1.
Eurovision Song Contest. Eurovision Song Contest, Helsinki 2007. (2007).
2.
Eurovision Song Contest. Eurovision Song Contest, Kyiv 2005. (2005).
3.
Eurovision Song Contest. Eurovision Song Contest, Istanbul 2004. (2004).
4.
Eurovision’s Greatest Hits.
5.
Performing the ‘new’ Europe: identities, feelings and politics in the Eurovision Song Contest. (Palgrave Macmillan, 2013).
6.
Raykoff, I. & Tobin, R. D. A song for Europe: popular music and politics in the Eurovision Song Contest. vol. Ashgate popular and folk music series (Ashgate, 2007).
7.
Eurovision Song Contest official website. https://eurovision.tv/.
8.
Waszyński, M. et al. The Dybbuk. vol. Bel Canto Society classic DVD series (2005).
9.
Kantor, T., Wajdy, A., Teatr Cricot 2, Polskie Radio i Telewizja, & Ośrodek Dokumentacji Sztuki Tadeusza Kantora Cricoteka. Umarła klasa. (2006).
10.
Słobodzianek, T. & Craig, R. Our class: a new play. vol. Oberon modern plays (Oberon Books, 2009).
11.
National Theatre, Our Class. http://www.nationaltheatre.org.uk/49663/productions/our-class.html.
12.
Gluhovic, M. Performing European memories: trauma, ethics, politics. vol. Studies in international performance (Palgrave Macmillan, 2013).
13.
Holc, J. P. Working through Jan Gross’s Neighbors. Slavic Review 61, 453–459 (2002).
14.
Pakier, M. & Stråth, B. A European memory?: contested histories and politics of remembrance. vol. Studies in contemporary European history (Berghahn Books, 2010).
15.
Glowacka, D. & Zylinska, J. Imaginary neighbors: mediating Polish-Jewish relations after the Holocaust. (University of Nebraska Press, 2007).
16.
Wajda, A. et al. Katyn. (2009).
18.
Pinter, H. Ashes to ashes. (Grove Press, 1997).
19.
Hirsch, M. & Spitzer, L. The witness in the archive: Holocaust Studies/ Memory Studies. Memory Studies 2, 151–170 (2009).
20.
Cavani, L., Bogarde, D. & Rampling, C. The night porter. (2006).
21.
Lanzmann, C., Films Aleph, & Historia Films. Shoah. vol. Masters of cinema series (2007).
22.
Diana Taylor. Trauma and Performance: Lessons from Latin America. PMLA 121, 1674–1677 (2006).
23.
Hirsch, M. Projected Memory: Holocaust Photographs in Personal and Public Fantasy. in Acts of memory: cultural recall in the present 3–23 (Dartmouth College, 1999).
24.
Arias, L. Minefield. (2016).
25.
New plays from Spain: eight works by seven playwrights. (Martin E. Segal Theatre Center Publications, 2013).
26.
Delgado, M. M. Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory. Theatre Journal 67, 177–196 (2015).
27.
Gluhovic, M. Performing European memories: trauma, ethics, politics. vol. Studies in international performance (Palgrave Macmillan, 2013).
28.
Las Sin Tierra – 7 Attempted Crossings of the Straits of Gibraltar. (2004).
29.
The Sheep and the Whale. (2007).
30.
Ghazali, A. The Sheep and the Whale. (2001).
31.
Benhabib, S. The rights of others: aliens, residents, and citizens. vol. The John Robert Seeley lectures (Cambridge University Press, 2004).
32.
Agamben, G. Means without end: notes on politics. vol. Theory out of bounds (University of Minnesota Press, 2000).
33.
Biemann, U. Sahara chronicle: a collection of videos on mobility and the politics of containment in the Sahara. (2008).
34.
Biemann, U. & Sanders, A. Europlex. (2003).
35.
Arendt, H. The Decline of the Nation-State and the End of the Rights of Man. in The origins of totalitarianism vol. A Meridian book 267–304 (World Publishing, 1972).
36.
Hyndman, J. & Giles, W. Waiting for what? The feminization of asylum in protracted situations. Gender, Place & Culture 18, 361–379 (2011).
37.
Demos, T. J. Sahara Chronicle: Video’s Migrant Geography. in Ursula Biemann, mission reports: artistic practice in the field : video works, 1998-2008 178–190 (Published by Bildmuseet, Umeá University in collaboration with Arnolfini, 2008).
38.
Schlingensief, C. et al. Ausländer Raus!: Schlingensiefs Container. vol. Österreichische Film (2006).
39.
Mnouchkine, A. et al. La dernier caravansérail: Odyssées. (2006).
40.
Gilbert, H. & Lo, J. Performance and cosmopolitics: cross-cultural transactions in Australasia. vol. Studies in international performance (Palgrave Macmillan, 2007).
41.
Rau, M. et al. Die Europa Trilogie. (Verbrecher Verlag, 2016).
