A Matter of Life and Death (Dir. Michael Powell & Emeric Pressburger, UK, 1946). (n.d.). https://learningonscreen.ac.uk/ondemand/index.php/prog/00C8C204?bcast=120690185
Abrams, J. J., & Cruise, T. (n.d.). Mission Impossible 3 [DVD]. http://www.amazon.co.uk/Mission-Impossible-Single-Disc-DVD/dp/B000HWXS0K/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455640884&sr=1-1&keywords=mission+impossible+3
Adorno, T. (1997). The Culture Industry: Enlightenment as Mass Destruction. https://contentstore.cla.co.uk/secure/link?id=90f4e5dc-8143-e611-80bd-0cc47a6bddeb
Adorno, T. W., & Horkheimer, M. (1997). Dialectic of Enlightenment: Vol. Verso classics. Verso. https://contentstore.cla.co.uk/secure/link?id=90f4e5dc-8143-e611-80bd-0cc47a6bddeb
Agnes Varda. (n.d.). Cléo de 5 à 7/Cleo from 5 to 7 [videorecording]. http://webcat.warwick.ac.uk/search~S15?/Xcleo+de+5+a+7&searchscope=15&SORT=DZ/Xcleo+de+5+a+7&searchscope=15&SORT=DZ&extended=0&SUBKEY=cleo+de+5+a+7/1%2C9%2C9%2CB/frameset&FF=Xcleo+de+5+a+7&searchscope=15&SORT=DZ&1%2C1%2C
Alain Resnais. (n.d.). Nuit et Brouillard/Night and Fog [videorecording]. http://webcat.warwick.ac.uk/search~S15?/Xnuit+et+brouillard&searchscope=15&SORT=DZ/Xnuit+et+brouillard&searchscope=15&SORT=DZ&extended=0&SUBKEY=nuit+et+brouillard/1%2C11%2C11%2CB/frameset&FF=Xnuit+et+brouillard&searchscope=15&SORT=DZ&3%2C3%2C
Alexander Doty. (n.d.). Making Things Perfectly Queer: Interpreting Mass Culture. http://lib.myilibrary.com/Open.aspx?id=523274&src=0
Andermann, J. (2012). New Argentine Cinema: Vol. Tauris world cinema series. I.B. Tauris.
Andre Bazin. (2005). What is Cinema? University of California Press. http://0-quod.lib.umich.edu.pugwash.lib.warwick.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08209.0001.001
Antonioni, M., & Antonioni, M. (1962). L’eclisse [Videorecording]. Art House Original.
Antonioni, Michelangelo. (n.d.). La Notte/The Night [videorecording]. http://webcat.warwick.ac.uk/search~S15?/Xla+notte&searchscope=15&SORT=DZ/Xla+notte&searchscope=15&SORT=DZ&extended=0&SUBKEY=la+notte/1%2C28%2C28%2CB/frameset&FF=Xla+notte&searchscope=15&SORT=DZ&1%2C1%2C
Arroyo, J. (2000). Action/Spectacle Cinema: a Sight and Sound Reader. British Film Institute.
Arthur Penn. (n.d.). Bonnie and Clyde [videorecording]. http://webcat.warwick.ac.uk/search~S15?/Xbonnie+and+clyde&searchscope=15&SORT=DZ/Xbonnie+and+clyde&searchscope=15&SORT=DZ&extended=0&SUBKEY=bonnie+and+clyde/1%2C19%2C19%2CB/frameset&FF=Xbonnie+and+clyde&searchscope=15&SORT=DZ&5%2C5%2C
Atkinson, M. (2015). Line in the Sand. Sight & Sound, 25(11), 40–44. http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/1727441649?accountid=14888
Balasz, B. (1945a). The Close-Up. In Film Theory and Criticism: Introductory Readings (2nd ed, pp. 288–298). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=374b520e-9f82-e711-80cb-005056af4099
Balasz, B. (1945b). The Close-Up. In Film Theory and Criticism: Introductory Readings (2nd ed, pp. 288–298). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=374b520e-9f82-e711-80cb-005056af4099
Barr, C. & British Film Institute. (2012). Vertigo: Vol. BFI film classics (2nd ed). BFI.
Bazin, A., & Gray, H. (2005). What is Cinema? University of California Press. http://0-quod.lib.umich.edu.pugwash.lib.warwick.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08209.0001.001
Berg, A. (2014). Every Secret Thing [DVD]. http://www.amazon.co.uk/Every-Secret-Thing-Region-1/dp/B00XIF8GF0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455719730&sr=1-1&keywords=every+secret+thing
Biskind, P. (1998). Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. Bloomsbury.
Biskind, P., Miramax Films, & Sundance Channel. (2004). Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. Bloomsbury.
