Bibliography for FI325: Horror and the Gothic in Film and Television BETA

‘A Girl Walks Home Alone at Night (2014)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0A862C97?bcast=124113693.

‘A Wilderness of Horrors? British Horror Cinema in the New Millennium’’ (2012) Journal of British Cinema and Television, 9(3). Available at: http://0-www.euppublishing.com.pugwash.lib.warwick.ac.uk/doi/pdfplus/10.3366/jbctv.2012.0099.

Abbott, S. (2016) Undead apocalypse: vampires and zombies in the twenty-first century. Edinburgh: Edinburgh Univiversity Press. Available at: https://go.exlibris.link/vSRfbZqP.

Abdi, S. and Calafell, B.M. (no date) ‘Queer utopias and a (Feminist) Iranian vampire: a critical analysis of resistive monstrosity’. Available at: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/pdf/10.1080/15295036.2017.1302092?needAccess=true.

Allan Cameron (2012) ‘Zombie Media: Transmission, Reproduction, and the Digital Dead’, Cinema Journal, 52(1), pp. 66–89. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/23360281?seq=1#page_scan_tab_contents.

Amirpour, A.L. et al. (2015) ‘A girl walks home alone at night’. [United Kingdom]: Studiocanal Limited.

Arnold, S. (2013) Maternal horror film: melodrama and motherhood. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://go.exlibris.link/5wCgXxWP.

Aviva Briefel (2009) ‘What Some Ghosts Don’t Know: Spectral Incognizance and the Horror Film’, Narrative, 17(1), pp. 95–110. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30219292?seq=1#page_scan_tab_contents.

Aviva Briefel (2017) ‘Parenting through Horror: Reassurance in Jennifer Kent’s The Babadook’, Camera Obscura: Feminism, Culture, and Media Studies, 32(2 95), pp. 1–27. Available at: https://0-read-dukeupress-edu.pugwash.lib.warwick.ac.uk/camera-obscura/article/32/2%20(95)/1/129326/Parenting-through-Horror-Reassurance-in-Jennifer.

Balmain, C. (2008) Introduction to Japanese horror film. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/HXLg9ZJ4.

Barr, C. and British Film Institute (1986) All Our Yesterdays: 90 Years of British Cinema. London: BFI Publishing.

Barta, T. (1998) Screening the Past: Film and the Representation of History. Westport, Conn: Praeger.

Bell, E. and Mitchell, N. (2012) Britain. Bristol: Intellect. Available at: https://go.exlibris.link/9RqBqxcy.

Bell, J. and British Film Institute (2013) Gothic: The Dark Heart of Film. London: BFI.

Berenstein, R.J. (1996) Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema. New York: Columbia University Press.

Bingham, A. (2015) Contemporary Japanese cinema since Hana-bi. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/T6jJvwy8.

Bishop, K.W. (2010) American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture. Jefferson, N.C.: McFarland & Co.

Bitel, A. (no date) ‘The Best of FrightFest 2015’, Sight and Sound, September 30, 2015. Available at: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/festivals/best-frightfest-2015.

Blake, L. (2008) The wounds of nations: horror cinema, historical trauma and national identity [electronic resource]. Manchester: Manchester University Press. Available at: http://ebookcentral.proquest.com/lib/warw/detail.action?docID=1069592.

Boluk, S. and Lenz, W. (2011) Generation zombie: essays on the living dead in modern culture. Jefferson, N.C.: McFarland. Available at: https://go.exlibris.link/3VcXlLDm.

Bosma, P. (2015) Film programming: curating for cinemas, festivals, archives. New York: Wallflower, an imprint of Columbia University Press. Available at: https://go.exlibris.link/dz6Jxw9l.

Boss, P. (1986) ‘Vile Bodies and Bad Medicine’, Screen, 27(1), pp. 14–25. Available at: https://doi.org/10.1093/screen/27.1.14.

Botting, F. (1996) Gothic. London: Routledge.

Brown, S. and Abbott, S. (2010) ‘The art of splatter: Dexter, CSI, Bones and body horror’, in Dexter: investigating cutting edge television. London: I. B. Tauris, pp. 205–220.

Browning, M. (2007) David Cronenberg: Author or Film-Maker? Bristol: Intellect Books.

