Bibliography for EN121: Medieval to Renaissance English Literature BETA

Ackroyd, P. (1998) The life of Thomas More. London: Chatto & Windus.

Aers, D. (1988) Community, gender, and individual identity: English writing 1360-1430. London: Routledge.

Allen, V. and Axiotis, A. (1997) Chaucer. Basingstoke: Macmillan.

Alpers, P.J. (1967) Elizabethan poetry: modern essays in criticism. London: Oxford University Press.

Alpers, P.J. (1982) The poetry of the Faerie queene. Columbia: University of Missouri Press.

Andrew, M. and Waldron, R. (2007) The Poems of the Pearl Manuscript: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight: Fully Revised Fifth Edition with New Introduction and Incorporating Prose Translation on CD-ROM. 5th Revised edition. Liverpool University Press. Available at: https://go.exlibris.link/NKDRQ3xj.

Ashe, L., Djordjević, I. and Weiss, J. (2010) The exploitations of medieval romance. Cambridge: D.S. Brewer. Available at: https://go.exlibris.link/B0XkfTLm.

Baker, D.J. and Maley, W. (2002) British identities and English Renaissance literature. Cambridge, UK: Cambridge University Press.

Baker-Smith, D. (1978) Thomas More and Plato’s voyage. Cardiff, Wales: University College Cardiff Press.

Barron, W.R.J. (1980) Trawthe and treason: the sin of Gawain reconsidered : a thematic study of Sir Gawain and the green knight. Manchester: Manchester University Press.

Bates, C. (1992) The rhetoric of courtship in Elizabethan language and literature. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/8Qg0HJr7.

Bates, C. (2010a) Masculinity, gender and identity in the English Renaissance lyric. Paperback ed. Cambridge: Cambridge University Press.

Bates, C. (2010b) The Cambridge companion to the epic. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2597757.

Beadle, R. and Fletcher, A.J. (eds) (2008) The Cambridge Companion to Medieval English Theatre. Second edition. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/yR9mCLR7.

Beckwith, S. (2003) Signifying God: social relation and symbolic act in the York Corpus Christi plays. Chicago, Ill: University of Chicago Press.

Bennett, J.A.W. and Gray, D. (1986) Middle English literature. Oxford: Clarendon.

Benson, L.D. (1965) Art and tradition in Sir Gawain and the Green Knight. New Brunswick, N.J.: Rutgers University Press.

Berger, H. (1968) Spenser: a collection of critical essays. Englewood Cliffs, N.J: Prentice-Hall.

Berger, H. (1988) Revisionary play: studies in the Spenserian dynamics. Berkeley: University of California Press.

Berry, P. (1989) Of chastity and power: Elizabethan literature and the unmarried  queen. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2687750.

Betteridge, T. (2004) Literature and politics in the English Reformation. Manchester: Manchester University Press.

Bevington, D.M. (1962) From ‘Mankind’ to Marlowe: growth of structure in the popular drama  of Tudor England. Cambridge (Mass.): Harvard University Press. Available at: https://go.exlibris.link/tTf8Zbm5.

Boitani, P. and Mann, J. (eds) (2003) The Cambridge Companion to Chaucer. Second edition. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2597968.

Brewer, D. and Gibson, J. (1997) A companion to the Gawain-Poet. Woodbridge: D. S. Brewer. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3454466.

Brewer, E. (1973) From Cuchulainn to Gawain: sources and analogues of ‘Sir Gawain and  the green knight’. Cambridge: D.S. Brewer Ltd.

Briscoe, M.G. and Coldewey, J.C. (1989) Contexts for early English drama. Bloomington: Indiana University Press.

Brooks Davies, D. (1977) Spenser’s Faerie Queene: a critical commentary on Books I and II. Manchester: Manchester University Press.

Brown, G. (2004) Redefining Elizabethan literature. New York: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SRedefining%20Elizabethan%20literature%20-%20Georgia%20Brown%2C%20__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Brown, P. (2000) A Companion to Chaucer. Oxford: Blackwell. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3320056.

Brown, P. (2011) Geoffrey chaucer. Oxford: Oxford University Press.

Burnley, J.D. (1983) A guide to Chaucer’s language. London: Macmillan.

Burrow, C. (1993) Epic romance: Homer to Milton. Oxford: Clarendon Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2663692.

Burrow, J.A. (1965) A reading of ‘Sir Gawain and the Green Knight’. London: Routledge and Kegan Paul.