Bonny Cassidy. (2015). Stanza and deliver – the Filmic Poetry of Mad Max: Fury Road. The Conversation. http://theconversation.com/stanza-and-deliver-the-filmic-poetry-of-mad-max-fury-road-42750
Bordwell, D. (1979). The Art Cinema as a Mode of Film Practice. Film Criticism, IV(1), 56–64. https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/fiaf/docview/222728459/fulltext/DC65F094D99E4564PQ/1?accountid=14888
Bordwell, D., & Thompson, K. (2008a). The Shot: Cinematography. In Film Art: an Introduction (Tenth edition, pp. 162–217). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
Bordwell, D., & Thompson, K. (2008b). The Shot: Cinematography. In Film Art: an Introduction (Tenth edition, pp. 162–217). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
Bordwell, D., & Thompson, K. (2008c). The Shot: Cinematography. In Film Art: an Introduction (Tenth edition, pp. 162–217). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
Bordwell, D., & Thompson, K. (2008d). The Shot: Cinematography. In Film Art: an Introduction (Tenth edition, pp. 162–217). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
Bordwell, D., & Thompson, K. (2008e). The Shot: Cinematography. In Film Art: an Introduction (Tenth edition, pp. 162–217). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
Bordwell, D., & Thompson, K. (2008f). The Shot: Mise-en-scene. In Film art: an introduction (8th ed, pp. 112–161). McGraw-Hill Higher Education. https://contentstore.cla.co.uk/secure/link?id=672e9160-1f50-e611-80c6-005056af4099
Brayton, S. (2008). `Mexican’ labor in the Hollywood Imaginary. International Journal of Cultural Studies, 11(4), 459–476. https://doi.org/10.1177/1367877908096054
Bregman, A., D’Arbeloff, E., Hope, T., Holofcener, N., Keener, C., Blethyn, B., Mortimer, E., Goodwin, R., Ellis, A., Gregg, C., Gyllenhaal, J., LeGros, J., Nouri, M., Mulroney, D., Richey, C., Frazen, R., Bosmajian, H., Lions Gate Films, Blow Up Pictures (Firm), … BBC Two (Television station : London, England). (2007). Lovely and Amazing [Videorecording]. BBC2. https://learningonscreen.ac.uk/ondemand/index.php/prog/0057B0CD?bcast=50689291
Bregman, A., Holofcener, N., Aniston, J., Keener, C., McDormand, F., Cusack, J., Isaacs, J., Caan, S., McBurney, S., Germann, G., Richey, C., Jones, R. L., Stacey, T., Robert Frazen, This is That (Firm), & Sony Pictures Classics (Firm). (n.d.). Friends with Money. Sony Pictures Home Entertainment. https://learningonscreen.ac.uk/ondemand/index.php/prog/BUF4DE721?bcast=123305061
Brennan, P., McDevitt, C., Baker, J., Maysles, A., Maysles, D., & British Broadcasting Corporation. (2006). Salesman. BBC.
Brunette, P. (1998). The Films of Michelangelo Antonioni: Vol. Cambridge film classics. Cambridge University Press.
Bruzzi, S. (2006). New Documentary (2nd ed). Routledge.
Burch, N., & Lane, H. R. (1973). Theory of Film Practice: Vol. Cinema two. Secker and Warburg.
Campanella, J. J., Besuievsky, M., Sacheri, E. A., Darín, R., Villamil, S., Rago, P., & BBC Four (Television station : London, England). (2013). The Secret in their Eyes. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/01E33111?bcast=121146745
Carroll, N. (2006). Comedy Incarnate: Buster Keaton, Physical Humour and Bodily Coping. Blackwell.
Carroll, N. & Wiley InterScience (Online service). (2007). Comedy incarnate: Buster Keaton, physical humor, and bodily coping. Blackwell Pub. http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470754931
Caughie, J. & British Film Institute. (1981). Theories of Authorship: a Reader: Vol. British Film Institute readers in film studies. Routledge & Kegan Paul in association with the British Film Institute.
Chaplin, C., Crocker, H., Bergman, H., Austin, A., Cherrill, V., Lee, F., Myers, H., Garcia, A., Mann, H., Totheroh, R. H., Pollock, G., Hall, C. D., Johnston, A., Newman, A., Padilla, J., Nico, W., Janus Films, & MK2 Productions. (2003). City Lights: Vol. The Chaplin Collection. MK2.
Chaplin, C., Morgan, I., Totheroh, R. H., Nico, W., Newman, A., Powell, E. B., Raksin, D., Neal, P., Maher, F., Hall, C. D., Spencer, J. R., Goddard, P., Bergman, H., Sandford, S., Conklin, C., Mann, H., & Blystone, S. (2010). Modern Times [Dvd]. Park Circus. https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=123248395
Cinema Journal. (n.d.). http://webcat.warwick.ac.uk/search~S15?/Xcinema+journal&searchscope=15&SORT=DZ/Xcinema+journal&searchscope=15&SORT=DZ&SUBKEY=cinema+journal/1%2C39%2C39%2CB/frameset&FF=Xcinema+journal&searchscope=15&SORT=DZ&2%2C2%2C
Citizen Kane (Dir. Orson Welles, USA, 1941). (n.d.). https://learningonscreen.ac.uk/ondemand/index.php/prog/000A6D70?bcast=38970013
Clayton, A. (2007). The Body in Hollywood Slapstick. McFarland & Co.
Cook, P. (2005). Screening the Past: Memory and Nostalgia in Cinema. Routledge.
Cook, P. (2007). The Cinema Book (3rd ed). BFI.
Cook, P., & Dodd, P. (1993). Women and Film: a ‘Sight and Sound’ Reader. Scarlet Press.
Coppola, F. F., Hackman, G., Cazale, J., Garfield, A., Forrest, F., Williams, C., Higgins, M., MacRae, E., Garr, T., Ford, H., Chew, R., Rodgers, A. G., Shire, D., Butler, B., Paramount Pictures Corporation, FilmFour (Firm), & Directors Company. (2011). The Conversation [Videorecording]. Film4. https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187
Corrigan, T., & White, P. (2015). The Film Experience: an Introduction (Fourth edition). Bedford/St. Martins.