Buerger, S. (2017) ‘The beak that grips: maternal indifference, ambivalence and the abject in’, Studies in Australasian Cinema, 11(1), pp. 33–44. Available at: https://doi.org/10.1080/17503175.2017.1308903.

Carol J. Clover (1987) ‘Her Body, Himself: Gender in the Slasher Film’, Representations, (20), pp. 187–228. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/2928507?seq=1#page_scan_tab_contents.

Carpenter, J. et al. (1979) ‘Halloween’. [U.K.]: BBC1.

Carpenter, J. et al. (1982) ‘The Thing’. [London]: Universal Pictures. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00005ABF?bcast=95561559.

Carroll, N. (1990) ‘Why Horror?’, in The philosophy of horror or paradoxes of the heart. London: Routledge, pp. 158–195.

Ceyton, K. et al. (no date) ‘The Babadook’. [London]: Icon Film Distribution.

Chibnall, S. and Petley, J. (2002a) British Horror Cinema. London: Routledge.

Chibnall, S. and Petley, J. (2002b) British Horror Cinema. London: Routledge.

Christie, D. and Lauro, S.J. (2011) Better off Dead: The Evolution of the Zombie as Post-Human. 1st ed. New York: Fordham University Press. Available at: https://warwick.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwfV3bSgMxEB16eRFfKipWq-wPVNckZjdQhFZdRQSpCvpWsrlUEEtZuxT_3pkQFxT0NZcJSYZMzmTmBICz43T460wQNlUuR3yb4Q1bCKeV4N5I6UtUGWYJNxaP8vYhv3vJpy24bpxMFGZp3byqP1eRMXVZz9f64zXE76x1RR-Ox7QrQkXEGEuPR0zRn9VtaAuFkKw7Hj9PJ996JjLEGCzNAh1kbMoiGU_TNfJxorn_KTIk94RRN-m4joao6EHXUXbCFrTcYhsGo3ddvZ1PQkpOcu99colbNjoJpTuQFFdPFzfDKGgWPTWzkmdnUiE-5LvQQfTv9iDxxhhi5EmFsYjFrJYq55x54-RpiealD_0_xez_U3cAG4wi-YM3YQCdVVW7w2ZuR3HJvgBgvHfd.

Conrich, I. (2010a) Horror Zone: The Cultural Experience of Contemporary Horror Cinema. London: I. B. Tauris.

Conrich, I. (2010b) Horror Zone: The Cultural Experience of Contemporary Horror Cinema. London: I. B. Tauris.

Crane, J.L. (1994a) Terror and Everyday Life: Singular Moments in the History of the Horror Film. Thousand Oaks, Calif: Sage Publications. Available at: https://go.exlibris.link/h6Zk07Vv.

Crane, J.L. (1994b) Terror and Everyday Life: Singular Moments in the History of the Horror Film. Thousand Oaks, Calif: Sage Publications. Available at: https://go.exlibris.link/h6Zk07Vv.

Creeber, G. (2004) Serial Television: Big Drama on the Small Screen. London: BFI.

Creed, B. (1986) ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’, Screen, 27(1), pp. 44–71. Available at: https://doi.org/10.1093/screen/27.1.44.

Creed, B. (1993) The Monstrous Feminine: Film, Feminism, Psychoanalysis. London: Routledge. Available at: https://go.exlibris.link/470q8WS7.

Creed, B. (2005) Phallic Panic: Film, Horror and the Primal Uncanny. Carlton, Vic., Australia: Melbourne University Press.

Curran, J. and Porter, V. (1983) British Cinema History. London: Weidenfeld and Nicolson.

Diane Waldman (1984) ‘“At Last I Can Tell It to Someone!”: Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s’, Cinema Journal, 23(2), pp. 29–40. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1225123?seq=1#page_scan_tab_contents.

Dika, V. (1990) Games of Terror: Halloween, Friday the 13th, and the Films of the Stalker Cycle. Rutherford, (etc.): Fairleigh Dickinson University Press.

Dixon, W.W. (1994) Re-Viewing British Cinema, 1900-1992: Essays and Interviews. Albany: State University of New York Press.