Burrow, J.A. (1971) Ricardian poetry: Chaucer, Gower, Langland and the ‘Gawain’ poet. London: Routledge & Kegan Paul.

Burrow, J.A. (2001) The Gawain-poet. Tavistock: Northcote House.

Burrow, J.A. (2008a) Medieval writers and their work: Middle English literature 1100-1500. 2nd ed. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2922180.

Burrow, J.A. (2008b) Medieval writers and their work: Middle English literature 1100-1500. 2nd ed. Oxford: Oxford University Press. Available at: https://go.exlibris.link/07rjH0Tg.

Burt, S. and Mikics, D. (2011) The art of the sonnet. 1st Belknap Press of Harvard University Press pbk. ed. Cambridge, Mass: Belknap Press of Harvard University Press.

Buxton, J. (1964) Sir Philip Sidney and the English Renaissance. 2nd ed. London: Macmillan.

Callaghan, D. (2007) Shakespeare’s sonnets. Malden: Blackwell Pub. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SShakespeare%27s%20sonnets%20-%20Dympna%20Callaghan%2C%20__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Ff%3Afacetcloud%3Aenglish%20sonnets%3Aenglish%20sonnets%3Aenglish%20sonnets%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Cawley, A.C. and Potter, L. (1983) The Revels history of drama in English. London: Methuen.

Chaucer, G. and Benson, L.D. (2008) The Riverside Chaucer. 3rd ed. Oxford: Oxford University Press.

Cheney, P. (2004) The Cambridge companion to Christopher Marlowe. New York: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2597572.

Cheney, P. (2007) The Cambridge companion to Shakespeare’s poetry. New York: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2597676.

Cherewatuk, K. and Whetter, K.S. (2009) The Arthurian way of death: the English tradition. Woodbridge: D.S. Brewer. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SThe%20Arthurian%20Way%20of%20Death:%20The%20English%20Tradition,%20__Ff:facetmediatype:h:h:E-Book::__Orightresult__U__X0?lang=eng&suite=cobalt.

Claeys, G. (2010) The Cambridge companion to utopian literature. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2597535.

Clarke, K.P. (2011) Chaucer and Italian textuality. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2662891.

Cole, A. (2008) Literature and heresy in the age of Chaucer. New York: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2798654.

Coleman, J. (2011) Medieval readers and writers, 1350-1400. ACLS. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2667501.

Cooper, H. (1996) The Canterbury tales. 2nd ed. Oxford: Oxford University Press.

Copeland, R. and Struck, P.T. (2010) The Cambridge companion to allegory. New York: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2597830.

Cousins, A.D. (2000a) Shakespeare’s sonnets and narrative poems. Harlow: Longman.

Cousins, A.D. (2000b) Shakespeare’s sonnets and narrative poems. Harlow: Longman. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3454428.

Craft, W. (1994) Labyrinth of desire: invention and culture in the work of Sir Philip Sidney. Newark: University of Delaware Press.

Crewe, J.V. (1990) Trials of authorship: anterior forms and poetic reconstruction from Wyatt to Shakespeare. Berkeley: University of California Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2234085.

Davenport, W.A. (1978) The art of the ’Gawain’-poet. London: Athlone Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2921853.

Davenport, W.A. (1982) Fifteenth-century English drama: the early moral plays and their literary relations. Cambridge: Brewer.

David, A. (1976) The strumpet muse: art and morals in Chaucer’s poetry. Bloomington: Indiana University Press.

Davidson, C. (no date) From Creation to Doom: the York cycle of mystery plays. New York: AMS Press.

Davies, C.S.L. (1995) Peace, print and Protestantism, 1450-1558. New ed. London: Fontana.

DeNeef, A.L. (1982) Spenser and the motives of metaphor. Durham, N.C.: Duke University Press.

Derek Brewer (1998) A new introduction to Chaucer. 2nd ed. London: Longman. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3454467.

Dillon, J. (1998) Language and stage in medieval and renaissance England. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/qXGrHsR2.

Dillon, J. (2006) The Cambridge introduction to early English theatre. Cambridge, UK: Cambridge University Press.

Donaldson, E.T. (1970) Speaking of Chaucer. London: Athlone Press.

Downie, J.A. and Parnell, J.T. (2006) Constructing Christopher Marlowe. Cambridge: Cambridge University Press.

Dubrow, H. (1987) Captive victors: Shakespeare’s narrative poems and sonnets. Ithaca, New York: Cornell University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3437095.

Duncan-Jones, K. (1991) Sir Philip Sidney: courtier poet. London: Hamish Hamilton.