Costuming and the Color System of Leave her to Heaven. (1987). Film Criticism, XI(3), 11–20. http://0-fiaf.chadwyck.com.pugwash.lib.warwick.ac.uk/fulltext/indexFullText.do?id=004/0094251&area=index&fromToC=yes&jid=006/0000129
Courau, P., Froment, R., Robbe-Grillet, A., Resnais, A., Vierny, S., Albertazzi, G., Seyrig, D., Pitoëff, S., Bertin, F., Garcia-Ville, L., Kornel, H., Spira, F., Toeche-Mittler, K., Barbaud, P., Deek, W. von, Lanier, J., Lorin, G., Montemuri, D., Quéant, G., … Criterion Collection (Firm). (2009). L’Année dernière a Marienbad/Last Year at Marienbad: Vol. The Criterion collection (Director-approved special ed., widescreen) [Videorecording]. Criterion Collection.
Cowie, P. (2010). Akira Kurosawa: Master of Cinema. Rizzoli.
Cuarón, A., Cuarón, J., Heyman, D., Bullock, S., Clooney, G., Harris, E., Price, S., Warner Bros. Pictures (1969- ), Esperanto Films (Firm), Heyday Films, & Warner Home Video (Firm). (2014). Gravity. Warner Home Video, a division of Warner Bros. Entertainment UK Ltd. https://learningonscreen.ac.uk/ondemand/index.php/prog/068A7B49?bcast=124554628
Cukor, G., Hepburn, K., Grant, C., Nolan, D., Horton, E. E., Kolker, H., Barnes, B., Dixon, J., Daniell, H., Barry, P., Columbia Pictures Corporation, & Columbia TriStar Home Video (Firm). (2005). Holiday: Vol. Columbia classics. Columbia TriStar Home Video. https://learningonscreen.ac.uk/ondemand/index.php/prog/00799133?bcast=65988187
Curtiz, M., & Bogart, H. (1999). Casablanca [Videorecording]. Warner Home Video. https://learningonscreen.ac.uk/ondemand/index.php/prog/001C11A0?bcast=114467368
David Bordwell. (2002a). Intensified Continuity Visual Style in Contemporary American Film. Film Quarterly, 55(3), 16–28. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2002.55.3.16?seq=1#page_scan_tab_contents
David Bordwell. (2002b). Intensified Continuity Visual Style in Contemporary American Film. Film Quarterly, 55(3), 16–28. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2002.55.3.16?seq=1#page_scan_tab_contents
Delgado, M. M. (2013). La mujer sin cabeza/The Headless Woman: Silence, historical memory and metaphor. http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi101/delgado_m_2013.pdf
Delgado, M. M., & Fiddian, R. W. (2013). La Mujer sin cabeza / The Headless Woman: (Lucrecia Martel, 2008): silence, historical memory and metapho. Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=200a1bb5-8c43-e611-80bd-0cc47a6bddeb
Derek Nystrom. (2004). Hard Hats and Movie Brats: Auteurism and the Class Politics of the New Hollywood. Cinema Journal, 43(3), 18–41. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3661107?seq=1#page_scan_tab_contents
Doty, A. (1993). Making Things Perfectly Queer: Interpreting Mass Culture. University of Minnesota Press.
Douglas, K., Duff, W., Fleming, R., Greer, J., Homes, G., Homes, G., Mitchum, R., Tourneur, J., & RKO Radio Pictures. (2008). Build my Gallows High [Videorecording]. BBC2. https://learningonscreen.ac.uk/ondemand/index.php/prog/000BCE03?bcast=123085974
Dreyer, C. T. (1999). The Passion of Joan of Arc [Videorecording]. Criterion Collection.
Elsaesser, T. (2012). The Persistence of Hollywood. http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203152508
Elsässer, T. (2012). The Persistence of Hollywood. Routledge. http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203152508
Farmer, R. (2009). Marker, Resnais, Varda: Remembering the Left Bank Group. http://sensesofcinema.com/2009/feature-articles/marker-resnais-varda-remembering-the-left-bank-group/
Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. (2011). Routledge.
Fonda, P., Hopper, D., Southern, T., Nicholson, J., Hill, L., Pando Company, Raybert Productions, Inc, & Columbia TriStar Home Entertainment (Firm). (2004). Easy rider (35th anniversary special ed) [Videorecording]. Columbia TriStar Home Entertainment.
Fowler, C. (2002). The European Cinema Reader. Routledge.