Dixon, W.W. (2010) A History of Horror. New Brunswick, N.J.: Rutgers University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2963660.

Donald, J. (1989) Fantasy and the Cinema. London: British Film Institute.

Dyer, R. (1988) ‘White’, Screen, 29(4), pp. 44–65. Available at: https://doi.org/10.1093/screen/29.4.44.

Eco, U. (1979) The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana University Press.

Eco, U. (1995) Six Walks in the Fictional Woods. Cambridge, Massachusetts: Harvard University Press.

Eggers, Robert, 1983- screenwriter, film director. (no date) ‘The witch : a New England folktale / A24 ; written & directed by Robert Eggers ; Parts & Labor, RT Features, Rooks Nest Entertainment, Maiden Voyage Pictures, Mott Street Pictures present ; in association with Code Red Productions, Scythia Films, Pulse Films, Special Projects ; produced by Jay Van Hoy, Lars Knudsen ; produced by Jodi Redmond, Daniel Bekerman ; produced by Rodrigo Teixeira.’

Ellis, K.F. (1989) The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology. Urbana: University of Illinois Press.

Elsaesser, T. (2013) ‘Film festival networks: the new topographies of cinema in Europe’, in The film festival reader. St Andrews, Scotland: St Andrews Film Studies, pp. 69–96. Available at: https://0-www-degruyter-com.pugwash.lib.warwick.ac.uk/view/book/9789048505173/10.1515/9789048505173-005.xml.

Fischer, A. (2013) Sustainable projections: concepts in film festival management. St Andrews: St Andrews Film Studies.

Fleenor, J.E. (1983) The Female Gothic. Montreal: Eden Press.

Forshaw, B. (2013) British Gothic Cinema. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://go.exlibris.link/xfscgBK1.

Freud, S. (no date) ‘The Uncanny’. Available at: http://web.mit.edu/allanmc/www/freud1.pdf.

Gallafent, E. (1988) ‘Black Satin: Fantasy, Murder and the Couple in “Gaslight” and “Rebecca”’, Screen, 29(3), pp. 84–105. Available at: https://doi.org/10.1093/screen/29.3.84.

García, A.N. (ed.) (2016a) Emotions in contemporary TV series. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://go.exlibris.link/9Lx8SfK3.

García, A.N. (ed.) (2016b) Emotions in contemporary TV series. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://go.exlibris.link/9Lx8SfK3.

Gledhill, C. (1999) ‘The Horror Film’, in The cinema book. 2nd ed. London: British Film Institute, pp. 194–204.

Gledhill, C. and British Film Institute (1987) Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute.

Grant, B.K. (1996a) The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press.

Grant, B.K. (1996b) The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press.

Grant, B.K. and Sharrett, C. (2004a) Planks of reason: essays on the horror film. Rev. ed. Lanham, Md: Scarecrow Press.

Grant, B.K. and Sharrett, C. (2004b) Planks of Reason: Essays on the Horror Film. Rev. ed. Lanham, Md: Scarecrow Press.

Grant, B.K. and Sharrett, C. (2004c) Planks of reason: essays on the horror film. Rev. ed. Lanham, Md: Scarecrow Press.

Halberstam, J. (1995) ‘Bodies that splatter: queers and chainsaws’, in Skin shows: gothic horror and the technology of monsters. Durham: Duke University Press, pp. 138–160. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2748427.

Hammond, M. and Mazdon, L. (2005a) The Contemporary Television Series. Edinburgh: Edinburgh University Press.

Hammond, M. and Mazdon, L. (2005b) The Contemporary Television Series. Edinburgh: Edinburgh University Press. Available at: https://go.exlibris.link/8yfbzK0D.

Hanson, H. (2007) Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London: I. B. Tauris. Available at: https://go.exlibris.link/YW0LtYHg.

Hark, I.R. (2002) Exhibition: The Film Reader. London: Routledge.

Hayward, P. (ed.) (2009) Terror tracks: music, sound and horror cinema. London, England: Equinox.

Helen, H. (2007) ‘Reviewing the Female Gothic Heroine: Agency, Identification and Feminist Film Critism’, in Hollywood heroines: women in film noir and the female gothic film. London: I. B. Tauris, pp. 33–62. Available at: https://contentstore.cla.co.uk/secure/link?id=d32206bf-9a43-e611-80bd-0cc47a6bddeb.