Edmondson, P. and Wells, S. (2004) Shakespeare’s sonnets. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2560439.

Edwards, R. (2002) Chaucer and Boccaccio: antiquity and modernity. Basingstoke: Palgrave. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2519796.

Eisenstein, E.L. (1980) The printing press as an agent of change: communications and  cultural transformations in early-modern Europe, volumes I and II. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2786766.

Ellis, S. (2005) Chaucer: an Oxford guide. Oxford: Oxford University Press.

Estrin, B.L. (1994) Laura: uncovering gender and genre in Wyatt, Donne, and Marvell. London: Duke University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535372.

Ferry, A. (1983) The ‘inward’ language: sonnets of Wyatt, Sidney, Shakespeare, Donne. Chicago: University of Chicago Press.

Fiedler, L.A. (1973) The stranger in Shakespeare. London: Croom Helm.

Fox, A. (1982) Thomas More: history and providence. Oxford: Basil Blackwell.

Fox, A. and Guy, J.A. (1986) Reassessing the Henrician Age: humanism, politics and reform  1500-1550. Oxford: Basil Blackwell.

Freeman, R. (1970) The faerie queene, a companion for readers. London: Chatto & Windus.

Grantley, D. and Roberts, P. (1996) Christopher Marlowe and English Renaissance culture. Aldershot: Scolar.

Gray, D. (2003) The Oxford companion to Chaucer. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3464532.

Greenblatt, S. (1988) Representing the English Renaissance. Berkeley: University of California Press.

Greenblatt, S. (2005) Renaissance self-fashioning: from More to Shakespeare. Chicago: University of Chicago Press.

Greenblatt, S. (2013) The Norton anthology of English literature: the major authors. Ninth edition. New York: W.W. Norton & Company.

Greene, T.M. (1982) The light in Troy: imitation and discovery in Renaissance poetry. New Haven: Yale University Press.

Gregerson, L. (1995) The reformation of the subject: Spenser, Milton and the English  Protestant epic. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/x55nR6Wj.

Guy, J.A. (1990) Tudor England. Oxford [Oxfordshire]: Oxford University Press.

Hadfield, A. (2001) The Cambridge companion to Spenser. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/B6c57Mzs.

Hamilton, A.C. (1972) ESSENTIAL ARTICLES FOR THE STUDY OF EDMUND SPENSER.

Hamilton, A.C. (ed.) (1990) The Spenser encyclopedia. Toronto: University of Toronto Press. Available at: https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwfV1LS8NAEB76wLNv64u96K0xr3Y3UJQqBpFcagW9ld10AlKbllTp33cm2eQg6DEsZNllZ76dmf2-AQh8x-3_8gky0Dgg8MlCqSI_MwN058bVykMd6jDjuDGeDp9fVPKuJi2Ia2pMWTG0zxSd2lc2tdStLrb2qaVT0QDu5qVrJuv3IjloQzuMKCLrjsdvk_sm9cJqmHTzKGleBFCKm0TW6k_2O6zkOFmujjVouVznkVvnjss7POtHuqg0pUoYinehi8xN2IMW5vtwnNhc40Zci6SRR94cwNVoqYvFLR0BMV1TnIqFYIZl-rlaM1FkdFMOH4KIH18fnvp2qplN5cxMEHArczKaI-jkqxxPQJhU-lng-oZNa-ihigiSjURFl7VMoteD3p-_Of1n7Iy2h6CqSjecQ-er-MaLZvWXdlN_AJlshaY.

Hamilton, D.B. (2006) A concise companion to English Renaissance literature. Malden: Blackwell Pub. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SA%20concise%20companion%20to%20English%20Renaissance%20literature%20-%20Donna%20B.%20Hamilton%2C%20__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Hankins, J.E. (1971) Source and meaning in Spenser’s allegory: a study of ‘The faerie  queene’. Oxford: Clarendon Press.

Hansen, E.T. (1992) Chaucer and the fictions of gender. Berkeley: University of California Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061492.

Happé, P. (1984) Medieval English drama: a casebook. London: Macmillan.

Hart, J.L. (2009) Shakespeare: poetry, history and culture. First edition. New York: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2328079.

Hattaway, M. (2010) A new companion to English Renaissance literature and culture. Chichester: Wiley-Blackwell. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SA%20new%20companion%20to%20English%20Renaissance%20literature%20and%20culture%20-%20Michael%20Hattaway%2C%20__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Heale, E. (1999) The faerie queen: a reader’s guide. 2nd ed. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/QBjXnwzx.

