61314ec-0c84-e711-80cb-005056af4099.
Ruiz, B., PBS Distribution (Firm), and Public Broadcasting Service (U.S.) (no date) ‘Reportero’. Arlington, VA: PBS Distribution.
Schatz, T. (1998) The Genius of the System: Hollywood Film-Making in the Studio Era. London: Faber and Faber.
Schreiber, M. (2011) ‘Independence at What Cost? Economics and Desire in Nicole Holofcener’s Friends with Money (2006)’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=183d905b-cd43-e611-80bd-0cc47a6bddeb.
Schwarz, S. (2013) Narco Cultura [DVD]. Available at: http://www.amazon.co.uk/Narco-Cultura-DVD-Region-NTSC/dp/B00GHH9HJA/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455716500&sr=1-1&keywords=narco+cultura.
Scott, A.O. (2013) The Woman Who Knew Too Much - The New York Times. Available at: http://www.nytimes.com/2013/09/18/movies/enough-said-stars-james-gandolfini-and-julia-louis-dreyfus.html?_r=1.
Scott, R. et al. (2013) ‘Stoker’. [England]: 20th Century Fox Home Entertainment.
Sellors, C.P. (2010) Film Authorship: Auteurs and Other Myths. London: Wallflower Press.
Sim, G. (2011) ‘Cinematic Expressions of Rakugo in Akira Kurosawa’s Comedies Yojimbo and Sanjuro’, Asian Cinema, 22(2), pp. 253–268. Available at: https://arlir.iii.com/nonret~S0&atitle=Cinematic+Expressions+of+Rakugo+in+Akira+Kurosawa%99s+Comedies+Yojimbo+and+Sanjuro&title=Asian+Cinema&aufirst=Gerald&auinit=&aulast=Sim&issn=1059440X&eissn=20496710&coden=&volume=22&issue=2&spage=253&epage=268&quarter=&ssn=&date=2011&sid=&reqtype3.
Slobodian, J. (2012) ‘Analyzing the Woman Auteur: The Female/Feminist Gazes of Isabel Coixet and Lucrecia Martel’, The Comparatist, 36(1), pp. 160–177. Available at: https://doi.org/10.1353/com.2012.0006.
Sosa, C. (2009) ‘A Counter-Narrative of Argentine Mourning: The Headless Woman (2008), directed by Lucrecia Martel’, Theory, Culture & Society, 26(7–8), pp. 250–262. Available at: https://doi.org/10.1177/0263276409349279.
Spielberg, S. and Ford, H. (no date) Indiana Jones and the Kingdom of the Crystal Skull [DVD]. Available at: http://www.amazon.co.uk/Indiana-Kingdom-Crystal-2-Disc-Special/dp/B0011905MW/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455641020&sr=1-1&keywords=indiana+jones+and+the+crystal+skull.
Spoto, D. (1977) The Art of Alfred Hitchcock: Fifty Years of his Motion Pictures. London: W.H. Allen.
Spoto, D. (no date) ‘Vertigo’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=46d16418-d443-e611-80bd-0cc47a6bddeb.
Stella Bruzzi (no date) New Documentary. Available at: http://lib.myilibrary.com/Open.aspx?id=55327&src=0.
Strauven, W. (2006) The Cinema of Attractions Reloaded. Amsterdam: Amsterdam University Press. Available at: http://lib.myilibrary.com/Open.aspx?id=95844&src=0.
Strauven, W. (no date) The cinema of attractions reloaded. Amsterdam: Amsterdam University Press. Available at: https://0-www-jstor-org.pugwash.lib.warwick.ac.uk/stable/10.2307/j.ctt46n09s.
Teo, S. (2001) ‘Wong Kar-wai’s In the Mood for Love: Like a Ritual in Transfigured Time’. Available at: http://sensesofcinema.com/2001/wong-kar-wai/mood/.
Teo, S. (2005) Wong Kar-Wai. London: BFI.
Thomson, D. (2005) The Whole Equation: a Hstory of Hollywood. London: Little, Brown.
Thomson, D. (2007) Nicole Kidman. London: Bloomsbury.
Thomson, D. (2012a) The Big Screen: the Story of the Movies. 1st ed. New York: Farrar, Straus and Giroux.
Thomson, D. (2012b) The Big Screen: the Story of the Movies. 1st ed. New York: Farrar, Straus and Giroux.
Thomson, D. (no date) ‘Birth’, in. Available at: https://contentstore.cla.co.uk/secure/link?id=5137bebe-d943-e611-80bd-0cc47a6bddeb.
Verbinski, G. and Depp, J. (no date) The Lone Ranger [DVD]. Available at: http://www.amazon.co.uk/Lone-Ranger-DVD-Johnny-Depp/dp/B00ECCRNG6/ref=sr_1_2?ie=UTF8&qid=1455639448&sr=8-2&keywords=the+lone+ranger.
Villeneuve, D. (2015) Sicario [DVD]. Available at: http://www.amazon.co.uk/Sicario-DVD-Emily-Blunt/dp/B016AN4EMK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455716594&sr=1-1&keywords=sicario.
Vincendeau, G. and Graham, P. (2009) The French new wave: critical landmarks. [New ed.]. London: BFI/Palgrave Macmillan.
Vineyard, J. (2013) How to Make a Movie: Nicole Holofcener on the Difference Between Directing Movies and TV’ -- Vulture. Available at: http://www.vulture.com/2013/10/nicole-holofcener-on-directing-tv-vs-movies.html#.
Weetch, O. and 2013 (no date) Stoker: Alternate Take. Available at: http://www.alternatetakes.co.uk/?2013,4,484.
Weine, R. et al. (1991) ‘The Cabinet of Dr. Caligari’. [U.K.]: [s.n.].
Wexman, V.W. (2003) Film and Authorship. New Brunswick, N.J.: Rutgers University Press.
Wilder, B. et al. (2007) ‘Some Like it Hot’. Santa Monica, CA: Twentieth Century Fox Home Entertainment. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001AAE13?bcast=123176062.
Wilson, E. (2006) Alain Resnais. Manchester: Manchester University Press.
Winston, B. and British Film Institute (2013) The Documentary Film Book. Basingstoke, United Kingdom: Palgrave Macmillan.
Wong, K. and Leung, T.C.W. (2003) ‘In the Mood for Love’. [London]: Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419.
Wood, R. (2002) Hitchcock’s Films Revisited. Rev. ed. New York: Columbia University Press.
Wood, R. (no date) ‘Vertigo’. Available at: https://contentstore.cla.co.uk/secure/link?id=34e1c816-e743-e611-80bd-0cc47a6bddeb.
Wood, R. and British Film Institute (2003) Rio Bravo. London: British Film Institute.
Wyler, W. et al. (2004) ‘The Best Years of Our Lives’. Santa Monica, CA: MGM Home Entertainment.
Wyman, J. et al. (2007) ‘All That Heaven Allows’. [London?]: Universal Pictures Video. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001483A?bcast=124401766.
Zanuck, D.F. et al. (2004) ‘Leave Her to Heaven’. Beverly Hills, CA: Twentieth Century Fox Home Entertainment.
Zborowski, J. (2016a) Classical Hollywood Cinema: Point of View and Communication. Manchester, England: Manchester University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102821.
Zborowski, J. (2016b) Classical Hollywood Cinema: Point of View and Communication. Manchester, England: Manchester University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102821.