Heller, T. (1992) Dead secrets: Wilkie Collins and the Female Gothic. New Haven: Yale University Press.

Hills, M. (2005) ‘TV Horror’, in The pleasures of horror. New York: Continuum, pp. 111–128.

Hills, Matt (2005) ‘TV Horror’, in The Pleasures of Horror. New York: Continuum, pp. 111–128.

Hills, M. (2010) ‘Attending horror film festivals and conventions: liveness, subcultural capital and "flesh-and-blood genre communities’, Horror zone: the cultural experience of contemporary horror cinema, pp. 87–101.

Hollinger, K. (1993) ‘The Female Oedipal Drama of  Rebecca from Novel to Film’, Quarterly Review of Film and Video, 14(4), pp. 17–30. Available at: https://doi.org/10.1080/10509209309361414.

Hooper, T. et al. (1974) ‘The Texas Chainsaw Massacre’. [U.K.]: Universal Pictures (UK).

Hopkins, L. (2005) Screening the gothic. 1st ed. Austin, TX: University of Texas Press. Available at: https://go.exlibris.link/8jrT3pfS.

Hughes, W., Punter, D. and Smith, A. (2013) The Encyclopedia of the Gothic. Chichester, West Sussex, UK: Wiley-Blackwell.

Humm, P., Stigant, P. and Widdowson, P. (1986) Popular Fictions: Essays in Literature and History. London: Methuen. Available at: https://go.exlibris.link/3j3pRTHt.

Hunt, L., Lockyer, S. and Williamson, M. (eds) (2014) Screening the Undead: Vampires and Zombies in Film and Television. London: I.B. Tauris.

Hutchings, P. (1993) ‘Horror and the Family’, in Hammer and beyond: the British horror film. Manchester: Manchester University Press, pp. 159–185.

Iordanova, D. (2009) Film Festival Yearbook 1:The Festival Circuit. Edited by D. Iordanova and R. Rhyne. St. Andrews, Scotland: St. Andrews Film Studies in collaboration with College Gate Press.

Iordanova, D. (2013) The Film Festival Reader. St Andrews, Scotland: St Andrews Film Studies.

Iordanova, D. and Cheung, R. (2010) Film Festival Yearbook 2: Film Festivals and Imagined Communities. Edited by D. Iordanova and R. Chong. St. Andrews, Scotland: St Andrews Film Studies.

Iordanova, D. and Cheung, R. (eds) (2011) Film festivals and East Asia. St. Andrews, Scotland: St Andrews Film Studies.

Iordanova, D. and Torchin, L. (2012) Film Festival Yearbook 4: Film Festivals and Activism. Edited by D. Iordanova and L. Torchin. St Andrews: St Andrews Film Studies.

Iordanova, D. and Van de Peer, S. (eds) (2014) Film festivals and the Middle East. St Andrews: St Andrews Film Studies.

Jack Hunter (no date) Eros In Hell. Creation Books International, 1998.

Jancovich, M. (2002) Horror: The Film Reader. London: Routledge.

Janicker, R. (ed.) (2017) Reading American horror story: essays on the television franchise. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.

Joan Hawkins (2000) ‘Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture’, Film Quarterly, 53(2), pp. 14–29. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1213717?seq=1#page_scan_tab_contents.

Johnston, D. (2015) Haunted seasons: television ghost stories for Christmas and horror for Halloween. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://go.exlibris.link/6FBKxTtT.

Jones, O. (2011) Chavs: The Demonization of the Working Class. London: Verso.

Joshi, S.T. (2006) Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares [Two Volumes] [Hardcover]. Greenwood Press.

Journal of Neo-Victorian Studies (no date). Available at: http://www.neovictorianstudies.com/.

Jowett, Lorna (2013) ‘TV as horror’, in TV Horror: Investigating the Dark Side of the Small Screen. London: I.B. Tauris, pp. 179–200.

Jowett, L. (2013) ‘TV as horror’, in TV horror: investigating the dark side of the small screen. London: I.B. Tauris, pp. 179–200. Available at: https://contentstore.cla.co.uk/secure/link?id=a7fb10af-a343-e611-80bd-0cc47a6bddeb.