François Truffaut. (n.d.). Les Quatre Cents Coups/The 400 Blows [videorecording]. http://webcat.warwick.ac.uk/search~S15?/Xles+quatre+cents+coups&searchscope=15&SORT=DZ/Xles+quatre+cents+coups&searchscope=15&SORT=DZ&extended=0&SUBKEY=les+quatre+cents+coups/1%2C5%2C5%2CB/frameset&FF=Xles+quatre+cents+coups&searchscope=15&SORT=DZ&1%2C1%2C
Furthman, J., Brackett, L., Hawks, H., Wayne, J., Martin, D., Nelson, R., Dickinson, A., Brennan, W., Bond, W., Russell, J., Gonzalez-Gonzalez, P., Rodriguez, E., Tiomkin, D., Warner Bros. Pictures (1923-1967), Armada Productions, Warner Home Video (Firm), & Warner Home Video (Great Britain). (2009). Rio bravo [Videorecording]. Warner Home Video (UK) [distributor]. https://learningonscreen.ac.uk/ondemand/index.php/prog/0168F1BD?bcast=123561863
Geuens, J.-P. (2014). The Depth of the Field. Quarterly Review of Film and Video, 31(6), 572–585. https://doi.org/10.1080/10509208.2012.686812
Gibbs, J. (2002a). Mise-en-scène: Film Style and Interpretation. http://WARW.eblib.com/patron/Read.aspx?p=927987&pg=1
Gibbs, J. (2002b). Mise-en-scène: Film Style and Interpretation. http://WARW.eblib.com/patron/Read.aspx?p=927987&pg=1
Gibbs, J. (2002c). Mise-en-scène: Film Style and Interpretation: Vol. Short cuts. Wallflower. https://go.exlibris.link/mRKMv93t
Gibbs, J. (2002d). Mise-en-scène: Film Style and Interpretation: Vol. Short cuts. Wallflower. https://go.exlibris.link/mRKMv93t
Gibbs, J., & Pye, D. (2005). Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press.
Giorgelli, P., Silva, G. de, Duarte, H., Calle Mamani, N., Roselli, S., AirCine (Firm), Utópica Cine (Firm), Proyecto Experience (Firm), & FilmFour (Firm). (2012). Las Acacias. Film4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02CDBADA?bcast=122924679
Glazer, J., Campbell, W., Faber, M., Johansson, S., Micachu, British Film Institute, FilmFour (Firm), & Studio Canal. (2014). Under the Skin. StudioCanal. https://learningonscreen.ac.uk/ondemand/index.php/prog/085C33A2?bcast=120745173
Glazer, J., Kidman, N., Bacall, L., Bright, C., Huston, D., Howard, A., Heche, A., Desplat, A., New Line Cinema Corporation, Fine Line Features, Film Four International, & New Line Home Entertainment (Firm). (2008). Birth [Videorecording]. Film Four. https://learningonscreen.ac.uk/ondemand/index.php/prog/00570D86?bcast=104260940
Gottlieb, S., & Brookhouse, C. (2002). Framing Hitchcock: Selected Essays from the Hitchcock Annual: Vol. Contemporary film and television series. Wayne State University Press.
Grant, B. K. (2008). Auteurs and Authorship: a Film Reader. Blackwell Pub.
Greene, N. (2007). The French New Wave: a New Look: Vol. Short cuts. Wallflower.
Greengrass, P., & Damon, M. (2007). The Bourne Ultimatum [DVD]. http://www.amazon.co.uk/Bourne-Ultimatum-DVD-Matt-Damon/dp/B000IOM98Y/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455640786&sr=1-1&keywords=bourne+ultimatum
Gregory, A. (2013). Nicole Holofcener Nails It - The New Yorker. http://www.newyorker.com/culture/culture-desk/nicole-holofcener-nails-it
Grobet, X., Frazen, R., Bregman, A., Holofcener, N., Louis-Dreyfus, J., Gandolfini, J., Keener, C., Collette, T., Falcone, B., Zarvos, M., Likely Story (Firm), Fox Searchlight Pictures, & Twentieth Century Fox Home Entertainment, Inc. (n.d.). Enough Said. 20th Century Fox Home Entertainment. https://learningonscreen.ac.uk/ondemand/index.php/prog/068B7EF6?bcast=121767131
Hanson, H. (2007). Hollywood Heroines: Women in Film Noir and the Female Gothic Film. I. B. Tauris.
Harron, M. (2005). The Notorious Bettie Page [DVD]. http://www.amazon.co.uk/Notorious-Bettie-Page-DVD/dp/B000MX7YGI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455722307&sr=1-1&keywords=the+notorious+bettie+page
Harron, M., Turner, G., Bale, C., Dafoe, W., Leto, J., Ellis, B. E., Lions Gate Films, & Muse Productions. (2005). American psycho [Videorecording]. Lions Gate Films.
Hawks, H. (1981). Only Angels Have Wings [Videorecording]. [s.n.]. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008EB32?bcast=29103113
Hawks, H. (1997). To Have and Have Not [Videorecording]. [s.n.]. https://learningonscreen.ac.uk/ondemand/index.php/prog/000EBF54?bcast=27336832
Henderson, Brian. (1971). The Long Take. Film Comment, 7(2), 6–11. http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/210282759/fulltext/624C400050354250PQ/1?accountid=14888
Higgins, L. A. (1996). New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France: Vol. Stages (Series). University of Nebraska Press.
Hill, J., & Gibson, P. C. (1998). The Oxford Guide to Film Studies. Oxford University Press.