42.
Knittel, S. The Ruins of Europe: Milo Rau’s Europe Trilogy and the (Re)Mediation of the Real. Frame 29, 41–59 (2016).
43.
Tunstall, K. E. Displacement, asylum, migration: the Oxford Amnesty lectures 2004. (Oxford University Press, 2006).
44.
Piovesan, C. et al. The whistleblower. (2011).
45.
Smith, S. & Bissett, C. Roadkill. vol. Oberon modern plays (Oberon Books Ltd, 2011).
46.
Reinelt, J. When is ‘Labour’ a Coerced Performance? Trafficking, sex work, and consent. Lateral 5, (2016).
47.
Estrada-Fuentes, M. In the Battlefield: girls, love and sex during wartime in Colombia. Lateral 5, (2016).
48.
Brown, W., Iordanova, D. & Torchin, L. Moving people, moving images: cinema and trafficking in the new Europe. (St Andrews Film Studies, 2010).
49.
Tverdova, Y. V. Human Trafficking in Russia and Other Post-Soviet States. Human Rights Review 12, 329–344 (2011).
50.
Luscombe, T. The Schuman plan. (Nick Hern Books, 2006).
51.
Booker, C. The Real Deceit of Edward Heath: 1970-1973. in The great deception: a secret history of the European Union 134–157 (Continuum, 2003).
52.
Senior Nello, S. "An Introduction to European Integration: Definitions and Terminology,” and ‘A Brief History of European Integration’. in The European Union: economics, policies and history 1–34 (McGraw-Hill Higher Education, 2012).
53.
Rau, M. The Civil Wars. (2013).
54.
Rau, M. et al. Die Europa Trilogie. (Verbrecher Verlag, 2016).
55.
Reflections on Violence, Law, and Humanitarianism. Critical Inquiry 41, 390–427.
56.
Rau, M. The Moscow Trials. (2013).
57.
Zmijewski, A. Them. (2007).
58.
Džalto, Davor. Religion, politics, and beyond: the Pussy Riot case. Journal of Religion and Society 15, (2013).
59.
Bishop, C. Delegated Performance: Outsourcing Authenticity. October 140, 91–112 (2012).
60.
Brittain, V., Slovo, G., & Tricycle Theatre. Guantanamo: ‘honor bound to defend freedom’. vol. Oberon modern plays (Oberon Books, 2004).
61.
Butler, J. Precarious Life. in Precarious life: the powers of mourning and violence 128–152 (Verso, 2006).
62.
Wendy S. Hesford. Staging Terror. TDR: The Drama Review 50, 29–41 (2006).
63.
Theresia Walser. Our Forests Haven’t Been This Wild in Forever. Theater 36, 43–80 (2006).
64.
Balme, C. Tropes of Mixture: Reassessing Multiculturalism and Performance in Germany,. (2007).
65.
Wilkinson, J. The Place of the European Foreigner in Contemporary German Drama. Third Text 20, 755–764 (2006).
66.
Szuszies, D. et al. Resist. (2003).
67.
Castellucci, R. & Societas Raffaello Sanzio (Theatrical company). Tragedia endogonidia. vol. Eccentriche visioni (2007).
68.
Paravidino, F. Genoa 01. https://www.theguardian.com/stage/2002/mar/02/theatre.artsfeatures (2002).
69.
Kershaw, B. The radical in performance: between Brecht and Baudrillard. (Routledge, 1999).
70.
Balibar, É. We, the people of Europe?: reflections on transnational citizenship. vol. Translation/transnation (Princeton University Press, 2004).
71.
Wunderbaum. Beer Tourist. (2008).
72.
Kevin Robins. Transnational Cultural Policy and European Cosmopolitanism. Cultural Politics 3, 147–174 (2007).
73.
The project’s website. http://www.seas.se/.
74.
Biemann, U. Black Sea files. (2005).
75.
Reason, M. Glasgow’s year of culture and discourses of cultural policy on the cusp of globalisation. Contemporary Theatre Review 16, 73–85 (2006).
76.
Sassatelli, M. Imagined Europe. European Journal of Social Theory 5, 435–451 (2002).
77.
Brent Meersman. Theater Festivals and Their Audiences. Theater 41, 79–103 (2011).
78.
Hauptfleisch, T. & International Federation for Theatre Research. Theatre and Intermediality Working Group. Festivalising!: theatrical events, politics and culture. vol. Themes in theatre : collective approaches to theatre and performance (Rodopi, 2007).
79.
Hauptfleisch, T. & International Federation for Theatre Research. Theatre and Intermediality Working Group. Festivalising!: theatrical events, politics and culture. vol. Themes in theatre : collective approaches to theatre and performance (Rodopi, 2007).
80.
Delgado, M. M. & Rebellato, D. Contemporary European theatre directors. (Routledge, 2010).
81.
Delgado, M. M. & Rebellato, D. Contemporary European theatre directors. (Routledge, 2010).