Jungerkes, S. and Wienand, C. (2012) ‘A past that refuses to die: Nazi zombie film and the legacy of occupation’, in D.H. Magilow, E. Bridges, and K.T. Vander Lugt (eds) Nazisploitation!: the Nazi image in low-brow cinema and culture. New York: Continuum, pp. 238–257. Available at: https://contentstore.cla.co.uk/secure/link?id=ecb221c3-a343-e611-80bd-0cc47a6bddeb.

Kackman, M. (2011) Flow TV: Television in the Age of Media Convergence. New York: Routledge. Available at: https://go.exlibris.link/cCyG9c0j.

King, S. (2010a) Danse Macabre. Gallery Books trade pbk. ed. New York: Gallery.

King, S. (2010b) Danse Macabre. Gallery Books trade pbk. ed. New York: Gallery.

Kovacs, L. (2005) The Haunted Screen: Ghosts in Literature and Film. Jefferson, N.C.: McFarland & Co.

Kracauer, S. (1947) From Caligari to Hitler: A Psychological History of the German Film. Princeton,New Jersey: Princeton University Press.

Kracauer, S. (2004) ‘Procession of Tyrants’, in From Caligari to Hitler: a psychological history of the German film. Rev. and expanded ed. Princeton, N.J.: Princeton University Press, pp. 77–87.

Kristeva, J. (1982) ‘Approaching Abjection’, The Oxford literary review, 5.

Leach, J. (2004) British Film. Cambridge, UK: Cambridge University Press. Available at: https://go.exlibris.link/02xVf8WL.

Leggott, J. (2008) Contemporary British Cinema: From Heritage to Horror. London: Wallflower.

Lennard, D. (2014) Bad Seeds and Holy Terrors: The Child Villains of Horror Film. Albany: State University of New York Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SBad%20Seeds%20and%20Holy%20Terrors%3A%20The%20Child%20Villains%20of%20Horror%20Film__Orightresult/StabSwitch?lang=eng&suite=cobalt.

Linda Williams (1991) ‘Film Bodies: Gender, Genre, and Excess’, Film Quarterly, 44(4), pp. 2–13.

Lury, K. (2010) The child in film: tears, fears and fairytales. London: I.B. Tauris.

MacCabe, C. (1986) High theory/low culture: analysing popular television and film. Manchester: Manchester University Press.

Magistrale, T. (2005a) Abject Terrors: Surveying the Modern and Postmodern Horror Film. New York: Peter Lang.

Magistrale, T. (2005b) Abject Terrors: Surveying the Modern and Postmodern Horror Film. New York: Peter Lang.

Marlow-Mann, A. (ed.) (2013) Archival film festivals. St Andrews: St Andrews Film Studies.

Mathijs, E. (2008) The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero. London: Wallflower.

McIntosh, S. and Leverette, M. (2008) Zombie culture: autopsies of the living dead. Lanham, Md: Scarecrow Press.

McRoy, J. (2005) Japanese horror cinema. Edinburgh: Edinburgh University Press.

McRoy, J. (2008) Nightmare Japan: contemporary Japanese horror cinema. Amsterdam: Rodopi. Available at: https://go.exlibris.link/G794cJwN.

Milbank, A. (1992) Daughters of the House: Modes of the Gothic in Victorian Fiction. Basingstoke: Macmillan. Available at: https://go.exlibris.link/9pGwBlJw.

Milbank, A. (1998) ‘Female Gothic’, in The Handbook to Gothic literature. Basingstoke: Macmillan, pp. 53–57.

Miles, R. (1994) ‘Introduction to Special Number: Female Gothic’, Women’s Writing, 1(2), pp. 131–142. Available at: https://doi.org/10.1080/0969908940010201.

Modleski, T. (1982) Loving with a Vengeance: Mass-Produced Fantasies for Women. Hamden, Conn: Archon Books.

Moreman, C.M. and Rushton, C. (2011a) Race, oppression and the zombie: essays on cross-cultural appropriations of the Caribbean tradition. Jefferson, N.C.: McFarland.