Hebron, M. (2008) Key concepts in Renaissance literature. Houndmills, Basingstoke: Palgrave Macmillan. Available at: https://go.exlibris.link/lMgcpJkJ.

Heitsch, D.B. and Vallée, J.-F. (2004) Printed voices: the Renaissance culture of dialogue. Toronto: University of Toronto Press. Available at: https://www.proquest.com/docview/2134163104?accountid=14888&parentSessionId=L%2FRZuE%2FMYxdn05i4cNkle4iVg4enTk2hCAtZNfYRHHQ%3D&pq-origsite=summon.

Helterman, J. (1981) Symbolic action in the plays of the Wakefield Master. Athens, Ga: University of Georgia Press.

Herman, P.C. (1994) Rethinking the Henrician era: essays on early Tudor texts and contexts. Urbana: University of Illinois Press.

Hillyer, R. (2010) Sir Philip Sidney, cultural icon. First edition. New York: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2486957.

Honan, P. (2005) Christopher Marlowe: poet & spy. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__Schristopher%20marlowe%20poet%20and%20spy__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Hopkins, A. and Rushton, C.J. (eds) (2007) The erotic in the literature of medieval Britain. Woodbridge: Boydell & Brewer. Available at: https://go.exlibris.link/CPDPGRD7.

Hopkins, L. (2000) Christopher Marlowe: a literary life. Basingstoke: Palgrave/Macmillan.

Hulse, C. (1999) Metamorphic verse: the Elizabethan minor epic. Ann Arbor: UMI Bell & Howell. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3400317.

Hume, A. (2008) Edmund Spenser: Protestant poet. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/FMNJQrqs.

Hyland, P. (2002) An introduction to Shakespeare’s poems. Basingstoke: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535506.

Ingledew, F. (2006) Sir Gawain and the Green Knight and the Order of the Garter. Notre Dame, Ind: University of Notre Dame Press.

Jardine, L. (1995) Erasmus, man of letters: the construction of charisma in print. New ed. Princeton University Press.

Jentoft, C.W. (1980) Sir Thomas Wyatt and Henry Howard, Earl of Surrey, a reference guide. Boston, MA: Hall.

Jones, N.L. (2002) The English Reformation: religion and cultural adaptation. Oxford: Blackwell.

Jones, P. (1977) Shakespeare: the sonnets : a casebook. London: Macmillan.

Kalstone, D. (1970) Sidney’s poetry: contexts and interpretations. New York: Norton.

Kane, S. (1989) Spenser’s moral allegory. Toronto: University of Toronto.

Kay, D. (1987) Sir Philip Sidney: an anthology of modern criticism. Oxford [Oxfordshire]: Clarendon Press.

Keach, W. (1977) Elizabethan erotic narratives: irony and pathos in the Ovidian  poetry of Shakespeare, Marlowe and their contemporaries. Hassocks: Harvester Press.

Keen, M. (1990) English society in the later Middle Ages 1348-1500. London: Penguin. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2667692.

King, J.N. (1990) Spenser’s poetry and the Reformation tradition. Princeton, N.J.: Princeton University Press.

King, P.M. (2006) The York Mystery Cycle and the worship of the city. Woodbridge: D.S. Brewer. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2787969.

Knapp, J.A. (2011) Image ethics in Shakespeare and Spenser. Basingstoke: Palgrave Macmillan. Available at: https://go.exlibris.link/6gMTt3m9.

Kneidel, G. (2008) Rethinking the turn to religion in early modern English literature: the poetics of all believers. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Knight, S. (1986) Geoffrey Chaucer. Oxford [Oxfordshire]: B. Blackwell.

Kolin, P.C. (1997) Venus and Adonis: critical essays. New York: Garland Pub. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3454429.

Kolve, V.A. (1966) The play called Corpus Christi. London: Edward Arnold.

Lawton, D.A. (1982) Middle English alliterative poetry and its literary background: seven essays. Woodbridge, Suffolk: D.S. Brewer.

Leech, C. and Lancashire, A. (1986) Christopher Marlowe: poet for the stage. New York: AMS Press.

Lemon, R. (2009) The Blackwell companion to the Bible in English literature. Chichester: Wiley-Blackwell. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2834937.

Lerer, S. (2006) The Yale companion to Chaucer. New Haven: Yale University Press.

Levao, R. (1985) Renaissance minds and their fictions: Cusanus, Sidney, Shakespeare. Berkeley: University of California Press.