Hitchcock, A., Coppel, A., Taylor, S., Stewart, J., Novak, K., Bel Geddes, B., Helmore, T., Jones, H., Boileau, P., Narcejac, T., Alfred J. Hitchcock Productions, & Paramount Pictures Corporation. (2008). Vertigo (2 disc 50th anniversary ed) [Videorecording]. Universal Pictures (UK). https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E85A?bcast=123569267
Hitchcock, A., Hayes, J. M., Stewart, J., Corey, W., Ritter, T., Burr, R., Burks, R., Tomasini, G., Waxman, F., Johnson, J. M., Pereira, H., Head, E., Woolrich, C., Grace, Paramount Pictures Corporation, & Universal Pictures (Firm). (2005). Rear Window [Videorecording]. Universal Pictures. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000329A?bcast=124479046
Holmlund, C., & Wyatt, J. (2005). Contemporary American Independent Film: from the Margins to the Mainstream. Routledge. https://contentstore.cla.co.uk/secure/link?id=62f840e6-a843-e611-80bd-0cc47a6bddeb
Holofcener, N. (1996). Walking And Talking [DVD]. http://www.amazon.co.uk/Walking-Talking-All-Region-Compatible/dp/B009R4GA72/ref=sr_1_16?s=dvd&ie=UTF8&qid=1455719341&sr=1-16&keywords=nicole+holofcener
Holofcener, N., Bregman, A., Peet, A., Keener, C., Platt, O., Hall, R., Guilbert, A. M., Steele, S., Orbach, Y., Frazen, R., Zarvos, M., & Sony Pictures Home Entertainment (Firm). (2011). Please Give. Sony Pictures Home Entertainment.
Jean-Luc Godard. (n.d.). A Bout de Souffle/Breathless [videorecording]. http://webcat.warwick.ac.uk/search~S15?/Xa+bout+de+souffle&searchscope=15&SORT=DZ/Xa+bout+de+souffle&searchscope=15&SORT=DZ&extended=0&SUBKEY=a+bout+de+souffle/1%2C12%2C12%2CB/frameset&FF=Xa+bout+de+souffle&searchscope=15&SORT=DZ&2%2C2%2C
Jenkins, H., Karnick, K. B., & American Film Institute. (1995). Classical Hollywood Comedy: Vol. AFI film readers. Routledge.
Jones, N. (2015). Hollywood Action Films and Spatial Theory: Vol. Routledge advances in film studies. Routledge.
Keaton, B., & Cline, E. (1995). One Week [Videorecording]. Channel 4.
Keaton, B., Mack, M., Pittenger, W., Bruckman, C., Hisaishi, J., & Disney, W. (2005). The General ([2 disc special ed.]) [Videorecording]. 2 entertain Video, Cinema Club.
Kelly, G., Donen, S., Freed, A., Green, A., Comden, B., O’Connor, D., Reynolds, D., Hagen, J., Mitchell, M., Charisse, C., Fowley, D., Moreno, R., Metro-Goldwyn-Mayer, Turner Entertainment Co, & Warner Home Video (Firm). (2000). Singin’ in the Rain [Videorecording]. Turner Entertainment Co. https://learningonscreen.ac.uk/ondemand/index.php/prog/0018C80D?bcast=123188027
King, G. (n.d.). New Hollywood, Version 1: The Hollywood Renaissance. http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi101/king_g_2001_3.pdf
King, G. (2001). New Hollywood Cinema: an Introduction. I. B. Tauris.
King, G. (2014). Indie 2.0: Change and Continuity in Contemporary American Indie Film: Vol. International library of the moving image. I.B. Tauris.
King, G., Molloy, C., & Tzioumakis, Y. (2013). American Independent Cinema: Indie, Indiewood and Beyond. Routledge.
Krämer, P. (2005). The New Hollywood: from Bonnie and Clyde to Star Wars: Vol. Short cuts. Wallflower.
Kurosawa, A. (2000). Yojimbo (Akira Kurosawa, Japan, 1961) [Videorecording]. BFI Video Publishing. https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029
Lang, F. (2003). M [Videorecording]. Eureka Video.
Lederer, C., Hawks, H., Monroe, M., Russell, J., Coburn, C., Styne, J., Fields, J. A., Loos, A., & Twentieth Century-Fox Film Corporation. (2006). Gentlemen Prefer Blondes [Videorecording]. Twentieth Century Fox Home Entertainment. https://learningonscreen.ac.uk/ondemand/index.php/prog/001CB98F?bcast=58837918
Lester, C. (n.d.). Apocalypse and Optimism in Mad Max: Fury Road and Tomorrowland: Alternate Take. http://www.alternatetakes.co.uk/?2015,6,644
Lisa Purse. (2011). Contemporary Action Cinema. http://0-universitypublishingonline.org.pugwash.lib.warwick.ac.uk/edinburgh/ebook.jsf?bid=CBO9780748646128
Lister, R. (2012). The Feature Film as Short Story: The "Little Disturbances” of Nicole Holofcener. http://www.nottingham.ac.uk/scope/issues/2012/october-issue-24.aspx
Literature/Film Quarterly. (n.d.).
Lloyd, A., & Robinson, D. (1982). Movies of the Fifties. Orbis.
Lloyd, H., Maltin, L., Correll, R., & New Line Home Entertainment (Firm). (2005). The Harold Lloyd comedy collection: Vol. 1 [Videorecording]. New Line Home Entertainment.
Maltby, R. (2003). Hollywood Cinema (2nd ed). Blackwell.
Mankiewicz, J. L. (1994). The Ghost and Mrs. Muir [Videorecording]. BBC 2. https://learningonscreen.ac.uk/ondemand/index.php/prog/0072B92C?bcast=63279565
Marcantonio, C. (2010). In the Mood for Love. http://sensesofcinema.com/2010/cteq/in-the-mood-for-love/
Martel, L. (n.d.). La Cienaga (The Swamp) [DVD]. http://www.amazon.co.uk/Cienaga-Swamp-DVD-Mercedes-Mor%C3%A1n/dp/B0042PG274/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455714788&sr=1-1&keywords=la+cienaga
Martel, L., Onetto, M., Cantero, C., Bordón, C., Genoud, D., Arengo, G., Efron, I., Corsi, T., Cura, V., García, E., Petrillo, C., Piñeyro, E., Razini, V., Aquafilms (Firm), Deseo, S.A., R & C Produzioni (Firm), Slot Machine (Firm), Teodora Film (Firm), & New Wave Films. (2010). The Headless Woman. New Wave Films.