Moreman, C.M. and Rushton, C. (2011b) Zombies are us: essays on the humanity of the walking dead. Jefferson, N.C.: McFarland.

Murphy, R. et al. (2012) ‘American Horror Story: The Complete First Season’. [U.K.]: 20th Century Fox Home Entertainment.

Murphy, R. and British Film Institute (1992) Sixties British Cinema. London: British Film Institute. Available at: https://go.exlibris.link/LXpjJ0KQ.

Murphy, R. and British Film Institute (2009) The British cinema book. 3rd ed. London: BFI. Available at: https://go.exlibris.link/tMbvpRrv.

Mysterious Bodies (2007). Available at: http://intensitiescultmedia.com/2012/12/11/intensities-the-journal-of-cult-media-4-mysterious-bodies/.

Nakata, H. et al. (2007) ‘Dark water’. [USA]: Tartan Video.

Newman, K. and British Film Institute (1996) The BFI companion to horror. London: Cassell.

Nichols, B. (1985) Movies and Methods: Vol.2: An Anthology. Berkeley, Calif: University of California Press.

‘Night of the Living Dead (1968)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001A9F70?bcast=91796119.

Nowell, R. (2011) Blood money: a history of the first teen slasher film cycle [electronic resource]. New York: Continuum. Available at: http://ebookcentral.proquest.com/lib/warw/detail.action?docID=634569.

Odell, C. and Le Blanc, M. (2007) Horror Films. Harpenden: Kamera.

Palin, Michael. (no date) ‘Remember Me. [DVD] [2014]’. Available at: http://webcat.warwick.ac.uk/search~S15?/tremember+Me/tremember+me/1%2C6%2C9%2CB/frameset&FF=tremember+me+videorecording&1%2C1%2C.

Peacock, S. (2009) ‘Two Kingdoms Two Kings’, Critical Studies in Television: The International Journal of Television Studies, 4(2), pp. 24–36. Available at: https://doi.org/10.7227/CST.4.2.4.

Pinedo, I.C. (1997) Recreational terror: women and the pleasures of horror film viewing. Albany, N.Y.: State University of New York Press.

Pirie, D. (1973) A Heritage of Horror: The English Gothic Cinema, 1946-1972. London: Gordon Fraser Gallery Ltd.

Pirie, D. (2008) A New Heritage of Horror: The English Gothic Cinema. [New ed.]. London: I.B. Tauris.

Porton, R. (2009) Dekalog: 03: On Film Festivals. London: Wallflower.

Prawer, S.S. (1980) Caligari’s Children: The Film as Tale of Terror. Oxford (etc.): Oxford University Press.

Punter, D. (2000) A Companion to the Gothic. Oxford: Blackwell Publishers.

Quigley, Paula. (2016) ‘When good mothers go bad: genre and gender in The Babadook’. Available at: https://0-www-proquest-com.pugwash.lib.warwick.ac.uk/lion/docview/1842820591/fulltextPDF/A5020BDB7B4746E7PQ/1?accountid=14888.

Reilly, K. et al. (2008) ‘Eden Lake’. [London]: ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01268C4D?bcast=120784128.

‘Remember Me’ (no date a). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/083487E3?bcast=114574508.

‘Remember Me’ (no date b). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/083E226E?bcast=114616461.

‘Remember Me’ (no date c). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/084457F0?bcast=114657181.

Risker, P. (2017) ‘Confronting Uncertainty: Jennifer Kent Discusses’, Quarterly Review of Film and Video, 34(1), pp. 13–17. Available at: https://doi.org/10.1080/10509208.2016.1222568.

Rose, J. (2009a) Beyond Hammer: British Horror Cinema since 1970. Leighton Buzzard: Auteur.

Rose, J. (2009b) Beyond Hammer: British horror cinema since 1970. Leighton Buzzard: Auteur.

Ruoff, J. (2012) Coming Soon to a Festival Near You: Programming Film Festivals. Edited by J. Ruoff. Scotland: St Andrews Film Studies.

Sargeant, J. and Watson, S. (1999) Lost Highways: An Illustrated History of Road Movies. London: Creation.

Sasdy, P. et al. (1970) ‘Taste the Blood of Dracula’. Burbank, CA: Warner Home Video.

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