Lever, J.W. (1966) The Elizabethan love sonnet. 2nd ed. London: Methuen.

Lever, J.W. (1974) Sonnets of the English Renaissance. London: Athlone Press.

Lewis, C.S. (1958) The allegory of love: a study in medieval tradition. New York: Galaxy/Oxford University Press.

Lochman, D.T., López, M. and Hutson, L. (2011) Discourses and representations of friendship in early modern Europe, 1500-1700. Farnham: Ashgate. Available at: https://go.exlibris.link/2slq7DQJ.

Logan, R.A. (2007) Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. Aldershot: Ashgate. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535513.

MacArthur, J.H. (1989) Critical contexts of Sidney’s ‘Astrophil and Stella’ and Spenser’s  ‘Amoretti’. Victoria, B.C.: English Literary Studies, University of Victoria.

MacCaffrey, I.G. (1976) Spenser’s allegory: the anatomy of imagination. Princeton: Princeton University Press.

Mann, J. (1991) Geoffrey Chaucer. New York: Harvester Wheatsheaf.

Marius, R. (1986) Thomas More: a biography. London: Collins.

Marlowe, C. et al. (1971) The complete poems and translations. Harmondsworth: Penguin.

Marlowe, C. and Orgel, S. (1971) The complete poems and translations [of] Christopher Marlowe. Harmondsworth (etc.): Penguin.

Marshall, P. (1997) The impact of the English Reformation, 1500-1640. London: Arnold.

Martin, P. (1996) Chaucer’s women: nuns, wives, and Amazons. Basingstoke: Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592969.

Martz, L.L. (1990) Thomas More: the search for the inner man. New Haven,(Conn.): Yale University Press. Available at: https://go.exlibris.link/3X6n6Ndw.

McCabe, R.A. (2010) The Oxford handbook of Edmund Spenser. Oxford: Oxford University Press. Available at: https://go.exlibris.link/tlZZ3R13.

McCoy, R.C. (1979) Sir Philip Sidney: rebellion in Arcadia. [Brighton]: Harvester Press.

McGrath, A.E. (2012) Reformation thought: an introduction. Fourth edition. Malden, MA: Wiley-Blackwell. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SReformation%20thought%3A%20an%20introduction__Ff%3Afacetfields%3Atitle%3Atitle%3ATitle%3A%3A__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

McManus, C. (2002) Spenser’s Faerie queene and the reading of women. Newark: University of Delaware Press.

McMullan, G. and Matthews, D. (2007) Reading the medieval in early modern England. Cambridge [UK]: Cambridge University Press.

Meek, R. (2009) Narrating the visual in Shakespeare. Farnham, England: Ashgate. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3454427.

Melchiori, G. (1976) Shakespeare’s dramatic meditations: an experiment in criticism. Oxford: Clarendon Press.

Moorman, C. (1968) The Pearl-poet. New York: Twayne Publishers.

More, T. et al. (1999) Utopia. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2825094.

More, T. and Adams, R.M. (1975) Utopia: a new translation, backgrounds, criticism. New York: Norton.

More, T., Logan, G.M. and Adams, R.M. (2002) Utopia. Rev. ed. Cambridge, U.K.: Cambridge University Press.

Moynahan, B. and Moynahan, B. (2003) William Tyndale: if God spare my life : a story of martyrdom, betrayal and the English Bible. London: Abacus.

Muscatine, C. (1957) Chaucer and the French tradition: a study in style and meaning. Berkeley: University of California Press.

Nicholls, J. (1985) The matter of courtesy: medieval courtesy books and the Gawain-poet. Woodbridge: Brewer.

Nichols, J.G. (1974) The poetry of Sir Philip Sidney: an interpretation in the context of his life and times. Liverpool: Liverpool University Press.

Nohrnberg, J. and Spenser, E. (1976) The analogy of The Faerie queene. Princeton, N.J.: Princeton University Press.

Nolan, B.E. (1992) Chaucer and the tradition of the roman antique. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2799062.

Norbrook, D. (2002) Poetry and politics in the English Renaissance. Rev. ed. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2663066.

Normington, K. (2004) Gender and medieval drama. Woodbridge: D.S. Brewer. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2781030.

Normington, K. (2007) Modern mysteries: contemporary productions of medieval English cycle dramas. Woodbridge: Boydell & Brewer.

Norton, D. (2010) The King James Bible: a short history from Tyndale to today. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2790134.

Oram, W.A. (1997) Edmund Spenser. New York: Twayne Publishers.

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