Martin, A. (2003). The Mad Max Movies: Vol. Australian screen classics. Currency Press and ScreenSound Australia, National Screen and Sound Archives.
McLane, B. A. (2013). A New History of Documentary Film (Second edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.
Michelangelo Antonioni. (n.d.). L’Avventura [videorecording] (Widescreen letterbox version.). http://webcat.warwick.ac.uk/search~S15?/Xl%27avventura&searchscope=15&SORT=DZ/Xl%27avventura&searchscope=15&SORT=DZ&extended=0&SUBKEY=l%27avventura/1%2C41%2C41%2CB/frameset&FF=Xl%27avventura&searchscope=15&SORT=DZ&1%2C1%2C
Mike Nichols. (n.d.). The Graduate [videorecording]. http://webcat.warwick.ac.uk/search~S15/?searchtype=X&searcharg=the+graduate+mike+nichols&searchscope=15&sortdropdown=-&SORT=DZ&extended=0&SUBMIT=Search&searchlimits=&searchorigarg=Xthe+graduate%26SORT%3DDZ
Miller, R. (2003). Personal Velocity [DVD]. http://www.amazon.co.uk/Personal-Velocity-DVD-Kyra-Sedgwick/dp/B0000A33QJ/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455722133&sr=1-1&keywords=personal+velocity
Miller, R., Syvan, L., Hoffman, S., Rohatyn, M., Day-Lewis, D., Keener, C., Belle, C., Bridges, B., Lee, J., Dano, P., Malone, J., McDonald, R., Thompson, S., IFC Films, Initial Entertainment Group, Elevation Filmworks, & Entertainment in Video (Firm). (2005). The Ballad of Jack & Rose. Entertainment in Video. https://learningonscreen.ac.uk/ondemand/index.php/prog/0070A69A?bcast=109612521
Monaco, J. (1979). Alain Resnais. Oxford University Press.
Mulvey, L. (2008a). Visual and Other Pleasures: Vol. Language, discourse, society (2nd ed). Palgrave Macmillan.
Mulvey, L. (2008b). Visual Pleasure and Narrative Cinema. https://contentstore.cla.co.uk/secure/link?id=abcfc280-b643-e611-80bd-0cc47a6bddeb
Nichols, B. (2010a). How Can We Define Documentary Film? In Introduction to documentary (2nd ed, pp. 1–41). Indiana University Press. https://contentstore.cla.co.uk/secure/link?id=80a9a1c0-b843-e611-80bd-0cc47a6bddeb
Nichols, B. (2010b). Introduction to Documentary (2nd ed). Indiana University Press.
Nicole Holofcener - IMDb. (n.d.). http://www.imdb.com/name/nm0392237/
O’Meara, J. (n.d.). Inside the Outsider’s Ear - Hyperacousia and Marginalized Character Indentification. https://contentstore.cla.co.uk/secure/link?id=1f7056d1-ba43-e611-80bd-0cc47a6bddeb
Oppenheimer, J., Congo, A., Koto, H., & Arifin, S. (n.d.). The Act of Killing [Videorecording]. Dogwoof DVD. https://learningonscreen.ac.uk/ondemand/index.php/prog/059705F6?bcast=108795473
Orpen, V. (2003). Film Editing: the Art of the Expressive: Vol. Short cuts. Wallflower.
Paulus, T., & King, R. (2010). Slapstick Comedy: Vol. AFI film readers. Routledge.
Perez, G. (1998a). The Material Ghost: Films and their Medium. Johns Hopkins University Press.
Perez, G. (1998b). The Material Ghost: Films and their Medium. Johns Hopkins University Press.
Perkins, C. (2014). Beyond Indiewood: The Everyday Ethics of Nicole Holofcener. Camera Obscura: Feminism, Culture, and Media Studies, 29(1_85), 137–159. https://doi.org/10.1215/02705346-2408543
Perkins, V. F. (1972a). Film as Film: Understanding and Judging Movies: Vol. A Pelican original. Penguin.
Perkins, V. F. (1972b). Film as Film: Understanding and Judging Movies: Vol. A Pelican original. Penguin.
Perkins, V. F. (1972c). Film as Film: Understanding and Judging Movies: Vol. A Pelican original. Penguin.
Perkins, V. F. (1982). Moments of Choice. In Movies of the fifties (pp. 209–213). Orbis.
Perkins, V. F. (1993). Direction and Authorship. https://contentstore.cla.co.uk/secure/link?id=5d058cd5-2050-e611-80c6-005056af4099
Peter Bogdanovich. (n.d.). The Last Picture Show [videorecording]. http://webcat.warwick.ac.uk/search~S15?/Xlast+picture+show&searchscope=15&SORT=DZ/Xlast+picture+show&searchscope=15&SORT=DZ&extended=0&SUBKEY=last+picture+show/1%2C22%2C22%2CB/frameset&FF=Xlast+picture+show&searchscope=15&SORT=DZ&1%2C1%2C
Purse, L. (2011). Contemporary Action Cinema. Edinburgh University Press. http://pugwash.lib.warwick.ac.uk/record=b2954621
Rafelson, B. (1983). Five Easy Pieces [Videorecording]. BBC2. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366
Ramsay, L., Kinnear, R. S., Roeg, L., Fox, J., Salerno, R., Soderbergh, S., Langan, C., Jalfon, P., Ramsay, L., Swinton, T., Reilly, J. C., Miller, E., Hogan, S. F., Manette, A., Newell, J., Gerasimovich, A., Shriver, L., BBC Two (Television station : London, England), Oscilloscope Laboratories (Firm), … Footprint Films. (2014). We Need to Talk About Kevin. BBC2. https://learningonscreen.ac.uk/ondemand/index.php/prog/02A76758?bcast=115715399
Rascaroli, L., Rhodes, J. D., & British Film Institute. (2011). Antonioni: Centenary Essays. Palgrave Macmillan.
Ray, R. B. (n.d.). The Culmination of Classic Hollywood: Casablanca. https://contentstore.cla.co.uk/secure/link?id=0ad5cd66-c443-e611-80bd-0cc47a6bddeb
Ray, R. B. (1985). A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press.
Reay, P. (2004). Music in Film: Soundtracks and Synergy: Vol. Short cuts. Wallflower.
Renoir, J., Koch, C., Renoir, C., Dalio, M., Grégor, N., Toutain, R., Parély, M., Talazac, O., Magnier, P., Modot, G., Carette, J., Dubost, P., Bachelet, J., & Chanel, C. (2003). La règle du jeu: The rules of the game [Videorecording =]. BFI Video Pub. https://learningonscreen.ac.uk/ondemand/index.php/prog/004E41D5?bcast=124145491
Resnais, A., Riva, E., & Okada, E. (2004). Hiroshima mon amour [Videorecording]. Nouveaux Pictures. https://learningonscreen.ac.uk/ondemand/index.php/prog/00122A71?bcast=108804037
Richie, D. (1998). Yojimbo. In The Films of Akira Kurosawa ((New ed.), pp. 147–155). University of California Press. https://contentstore.cla.co.uk/secure/link?id=a61314ec-0c84-e711-80cb-005056af4099
Ruiz, B., PBS Distribution (Firm), & Public Broadcasting Service (U.S.). (n.d.). Reportero. PBS Distribution.
Schatz, T. (1998). The Genius of the System: Hollywood Film-Making in the Studio Era. Faber and Faber.
Schreiber, M. (2011). Independence at What Cost? Economics and Desire in Nicole Holofcener’s Friends with Money (2006). https://contentstore.cla.co.uk/secure/link?id=183d905b-cd43-e611-80bd-0cc47a6bddeb
Schwarz, S. (2013). Narco Cultura [DVD]. http://www.amazon.co.uk/Narco-Cultura-DVD-Region-NTSC/dp/B00GHH9HJA/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455716500&sr=1-1&keywords=narco+cultura
Scott, A. O. (2013). The Woman Who Knew Too Much - The New York Times. http://www.nytimes.com/2013/09/18/movies/enough-said-stars-james-gandolfini-and-julia-louis-dreyfus.html?_r=1
Scott, R., Scott, T., Costigan, M., Miller, W., Pak, C., Wasikowska, M., Kidman, N., Goode, M., Mulroney, D., Weaver, J., Mansell, C., Fox Searchlight Pictures, Indian Paintbrush (Firm), Scott Free Productions, & Twentieth Century Fox Home Entertainment, Inc. (2013). Stoker. 20th Century Fox Home Entertainment.
Sellors, C. P. (2010). Film Authorship: Auteurs and Other Myths: Vol. Short cuts : introductions to film studies. Wallflower Press.
Sim, G. (2011). Cinematic Expressions of Rakugo in Akira Kurosawa’s Comedies Yojimbo and Sanjuro. Asian Cinema, 22(2), 253–268. https://arlir.iii.com/nonret~S0&atitle=Cinematic+Expressions+of+Rakugo+in+Akira+Kurosawa%99s+Comedies+Yojimbo+and+Sanjuro&title=Asian+Cinema&aufirst=Gerald&auinit=&aulast=Sim&issn=1059440X&eissn=20496710&coden=&volume=22&issue=2&spage=253&epage=268&quarter=&ssn=&date=2011&sid=&reqtype3
Slobodian, J. (2012). Analyzing the Woman Auteur: The Female/Feminist Gazes of Isabel Coixet and Lucrecia Martel. The Comparatist, 36(1), 160–177. https://doi.org/10.1353/com.2012.0006
Sosa, C. (2009). A Counter-Narrative of Argentine Mourning: The Headless Woman (2008), directed by Lucrecia Martel. Theory, Culture & Society, 26(7–8), 250–262. https://doi.org/10.1177/0263276409349279
Spielberg, S., & Ford, H. (n.d.). Indiana Jones and the Kingdom of the Crystal Skull [DVD]. http://www.amazon.co.uk/Indiana-Kingdom-Crystal-2-Disc-Special/dp/B0011905MW/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455641020&sr=1-1&keywords=indiana+jones+and+the+crystal+skull
Spoto, D. (n.d.). Vertigo. https://contentstore.cla.co.uk/secure/link?id=46d16418-d443-e611-80bd-0cc47a6bddeb
Spoto, D. (1977). The Art of Alfred Hitchcock: Fifty Years of his Motion Pictures. W.H. Allen.
Stella Bruzzi. (n.d.). New Documentary. http://lib.myilibrary.com/Open.aspx?id=55327&src=0
Strauven, W. (n.d.). The cinema of attractions reloaded. Amsterdam University Press. https://0-www-jstor-org.pugwash.lib.warwick.ac.uk/stable/10.2307/j.ctt46n09s
Strauven, W. (2006). The Cinema of Attractions Reloaded: Vol. Film culture in transition. Amsterdam University Press. http://lib.myilibrary.com/Open.aspx?id=95844&src=0
Teo, S. (2001). Wong Kar-wai’s In the Mood for Love: Like a Ritual in Transfigured Time. http://sensesofcinema.com/2001/wong-kar-wai/mood/
Teo, S. (2005). Wong Kar-Wai: Vol. World directors. BFI.
Thomson, D. (n.d.). Birth. https://contentstore.cla.co.uk/secure/link?id=5137bebe-d943-e611-80bd-0cc47a6bddeb
Thomson, D. (2005). The Whole Equation: a Hstory of Hollywood. Little, Brown.
Thomson, D. (2007). Nicole Kidman. Bloomsbury.
Thomson, D. (2012a). The Big Screen: the Story of the Movies (1st ed). Farrar, Straus and Giroux.
Thomson, D. (2012b). The Big Screen: the Story of the Movies (1st ed). Farrar, Straus and Giroux.
Verbinski, G., & Depp, J. (n.d.). The Lone Ranger [DVD]. http://www.amazon.co.uk/Lone-Ranger-DVD-Johnny-Depp/dp/B00ECCRNG6/ref=sr_1_2?ie=UTF8&qid=1455639448&sr=8-2&keywords=the+lone+ranger
Villeneuve, D. (2015). Sicario [DVD]. http://www.amazon.co.uk/Sicario-DVD-Emily-Blunt/dp/B016AN4EMK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455716594&sr=1-1&keywords=sicario
Vincendeau, G., & Graham, P. (2009). The French new wave: critical landmarks ([New ed.]). BFI/Palgrave Macmillan.
Vineyard, J. (2013). How to Make a Movie: Nicole Holofcener on the Difference Between Directing Movies and TV’ -- Vulture. http://www.vulture.com/2013/10/nicole-holofcener-on-directing-tv-vs-movies.html#
Weetch, O., & 2013. (n.d.). Stoker: Alternate Take. http://www.alternatetakes.co.uk/?2013,4,484
Weine, R., Pommer, E., Krauss, W., Veidt, C., Feher, F., & Dagover, L. (1991). The Cabinet of Dr. Caligari [Videorecording]. [s.n.].
Wexman, V. W. (2003). Film and Authorship: Vol. Rutgers depth of field series. Rutgers University Press.
Wilder, B., Diamond, I. A. L., Thoeren, R., Logan, M., Monroe, M., Curtis, T., Lemmon, J., Brown, J. E., Raft, G., O’Brien, P., Lang, C. B., Haworth, T., Schmidt, A., Deutsch, A., Orry-Kelly, Ashton Productions, & Mirisch Corporation. (2007). Some Like it Hot: Vol. Cinema reserve (Metal steel book ed) [Videorecording]. Twentieth Century Fox Home Entertainment. https://learningonscreen.ac.uk/ondemand/index.php/prog/001AAE13?bcast=123176062
Wilson, E. (2006). Alain Resnais: Vol. French film directors. Manchester University Press.
Winston, B. & British Film Institute. (2013). The Documentary Film Book. Palgrave Macmillan.
Wong, K., & Leung, T. C. W. (2003). In the Mood for Love (Widescreen version) [Videorecording]. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419
Wood, R. (n.d.). Vertigo. https://contentstore.cla.co.uk/secure/link?id=34e1c816-e743-e611-80bd-0cc47a6bddeb
Wood, R. (2002). Hitchcock’s Films Revisited (Rev. ed). Columbia University Press.
Wood, R. & British Film Institute. (2003). Rio Bravo: Vol. BFI film classics. British Film Institute.
Wyler, W., Andrews, D., Loy, M., Mayo, V., March, F., & Russell, H. (2004). The Best Years of Our Lives [Videorecording]. MGM Home Entertainment.
Wyman, J., Hudson, R., Moorehead, A., Nagel, C., Grey, V., Talbott, G., Sirk, D., Lee, E., Fenwick, P., Hunter, R., Metty, R., Gross, F., Skinner, F., & Universal-International (Firm). (2007). All That Heaven Allows [Videorecording]. Universal Pictures Video. https://learningonscreen.ac.uk/ondemand/index.php/prog/0001483A?bcast=124401766
Zanuck, D. F., Stahl, J. M., Bacher, W. A., Swerling, J., Tierney, G., Wilde, C., Crain, J., Price, V., Philips, M., Collins, R., Lockhart, G., Hadley, R., Hickman, D., Wills, C., Williams, B. A., & Twentieth Century Fox Home Entertainment, Inc. (2004). Leave Her to Heaven (Full frame version). Twentieth Century Fox Home Entertainment.
Zborowski, J. (2016a). Classical Hollywood Cinema: Point of View and Communication. Manchester University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102821
Zborowski, J. (2016b). Classical Hollywood Cinema: Point of View and Communication. Manchester University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102821